Ginger Simpson's Blog, page 79

WHICH SAMPLE CHAPTERS SHOULD YOU SEND TO AGENTS? BY RITA KARNOPP

The other day a new writer asked me which sample three chapters she should sent to an agent that requested them?  She felt her last three chapters were the strongest, and she was considering sending them.  Is this a good idea or really bad?Good thing that was an email . . . or she would have seen my jaw drop to the floor and my eyes bulge slightly.  My first response was - you wouldn’t start reading a novel at the last three, would you?  Then you shouldn’t expect an agent to start there – should you?  I’m a firm believer that you hook your reader with the first sentence . . . in the first paragraph . . . in the first chapter.  If you can’t do this – maybe your book should start somewhere else.  I once read that beginning writers should consider looking at how chapter three starts . . . and consider starting your book there.  Why?  Because when we first start writing – we think we must tell everything up front . . . and the book really starts on chapter three.  Believe it or not – I still just to chapter three and make sure that isn’t true with my books to this day!So the answer to the question – ‘which three chapters should I send?’ should always be the first three chapters of your book.  If those aren’t the strongest, then your book isn’t ready to be sent to an agent … an editor … or even to your best friend.  You should be editing, rewriting, and reworking your book until you can honestly say, yes, my first three chapters are everything they should be.  If I were a reader – I would be hooked and anxious to start chapter four.You want that agent or editor to say, “Wow – I can’t wait to find out what’s going to happen next.  I’m definitely requesting the entire manuscript to find out!”You might consider sending the first chapter, then choose two others after that (one from the middle and one from the end).  Some believe this is an advantageous approach, giving the editor or agent a clear picture of what your book is about and how your writing style evolves a story. 
The choice is yours.  But if you know those first three chapters won’t get an agent5 or editor to call – you better stop – write until you know it’s the best it can be.  The same goes for the rest of the book . . . because those first three chapters better not outshine the following chapters!  No one said this was going to be easy!

A Page Straight From Juliet Waldron - #apagestraightfrom

Angel's Flight byJuliet Waldron
Angelica and Jack’s sail aboard the The Judik ends when they are caught at a Hudson River port by British warships. The British know that The Judik is carrying powder for the American army. The runaway couple and the Patriot soldiers who are with them have no choice but to “head for the hills”.

The path they followed was a series of switchbacks, a footpath clinging to the rearing promontory. For a moment the entire line stopped while everyone stared with horrified fascination at what was going on below. The ships carrying the British flag were so much larger. They surged toward the rebels.
Streaks of red and puffs of blistering white illuminated the cove while the sun slipped away. The roar of cannons ricocheted back and forth between the high cliffs. One little ship exploded in a cloud of slow motion splinters. Almost before these had finished falling, its broken bow slipped beneath the Hudson’s green surface.
“Get moving, you fools!” This was Captain Van Dam, waving his arms frantically. “We can’t be caught!”
With much stumbling and rattling of rocks, the column moved again. Everyone understood the danger, but it was almost impossible to turn away from the scene on the river.
Clods of dirt and stones rattled from above, startling some of the horses at the end of the line. There was a constant fear of being kicked. Angelica stubbed her toes and staggered, trying not to fall. In the summer twilight, everyone was stumbling and cursing. Sparks flew as horseshoes struck rock.
Fearsome roars and flashes rose from the river. Finally, a rising red tide washed over them and, helplessly, everyone paused to look back. Angelica saw ships sailing fast toward the shore. Behind them, the sails of a two-masted ship too large to escape over the boom made a magnificent pyramid of fire.
“The Judik!” Angelica’s heart thumped her ribs.
“Yes,” Jack said. “Hurry!” he shouted to those who, gaping down at the river, blocked the trail ahead. “They’re coming after us!”
As they reached the top of the bluff, the tempo and size of the explosions on the river multiplied. Flames had reached the powder still stored on board the ship. Angelica, her sides aching from the steep climb, looked back. The Judik was the center of a whizzing, smoke-trailing fireworks display. The entire gorge glowed and rippled red as if the hills were melting into the river. The British were painting the world—Angelica’s world—with fire!
“Run! Damn it—run!”
The time was past for formalities. Jack’s arm caught her around the waist, and he rushed her up and over the final rise. Tongues of fire danced behind them.
Then, with an earsplitting roar, a sound that surpassed any she’d ever heard or imagined, the end came for Vanderzee’s ship. There was a blinding light, while the concussion staggered those who had lingered to watch. Men and animals screamed in fear. Jack threw his cloak around Angelica like a wing, pressed her close against his chest and rolled with her to the ground. When the raging incandescence passed, they were clutching each other in a bitter twilight that tasted of gunpowder.


Buy the Book, read reviews @
http://amzn.com/B0098CSH5Q

ARE YOU SERIOUS ABOUT WRITING THAT BOOK? CON’T. BY RITA KARNOPP

Yes, rejection hurts.  But you can learn to turn that into a learning experience.  Rejection is will always be part of the writing and publishing process.
The best thing you can do after reading a rejection is to sit down at the computer and write.  Prove you can write the book that will get a ‘yes’ from a publisher.  Wallowing in self-pity will do nothing but undermine your confidence and reaching your goal(s).
Do you watch the trends?  Well, most likely by the time you find out there’s a trend – it’s over.  Not really, but in many ways it’s true.  I don’t follow trends . . . I look for the story that moves me and ignites the ‘what if’ . . . ‘what if’ . . . and ‘what if’?
Editors are looking for a polished story that grabs their attention and is fresh and entertaining . . . whether it be humorous or a serious serial killer drama.  They’re looking for a fresh voice.
With the explosion of e-books and the ‘self-published’ writers, there’s a plethora of books needing serious ‘editing’ . . . and I believe we’re going to see serious repercussions – if not soon – later.  Not everything a person writes is worth putting out there. 
Recently a friend of mine called to tell me his book was just released.  I was so excited until he said, “I know it could use some editing – but I was tired of working on it and just wanted to get it published.”   OMG – right!  I had to ask if he self-published.  I wasn’t surprised when he said yes.  I wanted to take back every congratulatory comment’ I muttered.  Why?  It’s like a slap-in-the-face to the authors who’ve worked umpteen hours to get the book right, who’ve jump through the hoops, spent the time and money to learn the craft, and finally have gotten that publisher’s contract.
Now anyone can publish their own book and make it look like it’s from a publisher.  A reader purchases it and says, “That had so many typos, grammatical errors, and flaws – I was angry I spent money on it.”  Egad, is this the wave of the future?  I firmly believe a self-published book should be required to have ‘self-published’ stamped on the cover of their book.    Okay – let me step off my soap-box and continue.
A note: If you’re going to self-publish, be savvy enough to hire a reputable freelance editor to go over your work.  Believe me, one badly written – unpolished book – is the kiss of death to your writing career. 
One last bit of advice – don’t stop writing.  Keep working on your book until you know it’s ready for publishing – but don’t get so hung up on rewriting that you make it a one-book career.  I have a friend who has written … rewritten . . . and rewritten the same book for the past ten years.  It’ll never be done and she’ll never reach her goal of becoming a published author.
If you aspire to be a successful author you must keep writing, keep working, keep trying, and above all you must keep-believing you’ll reach your dream.

ARE YOU SERIOUS ABOUT WRITING THAT BOOK? BY RITA KARNOPP

Let’s face it – it’s easy to do nothing.  The label we give that is procrastination.  It’s so easy to remember ‘other’ things that need to be done or caught-up on . . . that tomorrow will be a better time to settle down and write.  Yet tomorrow we have the same problem . . . and so it goes.  You do everything – but write.
How can you change that pattern around?  Why don’t you launch a writing quota?  There are several kinds; number of words a day or a block of time each day, or even pages a day . . . or week, whichever you feel will get your butt in the chair writing.  Make it reasonable and don’t start by setting the expectations so high – you know you’ll never reach them.  Always tell yourself – you can do more, this is your minimum.
A habit I’ve gotten into is to review the last few pages of where I left off the day before . . . this gets me right into the mood and flow of my story.  Don’t procrastinate by fixing it over and over – I do correct small typos or sentences that aren’t working, but, I move into writing as quickly as I can.
Each writer has a different style, a process that works for them.  Find yours.  That starts with choosing the best time for you to write.  Some authors swear by the four am burst of energy . . . that would kill me!  I’m the late night – early morning writer – that would kill some other writers.  You see, we all know when we’re most creative.  If you don’t, then I suggest you try writing at different times and find out when you’re the most creative.  You’d be surprised at how much a difference this makes.
Never worry about whether the book is going to be or not be great!  Worrying about such things is only destructive.  Start your book and write it through until you type ‘the end.’  You can worry about fixing problems later.  Get the story done first . . . ignore that inner critic.
If you don’t believe you can write a great, gripping, compelling, moving story – who will?  Don’t create fears that will only keep you from writing or stifle your creativity.  Believe me; every author is aware he/she might look foolish, vulnerable, or even unsuccessful.  Why would you dwell on such things?  It’ll only keep you from writing the stories that are inside you fighting to get out.
That brings me to a pitfall I had to learn the hard way myself.  You see when I started writing, like every beginner, I knew absolutely nothing about the rules of writing.  So I thought the best thing I could do was get feedback from loveable family, trusted and objective friends, and the oh-so-helpful and caring critique group.  There was also the endearing writer friend who reviewed, judged, assessed, and commented on every sentence I wrote.  
Can you think of a few reasons why this just doesn’t work?  I can – only because I lived it.  Yep, everyone had an opinion – and none of them were the same.  I finally came to the conclusion that in order to please everyone, I’d have to write at least ten different books.  And although the one-on-one critique was wonderful, the book became ‘our voice’ instead of mine.  This is something to consider when writing your story.  In the end the story must be your voice and the book you want to write.
But, that’s not to say you shouldn’t listen to advice and learn from it.  Arrogance and defiance are two things that can stop you from cultivating, refining, and absorbing the process of writing. 
Rejection is a word we often hear associated with writing.  It’s not easy to get a rejection letter saying your book isn’t ‘good enough’ for a particular publisher.  Say what?  This is not a personal insult.  If you’re lucky you might find the publisher took time to tell you ‘why’ they didn’t find your book ready for their house.  This is a great way to learn what the marketplace is looking for, and you should pay great attention to these comments.   Don’t be insulted if you receive the ‘form letter’ either.  Can you imagine the thousands of manuscripts they must peruse in a week?  Again, it’s not personal.
Never slam your back against a wall and start bashing a publisher for not wanting your perfect manuscript on social media.  This is writer’s suicide if you ask me.

Tomorrow let’s continue talking about being serious about writing your book and how does rejection fit into the picture?

Scheduling your Posts - with Ginger Simpson #blogscheduling

Good day to you!  Just a quick blog to let you know that both Rita and I are gone for the week.  She's off panning for gold, visiting some research places, and my hubby and I are going camping in our new RV.  After a somewhat shaky start with a broken toilet and a leaky kitchen faucet, we are facing the wilds again, but this time with replacements working well.  Wish us luck!

Anyhow, the joy of blogger I wanted to share is the ability to schedule your posts in advance so you don't miss a beat.  Rita, bless her heart, has blogged clear into November, while I'm getting there.  So, our blogs will be here, but we won't.  If we don't comment or share posts right away, don't think us lazy.  We're just taking a well-earned (on Rita's part) vacation and trying to do something fun.  Me?  I'll be writing.  Camping is when I do my best.  We'll set the alarm, feed the attack dogs and be on our way.

Be back next week.  Take care and stay safe.  I hope I can come back and brag about all the progress I've made, whether it be on The Well or Yellow Moon.  :)

P.S.  As soon as we get home, hubby has to repack for a trip Hot August Nights.  Nineteen years ago on August 1st, we got married in a fever (to can Elvis' song), and Kelly's off to celebrate and probably try to find a new bride.  This one has gotten old, fat and complacent.  :)

Friday Freebits with Ginger - #frifreebits #blogshare

I'm continuing with six paragraphs from White Heart, Lakota Spirit , my western historical release from Eternal Press.  In this book, the heroine from Destiny's Bride is present, and although this is a stand-alone story, I suggest you read Cecile/Green Eyes' history to familiarize yourself with her decision to stay with the Lakota as it plays a role in Grace's life.  I really enjoyed researching and writing this book.

Here are my six this week.  Enjoy:

 Realizing her mother hadn’t followed, Grace rose up on her knees and peeked outside. A pack of whooping Indians rode round and round the wagon, their voices creating a din of eerie screams while bullets exploded. The hair on Grace’s arms stood on end. She covered her ears, crouched against the sidewall and prayed the savages would go away.

Shots rang out from beneath the wagon when Papa and Kevin returned fire.  Fretting over her mother, Grace peeked out again. Mama shrieked and grabbed for the tailgate, but a mounted marauderpumped a bullet into her shoulder. She fell, silenced for the moment, but tried to struggle to her feet. The Indian shot her again.
 Grace’s screams echoed in her own head. “No! Oh God, Mama,” she yelled at the top of her lungs. “Mamaaaa...”
Overpowered by hopelessness, Grace looked on as the painted rider stopped next to Mama’s fallen body and emptied another round into her. A stream of bright red trickled through the dry dirt, and her beloved mother lay motionless. Bile rose in Grace’s throat. She collapsed into a cowering heap, silenced her sobs with her hands, and clenched her teeth to keep from screaming.
God hadn’t intervened so maybe the ordeal was all a bad dream and Mama wasn’t really dead. Still, the shooting and whooping continued. Pounding hooves sent dust seeping into the wagon,and Grace sputtered. No matter how hard she tried, she couldn’t awaken from the terror.
The gunfire suddenly ceased. She listened for the awful war cries but heard nothing but stony silence. Terror brought her breathing in ragged gasps. Were her brother and father still alive? And what about Mama?
*****
Available on my Amazon page.  Favorable reviews are greatly appreciated.


Now, please visit the other participants and see what they are offering this week:


Jamie Hill
Tricia McGill
Juliet Waldron
Taryn Raye
Kathy Fischer-Brown
Rhobin Lee Courtright
Margaret Tanner

PRESS RELEASE - PLEASE SHARE - #pressrelease

Canadian Publisher Signs “Neglected” Great Authors of Yesteryear; Rescuing their Discriminating Fiction from Sea of Self-Published Works.Books We Love, Ltd. has a simple mandate; to provide a publishing and marketing platform for masterly authors who had their careers pulled from underneath them during the big-name publisher “swallow up” of the 1980s and 1990s. Signing authors who have spent the greater part of their lives honing their skills, Books We Love Ltd. is once again turning the spotlight onto quality writers that readers have been trying to find for twenty years.
 F or Immediate Release
 Calgary, Alberta – In this day and age, most self and vanity publishing services will take a cheque from anyone willing to hand one over. This leaves critics and readers with the disheartening task of having to sort the literary wheat from the chaff. However, one Canadian publisher is on a bold mission to not only re-connect readers with fiction written by master wordsmiths with decades of experience, but to re-ignite the careers of acclaimed and much-loved authors that readers thought had dropped off the radar for good. Calgary-based and independent Books We Love Ltd. is highly exclusive about who they sign; opting for previously-published authors who were left stranded after their small to mid-size publishers were swallowed up by the big guys. Many of these genre authors became bestsellers and literary legends in their own rights, only to find their careers pushed under the rug and readers crying out for their return. Authors under their wing include Joan Hall Hovey (known to many as Canada’s “Queen of Suspense”), Juliet Waldron, known for such historical favorites as Mozart’s Wife and Hand Me Down Bride, Kat Attalla who has over a dozen available romance titles and Jamie Hill, who is celebrating the print release of her new romantic suspense, ‘Pieces of the Past’ book one in her ‘Witness Security’ series. With over fifty authors to explore, the Books We Love Ltd. bibliography is a true Hall of Fame. “We’re releasing new and re-printed books only from authors who have a solid reputation for quality and credentials to match. They have won awards, dominated the former mid-lists and are often authority figures in their own professional industry,” explains Judith Pittman, Publisher for Books We Love Ltd.. “However, they were literally left with nowhere to turn after their publishers were incorporated into others and their works delisted. Considering many of these authors spent decades refining their skills and had loyal fan bases – it’s a travesty.”Continuing, “The good news is that they have now found a home at Books We Love Ltd. and we’re passionate about connecting them with their former readers, as well as garnering a new audience. You’ll often hear people asking what happened to that author they were once addicted to; well, he or she could very well be with us!” Of course, any great author would be oppressed without an extensive distribution network for their work. To that end, Books We Love Ltd. has just signed a deal to distribute their books in print in the USA, United Kingdom, Australia and Canada. Red Tuque will also be handling a portion of the distribution in Canada, with both distributors releasing a combined twenty-five titles this coming fall. “This print distribution is a big step for our authors, returning their work to its original format. Of course, we’ve not forgotten about eBooks and currently have over four-hundred titles exclusively available through Amazon Kindle. With each book priced at $4.99 or under, getting some of literature’s forgotten heroes into your hands has never been cheaper,” Pittman adds. In all, it’s a busy period of growth for Books We Love Ltd., who have long-term plans to continue uncovering supposed ‘bygone’ authors and giving them back the careers they once thrived within. For more information on the company and their authors, visit: http://bookswelove.net. Facebook: https://www.facebook.com/Books.We.Love.Ltd Twitter: https://twitter.com/BooksWeLove  About Books We Love Ltd.Books We Love, Ltd. is a publisher of discriminating fiction in eBook and print formats. The publisher gives away fabulous prizes, Kindles spa baskets, books, books and more books in their monthly contests.Contact: Judith Pittman / 403-695-6696 / judecalgary@shaw.ca

WRITING IS WORK - BY RITA KARNOPP #writingtips

If you’re honest . . . you’ll agree . . . writing is hard work. If it was easy – everyone would be doing it.  Actually lately it seems everyone is.  The problem I’m seeing with that is those new authors think all there is to writing is to write.  For them writing is going to be a breeze. There’s a lot more to writing than one would think.   There is plotting, dialog that’s exciting, pacing, internal and external conflict, character development, a beginning, middle, and an end?  Really?  Yep! 
Wait ‘till you’ve been dragged down the bumpy road toward finding a publisher a few times.  It’s not easy at all.  You can’t get into the door – unless you write a good book.  They don’t expect it to be perfect, but they do expect you to know ‘basic writing skills.’
Might I add a pet peeve of mine that has developed after months . . . even years of writing?  Maybe you’ve seen it too?  The author who decides their book is the next Gone With The Wind(Maybe we all think that).  They can feel a bidding war over their book coming on.  If that doesn’t happen right away – they decide those publishers and editors don’t know what they’re talking about (even though they’ve been in the business successfully for umpteen years).  This author won’t want pay to have his/her book professionally edited, so they decide to self-publish!  Yep!  It’s going to be so much better in print!
I just finished writing my sixteenth book . . . I know people who’ve written over a hundred!  I’m certain, with no doubt, each book – whether your second or your thirty-second . . . will take plotting, dynamic dialog, pacing, internal and external conflict, characterization, a beginning, a middle, and an end.  With each book we write – we improve and learn something new about writing.
My point is; we need to learn the craft of writing.  Writing isn’t a hobby, a spare-time activity, or something to play at. It’s work.  Don’t ever get the idea writing is easy.  If it is, you’re not working hard enough. The stuff that comes easy takes the most rewriting. And stuff that comes hard reads the easiest.People tell me all the time that they’re going to write their book - when they find time to write it.  And of course they will be that one-in-a-thousand writers who’ll sell their book to the first publisher they submit to. The reality is - they’ll get a real shocker when they sit before the blank computer screen.So don’t be one of those people who won’t study the craft of writing because they know everything there is to know already, or the writer who writes and rewrites but never finishes a book, or worse – the person who just talks about writing because they like the attention they get from telling people they’re an author. If you’re serious, read about the writing craft, learn all you can before you think about writing the next great novel. 
And above all, know you’re going to have to work at it.  Like anything that’s important to you – if you want to write that book, set a goal and do whatever it takes to achieve it.

A Page Straight From Jami Gray #apagestraightfrom

Hunted by the Past byJami Gray
Since I didn’t want to touch him, much, I poked a finger against his chest, ignoring the unexpected zap of awareness. “I don’t know how you found me or why, but right now I have other, more important things to do. So, why don’t--”  The ringing of the phone interrupted my tirade.  I shot a look at the phone sitting on the counter to our left, and then narrowed my gaze at Kayden. He quirked an eyebrow.   The phone rang again. “You going to answer it?” he drawled. Stepping back, I plucked the receiver off the cradle.  “Hello?” “Cyn?” What do you know, it was Thomas Anderson Gunderson, A.K.A. Tag.   I stared at the man standing across from me.  “Yeah.” “Where have you been? And why the hell won’t you answer my calls?”  Despite his questions, there was a thread of relief in my friend’s voice. Ex-friend, I reminded myself. “Why would I?” I gave my answer absently, watching Kayden make his way over to the other side of the counter and take a seat on a barstool.  In my ear, Tag cursed. “Dammit, Cyn. I don’t have time to explain shit now— ” “Why are you calling me?” I cut him off, ice coating every word.  “Why are you in Sedona?” he shot back, his voice hard. “I’m more concerned with how you got this number and why everyone seems determined to turn my cabin in to Grand Central Station.” Momentary silence filled the line.  “Shaw’s there?” “Got it in one.” “Thank God,” Tag muttered. “Be as bitchy as you want, Cyn, but tell me you’re okay. You ran away—” “I didn’t run from shit, Tag, I was kicked to the fucking curb as soon as you and everyone else got what you wanted.” “That’s not what happened.” “Really? Because from where I stood, it sure as hell looked like it.” Silence answered. Turning away from Kayden’s too avid gaze, I tried to regain control so I could kick both of these men back out of my life. “I’m fine, but I’m little busy dealing with my own situation.” “What kind of situation?” It actually sounded as if he gave a damn. Closing my eyes, I tried to shove aside the urge to bang my head against a wall at the single minded intensity of the male gender.  “My sister is AWOL.  Now, can we just focus on why you’re bothering me and Kayden has decided to pursue a career in B&E?” “How long has Kelsey been missing?”  The urgent note underlying Tag’s question reignited my earlier sense of unease, as if there was something bigger at play here. Worry about Kelsey trumped hurt feelings, so I answered. “Not sure, a couple hours maybe.  Her car is here.” The string of oaths spewing over the line from Tag proved no one could swear like a Marine. “Son of mangy bitch,” he muttered, then he took a deep breath.  “The cabin’s an hour and half outside of Phoenix?” He didn’t wait for my answer.  “I’ll meet you up there.  Stay with Kayden.” “Tag,” his name came out as a warning of my waning patience. My fingers tightened around the phone, and it took an amazing amount of will-power to not share my own colorful vocabulary. “You need to tell me what’s going on. Right. Now.” The last two words emerged around gritted teeth. “It’s about Flash. His killer is out.” His unexpected answer stabbed deep, drawing blood under my skin. Brutal memories boiled up and I almost missed his, “Stay with Kayden, Cyn.” 
******
Jami Gray grew up on the Arizona-Mexico border, and was adopted at the age of 14 to suddenly become the fifth eldest of 37 children. She graduated from Arizona State University with a Bachelor’s in Journalism and three minors-History, English, and Theater. (Decision-making was not her forte at the time.) Shortly after marrying her techie-geek hubby (who moonlighted as her best friend in high school) she completed a Masters in Organizational Management from University of Phoenix Oregon.


Now, years later, she’s back in the Southwest where she’s outnumbered in her own home by two Star Wars obsessed boys, one Star Wars obsessed husband, and an overly-friendly, 105-pound male lab. Delving into the wild paranormal worlds where romance collides with suspense and Urban Fantasy is queen, manages to salvage her sanity. Or so we let her believe...



Blurb for Hunted by the Past:

Sometimes death is the only way to out run the past…

A reluctant psychic who can relive the past, a man well versed in keeping secrets, and a psychopathic killer enter a deadly game where the past determines the future.


Changing the past is an impossibility ex-Marine, Cynthia “Cyn” Arden, understands all too well. Struggling in the aftermath of a botched mission, which cost her two teammates, her military career, and a fledging relationship, she’s brought home by a panicked phone call. The psychic killer behind her nightmares has escaped military custody to hunt down the remaining teammates, one by one. Next on his murderous list--Cyn. Her only chance at survival is to master the psychic ability she’s spent years denying.


The killer’s game brings her face to face with the one person guaranteed to throw her off kilter—the unsettling and distracting man she left behind, Kayden Shaw. Once she believed he’d stand by her side, until he chose his job and his secrets over her. A choice that’s left the scars of the past etched deep on her mind and heart.


To survive this twisted game, Cyn must risk trusting her heart and accepting who and what she is, or lose not only her life, but the man she loves.

Available Now:





You can find me at: Black Opal Books: www.BlackOpalBooks.com
Muse It Up Publishing: http://museituppublishing.com
Website: www.JamiGray.com
Facebook: https://www.facebook.com/jamigray.author
Facebook Author Page: https://www.facebook.com/JamiGrayUFWriter
Twitter: https://twitter.com/JamiGrayAuthor
Goodreads: http://www.goodreads.com/JamiGray
Google+: https://google.com/+JamiGray
Amazon Author Page: http://amzn.com/e/B006HU3HJI
Newsletter: http://eepurl.com/LvoZn






BUY LINKS:
You can find all the buy links for both books in all formats at:
http://jamigray.com/kynkronicles/
http://jamigray.com/psyivteams/

WORKING WITH EDITORS BY RITA KARNOPP

Once you’ve finished your book and are now in the enviable position of having (or seeking) an editor, how do you communicate with him/her?  What are their expectations?  What if you don’t understand what they want?
Above all, editors want quality work.  Period.  It’s their reputation on the line when a book falls short of expectations.  So what exactly does that mean?
Quality is subjective from editor to editor.  Like readers, they have different expectations and likes and dislikes.  You have to know what he/she wants.  That’s why it’s so important to have a good working relationship with your editor.  Ask the questions that need to be asked or you’ll find yourself floundering, adding extra stress (and who needs that) and you’ll realize you’re not giving your editor what they want.
Study successful authors in the genre you write.  This will give you a good basis for comparing and assessing the quality of your own work.
No matter what your editor expects, you must know they all want a story that grabs their attention, is emotional, with a new and exciting plot.  You want the editor to say, “I must have this book!”
Show your passion about your writing and your book(s).  That means you must pay attention to the little details such a spelling, grammar, and a crisp presentation.
Know your business.  Does the editor you’re submitting to handle the style and type of book you’re writing?  You’re wasting your time and theirs if you haven’t done your homework.
Send out your best work, not a manuscript that you know needs editing and revisions.  Believe me, editors remember poorly submitted work.  You might have the tightest story ever – and that editor won’t give it a glance if you’ve damaged your reputation earlier with a haphazard submission.

Show your confidence and pride in your work with each submission you make.  That right editor will grab you up if you’re submitting what he’s looking for.