Ron Jacobs's Blog, page 94
February 9, 2011
Ron Jacobs: Suleiman and the Muslim Brotherhood
February 5, 2011
Blasts From the Past-Stevie Wonder and Gil Scott Heron
I moved to Maryland in March 1974. A series of circumstances ended my New York City stay and my Fordham University student status. By August 1974 I was enrolled at the University of Maryland in College Park. Watergate had been on the television most of the summer until Dick Nixon took the (more profitable) coward's way out and resigned the presidency on August 9th of that year. It wasn't more than a month later that his successor pardoned the crook. Anyhow, a month or so before Nixon took a helicopter out of DC, I heard a song by Gil Scott- Heron and Brian Jackson at a friend's house in suburban Maryland. That song, titled "H20 Gate Blues" starts off with Scott-Heron and his band laughing in the background. From there, it moves on to musing like only Scott-Heron can in that voice that demands your attention and resonates with authority, yet sounds like a brother sitting next to you at a booth in a neighborhood bar. He begins by talking about the blues. From standard blues like "I don't got no woman blues" to "the United States government talkin' bout the "Energy Crisis Blues". From there, the song heads into some serious signifying about what imperial war is all about ("Pepsi-Cola and Phillips 66, Boeing Dow & Lockheed/ Ask them what we're fighting for and they never mention the economics of war") and the hypocrisy of US policy; the apathy of the US populace; the CIA in Chile; and the corruption and racism of US politicians. All of this backed by a bass and keyboard. In fact, I believe it is a Fender Rhodes once again. This song mixes up politics, cultural commentary, and plain old irony. It represented the state of the nation. Presently and presciently. Add a few more decades of names of politicians and nations invaded and it still does. The name of the album that song appeared on is called Winter In America. This was also the title of a song Scott-Heron released a year or so later on the album The First Minute of a New Day. That song is a lament for a United States of America that could have been. Speaking of winter, it's still awfully freakin' cold out there. And I'm not talking about the weather.
January 30, 2011
Is the Game Really Over for Mubarak? -updated January 31, 2011
If so, then the regimes in Yemen, Jordan and other Arab nations would be smart to initiate reforms sooner rather than later. That is, unless it is already too late. As for Palestine, its administrative forces should pay close attention. Not only might they lose whatever authority they have left among the Palestinians, but the fact of an Arab world composed of popular governments has got to be one that Israel fears. After all, it is the US-sponsored regimes like Mubarak's that have been essential to Tel Aviv projecting its expansionist policies across the region. For Mahmoud Abbas to express his support for Mubarak while the streets of Egypt are filled with protesters demanding his resignation is extremely shortsighted. Furthermore, it looks like a political calculation Abbas and the Palestinian Authority can ill afford to make given the recent Wikileaks cable releases revealing the PA's willingness to concede to Israeli demands many Palestinians consider at best anathema to Palestinian national interests. Ignoring governments for the moment, what do these protests mean for people around the world? As virtually any earthling knows, the past decade has seen an increase in economic disparity and political repression in almost every nation. From New York to Cairo; from Beijing to Buenos Aires, the neoliberal world order (or monopoly capitalism's latest phase) is feeling the effects of its greedy attempts to privatize the very basics of human survival. The legal and illegal corruption these attempts and the poverty they have spawned have been felt the deepest in nations like Tunisia and Egypt. Despotic government officials, their national and international business partners and the security forces that protect them have robbed and brutalized whole societies. All the while, those governments in the global north and west that have backed this phenomenon have in turn removed freedoms and economic security from large swaths of their own populations. Consequently, many nations have seen popular uprisings against these governmental actions, especially from their student and working class elements. But only two populations have reached the point of no return to the past: Tunisia and Egypt. Their example serves as a beacon.
Is the Game Really Over for Mubarak? -updated January 30, 2011
According to a report published by Reuters on July 13, 2009 , 77 million of the 80 million Egyptians live on less than $ 1 a day. Around 30 % of the workforce is unemployed, 7 % of children miss schools because of poverty. There are over 100,000 homeless youth. Egypt's official foreign debt is around 12 billion dollars, yet several of Mubarak's corrupt ruling elites have stolen almost half this amount from Egyptian banks. These facts, along with the record of abuse by police forces defy Washington's statement that it is "not too late" for the Mubarak regime to reform itself and become a democratic government. This statement is comparable to the Carter administration's support of the Shah of Iran in 1978 and 1979 while street protests that eventually included close to 10% of the Iranian population rocked the nation.
Although there are a number of major differences between the Iranian revolution and the current situation in Egypt--with the primary one possibly being the national differences--the fact is that popular uprisings are exactly that no matter where they occur. That being said, and with the understanding that all sides in Egypt are aware of history. If the process underway continues, two things to watch out for are the response to the general strike call and whether or not Mubarak is able to woo any leading elements of the opposition into his sphere. If the general strike response is massive, than one can expect to see Mubarak either forcefully crack down on the protests (if he can find any security units to go along with him) or invite someone like El-Baradei into his government. Of course, if the latter occurs, El Baradei runs the risk of losing whatever support he has amongst the protesters. If that happens (and using the Iranian experience as a template), then the way for more extreme religious elements opens wider. If El-Baradei and other more moderate elements refuse to accept any offers of reconciliation from Mubarak, then it would seem the only means that would remain for Mubarak would be resignation or repression. His appointment of the current head of Egyptian intelligence to the vice presidency seems to indicate he may very well choose the latter. While official appointments with little meaning are being made by Mubarak, thugs from his ruling party have been captured by Cairo residents breaking into homes and shops in that city's wealthier sections. In response, Egyptians citizens have begun to set up neighborhood watch committees.
One of the Egyptian movement groups not talked about very much in the west is Kefaya or the Egyptian Movement for Change. This group, which was announced in 2004, is a network of (mostly youthful) opposition groups and individuals from across the ideological spectrum with the primary goal of ending the Mubarak family rule. Its role in the current rebellion is publicly unannounced, but the fact that the protests seems to have begun in the universities and amongst Egyptian youth tends to encourage the supposition that Kefaya was instrumental in organizing them. Given the recent rebellions and revolutions across the Arab world, perhaps the synthesis represented by this movement is the wave of an Arab future.
If so, then the regimes in Yemen, Jordan and other Arab nations would be smart to initiate reforms sooner rather than later. That is, unless it is already too late. As for Palestine, its administrative forces should pay close attention. Not only might they lose whatever authority they have left among the Palestinians, but the fact of an Arab world composed of popular governments has got to be one that Israel fears. After all, it is the US-sponsored regimes like Mubarak's that have been essential to Tel Aviv projecting its expansionist policies across the region. For Mahmoud Abbas to express his support for Mubarak while the streets of Egypt are filled with protesters demanding his resignation is extremely shortsighted. Furthermore, it looks like a political calculation Abbas and the Palestinian Authority can ill afford to make given the recent Wikileaks cable releases revealing the PA's willingness to concede to Israeli demands many Palestinians consider at best anathema to Palestinian national interests.
Ignoring governments for the moment, what do these protests mean for people around the world? As virtually any earthling knows, the past decade has seen an increase in economic disparity and political repression in almost every nation. From New York to Cairo; from Beijing to Buenos Aires, the neoliberal world order (or monopoly capitalism's latest phase) is feeling the effects of its greedy attempts to privatize the very basics of human survival. The legal and illegal corruption these attempts and the poverty they have spawned have been felt the deepest in nations like Tunisia and Egypt. Despotic government officials, their national and international business partners and the security forces that protect them have robbed and brutalized whole societies. All the while, those governments in the global north and west that have backed this phenomenon have in turn removed freedoms and economic security from large swaths of their own populations. Consequently, many nations have seen popular uprisings against these governmental actions, especially from their student and working class elements. But only two populations have reached the point of no return to the past: Tunisia and Egypt. Their example serves as a beacon.
January 29, 2011
Is the Game Really Over for Mubarak?
According to a report published by Reuters on July 13, 2009 , 77 million of the 80 million Egyptians live on less than $ 1 a day. Around 30 % of the workforce is unemployed, 7 % of children miss schools because of poverty. There are over 100 thousand homeless youth. Egypt's official foreign debt is around 12 billion dollars, yet several of Mubarak's corrupt ruling elites have stolen almost half this amount from Egyptian banks. These facts, along with the record of abuse by police forces defy Washington's statement that it is "not too late" for the Mubarak regime to reform itself and become a democratic government. This statement is comparable to the Carter administration's support of the Shah of Iran in 1978 and 1979 while street protests that eventually included close to 10% of the Iranian population rocked the nation.Although there are a number of major differences between the Iranian revolution and the current situation in Egypt--with the primary one possibly being the national differences--the fact is that popular uprisings are exactly that no matter where they occur. That being said, and with the understanding that all sides in Egypt are aware of history, if the process underway continues, two things to watch out for are the response to the general strike call and whether or not Mubarak is able to woo any leading elements of the opposition into his sphere. If the general strike response is massive, than one can expect to see Mubarak either forcefully crack down on the protests (if he can find any security units to go along with him) or invite someone like El-Baradei into his government. Of course, if the latter occurs, El Baradei runs the risk of losing whatever support he has amongst the protesters. If that happens (and using the Iranian experience as a template), then the way for more extreme religious elements opens wider. If El-Baradei and other more moderate elements refuse to accept any offers of reconciliation from Mubarak, then it would seem the only means that would remain for Mubarak would be resignation or repression. His appointment of the current head of Egyptian intelligence to the vice presidency seems to indicate he may very well choose the latter. While appointments with little meaning are being made by Mubarak, thugs from his ruling party have been captured by Cairo residents breaking into homes and shops in that city's wealthier sections.
One of the Egyptian movement groups not talked about very much in the west is Kefaya or the Egyptian Movement for Change. This group, which was announced in 2004, is a network of (mostly youthful) opposition groups and individuals from across the ideological spectrum with the primary goal of ending the Mubarak family rule. Its role in the current rebellion is publicly unannounced, but the fact that the protests seems to have begun in the universities and amongst Egyptian youth tends to encourage the supposition that Kefaya was instrumental in organizing them. Given the recent rebellions and revolutions across the Arab world, perhaps the synthesis represented by this movement is the wave of an Arab future.
If so, then the regimes in Yemen, Jordan and other Arab nations would be smart to initiate reforms sooner rather than later. That is, unless it is already too late. As for Palestine, its administrative forces should pay close attention. Not only might they lose whatever authority they have left among the Palestinians, but the fact of an Arab world composed of popular governments is not one that the PA should want to miss. After all, it is the US-sponsored regimes like Mubarak's that have been essential to Tel Aviv projecting its expansionist policies across the region. For Mahmoud Abbas to express his support for Mubarak while the streets of Egypt are filled with protesters demanding his resignation is extremely shortsighted. Furthermore, it looks like a political calculation Abbas and the Palestinian Authority can ill afford to make given the recent Wikileaks cable releases revealing the PA's willingness to concede to Israeli demands many Palestinians consider at best anathema to Palestinian national interests.
Ignoring governments for the moment, what do these protests mean for people around the world? As virtually any earthling knows, the past decade has seen an increase in economic disparity and political repression in almost every nation. From New York to Cairo; from Beijing to Buenos Aires, the neoliberal world order (or monopoly capitalism's latest phase) is feeling the effects of its greedy attempts to privatize the very basics of human survival. The legal and illegal corruption essential to these attempts and the poverty they have spawned have been felt the deepest in nations like Tunisia and Egypt. Despotic government officials, their national and international business partners and the security forces that protect them have robbed and brutalized whole societies. All the while, those governments in the global north and west that have backed this phenomenon have in turn removed freedoms and economic security from large swaths of their own populations. Consequently, many nations have seen popular uprisings against these governmental actions, especially from their student and working class elements. But only two populations have reached the point of no return to the past: Tunisia and Egypt. Their example serves as a beacon.
January 13, 2011
Ron Jacobs: When Destruction Sickens
January 1, 2011
The Co-Conspirator's Tale
There's a place where love and mistrust are never at peace; where duplicity and deceit are the universal currency. The Co-Conspirator's Tale takes place within this nebulous firmament. Crimes committed by the police in the name of justice. Excess in the name of revolution. The combination leaves death in its wake and the survivors struggling to find justice in a San Francisco Bay Area noir by the author of the underground classic The Way the Wind Blew:A History of the Weather Underground and the novel Short Order Frame Up.There are no hero cops or private eyes in The Co-Conspirator's Tale, just a couple of folks who don't trust the the world as it is to provide justice. The battlefields are the streets of the San Francisco Bay Area and the psyches of the accused, their accomplices and their accusers.
The Co-Conspirator's Tale will be published by Fomite, Burlington, Vermont in Spring 2011. I will let you know when it becomes available.
Fomite is a literary press whose authors and artists explore the human condition -- political, cultural, personal and historical -- in poetry and prose.
There's a place where love and mistrust are never at peac...
There's a place where love and mistrust are never at peace; where duplicity and deceit are the universal currency. The Co-Conspirator's Tale takes place within this nebulous firmament. Crimes committed by the police in the name of justice. Excess in the name of revolution. The combination leaves death in its wake and the survivors struggling to find justice in a San Francisco Bay Area noir by the author of the underground classic The Way the Wind Blew:A History of the Weather Underground and the novel Short Order Frame Up.There are no hero cops or private eyes in The Co-Conspirator's Tale, just a couple of folks who don't trust the the world as it is to provide justice. The battlefields are the streets of the San Francisco Bay Area and the psyches of the accused, their accomplices and their accusers.
The Co-Conspirator's Tale will be published by Fomite, Burlington, Vermont in Spring 2011. I will let you know when it becomes available.
Fomite is a literary press whose authors and artists explore the human condition -- political, cultural, personal and historical -- in poetry and prose.
December 25, 2010
Warren Haynes' Xmas Jam 2010 Jes Grew Report
"Jes Grew which began in New Orleans....They are calling it a plague when in fact it is an anti-plague."
--Mumbo Jumbo-Ishmael Reed
" Jes Grew (comes) from Harriet Beecher Stowe's Topsy and James Weldon Johnson's description of Afro-American music's unascribed development, … Jes Grew is a contagion, connected with the improvisational spirit of ragtime and jazz, that begins to spread across America in the Twenties. It is an irrational force that threatens to overwhelm the dominant, repressive traditions of established culture."
-- Carl Brucker from his essay on Ishmael Reed in the Critical Survey of Long Fiction, (1987)
There's a gig that has been happening every December in Asheville, North Carolina for twenty-two years now. Its purpose is to raise money for Habitat for Humanity, a non-profit that helps people without a home to find shelter. Its mode of operation is getting together a group of great musicians to play with their own bands and with each other for eight or so hours one night every December.
The event is known as the Xmas Jam and the man behind the show is guitarist Warren Haynes, who plays with the Allman Brothers, the Dead, his band Gov't Mule and several other combos. This year's lineup featured Gregg Allman, The Dirty Dozen Brass Band, the Steve Miller Band, members of Widespread Panic, Umphrey's McGee, and Haynes' new band simply called the Warren Haynes Band. The music ranged from the jam-band stylings of Umphrey's McGee to the total New Orleans funk of the Dirty Dozen Brass Band; from the soulful songs of The Warren Haynes Band to the rock blues of Steve Miller's group. It was a joyful assembly.
If I were to choose a couple favorite parts of the evening they would be the set delivered by Haynes' new band and the closing set from The Dirty Dozen Brass Band. The former, which was the first public performance of the group, featured five songs and most of the musicians that will appear on the group's upcoming CD release. The band includes the following personnel besides Haynes: Ivan Neville on keys (who played with Keith Richards and is a member of the Neville Brothers and Dumpstaphunk), bassist Ron Johnson, Terrance Higgins on drums, Ron Holloway on sax and blues singer Ruthie Foster. The songs included an original called "River's Gonna' Rise," a heartrending version of Otis Redding's "I've Been Loving You too Long" and a suitably funky version of Robert Palmer's "Sneaking Sally Through the Alley."
How does one describe Haynes' new ensemble? Soulful would be a good place to start. With Haynes weaving leads and rhythms as intricately as an ancient Chinese weaver of silk cloth for the emperors and Ron Holloway blowing melodies on a sax straight out of Memphis; a bottom provided by bassman Ron Johnson and Terrence Higgins and Neville's keyboards, the word ecstatic comes to mind. Just to make certain that ecstasy is the case, Ruthie Foster's vocals bring it all together like the final stitch on the aforementioned emperors' cloaks. Tight describes their playing while loose describes the way they made the audience feel.
The surprise of the night was Steve Miller and his band. For most people, Miller is probably best known for his multitude of popular hits in the 1970s and 1980s, including songs like "The Joker," "Take the Money and Run," and "Jet Airliner." The truth is that Miller and his band were one of the original San Francisco bands from the mid-1960s. Their first album, titled Children of the Future, is nothing short of a psychedelic classic. The titled song alone stands up there with the Jefferson Airplane's "White Rabbit," the Grateful Dead's "Dark Star," and Quicksilver Messenger Service's "Pride of Man" as a tune that not only popularized the freak culture of the era but spoke to the ethos present during the best times of that brief but monumental moment in cultural history.
Unfortunately for those of us in the audience who remember that album, Miller did not play anything from it. He did however, play a couple mean blues tunes: "Further On Up the Road" and "Just Got Back From Texas." Warren Haynes accompanied him on the former. It was the pop songs that surprised me that night. After hearing the band open with a twelve minute version of "Jet Airliner" I will never dismiss that song again. The entire audience was on their feet and dancing like they were worshiping St. Vitus. The worship did not end until Haynes joined Miller and his band for their final song "Fly Like An Eagle."
After a brief acoustic interlude from John Bell of Widespread Panic, Gregg Allman and a special Xmas Jam backing band (which included Warren Haynes, former Black Crowes guitarist Audley Freed, Wallflowers drummer Fred Eltringham and Ivan Neville along with some members of the Dirty Dozen Brass band) took the stage. Opening with a blistering version of his hit "Midnight Rider," the ensemble played a half-dozen more songs including the early Allman Brothers tune "Dreams," Bob Dylan's "Just Like A Woman," and the Allman Brothers classic "Melissa." The situation in the auditorium by the end of the set had transcended mere ecstasy. Indeed, it was something much closer to rock and roll heaven. The version of "Dreams" with Ron Holloway's sax solo and Haynes' subsequent slide guitar work was the clincher in the journey to that celestial place.
Then the funksters took the stage. Before they played a note, The Dirty Dozen Brass Band set the tone with the words: "Welcome to Mardi Gras in Asheville, Man!" This group, if you have never heard them, blend New Orleans jazz, Dixieland, funk and blues into an incredible dance mix that is so infectious that even the dead can't help but move their feet when the band gets going. Opening with a tune of theirs called "Ain't Nothing' But a Party," the party got funkier as the set went on. The Temptations "Papa Was A Rolling Stone" (with Haynes joining in), followed by a song once played by Little MIlton called "That's What Love Will Make You Do" to Little Feat's "Spanish Moon" and on through Stevie Wonder's "Superstition." Every ounce of energy remaining in the Asheville Civic Center was squeezed into the funky frenzy created by this outbreak of what writer Ishmael Reed called Jes Grew in his 1972 novel Mumbo Jumbo.
As the audience left the Civic Center a little after 3:00 AM on December 12th, they found that even the weather gods had succumbed to the Jes Grew. How else would one describe the uncharacteristic snowstorm that greeted them?


