Chris Redding's Blog, page 38
January 22, 2013
Scam Factory
SCAM FACTORY is a modern day White-Collar Crime Novel that begins in 2001 and continues into 2009. The 4-part story tells about the events that led to the U. S. Financial Crash that started in late 2007. The story’s main character, Michael Crayter, begins a new career, in mid-life, with an ultra-private Washington D.C. Consulting Firm. The Consulting Firm (TierGroup) represents seventeen of the worlds’ largest and most powerful industries who are making tremendous financial gains with no end in sight. SCAM FACTORY is also a story that takes its reader to Iraq, New Orleans, the Caribbean, and other major US cities. I believe I have described the story well in the Back Cover Copy and Prologue.
Can you tell us about the journey that led you to write your book?
The journey for writing SCAM FACTORY started with a dream I had one night about interviewing for an executive position at a major Consulting Firm. I landed the job in my dream, but after I woke up, I still had no idea what they did. I thought to myself: That was not a legitimate company, it was a Scam Factory. Then I further thought to myself that it might make an interesting book or even a movie. The war in Iraq, Hurricane Katrina, and the U.S. financial crash, which all occurred within the last 12 years, were also a perfect fit for this story.
Can you tell us about the story behind your book cover?I designed and created the book cover with help of an associate. The title says it all: SCAM FACTORY. There is a silhouette of Washington D.C. in the background on the bottom of the cover, with the Washington Monument broadly standing out almost like a smoke stack from a factory, and sub tittles give the reader added information about the story. The font colors are also mean to stand out. I may add a light watermark of hurricane Katrina in the background later.
What book on the market does yours compare to? How is your book different?That is a very good question. I had to do some research on this since SCAM FACTORY is a work of fiction. I only found one white-collar fiction book being sold today to compare it to: “RUDIGER” by David Lender. It had some of the same types of crimes committed in parts of my book. Several modern Nonfiction books, currently on the market, also include many of the same types of crimes that I wrote about. I didn’t have much luck, but it could be that I don’t know where to look. Maybe someone out there will find other comparable books and share them with us.
What would you say is your most interesting writing quirk?Over all I can say that writing SCAM FACTORY is the biggest quirk because I only type with two fingers! I was not using the ‘Tab’ key where needed and hit the ‘Hard Return’ key too often, which made more than double the work for editing and formatting. This is my first novel and I am almost surprised that I was able to accomplish the challenging task of writing it.
Open your book to a random page and tell us what’s happening.SCAM FACTORY -PART 3- Chapter 20 –Failure Is An Option:
During a private meeting with the three largest U.S. bank owners Michael Crayter (the CEO of TierGroup) speaks privately with Henry Strassburger (the secret owner of 100 independent banks) against the strong advice of his legal team. Michael knows that now is the time to take advantage of a very lucrative opportunity, find cracks in the system, and manipulate Strassburger. Their ‘mutual’ goal is to keep Strassburgers interest in the 100 independent banks a secret while acquiring the TARP (Troubled Asset Relief Program) funding from the US Treasury Department. The amount Strassburgers’ banks need is about $125 million for each bank (or $12.5 billion total). Michael Crayter does not trust Strassburger at all. He senses Strassburger is hiding the 100 banks loses and making false statements about their true financial condition to the government. What Henry Strassburger does not realize is that Michael Crayter does not intend to help him keep the banks from taking major loses or closing…
Do you plan any subsequent books?
I am not sure about that right now. I have two or three other fictional book ideas in mind, but want to see how this one goes. I have been told that SCAM FACTORY would make a great movie, so a movie script may be in the works in the near future.
Tell us what you’re reading at the moment and what you think of it.I am not an avid reader, but I am always interested in new documentaries, news, and events that help me stay connected to current events. I watch programs on public television, cable and learning channels, and other major media outlets. I am usually going over Business and Real Estate opportunities being offered by others. Sometimes I am doing the actual business planning, modeling, and research for others, which requires a ton of evaluation, writing, and revisions.
G. Gordon Dean's Facebook:
http://www.facebook.com/pages/SCAM-Factory/219147311549998?fref=ts
G. Gordon Dean's Goodreads:
http://www.goodreads.com/author/show/6568947.G_Gordon_Dean
Scam Factory Goodreads:
http://www.goodreads.com/book/show/16120621-scam-factory
Tribute Books Blog Tours Facebook:
https://www.facebook.com/pages/Tribute-Books-Blog-Tours/242431245775186
Scam Factory blog tour site:
http://scamfactory.blogspot.com/
January 20, 2013
Author Interview
January 17, 2013
Post Apocalyptic novel writer
January 14, 2013
A Farm Girl goes Tropical
All my life I’ve watched movies, TV shows, and advertisements set in tropical locations and wished I could travel there. So far I’ve yet to have that experience, but it didn’t stop me from going vicariously through my characters.
When the notion came to me to write an action adventure romance I immediately knew I wanted a jungle setting. And I needed illegal drugs to be in the story to have a hero who is a DEA agent. Not wanting to stray from the branding I’ve worked hard to instill in my writing, I had a heroine who studies Native American cultures. With this combination I came up with the idea to set the book in the Guatemalan jungle at an archeological dig.
I dove into the research—ordering books and dvds on the rain forest, Guatemala, and the Maya. I also found online newspapers about the area, read all the information for people visiting the country and contacted a blogger who lives in Guatemala. While writing the book I spent lots of time watching Youtube videos and getting a feel for the area where I set the book and learning about the people.
To help me show the dig site as authentic as I could, I read books and about archeological discoveries in the area. Then I made up a dig, set it in an area that worked for the drug trafficking angle and started writing the story.
To further help me become ensconced in the feeling of the jungle and the ancient carvings talked about in the story, I listened to Mayan music.
While I never set foot in the rain forest, I used all the information I gathered to help me feel like I was traipsing through the jungle with my characters. Experiencing the mosquitoes, the cry of the howler monkey, and the downpour of rain.
Have you ever been to a rain forest or a tropical island?
Secrets of a Mayan Moon Blurb:
What happens when a brilliant anthropologist is lured to the jungle to be used as a human sacrifice?
Child prodigy and now Doctor of Anthropology, Isabella Mumphrey, is about to lose her job at the university. In the world of publish or perish, her mentor’s request for her assistance on a dig is just the opportunity she’s been seeking. If she can decipher an ancient stone table—and she can—she’ll keep her department. She heads to Guatemala, but drug trafficking bad guys, artifact thieves, and her infatuation for her handsome guide wreak havoc on her scholarly intentions.
DEA agent Tino Kosta, is out to avenge the deaths of his family. He’s deep undercover as a jaguar tracker and sometimes jungle guide, but the appearance of a beautiful, brainy anthropologist heats his Latin blood taking him on a dangerous detour that could leave them both casualties of the jungle.
Secrets of a Mayan Moon is available at:
Kindle: http://www.amazon.com/Secrets-Isabell...
Nook: http://www.barnesandnoble.com/w/secre...
Smashwords: https://www.smashwords.com/books/view...
Bio:
Wife, mother, grandmother, and the one who cleans pens and delivers the hay; award winning author Paty Jager and her husband currently ranch 350 acres when not dashing around visiting their children and grandchildren. She not only writes the western lifestyle, she lives it.
She is a member of RWA, COWG, EOWG, and EPIC. Her contemporary Western, Perfectly Good Nanny won the 2008 Eppie for Best Contemporary Romance, Spirit of the Mountain, a historical paranormal set among the Nez Perce, garnered 1st place in the paranormal category of the Lories Best Published Book Contest, and Spirit of the Lake, the second book of the spirit trilogy, was a finalist in the Gayle Wilson Award of Excellence.
You can learn more about Paty at her blog; www.patyjager.blogspot.com her website; http://www.patyjager.net or on Facebook; https://www.facebook.com/#!/paty.jager and twitter; @patyjag.
January 13, 2013
Massimo interview
January 11, 2013
Richard Sharpe
January 9, 2013
Authorsday: Janis Patterson
I wrote my first book at four – details below. I was first paid for writing (an advertising slogan) when I was nine years old. I sold my first novel in 1979, when I was long past nine. In the interim years I have done advertising copy, magazine articles, commercial copy, industrial films, political speeches… I literally cannot remember a time when I wasn’t writing something.
2. How did you pick the genre you write in?
I tend to write in a genre that doesn’t bore me at the moment. I have been published in historical mystery, contemporary mystery, horror, historical romance, contemporary romance, gothic romance, Regency romance, children’s, non-fiction and scholarly non-fiction. So far.
3. Do you plot or do you write by the seat of your pants?
I use a system I call ‘the suspension bridge’. We all know what a suspension bridge looks like. With a story I know where it’s going to start and approximately where it’s going to end (though I may have to scoot that around a little bit if the ground of the story won’t support it). There are a couple of immovable plot points (the middle towers). Then it’s just a matter of stringing the webwork of the story between them. It’s a mere skeleton, but that gives my imagination freedom.
Other than that, I don’t outline. I hate outlining. I detest outlining. To me it is the antithesis of creativity. Once I took a very highly recommended course in outlining and did rather well in it, ending up with an extremely well-plotted adventure novel. A novel that unfortunately will never be written, because by the time I had the outline finished I was so incredibly bored with the story that I never wanted to see it again.
My desk, however, does bloom with a blizzard of sticky notes on the works in process. As I do tend to work on a minimum of three books at a time (I do bore easily) I have learned to color code and use one color for each book.
4. What drew you to the subject of EXERCISE IS MURDER?
I find I like writing mysteries. I used to have an antique shop (let’s be honest – it was really just old stuff instead of true antiques) and a dear friend lived in an exclusive condo like the Olympus House. Then I started wondering what if there were an older woman who was the ‘dark side’ of Miss Marple… Voila! A book.
5. What was the name of the first novel you wrote? Did you try to publish it?
I don’t think it had a title. I do remember it was about some children playing in the park and how they captured a lion escaped from the zoo and still made it home in time for dinner so their mothers wouldn’t worry. Not much of a storyline, I admit, but then I was only four years old and my critical faculties were still developing. I wrote the story, then carefully hand printed and illustrated about six or eight copies and then stitched the pages together with Mother’s sewing thread. (My first foray into self-publishing!) My father had told me the difference between glued, saddle-stitched and signature-sewn bindings, so I knew I wanted the best. I also learned that making up the stories was much more fun than printing/illustrating/binding them, so that’s when I decided to be a writer than a publisher. I think in my late mother’s papers there’s still a copy or two of that book – it was about 12 finished pages, as I recall, which to a four year old is quite a big book!
My first truly published novel was one of the old Dell Candlelight series called WHERE SHADOWS LINGER. It was a contemporary (for the time) semi-gothic/romantic suspense about a young widow who finds out that her Mexican husband’s legacy is a drug farm in a remote area of Mexico. Added in were a former lover, a couple of vengeful relatives-in-law, a drug war and a couple of murder attempts. As I have brought out a number of my backlist titles I’ve thought about self-publishing it, but it’s so dated it would take a lot of work to revise. Some things should just stay buried.
6. What do you know now that you are published that you didn’t know pre-published that you wish you knew?
I honestly don’t remember what I knew before I was published – I’ve been in the industry so long and everything has changed so much it wouldn’t be relevant anyway.
I do know that the term pre-published is one of my hot buttons. It is a nonsense term and should never be used except when applied to the time period between signing the contract and the appearance of the book. Not everyone who writes will ever be published. The only way ‘pre -‘ ever correctly applies to any group of people is that we’re all pre-dead. I love words and hate the egregious way they are used today – and ‘pre-published’ is a prime example of that, especially when it is applied to wanna-bes primarily as a ‘feel-good’ stroke. Can you tell I loathe that particular phrase?
7. How many rejections have you received?
Good grief, I can’t count that high! At one time I had a file of rejection letters that was about three inches thick. I threw it away during a move some 15-20 years ago, but have had probably that many or more since. Nowadays, though, there is a terrible trend among agents and editors both not to reject, just to say ‘we’ll contact you if we’re interested.’ That is most unmannerly and poor business practice in my opinion.
8. What was the best writing advice someone gave you?
Never give up – never stop writing. Never stop learning. Get it right! Learn to spell and how to use apostrophes correctly. (Misused apostrophes will make a book a wallbanger for me.)
9. What was the worst? Did you know it at the time?
Anything that begins with ‘Nobody’ or ‘Everyone’ or ‘Never’. Yes, I did, and still do. I have never been big on absolutes, especially in a field as idiocyncratic and subjective as writing.
10. If you could ask your readers one question, what would it be?
Why don’t you buy more of my books? I could use the money.
Author Bio:
Janis Susan May Patterson is a 7th-generation Texan and a 3rd-generation wordsmith who writes in mystery, romance, and horror. Once an actress and a singer Janis has also been editor-in-chief of two multi-magazine publishing groups as well as many other things, including an enthusiastic amateur Egyptologist. Janis’ husband even proposed in a moonlit garden near the Pyramids of Giza. Janis and her husband live in Texas with an assortment of rescued furbabies.
Book Blurb: Invalided out of the police, Rebecca Cloudwebb has become an antique dealer. While delivering some earrings, Rebecca witnesses the brutal murder of Laura Tyler, a harmless widow.
Almost everyone connected with the murder has multiple reasons to kill everyone else connected with the murder, but no one had any motive to poison Laura Tyler. A mad mix of politics, big money, extra-marital affairs, blackmail, strong personalities, gambling and assorted secrets, the mystery proves almost impossible to solve, but solve it Rebecca does, and in the process learns something about her own problems since the shooting that crippled her.
WEBSITES :
www.JanisSusanMay.com
www.JanisPattersonMysteries.com
January 8, 2013
What's In It For Me
I can't remember a time when I didn't love books. I've been reading since I was about four years old. Obviously not well, back then, but I've always considered books to be among my dearest friends. I think I have always held a great fascination with words. I have a tendency to read everything, and I do mean everything. Eventually, I learned that words were more than scribbles on a page and that when used properly they offered the most wonderful stories.
As a reader I find myself craving adventure. It doesn't have to be bone chilling, though I will admit to being fascinated by serial killer novels. Nor do they have to be exotic; it could be as simple as a woman finding her own independence in the working world after becoming single again, for whatever reason. I've run the gamut of genres as a reader, but one thing is always the same. I want something different. I want stories that I've never heard before, with enthralling places, and even more enthralling characters.
This is what I had in mind when I really started getting serious about writing and publishing. When I write, I want to tell a story about people and what makes them laugh and cry. I want to feel what they feel and see what they see. This is very difficult for me as a writer. I'm actually a very dialogue driven writer and I find it agonizing to write description.
That being said, I think it is my strength in publishing. When I read the materials submitted to Echelon, I need the description to move me. I want to feel and see and smell and all the other wonderful things that confirm life for those characters. As a writer, it all plays out in the sound bytes, but as a reader, it's a wonderful visual journey inside my head.
Over the last decade, I've begun to notice a shift in the toe of books, in most genres. I don't think as many writers are taking the care to write anything original. My choices of books are getting slimmer because so many writers are trying to rely on what is "in." What is "in" isn't always what readers really want, but more what publishers want readers to have. As a publisher, I fight against this conformist attitude with every ounce of my being. As a writer, I use that knowledge as a tool to keep my stories fresh, and not recycle other people's ideas.
Am I alone? What do you want as a reader? What is most important to you when reading a book? I'd really like to know.
About the Author:
Karen L. Syed is one of those people who just can't decide what to be good at. She's done everything from teaching two-year-olds how to count, put their own shoes BACK on, and go pee pee in the potty to selling gold chain by the inch to truck detailing for Ford Motor Company to running her own publishing house. The latter is by far her favorite.
One of her greatest loves is writing. With too many stories to tell and not enough life expectancy to write them all, she finds pure joy in publishing the words of others. Working with authors to help them find their potential and place is just about the coolest thing.
Raised as a good little Methodist girl in Florida, she has moved around a bit, only to find herself back in Florida. She recently converted to Islam and is finding a lot more joy and peace in life. And it doesn't hurt that she gets to go to Walt Disney whenever she wants.
Moonlight For Maggie
Maggie Howell is as independent as they come. She can handle anything life throws her way, including gangsters. Without a man's help!
Paul Remington knows where a woman belongs. Not in the line of fire. He's determined to convince Maggie she needs his help, even if it kills him.
And it might!
But it's all in the name of love. Moonlight, mystery, and passion shoot sparks across the Louisiana sky!
https://www.createspace.com/3969256
ExcerpTuesday: Patricia Kiyono
Publisher: Astraea Press
Excerpt:
"I hoped Sato-san would sell me the animals and let me make payments later." Her embarrassment turned to anger as Hiro burst into laughter. "What’s so funny? Do you doubt my ability to work the farm and turn a profit?"
"I don’t doubt your ability at all. But I can just imagine what kind of payment that vermin would want from you," he rasped. "I heard some of the things he said." He took her arm as she turned away. "If you don’t have the money, then perhaps you could give me a place to stay for a while. The inn here is full, and there are no other accommodations in town. I’ve been traveling a long time and I’m tired."
Hanako looked closely at the stranger. Her sharp eyes took in the rich fabric of his obi, the fine craftsmanship and fit of his clothing, and the bejeweled hilts on both his long and short sword. "I can’t offer fine accommodations like you are accustomed to having." Her eyes narrowed as another thought occurred to her. "And why should I believe you would not expect the same payment as you suspect Sato-san wanted?"
Hiro drew himself up. "I have taken the oath of the Bushido. You are not an enemy, so I would not harm you or anything that is yours."
It was Hanako’s turn to laugh. "It was a band of your honorable men who came and raided my home, killed my husband, and burned my crops last fall. I do not have much faith in your code."
At the mention of the masterless samurai known as ronin, Hiro's lips curled in disgust. Though many former samurai had taken positions in the Emperor's army or had found new careers, a few wandered the country aimlessly, causing havoc. Now, Hanako wondered if her insult had pushed the stranger too far. If he chose to punish her for speaking to him so, she would have no defense against his strength. She watched his expression, wondering if she should try to run. Finally, he bowed stiffly and spoke. Hanako braced herself for the worst. But her jaw dropped in surprise at his words.
"I apologize for the actions of my fellow samurai," he began, "and you may consider the animals partial payment toward retribution for your loss. In addition, I will work for you this season so your lands may be restored to their former value."
Blurb:
Hiro Tanaka prepared for a life as a samurai warrior. But his world changed when Japan's feudal system was abolished by the Emperor. Now, he must find a new vocation. Disillusioned with fighting and violence, he travels alone, going north to the island of Hokkaido. Many other samurai wander through the country and are known as ronin. Some have forsaken their honorable way to prey on the less fortunate.
Hanako Shimizu experienced first-hand the devastation caused by these disreputable wanderers. The previous winter, they raided her farm and killed her husband. Now, she needs to rebuild but has no money and no prospects -- except for the dubious intentions of the town merchant.
When Hiro, tired of his wandering, encounters Hanako in the market, arguing with the merchant, he poses as her late husband’s cousin then offers to help her on the farm in exchange for a place to stay. Working on the land, Hiro finally finds the peace he has been seeking. But the reappearance of the rogue ronin, led by an unscrupulous leader from Hiro’s past, forces him to take up his swords again. But now, the stakes are higher.
This time, he's fighting from the heart.
Bio:
During her first career, Patricia Kiyono taught elementary music, computer classes, elementary classrooms, and junior high social studies. She now teaches music education at the university level.
She lives in southwest Michigan with her husband, not far from her children and grandchildren. Current interests, aside from writing, include sewing, crocheting, scrapbooking, and music. A love of travel and an interest in faraway people inspires her to create stories about different cultures.
