Jeffe Kennedy's Blog, page 185
November 14, 2014
The Value of Being Flexible
Here’s my agent, Connor Goldsmith of Fuse Literary, and I at World Fantasy Con. In the bar, of course. He tweeted this as “the beautiful people” and, as this was the very beginning of the conference, that was pretty accurate.
LOL
I recently ran across a post on an Indie Author loop where a writer I didn’t know, in a piece of advice on an unrelated topic, offhandedly mentioned that she changed the pen name on her books five times until she found one that sold well. That absolutely fascinated me. First, it never occurred to me to think of my author name as a sales tool. Then the fact that she had such a totally different frame of mind, a business-minded detached approach to the question, that it took me aback.
I’m very attached to my name. Arguably it’s my brand now, but even during my brief flirtation with a pseudonym, I didn’t like it not being ME.
I think this is a way that Indie authors have an advantage over authors like me. I tend to get bound up with my books being my art and an extension of myself. She seemed to have a greater level of detachment where it didn’t matter which name she published a story under, except that it be one that sold well. Finally, she also exhibited what I consider to be an enviable quality of mixing up what she’s doing and trying again.
A while back – I was going to say a couple of year ago, but it was omg 2011 – I wrote a blog post about The Guy in the Pink Suit. It’s still one of my favorite posts and something I refer to fairly frequently. It probably worth reading, but I’ll summarize so as not to max out your TLDR threshold.
The Guy in the Pink Suit trolled the sidewalk in Las Vegas for a good two hours while we ate lunch. Over and over he’d approach people, shake their hands, be charming. Sometimes they’d take pictures with him, less often they’d give him a tip. We thought he might be pimping a show because the cash intake didn’t seem to justify the effort. Regardless, I learned a great deal from him about handing rejection. Nothing dissuaded or discouraged this guy.
At least, that was my take-home message then. And it’s still an important one.
But this Indie author who changed her pen name five times to find the one that sold best made me think of him. Instead of the message being about persevering in the face of rejection, however, I realized there’s also value in mixing things up, trying a lot of different approaches until you find one that works.
A writer friend of mine recently told me about a Twitter conversation she saw between two other writers. Those two bemoaned that they were slow writers, comparing themselves to elephants with enormously long gestation periods. (We writers love our analogies.) In comparison, they described faster writers as sea turtles – who lay lots of eggs and abandon them on the beach in the hopes that few might make it to the water and survive.
Yeah, it irritated my friend, the fast writer. Understandably so. Though that’s not my point here.
The slow writers were unhappy, saying that their slow production rate might condemn them to extinction while the sea turtles presumably take over the world. Of course, the analogy breaks down immediately at this point, as anyone with a passing understanding of biology will point out that elephants and sea turtles don’t occupy the same ecological niches. There’s room for both in the world. But, more important, I think what these slow-gestation writers see as careless abandonment of huge batches of books is actually a willingness to diversify. Yes, being a faster writer lets us produce more books. (I’ve already meditated on the perception that faster means lower quality, so I won’t go into that here.) Producing books faster also lets a writer try more different things. New ideas, upside-down tropes, maybe some riskier heroes and heroines.
Those of you who paid attention in biology will recall that more variety – heterogeneity – creates stronger individuals who are more likely to find a niche they can survive in. The more specialized an organism, the narrower its ecological niche, the more vulnerable it is. Thus we lose Spotted Owls when we lose old growth timber. But the species that are flexibly, that can move into many changing niches – like the coyote – are the ones that thrive through change.
Flexibility means survival. Not a bad quality in a publishing market that sends authors and genres into extinction faster than global climate change ever could.
November 12, 2014
RT Reviewers Choice Nominations!
Yesterday I flew back from World Fantasy Con – there’s a post all about it on the RMFW blog today – and when I landed to change planes in Dallas, I found out this amazing news about my girls.
The RT Reviewers Choice Awards Nominees were announced and THE TEARS OF THE ROSE has been nominated for best Fantasy Romance and THE MARK OF THE TALA for Book of the Year.
WOW.
I’m just thrilled and verklumpt.
It’s such a huge honor to have both books in this series nominated. And everyone has been so excited for me that I’m feeling surrounded by love and all the warm fuzzies.
~throws confetti~
November 9, 2014
November 4, 2014
Living the Nora Life
On Sunday I got to see my lovely friends Darynda Jones and Katie Lane at the event for their new releases at Page 1 Books. Katie is telling a hilarious story about a trick-or-treater who came to her door talking on his cell phone. She refused to give him candy until he hung up and said “trick or treat.” She’s so damn funny. We met for lunch before hand and had such a great conversation. Love them both so much and so grateful to have them in my life.
Book events – especially for new releases – are kind of funny things. I mean, of course you want to do them. And they’re usually fun, because they’re a celebratory party thing and even better if you have author friends to join in, like this. I’ve got several events coming up for the release of The Tears of the Rose later this month. In fact, I should list them here:
Friday, November 7, 8-11pm, Independence Center of the Hyatt Regency Crystal City, Washington DC – Mass autographing at World Fantasy Con
Friday, December 5, 7pm at Bookworks – me and Darynda!
Sunday, December 7, 2:30-3 at Page 1 Books – me and Celeste Bradley!
Come on by if you can!
At any rate, I was working last night on stuff to prep for this release and finding it a bit wrenching, because I’m working on something totally different now and my head is in that. It’s a weird thing about the whole business, that when I’m super excited about a book and want to talk about it, I’m the only one who knows anything about the story and there’s no one to talk to. Then, by the time everybody ELSE gets to read it, it’s old hat to me. Thinking about that, I recalled a conversation from Born in Ice, by Nora Roberts. I read it back in the mid-90s, when it first came out and before I ever thought I’d write fiction. But this scene struck me then and has stuck with me. The hero is Grayson Thane and he’s a bestselling author of thrillers. At one point he’s talking to his agent on the phone and she’s quoting good reviews to him. He tells the heroine, Brianna, that they’re early quotes on the new book. She says,
“But you haven’t finished the new book.”
“Not that new book. The one that’s coming out in July. That’s the new book, what I’m working on is the new manuscript.”
In another scene, which I can’t find in my paper copy and shouldn’t spend any more time looking for – this is one reason I love searchable digital books! – Brianna comments that he must be excited about the movie about to premiere of one of his books. He says, well, yes, but right now he’s all about Flashback. (At least, I think that’s what the title was – search might not have helped after all.) She asks what that is and he says it’s the manuscript he’s writing and all he can think about.
I really love this about Nora, that she created such a terrific character in Gray (and yes, his name IS over the top, because he made it up, we find out). He compelled me as a plain reader and now, years later, I identify so much with all the true-to-life details she layered in about him. Not that anyone is making a movie of my book, but I’ll be ready! Such a funny moment to realize I know what he – and Nora – are talking about. It’s the best possible world when I suddenly feel like a character from one of her books. Also a tribute to her skill in creating very real characters.
Speaking of new releases and author-type things, my first newsletter officially sent today! (Yeah, yeah, yeah – late, as my mother continually mentioned all weekend. Technical difficulties, okay?) So, if you thought you were getting one and didn’t, check your spam folder. Ironically enough, my own copy went to my junk mail folder. Sad day when I’m spamming myself… If you still don’t have it, ping me and I’ll check into it.
I’m off to World Fantasy Con (see aforementioned signing on Friday) starting Thursday. If you’re going to be there, do say hi!
November 2, 2014
Why I Locked Myself in a Coal Bin to Become a Writer
I’m over at Word Whores, talking about the weirdest thing I’ve done in the name of writing and how it’s a bit like NaNoWriMo.
October 28, 2014
You Know You Want It
One of the great things about living where I do – in Santa Fe, New Mexico – is all the fabulous and fun arts. Including these wonderful Talavera Jack O’Lanterns. Talavera is this particular style of ceramic glaze, introduced to Mexico by the Spanish Moors. It’s one of my favorite styles and the first time I saw a Talavera Jack O’Lantern, I snapped it up. And bought one for my mother, too.
This year, I decided to buy one for you guys.
I’m giving it away to one of my newsletter subscribers. (Okay, yes – this isn’t ENTIRELY selfless on my part.) The first newsletter goes out this Friday, October 31. Sign up by Thursday, October 30, Midnight Eastern Time, and you’ll be automatically entered in the drawing! The sign-up form is on the right hand side of my home page. This newsletter will also contain a free prequel story to The Twelve Kingdoms, previously only available in an anthology.
BETTER THAN CANDY CORN.
(Okay, for those of you who hate candy corn, that’s not saying much, but you get the concept.)
Also, only a few days remain to get a free copy of The Tears of the Rose from my fabulous publisher via Goodreads. That giveaway ends October 30, also. So many things drawing to a close as the Veil thins…
*tosses candy corn into the air in celebratory style*
October 26, 2014
October 19, 2014
Increasing Word Count and Training for #NaNoWriMo
I’m over at Word Whores talking about recovery time, what happens when your writing schedule goes to hell and how to get back on track!
October 17, 2014
Finding the Formula Machine
I had a Twitter conversation yesterday that went like this. Because these gals crack me up, I’m sharing a bunch of it. It, of course, started because I was being a smart ass. Though you can see that Maisey Yates was snarky first.
@maiseyyates oh no? sad for you. ~hides formula~ @MeganMulry
— Jeffe Kennedy (@jeffekennedy) October 16, 2014
@maiseyyates well, yes. along with the fabio poster and the monthly subscription to bon bons. where was your agent?? @MeganMulry
— Jeffe Kennedy (@jeffekennedy) October 16, 2014
Then Lexi Ryan chimed in.
@jeffekennedy@maiseyyates@MeganMulry Guy on plane asked how many bks I write a yr. Told him. He replied, “You’ve figured out the formula.”
— Lexi Ryan (@writerlexiryan) October 16, 2014
We riffed for a while, with various gripes on this theme, then dwindled off. Lexi came back a few hours later.
@MeganMulry @jeffekennedy @maiseyyates Sorry I missed so much of this convo. Was busy plugging names & occupations into the formula machine.
— Lexi Ryan (@writerlexiryan) October 16, 2014
@jeffekennedy Bc that stuff never has, like, an additional layer of significance. Pfft. Who has time for that? @MeganMulry @maiseyyates
— Lexi Ryan (@writerlexiryan) October 16, 2014
@writerlexiryan layers of significance?? I don’t worry my pretty head about THOSE things! @MeganMulry @maiseyyates
— Jeffe Kennedy (@jeffekennedy) October 16, 2014
The thing is, if you know these authors – or follow the links I thoughtfully provided 
– you’ll recognize them as highly regarded, very prolific and bestselling authors. I know these gals and they work amazingly hard and produce wonderful books that, not incidentally, sell very well. And that saw about Harlequin providing its authors with the Magic Formula that Maisey references has been making the rounds for-fucking-ever. I remember my mom saying something to me along those lines when I was much younger and she thought romance were trashy literature that I shouldn’t be reading. No, Harlequin does not tell us the characters should kiss on X page and have sex on Y page. Yes, editors do give direction on story structure. However, the guideline that the first act climax should occur somewhere around the first 25% of the story and all the stakes should be set at that point applies to pretty much every entertainment genre. Maybe books in the Literary Genre don’t do that, but they’re arguably going for something other than storytelling and entertainment.
There’s a pervasive idea that writing a book takes a REALLY long time. And, in truth, writing a first novel CAN take years. Because of the learning curve. I wrote a post the other day about trying to be creative on deadline and a big piece of that is building the craft and skills to do it. However, the belief persists that quality writing should be a long, slow process. With the reverse assumption being that quickly produced work is shallow, low-quality and – yes – written to a formula. I saw a blog post by a writer the other day who championed the many virtues of writing his novels by hand, with pen and paper. He proudly stated that he could draft an entire novel this way in “only” 14 months. I also saw a tweet yesterday from a writer advising that everyone has their own process and you don’t HAVE to “churn out” 2 books a year.
While I respect both of their perspectives, I’m bothered by the implicit lack of respect for my process. It took me 84 days to write the 91,000 word first draft of The Tears of the Rose, which just received a Top Pick GOLD review from RT Magazine. I take that to mean it’s a pretty decently written book. I worked really hard on it. Yes, I structured the story about major plot points, with major events occurring at the act climaxes. Nobody gave me a formula.
It surprises me still when people call me a prolific or fast writer. It doesn’t feel that way. At the same time, taking 14 months to write out a novel long hand sounds excruciatingly slow to me. I had (or will have) five books come out in 2014 and I don’t feel like I’ve “churned out” anything. Every one has taken long hours of concentrated work, extensive crafting and pieces of my soul. I realize this is an enviable place to be and I count my blessings that I’m able to write fast.
That said, I’ve also put in a lot of effort to make sure I can. I keep my brain as uncluttered as possible. I remove all distractions, rather ruthlessly. I put in long hours. So do these other gals. They also manage to take care of small children at the same time, which I can’t even fathom.
This turned into more of a rant than I intended. I think my point is that I’d really love to see the end of this concept of the anguished author who spends years writing his magnum opus. It feels fueled to me by the sort of person who wants to be seen as someone artsy and glamorous – the Writer – rather than putting in the time to get the work done. I don’t see anything admirable about not getting the book written. We like to fetishize artists, but other kinds of work don’t get this shiny gloss on what is, ultimately, not doing the job. The grocery store checker who never quite manages to get all the groceries in the bag loses his job. The stockbrocker who just can’t overcome her personal agony to sell those stocks won’t be a stockbroker for long.
I blame the artist for this, really. We’re incredibly good at spinning convincing stories from our pain. That symphony we never delivered? IT WAS THE VOICES OF DEMONS! That studio full of blank canvases? THE BLEAK DESERT OF MY SOUL! That novel I spent ten years writing while I hung out in coffee shops and debated the shivering joy of the sound of a fountain pen on good paper? STILL NOT WRITTEN BUT LOOK HOW PROFOUND I AM.
Eh. Okay. I guess what I’m getting at is, don’t buy the song and dance, people. A creator creates. Buckle down and do the work. Don’t throw stones at people who do it faster. Don’t succumb to the temptation to glamorize what’s bogging you down. Solve the problem, take the stone out of your shoe, get to work.
Which I’m going to do now.
Happy weekend, everyone!
October 14, 2014
Writing to Deadline – Keeping the Quality AND the Speed
So, this happened today.
And, yes, I’m totally over the moon about it. This Top Pick Gold is an even higher rating than RT Magazine gave The Mark of the Tala, the first book in The Twelve Kingdoms. Beyond the obvious thrill of having this sort of amazing compliment is the incredible validation of having the second book exceed the first. It’s hugely important to me to continue to grow and learn as a writer. This tells me I’m on the right track.
The review says this:
Although The Tears of the Rose picks up immediately after book one, new readers will have no trouble following along as the events surrounding Prince Hugh’s death – at the hands of Amelia’s sister – are quickly described. Amelia’s journey from pampered princess to empowered woman begins with sorrow and pain, until she begins to see her purpose and embraces her newfound strength and power. She is a surprising female character, as is the scarred and mysterious Ash. He shows Ami what passion and love truly mean in the sexiest way possible – loving her unconditionally even when it seems impossible for them to be together. One of the highlights of the Twelve Kingdom series so far is that the women are charged with saving themselves and creating their own happily-ever-after, with the men surrounding them just one part of the process.
It means even more that they love about this book exactly what I do. I couldn’t be happier!
Another reason to feel good about this love for book 2 is that I wrote it on deadline. See, I wrote book 1, The Mark of the Tala, before my agent sold it. I had plenty of time to write it (though I did hold myself accountable to my self-imposed schedule, which I strongly advise pre-pubbed writers to do). On The Tears of the Rose, however, all I had was a few paragraphs of concept and a looming deadline.
I had a conversation with a younger author about this the other day, where she lamented the difficulty of trying to stay on track with the book she’d sold on spec (like I did with The Tears of the Rose). She was having a lot more trouble getting the book to gel and feeling a lot more stressed, even though she’d written the first book in the series in the same amount of time. I commented that I think it has to do with trying to wedge a part of ourselves essentially without timelines – our creativity – into a schedule.
A few years back I read a book called My Stroke of Insight. It’s not a book one would typically pick up to learn about creativity, but it’s an amazing story that way. The book is an autobiographical recounting of a brain scientist who experienced a devastating stroke in the left hemisphere of her brain. Because of her training and knowledge, she was able to observe her own symptoms and the effects of the injury on her thought processes with detailed insight. We often talk about the left brain being in charge of math, logic and other linear concepts while the right brain is our creative, language and imagination-based side. What this very left-brained scientist discovered was that the loss of function on that logical, linear side freed her creative brain in a new way. She also found that she lost most sense of schedule, timelines and organization. As her left brain recovered, she improved. In the interim, however, she was terrible at being on time.
This is what we’re dealing with by writing to deadline. The left brain knows all about that schedule, but the creative side – our storyteller – is oblivious. It moves on its own time, which is in some ways no time at all.
I ended up telling this writer that for me it’s a lot like making pie crust. Good bakers can make a pie crust come out perfectly a lot of the time. I’m a better baker than I used to be, but I’m no pro. I am, however, getting to be more of a professional writer. A lot of that is building skill. Experience and knowledge make the professional. Another piece is having a good recipe. Choosing the recipe that works also comes from experience and taste. You have to know what works for you. The final component, as every cook knows, is a dollop of hope and black magic. Sometimes you do everything right and the pie crust turns out tough. Or falls apart. A good baker plans around this and can recover.
She also gives the blessings of the kitchen gods their due.
