Riley Adams's Blog, page 212

Promote Yourself, Not Your Book

One of the best bits of advice I picked up last week was this gem from the Gatekeepers Post: author publicity makes better sense than book publicity.

It's something I think I've tried to do—promote my name(s) as opposed to individual titles—but I've never really thought about the why behind what I was doing.

As the article mentioned, books do have a fairly short shelf life in bookstores (online, obviously, longer.)

Also, titles and series change. Just as I've got you remembering that I've got a book out that's titled Delicious and Suspicious, Finger Lickin' Dead's gets ready to launch.

I don't know about you, but I've only got so much room in my head for titles. Especially if an author is particularly productive. I'll definitely remember an author's name and I'll be able to recognize a book's cover art. A title? Probably not.

So I put my name out there. It's on Facebook, it's on Twitter. It's on my blog. And I have my covers right up there with me—they're splashed on my Twitter background, are uploaded on Facebook, and are in my sidebar. I visit blogs and my name and comment stays behind to show I was there. And I try very hard not to talk about my book. I mean—it's obvious I have a book or two. If someone is interested, they'll check them out.

Promoting a book can get obnoxious. There are many, many books that I feel have been over-promoted and overexposed by publishers, authors and PR people. It really lessens my desire to read the books. It's a shame, because what I was usually interested in was the author. And the author obviously didn't get it and shoved the book's title down our collective throats, instead.

Which will ultimately be around the longest—us or a particular title? Unless we're as unfortunate as Stieg Larsson, we're the ones who'll be out there writing long after the books are gathering dust.

The nice thing about promoting our name is that it also gives our books exposure. I've gone into the bookstore many times and asked for "the latest Elizabeth George" or "the new M.C. Beaton" or "the last release from Deborah Crombie." I don't even remember the title of the book I'm looking for. But I sure remember the authors.

I'm definitely promoting my next release...in the short term. But my long-term strategy is basically author branding (although I do hate that term.)

Do you find that authors' names are easier to remember than their titles (if the books are regular releases and not a really hyped title…e.g. Da Vinci Code, etc.)?

Twitterific

Here are writing links that I've posted to Twitter for the past week.

I'm delighted that now we have an efficient method of locating resources on writing topics when you need them—via the Writer's Knowledge Base search engine and software engineer and writer Mike Fleming's ingenuity. The links I tweet (which are writers' blogs, agents' and editors' blogs) all are added to the engine to make it easier for you to access the information you're looking for.

Addressing social issues in mysteries--without being preachy: http://bit.ly/fh9nbJ @mkinberg

Getting in the mood to create: http://bit.ly/eD6Pbk

The answer is in the work: http://bit.ly/fNH4vY

Need help pacing your story? http://bit.ly/gbXFZH

The Whole Story: Plotting Multibook Goals: http://bit.ly/hIh6g6

The Missing Link–NaNoEDMo: http://bit.ly/fTvkRx

A screenwriter answers industry-related questions: http://bit.ly/hTvKwn

Memo to Publishers: 8 Things NOT to Say: http://bit.ly/ibPPPC

An agent on why assistants should be respected: http://bit.ly/ffRUwj

The 3 Integral Components of a Story's Beginning: http://bit.ly/fi924u

Does agent location matter? (Should you query agents in other countries?): http://bit.ly/g243yw

10 Ways to Piss Off Your Readers So They Never Become a Customer: http://bit.ly/f8VFA2

Myst. Lov. Kitchen: GINGER CAKE http://bit.ly/hg5z4K @CleoCoyle

Konrath with numbers to encourage self-pubbing: http://bit.ly/efxnFG via @evil_avatar

11 Tips To Help Make Writing Easier: http://bit.ly/gd3Qkr

OMG! You can totally see her double spaces (on the double-space controversy): http://bit.ly/fEyjkK

How to use your blog to market your writing: http://bit.ly/hOTZDr

5 Ways Authors Alienate Readers on Social Media Sites: http://bit.ly/gcrbdE

Using Fear To Create A Dystopian World: http://bit.ly/eGljfm

Charles Dickens – Three Principles of Writing: http://bit.ly/hBTSp2

Need help with scene transitions? http://bit.ly/fivggV

Prologues: Not as Evil as You Think: http://bit.ly/gZnJDM

A writing checklist: http://bit.ly/gyLEuT

How to Make the Most of Procrastination: http://bit.ly/goAZPx

The Psychology of Character: http://bit.ly/hFvDhd

The Pros and Cons of Freelance Writing Online: http://bit.ly/hdYrmf

8 Tips for Dealing Calmly with Criticism: http://bit.ly/idWRoK

Think kids are more creative? Think again. Think Like a 47-Year-Old to Boost Your Creativity: http://bit.ly/i7yNvO

The power of the short sentence: http://bit.ly/dSZGAf

Best Articles This Week for Writers 2/18/2011: http://bit.ly/dSy1TV @4kidlit

How to Help Google Find Your Site: http://bit.ly/fqpVbO

Science Fiction vs. Science Fantasy: http://bit.ly/hUSzVO

10 Tips for Effective Book Covers: http://bit.ly/hyxL68

Don't lose your reader--use basic dialogue tags: http://bit.ly/eIY2Yj

Author Publicity Makes Better Sense than Book Publicity: http://bit.ly/e9VQe3

Your Author Photo: Posing Tips: http://bit.ly/f4Hudu

Scientists Date Unreadable Manuscript: http://bit.ly/h0Dxri

On Moral (Fantasy) Fiction: http://bit.ly/hkYp2T

Myst. Lov. Kitchen: Chocolate Chip Cheesecake http://bit.ly/fzv2nu @CleoCoyle

Why Twitter freaks one writer out: http://bit.ly/eYaH95

Modern Heroic Fantasy: Vibrant and Diverse or Bankrupt and Nihilistic? http://bit.ly/fivaFa

SFF and the Classical Past, Part 3—Heroic Romans: http://bit.ly/haDuCX

Author John Scalzi's perspective on Borders and what it means to writers' pocketbooks: http://bit.ly/hKNMVO

14 helpful writing links: http://bit.ly/gYFpt0 @matthewschulz

5 Ways a Character's Job Affects Your Story: http://bit.ly/dH3H74

One Writer's World-Building Tools: http://bit.ly/exo8m0 @SINCnational

The Care And Feeding of a Writer - Perseverance: http://bit.ly/f9W9EA

What's popular on the WKB search engine today? http://bit.ly/g9fTqf

Screenwriters: How To Have a Successful Staffing and Development Season: http://bit.ly/i5Bk9N

A Bankrupt Borders Makes Everyone Poorer, Especially Authors: http://aol.it/exuY5E

Making It Your Business: Setting Goals: http://bit.ly/ggnnpQ

Building our protagonist: http://bit.ly/hpg7BQ

A screenwriter answers "What show should I spec?": http://bit.ly/hmMn9i

How to Break Up With Your Writing: http://bit.ly/eKtysP

What Julie and Julia Can Teach Us About Writing With Gusto: http://bit.ly/h0z9DF

Seven Tips to Grow Your Mailing List: http://bit.ly/e3mGhq

Oh no! Melodrama! -- Avoiding the Reader Eye Roll: http://bit.ly/eeGTC6

Countdown of Ways to Keep a Novel Pacey: http://bit.ly/fbQ7eM

5 Traits Of Common Writing Scams: http://bit.ly/fmSoqW @ajackwriting

No Pain, No Gain: Killing Your Darlings: http://bit.ly/gaAOQf

Blog Tours For Authors: The 5 Commandments Of Blog Tourists: http://bit.ly/hsjqFU @thecreativepenn

When Overriding-Control-Disorder Meets Writing: http://bit.ly/hFfxni

How to Beat the Fear of Being a One-Book Wonder: http://bit.ly/eazKuS

Worldbuilding: How description reveals the focus of your narrator: http://bit.ly/hXRa4a @JulietteWade

5 Things Publishers Need to Know About Mobile Apps: http://bit.ly/eXK5Nl

Myst. Lov. Kitchen: Cheddar Corn Muffins http://bit.ly/ejRYRs @CleoCoyle

The Bankrupt Nihilism of Our Fallen Fantasists: http://bit.ly/hgKFCR

Writers and Unrealistic Goals: http://bit.ly/hblWMK

Zombies Rule, Vampires Drool: http://bit.ly/htKGXC

(In)Flexibility and the Writing Process: http://bit.ly/idIsIU @bluemaven

7 Pep Talk Points About Writing: http://bit.ly/ezMUn6

Ideas for finding more time to read: http://bit.ly/eHuAxe

An agent explains ISBNs: http://bit.ly/hPE7f2

5 Things To Do In Your First 3 Paragraphs: http://bit.ly/h7lIUS

Too many great links to bookmark? Try searching my tweets: http://bit.ly/dYRayA

How to Meaningfully Grow Traffic to Your Site/Blog: http://bit.ly/fSmEcz @janefriedman

Character motivations versus plot motivations: http://bit.ly/ekGZVP

A screenwriter asks, "Does Having an Agent Allow You to Live Outside L.A.?" The answer: http://bit.ly/eg5XZw

The full list of Borders stores to be closed (via Publishers Weekly): http://bit.ly/fELOT3

3 Strategies for Snaring the Senses: http://bit.ly/dPRC0y

Enough! Four cover tropes that should be retired: http://bit.ly/eb88ha

Scenes–what they are and how to write them: http://bit.ly/e2gxeE

Dialogue tips: http://bit.ly/fmaY0A

E-Publishing: Choices and Pitfalls: http://bit.ly/eEoSro @authorterryo

What one writer learned from screenwriting: http://dld.bz/NhWm

The Black Moment—When is it Dark Enough? http://bit.ly/gTwrnp @joanswan

Capitalization after colons: http://bit.ly/eVbM4j

Phrase Frequency Counter for Writers: http://dld.bz/NdUk @galleycat

How to Crush Clichés: Nix 'em or Fix 'em: http://dld.bz/NdUc

Borders Pulls the Trigger on Chapter 11: http://bit.ly/hUD8cw (PW)

Tax advice for writers: http://dld.bz/NdTz and http://dld.bz/NdTH

The 3 Integral Components of a Story's Beginning: http://dld.bz/NdNg

5 Reasons You Might Be Hearing No: http://dld.bz/NdNd

An agent on the reasons behind the length of book production: http://dld.bz/NdMS

An agent answers 10 quick questions: http://dld.bz/NdTR

Myst. Lov. Kitchen: Creamy Corn Soup http://bit.ly/f89AQR @CleoCoyle

Personality types on Twitter--avoid being a 'Debbie Downer': http://dld.bz/NdMs

A Twitter round-up listing new agents and agent advice: http://dld.bz/NdFj @HeatherMcCorkle

Self-Editing Part 2: Writing Style: http://dld.bz/NdEW

The Second Golden Rule of Writing: http://dld.bz/NdER

What we say when we don't speak. Or 5 ways to put a sock in it: http://dld.bz/NdEM

Wait—Who Said That? Keeping Your Speakers Straight: http://dld.bz/NdEz

Is your book's setting ho-hum? http://dld.bz/KNYg

How to Impress Blog Visitors Before they Start to Read: http://dld.bz/MTwD

Laying clues to your character's personality: http://dld.bz/Nd9w

Making Your Characters a Character: http://dld.bz/MTwg

10 misconceptions about public libraries: http://dld.bz/MTwd

Don't Go It Alone: Relationship-building for Bloggers: http://dld.bz/MPHF

Is the future of physical book publishing the same as the future of reading and writing? http://dld.bz/MPHq

5 Lessons for Mixing Past and Present Tense: http://dld.bz/MPFU

A writer on the importance of networking: http://dld.bz/MPFx

10 Ways to Embarrass Your Character: http://dld.bz/MPFh

Are You Ready to Freelance? A Quiz to Find Out: http://dld.bz/MPFb

Writing What You Don't Know: http://dld.bz/MPEr

Head-hopping and a POV review: http://dld.bz/MPEm

An Agent Answers: Question from a Writer - What about older writers? http://dld.bz/MPDF

2010 State of the Computer Book Market, Post 2 - The Categories: http://dld.bz/MPGa

Myst. Lov. Kitchen: A Classic French Dessert: Chocolate Pots de Crème from Cleo Coyle http://bit.ly/eJHxMh @CleoCoyle

4 Steps to Podcasting Success: http://dld.bz/MPCm

Love Your Novel: Just Don't Let it Take Over Your Life: http://dld.bz/MPCc

The Dangers of Dating a Writer: http://dld.bz/MPBJ

Love letters--to our manuscript: http://dld.bz/MSkY @elspethwrites

For Valentine's Day: 10 Sexy Innuendos From Great Literature: http://dld.bz/MMvm

6 exotic places to meet your manuscript: http://dld.bz/MPAa

For a monthly recap of the most popular tweets and searches on the Writer's Knowledge Base, sign up for our newsletter: http://dld.bz/MNU9

A screenwriter with a screenwriting bible: http://dld.bz/MMwu

Descriptive Passages, Part III: Action: http://dld.bz/MMuj

14 ways to love what your manuscript loves: http://dld.bz/MTx5

How did the search engine for writers come about? http://dld.bz/MMup

The Best Way to Make Time for Passion Projects: http://dld.bz/MMuf

Tips for Writers: How To Use Social Media: http://dld.bz/MMsZ

The lost art of editing (Guardian): http://dld.bz/MMsU

Starting Your First Blog? 29 Tips, Tutorials and Resources for New Bloggers: http://dld.bz/MMsE

One arrow to shoot at a target? An agent responds: http://dld.bz/MCd5

What makes writers special: A valentine from an editor: http://dld.bz/MAu7

Borders expected to file bankruptcy this week--and an examination of what led to its demise (including bar codes): http://dld.bz/MPBe

8 Signs Your Writing Is Stuck in a Rut - and Why You Should Care: http://dld.bz/MCdg

Writing the Natural Way: Drawing on What Your Know: http://dld.bz/MCde

Turn your screenplay into a novel: http://dld.bz/MCc7

For Valentine's Day--The 10 best love stories - in pictures (Guardian): http://dld.bz/MAu9

Advice on Online Presence from Publishing Experts: http://dld.bz/M797

A Love Letter to Writers' Spouses: http://dld.bz/M78G

10 Websites For Writers: http://dld.bz/MMw2 @ajackwriting

You know you're a book blogger when... http://dld.bz/M78t

Myst. Lov. Kitchen: Last Minute No Panic Valentine Treat http://bit.ly/erIZGy @CleoCoyle

The E-Book Royalty Mess: An Interim Fix: http://dld.bz/M78n

Tips for dealing with hand and wrist pain from writing: http://dld.bz/M78g

That elusive voice: http://dld.bz/M77T

Twitterific--the week in tweets: http://dld.bz/MEe2

Writing sex--the 'why?' : http://dld.bz/M77J

Best tweets for writers (week ending 2-11): http://dld.bz/MDzC @janefriedman

Ready to query but don't know where to start? http://dld.bz/KNZk

Is Your Writing a Fling, or the Real Thing? http://dld.bz/M779

The Four Essential Stages of Writing: http://dld.bz/M77s

Making Your Writing Exciting At the Sentence Level: http://dld.bz/M76F via @SouthernBella03

Get the big picture of your novel: http://dld.bz/M767

The Rules of SciFi: http://dld.bz/M76r

7 Habits of Serious Writers: http://dld.bz/M75Z

17 Reasons Why Entertainment Weekly Is Wrong About Romantic Comedy: http://dld.bz/M75N

Tool for Writing Longhand: http://dld.bz/M75t @CherylRWrites

Great Openings in Kid/YA Lit: http://dld.bz/KVqQ

Myst. Lov. Kitchen: Please welcome guest blogger Vicki Delany - ta dah! http://bit.ly/dX1X9w @CleoCoyle

Roles That Bind: Roleplaying Games and the Fantasy Genre: http://dld.bz/M78H

Writing Inspiration, Beating Blocks And How To Manage Your Time With K.M.Weiland: http://dld.bz/M5xC

The Essence Of your Book and The Unexpected Value Of Twitter: http://dld.bz/M7Pn @ajackwriting

One song to the tune of another – dos and don'ts of mash-ups and juxtaposition: http://dld.bz/M5xP @dirtywhitecandy

Character checklist: http://dld.bz/M75e @SouthernBella03

Beyond the most common fiction mistakes: http://dld.bz/M5wU @victoriamixon

You Know You're A Writer When…12 reasons: http://dld.bz/M7ye @JulieeJohnsonn

How a Blogging Platform Can Aid Novelists - And Other Questions Answered: http://dld.bz/M5wJ @thecreativepenn

How similar are you to your protagonist? http://dld.bz/M5w4

Reading While Writing, Finding Time to Read

"If you don't have the time to read, you don't have the time or the tools to write." Stephen King, On Writing

As I mentioned a few days ago, I'm reading Stephen King's book, On Writing. Although he approaches writing differently than I do (and obviously, his method has brought him a lot of success), I did agree with the point he made about the need to read.

I've always been a huge reader…there are books on my Kindle, books spilling off my shelves, books in my huge pocketbook, books waiting for me on hold at the library.

This year, one of my goals is to find more time to read.

Last year, I spent a lot of time writing. I wrote, actually, three books in the space of a year. I promoted two books. Many days, I ran out of time to read.

The last few months, though, I've been able to pack more reading in, even though I'm writing a new series for Penguin. That's because I've got a variety of different things to read and I've got them available to me everywhere I go.

I've got different types of reading: non-fiction, short stories, periodicals, lit fic, and other genres.

I've got books in the car, in my purse, in my laptop bag, on my bedside table, and in the kitchen (we won't talk about my housekeeping right now. Things are looking cluttered.) :)

The #1 biggest thing I've done to help me read more frequently? Is buy a Kindle. I've got many different types and lengths of books and periodicals on my e-reader, and the Kindle is so small that I can easily take it with me wherever I go.

There was a post this week on the Gatekeepers Post blog that had tips for finding more time to read. I'll let you read the whole article, but here are some of the tips they provided:

Read on the treadmill at the gym
Take a book to the movies and read during previews
Read to someone else: your students, children or elderly relatives
Download audio books to your computer from your public library and listen while working
Check out books on tape from your public library and "read" in the car
Join a book club.

How do you find time to read?

The Wince Factor

Each month, I wait for my book club's pick with some trepidation.

Book clubs are frequently fond of books that make me wince a good many times during the course of the novel. These books are usually pretty popular with readers, though, and do sell well.

I just have a hard time stomaching the content.

I didn't used to be such a delicate, sensitive, squeamish reader. I'd read just about everything and, while I might skim during some sections, I wouldn't just stop reading a book because of the subject matter.

I think I started noticing the shift around the time my first child was born. (Yes, we'll blame parenthood. :) ) It also bothered me when I watched movies. My husband rented Saving Private Ryan and I wouldn't watch D-Day. "Elizabeth!" I remember him saying, "It's not gratuitous in any way. You should watch it—it's supposed to be very much like the actual event."

Precisely why I didn't want to watch it! And those guys were too young to have to go through it all—they were practically children. I ended up watching D-Day with my hands mostly over my eyes.

So excessive violence, gore, and child-in-danger stories… I just can't handle them.

And my book club has taken on a few of those, probably because it's a group of (mostly) moms.

This month's pick, to be discussed next week, is Room by Emma Donoghue. As soon as I heard the subject matter, I was worried. The waiting list at the library for the novel was huge, so I bought the book online, downloaded it to my Kindle and hoped the novel would be something I was able to finish.

The reader who chose the book said that I shouldn't have a problem with it—although the story revolves around the fact that a woman and her five year old son are held captive in a one-room prison that the child was born in. So far, I've found the book really interesting. Disturbing, yes, but not explicitly horrific.

As a reader, my tastes seem to change over time. Right now, I can only handle so much violence against children or animals. And frequently, lately, I've been looking for lighter reads—nothing too dark or disturbing.

As a writer, I know I couldn't write anything really dark right now—I can't read it, so how could I write it?

I just finished writing the rough draft of a book that included a fairly dramatic death. I'm writing cozies (traditional mysteries where the murders happen offstage), so I'm definitely thinking about my reader—many of whom share my dislike of explicit violence and gore. I wrote very carefully, giving the death a certain impact, but not exploiting the violence by using graphic detail.

But it still bothered me! And I'd made it up!

Are you able to write subject matter that would be difficult for you to read? In other words, does the writing put a filter in place for you or does it make you even more engrossed and disturbed by the material. (I'd like to think I can write with some detachment, but I'm starting to wonder if that's the case.) And--do your tastes change, in either reading or writing?

Building Our Protagonist

It seems like I've unintentionally set up this past week as Protagonist Week. :) Can you tell I've been working on a new protagonist for the new series?

I'm also reading, at the same time, Stephen King's excellent book, On Writing. I was startled to read, though, that he never felt any real sense of liking for Carrie White, the protagonist in his first novel, Carrie. He says:

Carrie White seemed thick and passive, a ready-made victim.

I've written protagonists that can be difficult (my Myrtle Clover character comes to mind.) But I've always liked them. They're always people that I would want to spend time with. I think it would be tough to write a book when you're not wild about the protagonist. In fact, it was apparently tough for King, too—he ended up throwing an early draft of the manuscript into the trash, until his wife fished it out.

For me to be able to work with a protagonist over the course of a series, there are definitely some traits I'd like them to have:

Humor: When someone lacks a sense of humor, they're frequently taking themselves too seriously.

Looks and Means: Average or pleasant looking and comfortable

Flawed: I'm a fan of flaws and I've mentioned writing my own into my poor protagonist.

Proactive: They attack problems instead of watching to see if someone else will leap into action.

Intelligent or Canny: If they're not geniuses, it's okay—but I do like a clever mind or simple common sense

They know their own mind: There aren't lots of wishy-washy scenes where they wonder what they should do next.

They're dynamic: They grow over the course of the book or series.

One thing that's important to me is knowing what motivates them. I want to have some sort of idea of what makes the protagonist tick. Otherwise, I won't really get them and know how they'll react in different situations.

If you're in the protagonist building phase right now, yourself, here are some links that I've found useful in the past:

Alexandra Sokoloff: Creating character - the protagonist Adventures in Children's Publishing: Character Worksheet
Eclectics: Fiction Writer's Character Chart
The Writer's Knowledge Base (and click on 'character')
There Are No Rules: Your Protagonist Must Have a Goal
Guide to Literary Agents: Agent Donald Maass On: Your Tools for Character Building

What are traits that you find easy to work with in your protagonist? (I think many writers would be looking for different traits…and desirable traits might differ from genre to genre.)

When Protagonists are Unlikeable or Difficult

I'd heard a lot about the movie The Social Network, and decided to rent it last weekend to see what the fuss was about.

The movie was well done, I thought. One thing that really interested me was how riveted I was by the film when I actually didn't give a flip about many of the characters in it.

Mark Zuckerberg (as portrayed in the movie) is not exactly the most likeable guy out there. Actually, he comes across as borderline sociopathic.

The Winklevoss twins who claimed Mark Zuckerberg stole their idea for Facebook? It's hard to really feel sorry for them. It sounded like their idea was for more of a Harvard dating site.

Sean Parker, the founder of Napster? Major jerk in the movie.

I honestly couldn't even summon up sympathy for Zuckerberg's ex-girlfriend. Who would go out with such a person, anyway?

The only character that I found sympathetic in the film was the former Facebook CFO, Eduardo Saverin. He was only CFO because he was Zuckerberg's roommate/friend and had money in his checking account.

I wondered why I found the movie so interesting-- usually I'm all about the characters.

The main character, Zuckerberg, is just different. He's difficult to figure out. He's brainy (usually an appealing trait…except when the braininess is used against you in a scheming way) but was written to be almost petty in his immaturity and jealousy.

So this seems to be a story where the complexity and ambiguity of the main character—and the hopes of a hint at what makes them tick—is what makes it appealing.

Have you watched the movie? What made you keep watching it? Or, if you haven't watched the film, what makes you keep reading a book when there's an unlikeable protagonist? Have you ever written one?

Character Clues

I've never really thought about it until now, but my friends are very, very specific whenever we set times to meet.

I'll arrange to pick up a friend for lunch or to volunteer at our kids' school. "Why don't you come by at 9:35?" they'll suggest. Or, "Elizabeth, I'll be ready at 11:50."

A friend pointed this out recently, "You know no one else gets precise instructions like that." I didn't understand. She said, "No one else is told the exact minute to meet. Most people will say something on the hour or the half-hour. Maybe on the quarter hour. The only reason people tell you that is because you'll be there at exactly that time. You're never early or late. If you were late, I'd call the cops because I'd know something horrible had happened to you."

So, if I were a character (and I'm wondering now if maybe I am), a reader could possibly make some assumptions about me. Some might be right and some might be wrong.

Someone might conclude that I'm a little Type A. They might conclude that I keep an eye on the clock. Maybe they'd just conclude that I'm punctual (although apparently I take it a little too far.)

Of course I'm all about clues, since I'm a mystery writer. The fun thing about character clues is that the reader gets to figure things out for themselves. Editors love showing—and it's a great way to show.

Frequently, when I think about character clues, I'm using clues that are physical pointers. In other words, I'd have something like a character who opens his car door and a bunch of papers and wrappers fall out. Easy to make assumptions about him, right?

But if I bring in another character, I can show that character's demeanor when dealing with the protagonist—and add dialogue clues to hint at character traits and the characters' relationship with each other .

Maybe you have a character that you want to represent as someone who talks too much. This could easily be expressed by interruptions from a second character or their signs of impatience. Or of them putting off a phone call with the character. Much better than pages and pages of chatty dialogue to prove the point.

Since I'm a mystery writer, I might also be interested in planting the wrong impression of a character. I might want to mislead the reader. (Other novelists might want to do the same thing, for different reasons.) Maybe the character is unnaturally chatty because they're nervous. Maybe the second character is just an impatient person who interrupts—maybe they're not making a point about the character's loquaciousness at all.

How do you handle character clues?

Building the Writer's Knowledge Base—by Mike Fleming

Hannibal from the A-Team always loved it when a plan came together. Unfortunately, the Writer's Knowledge Base (WKB) didn't emerge from some well thought out plan. While I'm not a believer in destiny I'll admit that sometimes it does seem like a real force and the WKB could be an example. In this post I'll describe how the WKB came to be, how it works, and why I'm doing it.

When I started following writers on Twitter I quickly realized that the excellent links they posted had the lifespan of a gnat. Actually, gnats live a lot longer. It seemed like a shame that the links had such a short shelf life. The actual page at the other end of the link was still there, of course, but finding it is a lot trickier when you don't have a human curator separating the good from the bad.

While writing this post I dug through my notes to find what I wrote about the idea I had for fixing the problem. I found a less-than-eloquent entry on September 30, 2010, that says:

"Monitor writers' tweets for links to writerly subjects especially on the craft of writing. Then, user could search for "characterization" and get links to all kinds of articles."

While those two sentences clearly foreshadow the WKB as it is today, back in September it was just another idea in a bucket full of them. While I suspected it was a good idea I decided to continue focusing on Hiveword which is the fiction organizer I'm developing. In fact, the idea itself was intended to be part of Hiveword at some point. That's the context I was in at the time.

Now keep in mind that @elizabethscraig is one of the Twitterers I was following and while she is not the only one to post links I think we can all agree that she is by far the most prolific one. So imagine my surprise when I saw her post on December 13th where she was exasperated about the difficulties of making all of those great links findable.

Well.

The problem was she had content and no technology and I had technology and no content. Isn't that how Reese's peanut butter cups were born?

This smacks of destiny, I thought. So, I slept on it and on the next day sent Elizabeth an email outlining my proposed solution. After running a background check on me she decided that together we could provide a compelling free service to writers everywhere. Bloggers would benefit, too, since they would have another source of traffic. There was little downside.

With Elizabeth on board I set off to work. From concept to implementation it took under a month to do on a part-time basis since I have a day job. Part of the reason it was so fast was that I was able to leverage the platform I already had for Hiveword. Another reason is that I had an appendectomy in early January and the doctor said I should stay home for a week. How convenient. 40+ hours of work on the WKB. w00t!

Of course, telling you how it works would spoil some of the magic, no? I think you'll find that it's actually fairly mundane. But if you insist...

The WKB automatically checks Elizabeth's Twitter feed once an hour, pulls any new tweets since the last time, and stores them in a holding area in the database. Each day I manually process each link by copying and pasting the article content into the search engine component. The search engine indexes the content and makes it fast to search. That's where all the magic is, of course.

You might be wondering why I do the manual part when I could have the computer do it. I'll tell you, that's a mighty fine question given the number of links Elizabeth tweets! The answer is simple, though, and it's about search quality. If I index the entire article the search engine component will consider the whole page including header, footer, sidebars, ads, comments, etc. That can obviously throw off the relevance score when you do a search. If bloggers would agree on a standard way of marking content I could pull it automatically but there's not enough consistency for me to do that.

Then there was the fact that Elizabeth already had approximately 5,500 links on her Twitterific pages. Those links were just sitting there daring me to get them indexed. I'm pleased to say that I corralled those rascals but I didn't process them manually, of course. Rather, the entire page of each article was indexed which, unfortunately, has the drawbacks mentioned above. That's why you'll sometimes see strange snippets under a result. Sorry about that. However, there are now more than 6,000 articles in the WKB for you to learn from and enjoy.

Finding articles is rather easy because the interface is intentionally simple a la Google. Searching is an obvious way to find articles but you can find plenty of gems by trying the Random or Popular links. Random is self-explanatory and Popular would perhaps be better named "Top 100" since that's what it's really showing. Give them a try if you haven't already; I think you'll be pleasantly surprised.

You might also be wondering why I'm doing this. There are actually a bunch of reasons. For example, as a programmer I've benefited greatly from the work of others on the Internet who gave freely of their time and skill and I've wanted to contribute something back for a while now but hadn't been able to hit on the right thing. I always assumed it would be something for programmers but giving something to the writing community is like paying it forward. That works for me.

Also, the WKB amplifies the work that Elizabeth is doing for writers so that's a win, too. As mentioned earlier bloggers will get more recognition and traffic and users of the WKB will hopefully learn something from their time spent using it. That means four distinct parties can benefit from the WKB -- how great is that?

I'm elated by the reception the WKB has gotten from the writing community and I'm pleased that so many get value from it. I enjoyed creating the WKB and of course it wouldn't be as useful as it is without Elizabeth's help. She does a huge amount of work digging up the content in the first place.

That said, the WKB is not done. Would you believe I have a bucket full of ideas for it? Stay tuned!

-----------------------

Mike Fleming is a software engineer who can't seem to get enough of his craft. Give him something to do by suggesting some features for the WKB. He also maintains the WKB's Facebook page which he considers a place for insiders to stay informed about WKB news and tips. You can also sign up for the Hiveword email list if you want to be notified when the fiction organizer is ready.

Twitterific

Here are writing links that I've posted to Twitter for the past week.

I'm delighted that now we have an efficient method of locating resources on writing topics when you need them—via the Writer's Knowledge Base search engine and software engineer and writer Mike Fleming's ingenuity. The links I tweet (which are writers' blogs, agents' and editors' blogs) all are added to the engine to make it easier for you to access the information you're looking for.

Hope you'll come back tomorrow when Mike talks a little about how he came up with the idea for the Writer's Knowledge Base and how it works.

Why Write a Novel—Your Reason is the Right One: http://dld.bz/M5wn

What Kind of Writer Are You? Career Themes: http://dld.bz/M5wh

Setting, POV, Backstory & Characterization: http://dld.bz/M5wf

Style Sheets: A Tool for You and Your Critique Partners: http://dld.bz/Mmme

If You Build it, They Will Read: Plotting With Layers: http://dld.bz/M5vU

Top 5 Things Writers Should NOT Do: http://dld.bz/M5vN

Reasons why today's crime novelists should read the classics of the genre: http://dld.bz/MxHY @mkinberg

Honing your dark hero: http://dld.bz/MmkR #amwriting

Youth *can* enjoy verbal storytelling: http://dld.bz/Mj7k and http://dld.bz/Mj7m @kevincordi

Do lit mags have the same chance for survival as popular titles? http://dld.bz/Mjz4

Expose Your Writing Sins: http://dld.bz/KVqM

Myst. Lov. Kitchen: The Food of Love: Spaghetti and Meat(less) Balls http://bit.ly/hBosGb @CleoCoyle

One author's life in writing (Guardian): http://dld.bz/MmhG

10 Tips to Ensure a Productive Writing Day: http://dld.bz/Mjy4 @elspethwrites

The Ancient Editor Goes to Lunch: http://dld.bz/Mjyz

A Feedback Format for Critiques: http://dld.bz/Mmkx

Tips for Avoiding Crime Fiction "Road Hazards": http://dld.bz/MxH4 @mkinberg

Nice wrap-up--Creativity Tweets of the Week: http://dld.bz/Mu7N

An author with a POV Q&A: http://dld.bz/MxCe @authorterryo

Dialogue Tags: How to Kill Off Some Of The Little Buggers: http://dld.bz/MxYz @SharlaWrites

The 10 Essential Grammar Rules—of Life: http://dld.bz/Mu7E

4 tips to prepare for your book launch: http://dld.bz/Mxq2 @hopeclark

An agent's post: How to Get Published (The Definitive Post): http://dld.bz/Mu77

Using Advertising Lessons to Make Your Story: http://dld.bz/MxpW @hopeclark

Need tips for plotting? http://hiveword.com/wkb/search?q=plot #amwriting

10 Ways to Promote Your Book in Your Own Backyard: http://dld.bz/Mmkp

Computers vs. longhand--and an interesting study on the pros and cons of both approaches to writing: http://dld.bz/Mu6n

Coincidences in writing: http://dld.bz/Mmjf #amwriting

Six Steps for Approaching Potential Critique Partners: http://dld.bz/MmgR

Critique Groups as an Unreliable Narrator: http://dld.bz/MjxJ #amwriting

The Most Important Thing A Writer Can Do (Other Than Read And Write): http://dld.bz/MwpS @ajackwriting

When Hiring a Publicist Make a Real Connection: http://dld.bz/MjtG

10 great places freelance writers can find story ideas: http://dld.bz/Mjtk

How to Be a More Effective Author Online: http://dld.bz/MbU9

SFF and the Classical Past, Part 4—Legions of Gladiators: http://dld.bz/MjsH

Handling Your Word Count: http://dld.bz/MjsF

Fantasy Writer's Use of History: http://dld.bz/MjrF

Talking about the novel you're working on: http://dld.bz/Mjqb #amwriting

The hero's journey: http://dld.bz/K8qS and http://dld.bz/K8rb

An editor's thoughts on pacing: http://dld.bz/K8q8

Improving Your Fiction: 246 Rules from 28 Modern Writers: http://dld.bz/KVqF #amwriting

Myst. Lov. Kitchen: Chocolate Covered Strawberries! http://bit.ly/gvLirS @CleoCoyle

Platform–Why We Need One: http://dld.bz/MehS

Does your story involve language change? Some tips: http://dld.bz/Mehn

Examples of Sensory Details in Writing: http://dld.bz/Mek6

A trend toward present tense in YA? http://dld.bz/Mekk

3 Things the Novelist Can Learn From the Copywriter: http://dld.bz/MejU

Don't Sweat the Small Stuff Week: Word Counts: http://dld.bz/MehK

Is your book's setting ho-hum? http://dld.bz/KNYg #amwriting

10 Reasons Novel Manuscripts Get Rejected: http://dld.bz/MehD

Query Writing Troubles? It Might Be The Story, NOT The Query: http://dld.bz/MegF #amwriting

Storytelling--tips for crafting a verbal story: http://dld.bz/Mjnt @kevincordi

Character habits and other identifiers: http://dld.bz/Mjmk #amwriting

10 ways to make editors fall in love with your work: http://dld.bz/Megp

Top 10 love poems, in time for Valentine's Day (Guardian) : http://dld.bz/Mjxe #amwriting

On business cards for writers: http://dld.bz/Meg5

What your agent doesn't want to hear you say: http://dld.bz/Megz #amwriting

Writers react to AOL-HuffPost deal: now what? http://dld.bz/Mefj

6 Fiction Writing Techniques to Improve Your Blog: http://dld.bz/Med7

An agent says, "It's not my job to be your BFF.": http://dld.bz/Mjv6 #amwriting @gatekeeperspost

7 Tips for Using Hyphens with Adjectives: http://dld.bz/Med6 #amwriting

Why Adverbs Will Really Probably Always Mostly Suck: http://dld.bz/MjnR @charissaweaks #amwriting

An agent explains remainders: http://dld.bz/Medv

A Storyteller dives into Digital: http://dld.bz/MjmK @KevinCordi

The Subconscious In Writing: http://dld.bz/Medn @joanswan #amwriting

10 ½ Tips for Being a More Effective Author Online: http://dld.bz/MbU9

Behind the Scenes with a Literary Agent: http://dld.bz/MbPA #amwriting

Character-Driven/Plot-Driven: http://dld.bz/K8qq #amwriting

Writer's Tools: Worksheets & More: http://dld.bz/cXmN #amwriting

Myst. Lov. Kitchen: Like Cheddar for Chocolate http://bit.ly/eDUj26 @CleoCoyle

Travel Writing Tips for Writers Who Can't Write Description: http://dld.bz/MbP2 #amwriting

Using (Or, Preferably, Not Using) the Subjunctive Mode: http://dld.bz/MbPx

Urban Fantasy and the Elusive Male Protagonist: http://dld.bz/MbNY #amwriting

What Your Query Says About Your Book: http://dld.bz/KVet

Tips for switching POV characters: http://dld.bz/Menb @authorterryo

There are no original fairy tales: http://dld.bz/MbNd

SF Editors & Authors Discuss Future of Publishing: http://dld.bz/Mema

How to Start On Twitter (Or Open a 2nd Twitter Account) Without Looking Like a Newbie: http://dld.bz/MaAU

Can Book Critics and Authors be Friends? http://dld.bz/MaA3

Want to create vibrant characters that pop off the page? http://dld.bz/KNXX #amwriting

Lighten Up! Cutting Down Your Word Count: http://dld.bz/MaAx

Bulking Up: Fleshing Out a Too-Short Novel : http://dld.bz/Ma9B #amwriting

Thoughts on when to follow your beta readers' advice and when to follow your gut: http://dld.bz/MaNq

The Scene Conflict Worksheet - Developing Tension in Your Novel: http://dld.bz/KVpB

How To Avoid Becoming Another Boring Writer's Blog: http://dld.bz/Ma8P #amwriting

7 Ways to Attract Attention to Your Book Sales Page: http://dld.bz/MbM2 @victoriamixon @thecreativepenn #amwriting

Three Places Where You Should Tell Instead of Show: http://dld.bz/Ma8r #amwriting

Cutting Overwhelm Down To Size: http://dld.bz/Ma7T #amwriting

The Future of Agents: http://dld.bz/Ma7A #amwriting

Learning to write from fruit: http://dld.bz/KVpa

How to copy and paste your Kindle highlights and notes into a Word file or email: http://dld.bz/KZE5 @galleycat

To Produce & Protect: 5 Things That Creators Can Learn From IT Geeks: http://dld.bz/KVf4

Want More Copywriting Clients? Here's a Surprising Way to Find Them: http://dld.bz/KVeM

Deciding When to Show and When to Tell: http://dld.bz/KUWM @4kidlit

One editor lists the marks of an amateur: http://dld.bz/K8qd

Shades of Gray: A Somewhat Liberating Spin on Story Structure: http://dld.bz/K8pk

The value of pausing for a critique: http://dld.bz/KNRj #amwriting

The Three Dimensions of Character Development: http://dld.bz/K8pa

Myst. Lov. Kitchen: A Valentine's Day Cocktail http://bit.ly/eBOdOh @CleoCoyle

Working Together to Renovate Publishing–The WANA Plan: http://dld.bz/KNQV

10 Radical Ideas for Getting Kids to Read: http://dld.bz/KNPM

Listen to Full Audio of AWP Social Media Panel (Writer's Digest): http://dld.bz/KNQD #amwriting

Neuroscience for writers: http://dld.bz/KVkG

The Misleading "Research" By McSweeney's: http://dld.bz/KNQ2

A weekly roundup of informative agent tweets: http://dld.bz/KVhR @HeatherMcCorkle

10 dialogue musts for scriptwriters: http://dld.bz/KPf8

Are You Totally Missing Out The Heater Syndrome In Your Writing? http://dld.bz/KNPm #amwriting

Is Your Low Social IQ Dooming Your Blog? http://dld.bz/KNPc

What's popular on the WKB search engine today? http://dld.bz/KNNc #amwriting

Self-publishing--a checklist to see if it's right for you: http://dld.bz/KNMz #amwriting

How social media sells books: http://dld.bz/KNSV

How Much Editing Does a Contracted Book Need? http://dld.bz/KNMf #amwriting

7 Steps to Writing Success: http://dld.bz/KNKD #amwriting

Story-specific Words—Fitting Word to Story: http://dld.bz/KNKp #amwriting

Writing monsters--Part I http://dld.bz/KNJw and II http://dld.bz/KNJx #amwriting @ajackwriting

Descriptive Passages: Character: http://dld.bz/KNHF #amwriting

Tools for writers--to help brainstorm, write and, promote: http://dld.bz/KPgS #amwriting

Building writer karma: http://dld.bz/KNHm #amwriting

Pre-Submission Checklist: http://dld.bz/KPcS @4kidlit #amwriting

Plotting Made Easy - The Complications Worksheet: http://dld.bz/KPbX #amwriting

It's Time To Finish Your Book: 9 Productivity Tips for Writers: http://dld.bz/KNGk #amwriting

For those just getting started with online promoting--social media 101: http://dld.bz/KNSJ #amwriting

7 Surprising Things About Blogging: http://dld.bz/KNDh

Top Ten Reasons the editor doesn't love what your critique group loves: http://dld.bz/K8pZ

Tips for creating distinctive characters: http://dld.bz/KMEV

The Second Plot Point: http://dld.bz/K8nF

Advice for playwrights starting out: http://dld.bz/K7gr

Myst. Lov. Kitchen: My Guilt-Free Chocolate Bliss for Valentine's Day from Cleo Coyle http://bit.ly/hlsXGo @CleoCoyle

Writing Screenplays vs Books: http://dld.bz/K6RM

Batman Noir: http://dld.bz/K24K

Writing sex--thoughts on the "how": http://dld.bz/K24R

6 Types of Twitter Tools That Come in Handy: http://dld.bz/K247

Too Fast, Too Furious, and Way Too Much: http://dld.bz/K246

Why Agents Get Snarky: http://dld.bz/K24s

How to Learn Story Structure in Two Minutes or Less: http://dld.bz/K8pm

Is It Your Manuscript or YOUR Manuscript? http://dld.bz/K24g

How to write a spec for TV: http://dld.bz/K6SP, http://dld.bz/K6SQ, http://dld.bz/K6SR

10 Laws for Author Self-Promotion: http://dld.bz/K23N

Author Janice Hardy on the importance of first lines: http://dld.bz/Kqf8

The Unreal, and Why We Love It, Part 4: Laughter: http://dld.bz/KqeW

Publishing Options Series: The "Traditional" Route: http://dld.bz/KqeH

YA Fiction-Style & Content-Part II: http://dld.bz/Kqe7

Harper's Magazine: The Exit Plan Cometh: http://dld.bz/Kqe5

10 Marketing Strategies You Can Implement Today: http://dld.bz/Kqee

Challenges and hurdles women writers face when submitting work: http://dld.bz/KCwZ

Conflict, Tension, and Stakes on Every Page: http://dld.bz/KqdZ

Running on Autopilot: Working With Unconscious Goals: http://dld.bz/Kqd2

A Left-Brained Approach to Revision: http://dld.bz/K6mW

Writing for the Emotions: http://dld.bz/KmNS

The Writer's Knowledge Base--now with 6000 links (and constantly adding more): http://hiveword.com/wkb/search @hiveword

The Critique Partner from Hell, or One Hell of a Critique Partner: http://dld.bz/KmN8

Lessons from the screenwriters: http://dld.bz/K6m5

Links of associations, guilds, and professional organizations for screenwriters: http://dld.bz/K6MG

Setting up tension: http://dld.bz/K6kx

Advice on Selling Screenplays: http://dld.bz/K7aV

The Difference Between Lit Agents & Script Agents and between a script manager and script agent: http://dld.bz/K7ar and http://dld.bz/K7a4

Talking Script/Screenplay Managers: http://dld.bz/K6ZX

Myst. Lov. Kitchen: 10-10-10 Pork Tenderloin http://bit.ly/elCYU9 @CleoCoyle

Misused Words—Common Writing Mistakes: http://dld.bz/KmMZ

Tips for Fighting Writer's Block: http://dld.bz/KmMU

Defining story arcs: http://dld.bz/K6jY

What happens if an agent says yes? (After the celebration dies down, that is.): http://dld.bz/KmM6

The Writer's Knowledge Base--now with 6000 links (and constantly adding more): http://dld.bz/Hnnn @hiveword

TV scriptwriters--links for conferences and festivals: http://dld.bz/K6Mm

Feel the Rhythm of the Words: http://dld.bz/KmMs

Writing: The Art of Shameless Self-Promotion: http://dld.bz/KmMq @4kidlit

List of the most commonly used YA cliches: http://dld.bz/KmMM

Using foreshadowing: http://dld.bz/K6jC

Why realism does not equate to adult (or even good) fantasy: http://dld.bz/KmKZ

How writing software changed one writer's life for the better: http://dld.bz/KmJH @JustusRStone

Writing a TV series (5 parts): http://dld.bz/K6T3 , http://dld.bz/K6T4 , http://dld.bz/K6T5 , http://dld.bz/K6T6 , http://dld.bz/K6T7

Screenwriting Software & Filmmaking Tools: http://dld.bz/K6Ku

9 Techniques to Delivering a Speech with Confidence: http://dld.bz/KmJS

Twitterific...the week in tweets and the WKB: http://dld.bz/K6gy

Writing, Publishing And Book Marketing Tools For The Mac Lover: http://dld.bz/KmJ2 @thecreativepenn

Tips for writing description: http://dld.bz/K5Y4

Seven Tips To Beat Eyestrain: http://dld.bz/KmHb

Once upon a yawn...what makes a story boring: http://dld.bz/KmGW

5 Steps to Captivating Readers with Your Secret Message: http://dld.bz/KmF9

Clichés–Are They Really That Bad? http://dld.bz/KmFu

Taxes and the freelance writer: http://dld.bz/KmFe

Myst. Lov. Kitchen: It's Super Sunday! http://bit.ly/eJ9KuS @CleoCoyle

Running Our Races & Becoming Winners: http://dld.bz/KmEd

Finding Commas in All the Wrong Places: http://dld.bz/KmET

How To Create a Writer's Resume: http://dld.bz/KmEH

Format Your Novel for Submission: http://dld.bz/KmE8

How to Choose a Search Friendly Domain Name: http://dld.bz/KmEn

How Similar Are You To Your Protagonist?

A popular question on panels is "Are you anything at all like your protagonist?"

It's an interesting question, I think, because each writer feels differently about incorporating themselves into a story.

Reasons I've heard why writers write parts of themselves into books:

Some writers view writing as a therapeutic process, working through problems or tragic events through their characters.

It can be easier to get into a character's head or make the character pop on the page if the character is based on the writer.

The writer's own background, skill-set, or professional knowledge can be used in the book for a realistic touch. (The protagonist may share the writer's occupation or hobby.)

It can give the writer an opportunity to change the outcome of a situation they were in, through fiction.

Reasons I've heard why writers don't write themselves into books:

They're private people.

Their lives don't seem interesting enough to write about.

Also interesting to me is the way that many writers I've listened to will use an absolute on the subject. "No, I'm not like my protagonists," or "Yes, I'm similar to my protagonist."

I've done the same thing—I usually say, "No, I'm nothing like my protagonists." Because, honestly, if I wrote myself into a book—no one would read it. This is why I make things up. Besides, I'm not the kind of person who is protagonist material. I don't make things happen…I like to observe them happening.

But it's not true that I'm nothing like my protagonists. There are bits of me in them. One protagonist is an insomniac. Two protagonists are impatient. One protagonist is distracted and forgetful. Most of the things that get a small mention are actually my shortcomings.

I'd not thought about it, but when I write my shortcomings into books, I'm poking fun at myself. It's a good way to blow off tension because my shortcomings tend to stress me out.

So I think, that most writers will use a combination approach. If they are consciously writing themselves, then they leave some materia out (at least, I'd imagine they would. I sure wouldn't be able to let it all hang out there.) If someone thinks they never write themselves into a book…maybe, like me, they don't even realize they're doing it.

How much of yourself goes into a book? How much is complete fiction?