Riley Adams's Blog, page 191

Handling Reviews

I noticed I'd gotten a really nice review of one of my books the other day.

Several books ago, good reviews really had a strong impact on me. Actually, the word 'elation' wouldn't be far off the mark in terms of describing my feelings.

But the problem with putting stock in an unexpected good review is that they're sure to be followed by negative reviews. If you're on a high from the good ones, you'll really crash after the bad reviews.

Plus, I realized, if I believed the good reviews, it meant I had to believe the bad ones. Otherwise, I'd really be biased.

After I came to that conclusion, I got a lot more clinical with my reviews. I appreciate them tremendously, I love that people care enough to read my books and offer feedback. But I can't put a lot of stock in them. All I can do is take note of the ingredients of both the positive and negative reviews—did the reviewer list elements they especially appreciated or disliked? Is this a common theme in the reviews I'm reading?—and use them to help me with future books.

My approach:

I don't read reviews when I'm writing something new. It's just hardly ever good for a decent writing day. It tends to make me want to edit more instead of be creative.

I don't respond to any reviews—positive or negative—on a bookselling site. If I see a nice review on a blog, I might thank the blogger in the comments or send them an email. Author intrusion on bookselling sites is almost always a bad thing.

I do like helpful negative reviews—reviewers who point to what they see as a particular problem with the book. It's always interesting to see if the problem is something that can be addressed in future books in the series. Are other people giving feedback about the same thing?

As I mentioned above, I don't believe my good reviews, either. I find them heartening and I appreciate them, but I try to look at them just as clinically. Did they say what they liked about the book? Is it something I can give more of in the next book?

With any review, I try to look at it as feedback. It's a business and I'm trying to make readers happy as well as please my publishers and myself. I work hard to make sure I don't take it personally. If I feel tempted to take it personally, I remind myself it's a business. And it is.

So….basically, I don't take much stock in either bad or good reviews, I just take from them whatever I can find useful, moving forward. And I remember it's all part of the business of writing.

How do you get distance from your work in order to keep positive during either querying or reviews?

Twitterific

Below are the writing-related links I tweeted last week.

The Writer's Knowledge Base search engine, designed by software engineer and writer Mike Fleming, makes all these links searchable. Sign up for the free monthly WKB newsletter for the web's best links and interviews: http://bit.ly/gx7hg1 .

I recently released an ebook: Progressive Dinner Deadly is a Myrtle Clover mystery, available for $2.99 on Kindle and Nook. The 3rd book in the Memphis Barbeque series will release November 1—Hickory Smoked Barbeque (available now for preorder).

Hope everyone has a great week! Good luck with your writing.

Meditation for writers: http://bit.ly/nfHTRj @GrubWriters

Resist the urge to quit: http://bit.ly/ntalXk @JWhite

How 1 mother/writer/teacher fits writing into her schedule: http://bit.ly/q6czMO @AnneRiley

Writing character sketches the modern way: http://bit.ly/ogSEAv

AAP Figures for June Show Dramatic Print Slump, Continuing #Ebook Explosion: http://bit.ly/qTYMiq @DavidGaughran

Writing life--guilt & how 1 writer spent her summer vacation: http://bit.ly/mSQ2Ih

Playing to win: http://bit.ly/o7FHHn

Promoting: A Guerrilla Writer's Approach: http://bit.ly/pcMo85 @bellastreet

10 ways for writers to network: http://bit.ly/n6onra

What's The Best Genre To Write If You Want To Get Published? http://bit.ly/pWC9nd @bubblecow

9 Reasons To Use Video to Enhance Your Blog Posts: http://bit.ly/pUAsJt

How Writing Helped 1 Writer Learn to Stop Worrying and Love Public Speaking: http://bit.ly/mUIM1h @YAHighway

4 Ways To Get Reviews For Your Book: http://bit.ly/qXqG5y @woodwardkaren

Trunk Novels Are An Endangered Species: http://bit.ly/nIg9W2 @thecreativepenn

Talking about Talking--Thoughts on Dialogue: http://bit.ly/oJB30V @V_Rossibooks

5 Elements of a Riveting 1st Line: http://bit.ly/qd5Lpd @KMWeiland

Do you take yourself seriously as a writer? http://bit.ly/oGp7qr @CherylRWrites

1 writer's thoughts on dialogue tags: http://bit.ly/qeQJ9p

10 proofreading tips to get distance from your work: http://bit.ly/pQhf07

20 Ways to Promote Your Facebook Fan Page: http://bit.ly/qrGKAH @smexaminer

Words count: http://bit.ly/naCm0X @BevVincent

Resources for online platform building: http://bit.ly/ntMCUv @nicolamorgan

Keeping track of characters when they're offstage: http://bit.ly/odLT7b @kalayna

Tips for writing a good critique: http://bit.ly/oBfikW @FantasyFaction

On obscurity: http://bit.ly/pXAHkx

Why Chasing a Big 6 Contract is Like Crushing on a Bad Boyfriend: http://bit.ly/oDbqx9 @annerallen

Spoilers – missing the point; a story is more than an ending: http://bit.ly/nF5PaF @dirtywhitecandy

Which Crimes Do Most Superheroes Commit? http://bit.ly/pdVOAD

The Children's Authors Who Broke the Rules (NY Times): http://nyti.ms/mQN6GM

Weaving elements through your plot: http://bit.ly/mUQVfY @author_sullivan

A Theory of the Hero: Agency, Voice, and Sincerity: http://bit.ly/oBxM9C @KgElfland2ndCuz

A Theory of the Hero: Story Archetypes for Heroic Characters: http://bit.ly/nh0FWw @KgElfland2ndCuz

What Serious Writers Can Learn from Genre Comrades in Arms: http://bit.ly/oA6ARA @ereads

The air of bleakness in some crime fiction: http://bit.ly/pP9AWr @mkinberg

Tips for finding an agent: http://bit.ly/pDopvO @bubblecow

3 Steps to Creative Endurance: A Writer's Training Plan: http://bit.ly/qhZE93

10 reasons SFF writers should go to conventions: http://bit.ly/oH3khl @BryanThomasS

Controlling pace in our stories: http://bit.ly/q3CdSu @BookEmDonna

How to illustrate the theme of your novel: http://bit.ly/nkbwtV @TheCreativePenn

Basics of Book Marketing for the Beginning Self-Publisher: http://bit.ly/pwLAKt @jfbookman

The wrong and right way to promote our books: http://bit.ly/qDoCtO @romance_book

Romantic Nature and Sub-genres: http://bit.ly/nfIGZQ

Picture Book Revision Takes 25 Years: http://bit.ly/qNhiEJ

Last-minute conference tips: http://bit.ly/n6xayS

A Lexicon of Speculative Fiction: http://bit.ly/r2XjOX @Suzanne_Johnson @roniloren

"The blog ate my book." http://bit.ly/o3QWxl @WriteAngleBlog

How to Avoid Over-Promoting & Under-Promoting Our Books: http://bit.ly/oqdLRq @JodyHedlund

Let go of high expectations & make attainable writing goals: http://bit.ly/njIMeS

An agent reminds writers of the importance of likeable characters: http://bit.ly/rqHnmW @greyhausagency

Italy's 40K Books: No Paper, No Attention Span, No Problem: http://bit.ly/nSUGJH #publishing

How does a quiet book become known in a world dominated by the loud? http://bit.ly/oYzuEF

Handling editor interest: http://bit.ly/rhy7iB @BookEndsJessica

5 Ways to Optimize Your Facebook Page: http://bit.ly/pGoygX @smexaminer

Does Studying Rejection Letters Hinder Writers? http://bit.ly/pHJ1Mr @writeitsideways

On writers' retreats: http://bit.ly/nTTEUT @donnacooner

Self-publishing: copy edits, tagging, & other odds and ends: http://bit.ly/qWeoOD @HowToWriteShop

When Self-Publishing A Book Is A Great Marketing Move: http://bit.ly/n2fsFj @PassiveVoiceBlg

6 story elements that can force your book to evolve: http://bit.ly/n0ab9H @JamiGold

Borders Employees Vent Frustrations in 'Ode to a Bookstore Death': http://bit.ly/qqt83s @GalleyCat

The Grammar Hokey Pokey (With Commas): http://bit.ly/rg5HlP

On Bosses from Hell, Making Crime Pay, and Walking Around Your Writer's Block: http://goo.gl/gDSRa @cleocoyle

External and internal conflict: http://bit.ly/r3loFs @JulietteWade

Maintaining an Email List Without Pain (almost): http://bit.ly/nwe2RD @PassiveVoiceBlg

The Ultimate Writer's Guide to Blogging: http://bit.ly/q3nkjs @SeanPlatt

How to avoid avoidance as a writer: http://bit.ly/r8cbXu @JulieMusil

The care & feeding of a good critique group: http://bit.ly/no0TW7 @sarahahoyt

Publicity Beyond Your Book Launch: http://bit.ly/qJJ69r @booksparkspr

Hiding tidbits for readers (& when readers think writers planted tidbits that they hadn't): http://bit.ly/p2OpmG @janice_hardy

An agent on resending queries: http://bit.ly/nmrPQy @BookEndsJessica

One of Rowling's techniques for planting clues: http://bit.ly/qhwRWP @HP4Writers

Don't Write a Memoir to Get Revenge: http://bit.ly/pMZfmk @janefriedman

Creating a Long Distance Relationship With Your Manuscript: http://bit.ly/oPkr8W @YAHighway

Introducing backstory: http://bit.ly/oQhiL4 @BTMargins

Do You Suffer from "Not-Quite" Paralysis? http://bit.ly/r48hvr @on_creativity

Finding the Heart of Your Story: A Tip from Donald Maass: http://bit.ly/qkXRPo @4kidlit

Basics of Book Marketing for the Beginning Self-Publisher, Part 2: http://bit.ly/ptr5xb @jfbookman

What Startups Can Teach Publishers: http://bit.ly/nsKwxa #publishing

Flat Adverbs Are Flat-Out Useful: http://bit.ly/npaX8W

Avoiding Despair at a Writer's Conference: http://bit.ly/oe9VQi @rachellegardner

When book promotion becomes spam: http://bit.ly/nw5QjV @rule17

Pacing the start of your novel: http://bit.ly/nxlUDz

Run an Awesome Blog Contest in 5 Steps: http://bit.ly/p7Jk0V @problogger

Setting--adding dimension to your fiction: http://bit.ly/r1TCp3 @KristenLambTX

Why Nouns Matter, part 1: Proper Names: http://bit.ly/r2HSAs @JulietteWade

6 reasons to conduct an interview--with insights from journalist @Porter_Anderson: http://bit.ly/oo6dUV @write_practice

10 More Lies You Tell Yourself While Editing: http://bit.ly/nGAQbm @elspethwrites

How small decisions in crime fiction add tension & realism & can foreshadow events: http://bit.ly/orKLLh @mkinberg

Self-editing checklist--setting and description: http://bit.ly/qUzKPf @SarahForgrave

A Theory of the Hero--Tragic and Anti-tragic Heroes: http://bit.ly/nWRtCs @KgElfland2ndCuz

Create Your Own Words (and Other Uses Of the Hyphen): http://bit.ly/qrY2iN @write_practice

Measuring results of marketing & the nuances of long-term book marketing: http://bit.ly/qUTHsP @jfbookman

A video from @TheCreativePenn shows how to publish your book: http://bit.ly/oJUju9

The Rulebreaker's Guide to the Semicolon: http://bit.ly/qXYdPC @FantasyFaction

A Hidden Aspect of Creative Life That Underpins Great Work: http://bit.ly/numCTi @JaneFriedman

Time Management—Taking Stock of Your Most Precious Commodity: http://bit.ly/mTMMLi @workawesome

15 Frequently Confused Pairs of Adjectives: http://bit.ly/orGCZ5

How to Use the Power of Silence to Boost Your Writing Career: http://bit.ly/qjQgDj

An agent on the importance of character motivation: http://bit.ly/ntDyAG @greyhausagency

The Writer's Diet Wasteline Test: http://bit.ly/oedxSE @manon_eileen

Writing Tough Subjects for Young Readers: http://bit.ly/n0M6L0 @iggiandgabi

The challenge of offering honest criticism: http://bit.ly/oWcvIQ @WriteAngleBlog

3 Keys to a Successful Author Platform: http://bit.ly/q7eTly @KristenLambTX

Is blogging dead? http://bit.ly/onTVOc @RoniLoren

Benefits of outlining: http://bit.ly/orCq1y @KMWeiland

An agent weighs in on prologues: http://bit.ly/oprTdn

Building A Sustainable Writing Career: How To Develop Multiple Income Streams: http://bit.ly/ndhCmH @DavidGaughran

Delaying the answers to our story's questions: http://bit.ly/nABcgE

Advice for Family and Friends of Writers: http://bit.ly/nXwAbw via @DorteHJ

An agent with an observation on character development: http://bit.ly/qWHuBV

An editorial director with a crash course in book events (including...making sure there are books to sign): http://bit.ly/pZa5PQ

Getting started with ghostwriting: http://bit.ly/o0uzx8 @YAHighway

12 tips for naming characters: http://bit.ly/nVtVtE

Marketing Your Book: Swag & Bling: http://bit.ly/qRtjbk @CuriosityQuills

Should Authors Charge for School Visits? http://bit.ly/rpXoIU @Janice_Hardy

What *not* to do at a reading: http://bit.ly/peuzr8 @FantasyFaction

Academic Writing Makes You a Better Writer: http://bit.ly/oohhsR @jeffgoins

The legend of the movie option: http://bit.ly/nZjIx8 @martharandolph

How Our Relationship With Our Characters Is Like Dating a Vampire: http://bit.ly/nSFleN @lisagailgreen

Children's book publishers--foregoing the inherent market advantages of the basic e-book is a big mistake: http://bit.ly/p5Kohn #publishing

These 3 Typography Websites Will Change How You Took at Type: http://bit.ly/pJsFDs @jfbookman

What Is The Point Of Writing A Book If You Have No Online Presence? http://bit.ly/r2NXJE @bubblecow

The truth about editing: http://bit.ly/nZbAQZ @msforster

PublishAmerica and CBA: Rowling Redux: http://bit.ly/nPEPeK @victoriastrauss

4 revisions 1 writer is making to her story: http://bit.ly/pDxuB8

Why Self-Publishing Is So Popular Right Now: http://bit.ly/ouOgny @GoblinWriter

The Most Powerful Learning Tool A Writer Could Ever Have: http://bit.ly/pTSsWZ @ollinmorales @

Quickly review industry news & views with this thoughtful digest via @Porter_Anderson for @JaneFriedman: http://bit.ly/neRh6R

Joe Konrath's response to the argument that the #ebook market is glutted: http://bit.ly/rnhA01

Top 5 things to avoid telling agents and editors at conferences: http://bit.ly/qY3XMl

Publishers Eager for Amazon Tablet: http://bit.ly/rcGh2D @ThePassiveVoiceBlg #publishing

Kindle Books Now in Libraries via Overdrive: http://bit.ly/reRGBe @selfpubreview

Seeking an Agent Is Not Seeking a Job: http://bit.ly/n5ztnZ

An editor with a mini-lesson on exclamation points and question marks: http://bit.ly/nNfSbA @LynnetteLabelle

Tips for writing a great 2nd draft of your novel: http://bit.ly/r08iyD @bubblecow

Writing Integrated Love Scenes: http://bit.ly/nuCjqx

Become The Hero Of Your Own Publishing Story: http://bit.ly/pgC4pw @thecreativepenn

Advice to an aspiring writer: http://bit.ly/mZsfHd @CBR

Tips for dissecting your novel: http://bit.ly/rbvte8

Before the Royalty Statement: Finding Out How Many Books You Sold: http://bit.ly/oaUvsI @BTMargins

The Verbing of the English Language: http://bit.ly/pKLH4c

Using an Agent to Get on Kindle: http://bit.ly/pIYkB1 @JaneFriedman

How Self-Published Authors Get Their Covers Right: http://bit.ly/qmplMS

Writers, be who you are--a process of discovery: http://bit.ly/mQtzAI @BryanThomasS

Set yourself up to succeed: http://bit.ly/phjyDL @Mommy_Authors

You sure you want that movie deal? http://bit.ly/rf55gO @bbeaulieu

Superpowers Will Not Make a Boring Character Interesting: http://bit.ly/nRoRqj

6 Ways to Ask Better Questions in Interviews: http://bit.ly/oVDa4t @write_practice

Nanowrimo Prep: First, You Need an Idea: http://bit.ly/nVIvSS @AlexSokoloff

Wandering in Circles – How to Structure a Story: http://bit.ly/ncah2O @PassiveVoiceBlg

Why Amazon's New Tablet May Pose A Greater Threat To NetFlix Than To Apple: http://bit.ly/nmpjTx @PassiveVoiceBlg #publishing

The power of suggestion – what can you leave the reader to fill in? http://bit.ly/ri3jtJ @dirtywhitecandy

Telling Your Own Author Bio Myth: http://bit.ly/pLX82O @HP4Writers

5 ways to get into the writing mindset when starting a new book: http://bit.ly/pbJqJb

Best Articles This Week for Writers 9/23/11: http://bit.ly/r5mnNk @4kidlit

Building Online Communities for Teen Readers: http://bit.ly/rePIWK

Does your main character get all the best lines? http://bit.ly/pSE7F3 @jeanniecampbell

Are your characters crying too much? http://bit.ly/o9kyHn @lydia_sharp

Avoiding Stop-Action Description: http://bit.ly/qgfxMA @artzicarol

10 Tips Writers can Learn from Bad Movies: http://bit.ly/oYOxmd @LyndaRYoung

What makes a novel a page-turner? http://bit.ly/ql7atc @jamesscottbell

Weeding or editing: http://bit.ly/qvSF3L @nicolamorgan

Write. Revise. Rest. Repeat. The 4 cycles of writing and links to help you master them: http://bit.ly/nIi3QY @bluemaven

Religion in Novels: Terrific or Taboo? http://bit.ly/nZ541p @JamiGold

Preying on Preconceived Notions by Glen Allison—a Saturday Good Read

Please join me in welcoming Glen Allison to Mystery Writing is Murder.

A review of The Informationist by Taylor Stevens 
Expectations are a funny thing. And by funny, I mean they are like that dog with the wagging tail that, soon as you look away, bites your ankle. Or, conversely, they can be like the mean-looking mongrel who merely wants a pat on the head.

Example: You read a novel about a woman who goes into dangerous situations throughout the world to gather information. In the process, she is forced to kill people. Not anyone who doesn't need killing, mind you. When she does it, it happens so fast that she's on to the next challenger with her knives before the blood from the first one spatters on the wall. And, even though the people deserve it, the slayings stir blood lust in the killer. She fights it, but it's there.

You can't help expecting the author of such a story to show signs of inner turmoil. To show it in her eyes, somewhere deep.

But, no. Taylor Stevens, author of The Informationist, is nothing but pleasant here at Bouchercon 2011 in St. Louis. Fans drift to her table in the book signing room, each receiving a smile and kind words from the author. She takes time to encourage a young author who is suffering prepublication jitters. No sharp edges here. Her kindness is genuine.

Not so with her protagonist, Vanessa Michael Munroe, in The Informationist. Oh, Munroe might be smiling. But she is watchful for any preconceived notion on which she can prey. And her knives aren't far away from her fingertips.

She'll need them. And you won't blame her for using them.

"Some people have said it's gratuitous violence," says Stevens, "but I say no. She doesn't seek it out, but it's always necessary."

I agree. The story is more than the violence, however. Munroe, a young woman with a tortured past, usually travels the world on info-gathering missions for big business or other organizations. She uses her innate ability to learn languages rapidly to reveal choice nuggets of insight for her clients. In The Informationist, she is presented a different mission: Find out what happened to a missing American teen girl who disappeared while she traveled through Africa four years previously. Many have failed to find out what happened to the girl. Her father wants to know, to rest his mind.

Munroe rejects the offer, at first, shunning the millions in compensation. But that phrase plays in her mind. "Many have failed...." She is hooked. And so are we as readers. And thus begins a tale of one of the toughest – and most beguiling – protagonists I've run across in a while.

If you love thrillers featuring a character whose inner battles rival her external challenges, read The Informationist, which came out earlier this year. Her next Munroe novel, The Innocent, comes out at the end of 2011.

What I've intentionally left out, until now, is Taylor Stevens's background: She was raised in a communal apocalyptic cult which took her to four continents, including Africa – where much of The Informationist is set. That experience, and her familiarity with the setting, give this novel an authentic feel and emotional depth that grips the reader.

I stand next to Taylor as we gaze down through the windows of the 22nd floor of the conference hotel. A reception honoring another author swirls around us. She speaks of her past, neither embracing nor ignoring its reality. "It's not who I am; it is merely what I experienced." On one hand, she wishes her novel could receive recognition on its own merits (and it definitely is being recognized). On the other hand, she is practical about how the publicity machine rolls on.

Though I do not press her for the kind of details for which today's inquiring minds lust, I sense there is much this woman endured as a child as she panhandled along dirty third-world streets. She has spoken of the closed-off nature of the cult, how it has left her, to this day, feeling like an outsider. Earlier in the day, while participating in one of the many author panels, she hushed the crowd by revealing that her education stopped at the sixth grade, and that she didn't read novels as a teenager. It wasn't allowed.

Her imagination, however, was not handcuffed. "I sometimes think of a time when I was 19. My privileges had been taken away for some minor offense. I had to go to bed at 8:30 p. m. with the younger children. I woke every morning at 5 a.m., which gave me two hours before reveille at 7. And every morning, for months, I'd walk around the compound for those two hours, just thinking. Just me and my imagination. Nobody could keep me from doing that. That time alone is my happiest memory in the cult, and perhaps paved the way for me to start writing this book over ten years later."

That kind of persistence in the pursuit of a dream is inspiring for any would-be writer. It drives her protagonist, Munroe, in her mission to discover what happened to the lost girl. And, it has given us one of the best action/suspense novels of the year.

Glen C. Allison is the author of the Forte suspense series of New Orleans.

 

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Interested in writing reviews?  I'll be running guest reviews for my Saturday Good Reads  series on Saturdays.  Contact me for details: elizabethspanncraig (at) gmail.com

Getting Into the Writing Mindset

I came across a fun post from Clarissa Draper yesterday. She mentioned that designing a cover for a WIP can put her in the mood to write it.

I think designing a cover would be an exercise in frustration for me, since I'm graphically-challenged (I picked the 'minimalist' blog theme for this blog, for example.) :)

But there are other ways I put myself in the mindset to start a new project:

Put a deadline on my calendar—I have an official deadline (publisher-set) and I have an unofficial one that I shoot for.

Write the back cover copy for the book. Can't imagine why, but the copywriting department never seems to use my copy! I enjoy writing it, though, and it helps remind me where I'm headed with the plot.

Come up with a title for the book. Even if it's changed later, it makes the project more real for me if it has a title.

Make an official home for the book on my laptop. I have a folder with the working title of the book. In that folder goes a cast of characters document, a document of brainstormed ideas, and the WIP itself.

Start thinking of it and referring to it as a real book. Even if I've only finished the first two paragraphs. Because it is…it's a book in progress.

How do you make your WIP real? How you put yourself in the mindset to write it?

Do You Take Your Writing Seriously? Do You Take It *Too* Seriously?

One interesting blog post that I've recently come across was on Cheryl's Musings, writer Cheryl Reif's blog.

In the post, Cheryl explains how she decided to start writing. Actually, her story is a lot like my own, which might be why I identified with it. We both enrolled our small children in preschool and started taking our writing seriously.

Cheryl lists some ideas for respecting yourself as a writer, including protecting your writing time and realizing that just because you're unpublished, it doesn't mean your writing is unimportant.

I tweeted a link to the post and quite a few people connected to the topic and retweeted it.

One person tweeted back, though, saying that she thought she took her writing too seriously.

I've done both, I think. I know the biggest gain in my writing career was when I decided to take my writing seriously. I set an attainable goal, and things started clicking into place.

But I've also taken my writing too seriously sometimes. I've let deadlines stress me out, I've concentrated too much on writing and let other things slide that needed attention in my life.

It looks like, as in so many things in life, that moderation or balance is key.

For me this means making sure I eke out writing time each day (lately it's been in the 30 minutes in the carpool line outside the high school), but it also means that I put my laptop away when members of my family are trying to have a conversation with me.

I also make sure I plan time in my day for reading (which is both enjoyment and craft-building time for me) and time for connecting online with other writers….the network of writers on blogs and Twitter, etc., who provide so much information and encouragement. But then I make time to play a card game with my kids or talk about the news of the day with my husband.

And…it's tough. Some days I'm not sure I'm handling the balance at all well. Occasionally I feel distracted, too, when I'm supposed to be focused on what I'm doing at the time. But I'm trying.

How do you balance your time? Do you take your writing seriously? Do you take it too seriously?

Delaying the Answers to Our Story's Questions

Just a quick post today on a discovery I made with my manuscript. One of the revisions I made to my Quilt or Innocence manuscript ended up making a big difference to the plot.

It involved a scene with a particular suspect who was behaving in a suspicious manner. The questions that arose from the scene were: why was the suspect behaving in this manner? What was she trying to hide?

A couple of chapters later, I had an answer for the reader. I showed the sleuth and the reader exactly why the suspect was behaving in that way.

The revealing moment did, actually, also serve to spur some additional questions about the suspect and the suspect's motive…so it had originally served a purpose.

But I found when I revised the section and delayed answering the question I'd posed in the story, the tension was increased.

When I finally did reveal the answer to the question, the scene had a more climactic feel to it. Plus, I think it will make the reader scramble a little toward the end…so, if that's true, then this must mean that…

I've used this trick before in my writing, but usually for something either really big or a small subplot that I'd woven into the book. But I liked making this change for a medium-sized plot element…because, in doing so, it actually made the plot point bigger and more important.

The only thing to be careful with, if you're making this change in the revision process and not as you're writing your draft, is that you clean up any references to the revealed answer in between the question asked and the problem solved. I was surprised how much I'd mentioned it. Still, it's a pretty easy change to make.

What kinds of questions are you raising in your story? When are you answering them? Can you delay answering them for a bigger effect?

Thoughts on Publishing and Bookstore Troubles

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I do think this is a great time to be a writer. We've got options and possibilities and an exciting future.

But the publishing industry (including the retail end of things, bookstores) are having a rough time.

My Borders recently closed. And Borders was a bookstore I visited about once a week.

Fortunately, we do still have Barnes and Noble here (our independent bookstores are too far from me). I was there on Saturday evening with my husband and we bought three books.

My membership with Barnes and Noble expires at the end of the month. The associate was explaining the renewal terms to me and I thought, "Uh oh. This isn't good."

That's because they were decreasing the amount of the discount you'd get on a hardcover book from 20% off to 10% off (this is just the regular hardcovers, not the bestsellers, where you still get a substantial discount.)

The associate explained that, since they'd decreased that discount, they were offering renewing customers $25 off Nook Color e-readers and $10 off regular Nooks.

So…basically, they were rewarding readers who want ebooks. The bookstore was, actually, encouraging readers to get ebooks.

I thought about this a little more (and, I'm a Kindle person…I don't have a Nook.) My teenage son—an avid reader—is one of the reasons I'm at a bookstore once a week. He wants YA books constantly thrown his way (and the library isn't able to acquire them at the pace they'd like.) I'm buying brand-new hardcover books for him. They are not on the bestseller list, but they're hot books.

So, the YA books he likes won't be out in paperback for a while…maybe a year? And the bookstore's discount has gotten punier for these hardcovers that cost an arm and a leg.

But, on my Kindle, I can immediately purchase these books without driving across town (spending precious and costly gasoline), and at a discounted price. And, unfortunately, without going through Barnes and Noble (since I have a Kindle.)

This worries me a little. Because you know what I'm probably going to do? Buy my son a Kindle. In the long run, we'll save money and he'll get all the books he wants. Bottom line, I want him to keep reading and that means supplying him with a steady stream of the books he wants (without going broke.)

But what will happen to the bookstore? And the publishers who aren't rethinking pricing and formats?

I think we may already be seeing some of that. Publishers Weekly reports that ebook sales for June rose 167% while print declined sharply:

E-book sales rose 167% in June, to $80.2 million, at the 15 houses that reported figures to AAP's monthly sales report and closed the first half of the year with sales up 161%, to $473.8 million...

...Trade paperback sales had the largest decline, down 64%, while children's hardcover sales were off 31%. Adult hardcover sales fell 25%, mass market sales were down 22% and children's paperback was off 13%.

I have several books for sale at the Barnes and Noble, myself. I'd like for the store to keep selling books and I'd like for my publishers to keep thinking of me for projects and putting physical books out. I'd like for them to do well. They've been good to me.

But I worry over some of these decisions I see being made—the pricing of different formats (publishers) and fewer discounts for hardcover formats (booksellers.)

What are your thoughts on the ebook revolution and what it means to publishing and book retail? (Again, I think it's a great time to be a writer and a reader…it's just the other side of the industry I'm concerned about.)

Integrating Research into a Novel

My daughter has just started taking horseback riding lessons.

The lady who's instructing her wants to loop me in on what's going on. I appreciate this, but I have no idea what she's talking about.

She said, "Your daughter will come in and will put the harness on the horse….blah blah, brush…blah blah, saddle blanket and bumper and saddle, blah blah, girth…blah blah, bridle and bit…"

I listened politely during the first lesson, but at the second lesson I said, "I'm sorry—I'm not an equestrian." Plus, I didn't think I really needed to know about all the equipment. We're not buying a horse (thankfully) and I'm not planning on buying the tack.

I was reminded of this on Thursday when I had an talk with one of my editors about my first quilting mystery, Quilt or Innocence which is coming out next summer. Y'all might be shocked to hear this, but I'm not a quilter. :)

This means I've done a lot of quilting research. That's because we have to know a lot to be able to convey a subject seamlessly.

But if I write about all the details of quilting, that's going to make the readers feel like I did with the riding instructor. Besides, I don't want to bring my readers out of the story and mystery plot. And I'm not writing a quilting how-to book.

What my editor wanted more of was the texture and colors and patterns—things that many readers would appreciate—the art of the quilts. What she wanted less of was quilting terms (or more quilting terms in context.) Because once or twice I dropped in a quilting verb and didn't really put it into context (not wanting to over-explain...but under explained, instead.) Her ideas seemed like excellent suggestions to me…that I was able to convey the feel of the quilting world and not do a research dump on the unsuspecting reader.

Other ways I added quilting to the book:

I've got a novice quilter in the book who occasionally needs pithy explanations of quilting techniques.

There are a couple of scenes where quilting terminology and fabrics are naturally integrated—in a quilt shop.

There were some quick mentions in dialogue. I tried to indicate a little bit about each character when they discussed quilting. (Confident, reticent, boastful, etc.)

I think the balance between the craft and the mystery worked out pretty well in the book…although it was a real challenge for me. Do you have to research for your books? How do you integrate your research in a natural way?

Twitterific

Below are the writing-related links I tweeted last week.

The Writer's Knowledge Base search engine, designed by software engineer and writer Mike Fleming, makes all these links searchable. Sign up for the free monthly WKB newsletter for the web's best links and interviews: http://bit.ly/gx7hg1 . .

I released an ebook recently. Progressive Dinner Deadly is a Myrtle Clover mystery, available for $2.99 on Kindle and Nook. The 3rd book in the Memphis Barbeque series will release November 1—Hickory Smoked Barbeque (available now for preorder).

5 tips for using Outlook Calendar to manage your work day: http://bit.ly/pRHBVY

Amazon and Lightning Source: The End of an Era? http://bit.ly/qkziHs

How to Get Your Book Reviewed: http://bit.ly/mXW1zy @bookmarketer

3 types of responses you might get when you tell people you're a writer: http://bit.ly/pSi6NL @bookviewcafe

The key to writing a fast 1st draft: http://bit.ly/oXLiB5 @LiaKeyes

Do Spoilers Really Spoil Anything? http://bit.ly/p6C1vr @janice_hardy

Emotional Freedom Technique For Writers: http://bit.ly/nNDIRg

Cutting Unnecessary Characters: http://bit.ly/npDDeL @charissaweaks

How Pets Can Help With the Creation of Compelling Characters: http://bit.ly/oJmEDj @kselliottwriter

Your Public Persona - Proudly Wearing the Author Badge: http://bit.ly/piZmWD

5 Free and Easy Ways to Become a Savvy Author: http://bit.ly/ptEBr5 @bookmarketer

Have You Written Your Million Words of Dreck Yet? http://bit.ly/pPEBsv

Kurt Vonnegut on the shape of stories: http://bit.ly/oJAZ45

5 Stress-Busters to Beat a Deadline: http://bit.ly/pTzn9D

5 Things Self-Publishers Shouldn't Worry About (But They Do): http://bit.ly/pvFpWQ #ebooks

Are writers running out of titles? (Guardian): http://bit.ly/o0mWXB

How to rescue a stalled plot: http://bit.ly/ok1nIR

8 tools for using humor in your fiction: http://bit.ly/r63lDW @BryanThomasS

Why 1 writer doesn't autofollow on Twitter and 10 reasons she might not individually follow back: http://bit.ly/q3yB9f @katdish

Freelancers--How to Convince Prospects You're a Pro Writer: http://bit.ly/nH8dLt @TiceWrites

A review of verb tense: http://bit.ly/n3wiNp

The big tent of reading: http://bit.ly/oEn2lj @BTMargins

The cult of SF: http://bit.ly/mWNxDp @MarkCN

Their Cheatin' Hearts: Infidelity in Women's Fiction: http://bit.ly/potyWf @heroesnhearts

An Agent on Authors and Magical Thinking: http://bit.ly/pjaSFb #pubtip

Social Media Etiquette – Good Intentions or Not, Spam IS Spam: http://bit.ly/oozEjt @carlayoung

Word misuse: http://bit.ly/ovPK3p

1 writer's marketing plan: http://bit.ly/p4C9f4 @Ghunibee

The 5 Most Important Things Authors Should Know About Book Promo: http://bit.ly/q1dMNd @CathyStucker

5 ways to promote your book months—or years—after the initial publication date: http://bit.ly/q1ZvNI

10 Helpful Uses of RSS Feeds for Marketing: http://bit.ly/pg2E2q

3 core roles needed in running your own creative business: http://bit.ly/naq0Ib

One author urges Nano wrimos to take Oct. to plan your story: http://bit.ly/oeqHCv @Murderati

How industry insider @michaelhyatt unfollowed 108,698 people on Twitter and reclaimed his inbox: http://bit.ly/njYZth

5 tips for creating an effective villain: http://bit.ly/q8Rlz3

10 Badass Women from Fantasy Literature: http://bit.ly/nyV0uS @ToplessRobot

POV & characterization mean divorcing from yourself: http://bit.ly/nTeyL8 @JulietteWade

Knowing and finding your readers is critical: http://bit.ly/oxWh8z

How to prepare your Kindle text for a print edition: http://bit.ly/nPI6Xy @dirtywhitecandy

What makes a zombie a zombie to 1 writer: http://bit.ly/qr6eyv

How much work is self-publishing? 1 writer's list of tasks: http://bit.ly/oJoYY8 #ebooks @cathryanhoward

1 writer's love/hate relationship w/ storyboards: http://bit.ly/pEnQ7D

7 Principles of Pitching Articles: http://bit.ly/pal5Ts

Fear is the downfall of publishing: http://bit.ly/n73xAg @bob_mayer

Is there a template for creativity? http://bit.ly/nXKfkD

How story questions hook readers and drive character and plot forward: http://bit.ly/pirkrr @HP4Writers

6 ways to tame writers' public speaking fears: http://bit.ly/pF1dgr

The rise of the indie author: http://bit.ly/q4eaDx #ebooks @tglong

The good, the bad, and the ugly of historical research: http://bit.ly/pAKObP @kbowenwriter

A character interview that focuses on what made them who they are now: http://bit.ly/mRxfKB

The self published author has no one to tell him no: http://bit.ly/pNw4mW #ebooks

3 tips for correct dialect in your writing: http://bit.ly/owatsa @4kidlit

15 reasons writers love libraries: http://bit.ly/n2Let8

A writer's thoughts on signifying length of an #ebook to a reader (so they won't feel cheated by a short read): http://bit.ly/nDmFU5 @rule17

How 1 writer applies structure to a story: http://bit.ly/q2RcSA

9 Forms of the Past Tense: http://bit.ly/pzyXeD

Chapter-by-Chapter Critique Tips: http://bit.ly/ozWrCG @marybaka

To make money with #ebooks, you must have a good number for sale: http://bit.ly/nj2KNE @DeanWesleySmith

An attorney answers questions about the use of lyrics in a novel: http://bit.ly/oq9P5P via @PassiveVoiceBlg

Amazon Considers #eBook Rental Service: http://bit.ly/njUYFF @galleycat

Tips for writing believable dialogue: http://wordservewatercooler.com/2011/09/13/writing-believable-dialogue/

What authors can learn from the bestseller lists: http://bit.ly/o2Fb6i

The Art of the Picture Book: http://bit.ly/mWcjt4 @fuelyourwriting

Tips for faster paced novels: http://bit.ly/o1l9H9 @SarahAHoyt

Are Publishers Unwittingly Responsible For 167% Surge In #ebook Sales? http://bit.ly/q3MLds @ChandlerWrites

A discussion on fantasy subgenres: http://bit.ly/n4DF3M @FantasyFaction

How to build a writing team: http://bit.ly/qNJDFH @jhansenwrites

Research--too much and too little: http://bit.ly/ra3WWU @authorterryo

Writing...it's worth the trouble: http://bit.ly/qxUUEz @JeffGoins

How to Find Clichés in Your Writing: http://bit.ly/p0NhIV @BTMargins

14 Dos and Don'ts for Introducing Your Protagonist: http://bit.ly/oN2gzG @AnneRAllen

Contrasting character traits: http://bit.ly/pxXCaY

When an editor's or agent's personal politics changes a story: http://bit.ly/pCvhqV @sarahlapolla

The art and craft of fantasy writing: http://bit.ly/qwHzE9

Composing composition: http://bit.ly/revGdB @RavenRequiem13

Don't Use "The" Before Kindle or Nook? http://bit.ly/pgEZwJ

Thinking Outside the Computer: Longhand and the Brain: http://bit.ly/odPlol

Dealing with bad direction in critique groups: http://bit.ly/r53jsG @dirtywhitecandy

Bloom's Taxonomy and New Authors: http://bit.ly/qSNnUe

A writer's main objective: http://bit.ly/nsKPlR

Deadly Sin of –Treating the Reader Like a Moron: http://bit.ly/nbQytz

3 elements of a well-written debut novel: http://bit.ly/qYRO5d @mkinberg

10 lies you might tell yourself while editing: http://bit.ly/qocRkD @elspethwrites

7 Ways to Develop Dazzling Dialogue: http://bit.ly/qv3dS7 @JodyHedlund

When you want to change agents: http://bit.ly/pWFmBE @4Kidlit

A look at the history of food & incorporating it into our books: http://bit.ly/qL2VhT @GeneLempp

Archetypes in writers and gender differences: http://bit.ly/qK7XqX

How to write a query letter: http://bit.ly/q2KiBa #pubtip @BubbleCow

The YA Author's Complete Guide to Acceptable Characters: http://bit.ly/nsr26O @BTMargins

6 Compelling Reasons for Authors to Blog: http://bit.ly/rba94s @jfbookman

5 tips for a stronger novel: http://bit.ly/rk7nzJ s @catewoods

75 Contronyms (Words with Contradictory Meanings): http://bit.ly/piUxa3

Putting Creatives in a Box: http://bit.ly/nee9SI @on_creativity

Should you hire a book publicist? http://bit.ly/nGzzMh @GalleyCat

When the going gets tough: http://bit.ly/q2OSlc @MsAnnAguirre

Will my agent rep a different genre? http://bit.ly/qlkWSv @RachelleGardner

Deciding on device: http://bit.ly/nfivPZ @Mommy_Authors

Ebook Cover Design: Context Creates Possibilities: http://bit.ly/r6ubSb #ebooks @namenick

Amazon Looking for Tablet Content: http://bit.ly/paW347 @PassiveVoiceBlg

2 Words That Can Change Your Writing Career: http://bit.ly/qmfFmk @writeitsideways

An editorial director on the "no response means no" policy: http://bit.ly/oDfipS

If you can't describe your story, there probably isn't a story, states an agent: http://bit.ly/nMlT4b @greyhausagency

A character's behavior reveals underlying power assumptions: http://bit.ly/r3M4gv @JulietteWade

Using more than 1 POV character: http://bit.ly/pOX6M9 @JulietteWade

Authors Guild And Others Sue Universities for Copyright Infringement: http://bit.ly/rtcbRV @victoriastrauss

"Look Inside" for Kindle Books – 3 Tips for Authors: http://bit.ly/pyOW0q #ebooks @namenick

The 3-Step 3-Minute Writer's Workout Warm-Up: http://bit.ly/oSCVZx @YAHighway

Lessons of letting go--the author and his babies: http://bit.ly/qmOfOu @BryanThomasS

3 tips for becoming a better writer: http://bit.ly/qjBmpj @TheCreativePenn

Part of the creative process is creating a mess: http://bit.ly/oNh8WI @bookviewcafe

Resources that protect writers: http://bit.ly/n54C4T

1st v. 3rd person POV: http://bit.ly/reLTzg @Janice_Hardy

Fanfiction & Original Fiction: Similarities and Differences: http://bit.ly/oB2khK

5 tips to jump-start a stalled novel: http://bit.ly/r4zmDU s

Not Every Ebook is a Success, But it's Always a Lesson: http://bit.ly/rceZk4 @problogger

The real gatekeepers in publishing now? Authors. http://bit.ly/n0bPqb @bob_mayer

How to self-promote without selling your soul: http://bit.ly/qIU5wi @lkblackburne

The Translation Continuum – Speaking Across the Divide: http://bit.ly/q1dsus @BTMargins

Vocation vs. Avocation: http://bit.ly/rfbtl6

Quick tweaks can fix revision smudges: http://bit.ly/oNPD86

Defying Digital, Airport and Transit Bookstores Gain Ground at Home and Abroad: http://bit.ly/mVm2Mp #publishing

Elements of religion, with cautions, for worldbuilders: http://bit.ly/qSxjEq @JulietteWade

Is media tie-in writing right for you? http://bit.ly/rhrscg @jameslsutter

How the Crowd Is Shaping the Future of Storytelling: http://on.mash.to/qhXNo2 @mashable

5 tips 1 writer has learned from her 2 year old: http://bit.ly/nizU4s @buriededitor

The future of #publishing--retail? http://bit.ly/nfqADd @nicolaz

4 ways to build a writer's platform: http://bit.ly/pwW9fn @JodyCalkins

What Writing and Ghost Stories Have in Common: http://bit.ly/pxPVRx @YAHighway

The Writing Life Vs. the Married Life: http://bit.ly/rjZ5h2

An Agent on Looking Around While Still Represented: http://bit.ly/q0jf1n @Kid_Lit

The art of the subplot: http://bit.ly/rcVqec @FantasyFaction

How to write effective dialogue: http://bit.ly/ncEsC3 @BubbleCow

6 reasons an agent or editor may say your story is "not for them": http://bit.ly/o0kr2h

How to Write A Wildly Successful Web Series: http://bit.ly/pGJhC6 @ollinmorales

Reselling digital products: http://bit.ly/p7xemQ @TheresaStevens

The importance of giving yourself challenges with your : http://bit.ly/pmM8PT

Nice collection of industry news, views, & trends by @Porter_Anderson for @JaneFriedman : http://bit.ly/qrXXrZ

How Rowling revealed backstory: http://bit.ly/qAekfy @HP4Writers

When novel ideas masquerade as short stories: http://bit.ly/nL5F3w @bluemaven

All my tweets are archived and searchable for free at the Writer's Knowledge Base: http://bit.ly/dYRayA

Best Articles This Week for Writers 9/16/11: http://bit.ly/req2Fg @4kidlit

Pseudo Dialogue Tags: http://bit.ly/qNE2Za @TaliaVance

Research for Writers: In Defense of Wikipedia: http://bit.ly/r5V0Ms

Why your hero must pet a dog: http://bit.ly/q2xw5A @KMWeiland

Dated writing: http://bit.ly/ovpNDj

Voice begins with word choices: http://bit.ly/qk4vqE

Voice Is Not Everything (but it is vitally important): http://bit.ly/paNkXB

14 authors explain how they learned to read their work aloud: http://bit.ly/q5Bq6R

The Submission Process: One Author's Perspective: http://bit.ly/nXDdc2

The Deadly Sins of Romance Writing: http://bit.ly/puggXV

Book Cards Work: http://bit.ly/rlPuh6 @DeanWesleySmith

White-Knuckling Your Author Platform: How to Rein in the Social Media Pressure: http://bit.ly/pU4thq @RoniLoren

5 ways to tackle beginnings: http://bit.ly/pRC0sy @fuelyourwriting

Tips for earning a living as a writer: http://bit.ly/pZsiai @BubbleCow

The Art of Naming Your Characters: http://bit.ly/qBBxtL @Sarafurlong

Writing lessons from the playground: http://bit.ly/pgdfdU @CateWoods

The importance of word choice: http://bit.ly/nvsKC1

Book Trailers — worth the effort? http://bit.ly/rbx0vZ @George_Ivanoff

Tips for writing a good critique: http://bit.ly/oBfikW @FantasyFaction

Tips for researching your novel: http://bit.ly/pLjoVC @BubbleCow

How Battered Paint Pots & Writing Haikus Taught 1 Writer To Be More Creative: http://bit.ly/qgsAJI @coachcreative

Promoting science: where is the next Asimov, Sagan and Gardner? http://bit.ly/qlrk2K @jamietr

1 writer's thoughts after 10 years of using e-readers: http://bit.ly/qBlE3x @robertjsawyer

How to be tough with yourself as a writer: http://bit.ly/q50xOm

Resources to help journalists with accuracy and verification: http://bit.ly/qEjCfO @stevebuttry

What makes up a chapter and a scene: http://bit.ly/nVjGAq

Real Life Diagnostics: Am I Grabbing the Middle Grade Reader? http://bit.ly/pHDGgd @Janice_Hardy

A character questionnaire with some deep questions for your character to answer: http://bit.ly/pgiSBL

To Be, Or Not To Be, A Writer Of Short Fiction: http://bit.ly/nmT3OF

How to self-publish your ebook (PBS): http://to.pbs.org/nMjxak @MissAdventuring

Why persistence matters: http://bit.ly/pVahbI @Shelli_Johnson

A linguist's thoughts on word choice and diction's role in novels: http://bit.ly/qKWsLD @mkinberg

Writing—Some Things Get Easier as We Go Along

Sometimes I go on bike rides with my children. We start out in the neighborhood, then head to a nearby greenway.

The only bad thing about biking with my ten year old daughter is that she scares the crap out of me.

I review safety before we start biking, but one thing happens every time. We'll cross a road in our neighborhood and she'll look carefully to the right and left, but never behind her. Not until I start doing my alarmed mother bird squawk, that is.

This is, I know, because she's a child. She's looking for danger that's ahead and to her sides. But what about a car coming up from behind her and making a turn?

My 14 year old son, I've noticed, does make a quick check behind him. This has only happened for the last few years, though…and I think he's consciously thinking about it.

For adults, it comes naturally. I've watched adult pedestrians in downtown Charlotte turn to look for cars from any direction they might be coming from…without even pausing in conversation.

How many hours does it take before something we once had to think about comes naturally? I'm not sure. But I know the more we practice anything, the better we get.

This has most recently come to my attention as I've revised an old book of mine. I've noticed bits of wooden prose, stilted dialogue, and distracting paragraphs that went off on tangents.

My edits these days are for totally different things…for the most part I've figured out the stuff that used to trip me up so badly five years ago. That's totally due from frequent writing. We naturally improve. Some of the writing craft that we have to constantly think about at first, become second nature.

As a writer, do you notice your improvements? Do they help you stay motivated?