Riley Adams's Blog, page 109

Writing Solo after Being Collaborative

By Elizabeth S. Craig, @elizabethscraig

For the first time, I’m writing one of the Southern Quilting mysteries on my own.  I got the rights to my characters back from Penguin Random House last year.

Although I was excited to keep writing the characters and their adventures, it’s been a bit unsettling. I wasn’t expecting to feel unsettled since this is the second series that I’ve gotten my rights back for.

But the first series had only one book traditionally published before I started self-publishing the rest.  This series had a good five books in it.

What’s more, I had written the Southern Quilting series as a collaborative effort with my editor.  We’d bounce around a few ideas, I’d send her an outline, she’d give her (always very thoughtful) opinion on it, and I’d usually make changes—small and large—before writing the manuscript.

The more I think about it, the more I recognize what a huge part she played in the series.

I’m far more used to being a lone wolf writer than a collaborative one. I’ve written something like fourteen books with minimal editorial input. With the exception of this one series.

Unfortunately, my editor was laid off from Penguin-Random House last summer, one of many victims of the merger.

The series, despite the fact that Penguin was pushing a digital-only contract on me last year, was successful. I get emails regularly from readers who enjoyed the books and are asking when the next one is coming out.

What I wonder is—what parts of the books were the readers resonating most with? Because my editor and I had very different areas that we focused on.

For instance, my editor was especially keen on adding lots of textual detail to the books. They are the Southern Quilting books.  If I didn’t include enough quilting scenes, she’d ask me to include more.  She promised me my readers would especially enjoy them.

I was always pretty restless with these requests. I’d honor them, but I also slipped in a hefty amount of plot or character development at the same time.  Perhaps Beatrice was working on a batik fabric in an arrowhead variation block.  But she was casting arrows at a potential suspect at the same time.

My editor also cared a lot about the settings and wanted more detail than I usually give. I did provide a lot more at her request. She also added a Yankee sensibility to my Southern books. She stopped me when there was something she didn’t understand or when she needed more information on a throwaway word that I thought everyone knew.

Clogging? What’s that?  she asked.

A type of  folk dance that’s popular in the mountain towns of the South, I wrote back with a mental shrug.

Can you describe it? she asked.

Describe clogging??

There were also recipes and quilting tips at the backs of the books, which my editor had expressly asked me to include.

As I’ve been working, solo, on this new book, I’ve been writing it as I usually would.  Without all the extra detail. I’d always add the detail in later, in a separate layer of writing. I’m wondering, now, how faithful I’ll be to the way I wrote the previous books.  Will I focus as much on the quilting subplots? Should I? Can I leave out the recipes and quilting tips or will I be dinged in the reviews for that—I do see readers mentioning them in customer reviews.  Clearly I should be more careful with my Southernisms, too.

Has your relationship with an editor ever bordered on collaborative?  Or have you co-written with another author?

Going solo with a series after collaborative writing with an editor:
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Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

Looking Into a Killer’s Eyes to Bring a Character to Life:  http://ow.ly/WR4HI @emilyross816

Writing the Hard Stuff:  http://ow.ly/WR4Mk @suddenlyjamie

4 Tactics to Create Your Novel’s Perfect Last Line:  http://ow.ly/WR4A8 @sacha_black               

Best Practices for Author Facebook Pages and Groups: http://ow.ly/WR4zj @JaneFriedman

Crowdsourcing your editor:  http://ow.ly/WR4NT @kseniaanske

Why Story Beginnings and Endings Must Be Linked:  http://ow.ly/WR4Bi @KMWeiland

Writing Characters with Mental Health Issues:  http://ow.ly/WR4FZ @oliviavetrano

3 Myths of Fiction Research:  http://ow.ly/WR4ri the Plot Line Hotline

Why the undead live on:  http://ow.ly/WR4td  @spikedonline by Tim Black

The Key to Publishing Success:  http://ow.ly/WR4Do by Chelsea Apple @wherewriterswin

Sculpting a Memoir :  http://ow.ly/WR5jy  @sfsculptor @womenwriters

7 Tips for Writing a Plot Summary:  http://ow.ly/WTj85  @josiskilpack

Writers renting shared work space:  http://ow.ly/WTjuQ  @SwansonWriting @thewritermag

Lesson from The Force Awakens:  http://ow.ly/WTjMI @noveleditor

A Breakdown of the Good and the Bad of True Detective Season 2: http://ow.ly/WTiF9 @seanbhood

8 Tips to Writing Unreliable Narrators:  http://ow.ly/WTjrF @debcaletti

Build Your Author Brand: http://ow.ly/WTk4l @damselwriter

Fiction Writing Checklist:  http://ow.ly/WR5hZ  @AJHumpage

Romantic relationships between police detectives in crime fiction:  http://ow.ly/XpZ2d @mkinberg

How to Become a Freelance Writer While You’re in College:  http://ow.ly/WPEoJ @kirstinkelley1

Watch out for quality control emails from Amazon:  http://ow.ly/XpmWF

10 Ways To Beat Writer’s Block:  http://ow.ly/WPEvu @NatePhilbrick

How 1 Writer Gave Up On the Great American Novel and Got a Book Deal:  http://ow.ly/WPEqI  @EdTarkington @thelithub

Breaking the Curse of Distant Perspective:  http://ow.ly/WPEmR by Chris Winkle

Working on multiple projects at once: http://ow.ly/WPEz1 @KelsieEngen

Surviving Failure and Rejection:  http://ow.ly/WPEti @barbaraoneal

How to Correct Parallelism in Writing:  http://ow.ly/WPEkU @Grammarly

Tips for Developing Your Voice:  http://ow.ly/WPEx8 @writingforward

3 Tools for More Productive and Organized Writing:  http://ow.ly/WPEjT @jenn_mattern

A Step-by-Step Guide to Build Your Author Website:  http://ow.ly/WPEI8 @JaneFriedman

Overcoming Fear of Twitter:  http://ow.ly/WPECv @chrismjane

Honor Your Writing: Learning from Practicing Yoga:  http://ow.ly/WPEEb  by Sue Bradford Edwards

Rewriting Your Script: Scene-by-scene breakdown: http://ow.ly/WNpjv @gointothestory

5 Easy Tips for Dealing with Email:  http://ow.ly/WNpyr  @kayelleallen

Avoiding a ‘Mary Sue’:  http://ow.ly/WNpIO by Plot Line Hotline

5 Google Search Tips for Authors: http://ow.ly/WNpDc @virginiagkelly

Writing Romance is a Different Animal: http://ow.ly/WNp8u @CarolAnneMalone

10 Character Clichés To Watch Out For:  http://ow.ly/WNpdh @NatePhilbrick

When is a Book “Out of Print”?  http://ow.ly/WNpgI @susanspann

10 Pre-Publication Tips:  http://ow.ly/WNpvw @ceciliaedits

5 Ways to Squeeze Writing into Your Life:  http://ow.ly/WNpmr @kirsticall

Screenwriting: Using a Prologue:  http://ow.ly/WNpLQ @dougeboch

5 Things Writing Teaches About Life : http://ow.ly/WKfTh @womenwriters @meldecarlo

Anatomy of an Effective Book Trailer:  http://ow.ly/WKgq7 by Claudia Cangilla McAdam

4 Major Mistakes to Avoid When Writing Blog Posts:  http://ow.ly/XjhX1 @karencv

How important is SEO to novelists?The Hot Sheet: http://eepurl.com/bMNVw9 @Porter_Anderson @JaneFriedman

Free online conference Jan. 27 to mark on calendar:  http://ow.ly/Xjie1  #LBF16 @Quantum16 @Porter_Anderson

A New App Turns a Romance Novel Fantasy Into Reality:  http://ow.ly/XjdDa @claireefallon

When suspects tell half-truths in crime fiction: http://ow.ly/XjdwV @mkinberg

33 Ways to Write Stronger Characters: http://ow.ly/WKgbX @shesnovel

How to Use Either, Neither, Or, and Nor Correctly:  http://ow.ly/WKfLt @epbure

A History of Punctuation for the Internet Age:  http://ow.ly/WKgDM @AdrienneRaphel @NewYorker

Small Press/Big Press Pros and Cons:  http://ow.ly/WKgfB  @klingonguy

5 Lessons in First Person POV:  http://ow.ly/WKgm1 @sacha_black

Multiple Characters: Who’s Most Important?  http://ow.ly/WKg6i @artofstoriesAB

Writing Tense Scenes:  http://ow.ly/WKgv4 @NatePhilbrick

Teaching Writing: When to Pop Out of the Notebook:  http://ow.ly/WKgK7 @BethMooreSchool

The Best Way to Ensure Long-Term Success as a Writer: http://ow.ly/WKg2o @colleen_m_story

YA clichés:  http://ow.ly/WKfI1 @Brianna_daSilva

Want to Be a Better Writer? Cut These 7 Words: http://ow.ly/WKg9E @joebunting

How to Guarantee that You Stick to Your Writing Schedule:  http://ow.ly/WKfNP @ttamreyem

101 Book Marketing Ideas to Promote Your Book:  http://ow.ly/Xhysc @SmithPublicity

5 Newbie Mistakes Writers Make When Asking for Feedback:  http://ow.ly/WxkLn @Lexirad

Character perceptions in settings:  http://ow.ly/WH2cz @BookOmnivore

Making Document Goals in Scrivener: http://ow.ly/WH1Nn @KelsieEngen

The Force Awakens Was Great Until It Wasn’t:  http://ow.ly/WH1vg , http://ow.ly/WH1vv , http://ow.ly/WH1vM @cockeyedcaravan

3 Current Trends in Screenwriting:  http://ow.ly/WH2jO @dougeboch

4 Ways to Use Subplots:  http://ow.ly/WH2fT @dougeboch

6 Depressing Realities Of Writing YA Fiction:  http://ow.ly/WH1mp  @MenezesCracked

Stereotypical Perspectives:  http://ow.ly/WH23n @KrisMcmorris

The Metamorphosis of Darth Vader:  http://ow.ly/WH20r @gointothestory

Print to Digital: Cleaning Up Your Word File:  http://ow.ly/WH29v @byondpapr

How to Write a Novel Worthy of Publishing: http://ow.ly/WH1Tu @MCristianoWrite

The transformation of libraries:  http://ow.ly/Xdymy @Porter_Anderson

Should a Monster Ever Meet Its Metaphor? http://ow.ly/WFbgS @cockeyedcaravan

Crime novels in which sleuths fixate on one suspect: http://ow.ly/Xdxvl @mkinberg

Would you pay to turn the first page of this bestseller? http://ow.ly/WAGHU @RayRhamey

Tips for Dealing with Depression as a Writer:  http://ow.ly/WxkKb @Lexirad

Adding Suspense to Romance:  http://ow.ly/WFcf7 @jkcoi

Top 10 Winter Poems: http://ow.ly/WFbNw @lwlindquist @tspoetry

Writer Worksheet: Mind/Body: http://ow.ly/WFaOo @evadeverell

How to Put White Space Back in Your Life:  http://ow.ly/WFbul @C_Herringshaw

5 Common Character Mistakes:  http://ow.ly/WFbmd by Chris Winkle @mythcreants

Rewriting Your Script: Characters:  http://ow.ly/WFazR @gointothestory

Using Action Points to Tell a Good Story:  http://ow.ly/WFbWI @shalvatzis

Static Vs. Dynamic Scene Settings:  http://ow.ly/WFb54  @RichardWalterUC

10 Goals for Your Blog:  http://ow.ly/WFc6u  @WriteOnOnline

The links I shared last week:  http://ow.ly/Xca2Z . All the links I’ve ever shared (30K+, free and searchable): writerskb.com

5 Productivity Hacks Anyone Can Use to Write Books Faster:  http://ow.ly/WxkIS @Lexirad

What Opera Teaches About Writing:  http://ow.ly/WAGtB  @WriteToSell

The importance of details:  http://ow.ly/WAGZK @caroclarke

Color Code Your Senses:  http://ow.ly/WAHgm @SuddenlyJamie

4 Most Common International Ebook Discounting Errors:  http://ow.ly/WAGKV @dianaurban

Cognitive Dissonance and Writing:  http://ow.ly/WAHbm @DianeMacKinnon

How to Write a Killer Scene: http://ow.ly/WAGz2 @patverducci

The top writing links from last week on Twitterific:
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Amazon Pushing Quality Control

by Elizabeth S. Craig, @elizabethscraig

Amazon is sending out emails warning authors that they need to upload corrections to their books or else receive a quality-related warning label on their book page starting February 3rd:

Starting February 3, 2016 we will begin showing customers a warning message on the Amazon.com Kindle store detail pages of books that contain several validated quality issues. We will remove this message for a book as soon as we receive the fixed file from you and verify the corrections – typically within 2 business days.

We understand that even with the best quality controls, defects sometimes make it through. That’s why we’ve limited this messaging to books with several issues. Books with more serious quality issues will continue to be suppressed from sale.

…

Before the warning message appears, we would like to work with you to ensure these issues are fixed. After you’ve made the corrections, please upload your revised content through the ‘Book Content’ section in your KDP Bookshelf and republish it by clicking “Save and Publish” so that we can verify the corrections and prevent the warning message from being displayed on your book’s detail page.

Sadly, I received one of these emails. As you can imagine, it made me jump into action.

The book was one of the first self-published books that I published.  In 2011, I paid a pretty penny for a formatted file with an absolutely gorgeous interior design.

Unfortunately, pretty penny or not, the formatting makes text either difficult or impossible to read on certain Kindle devices (many of which launched after the formatting was created in 2011), according to Amazon.  This includes my title page, dedication, chapter headings, and the first letter of each chapter.

I have a new formatter now and I sent it to him yesterday. Rik Hall was good enough to immediately take care of the issue.  I’ve already uploaded a corrected file to Amazon.

There were also two inexplicable items Amazon listed. They referred to two typos:

Issue: Typo. Details: "down" should be "down" ". Location: 1144.

Issue: Typo. Details: "moment" " should be "moment". Location: 2453.

But neither location included either of those words, either in dialogue or in the narrative. What exactly was the issue that they needed corrected?

The email, if you get one, does refer to an address to write for more help.  I did send an email (regarding the ‘moment’ and ‘down’ mentions) and heard back nearly immediately that they’d forwarded my email to their ‘quality team’ for follow-up and that I should hear back in a couple of days.

Despite the drop-everything-and-work-on-this-one-issue feeling that I got from the email, I’m glad that Amazon is implementing some quality control measures. I definitely want my book to be easy to read and as error-free as I can make it. That only helps me in the long run.

I do wish I’d heard of any formatting problems before now.  Maybe an email was in my spam folder for a while? Usually readers are quick to either email me regarding issues or write about problems on a review.  Hard to imagine this just popped up when the book has been out for 5 years.

But this post is just to say…watch your inbox for an email like this one.  None of us want warning labels on our book pages! Ugh.

Keep an eye out for quality control emails from Amazon:
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What I’ve Learned in 20 Books’ Time

by Elizabeth S. Craig, @elizabethscraig

I realized a couple of weeks ago that I’m working on my 20th book.

A lot has changed since book one.  I shopped the first couple of books  to agents and traditional publishers since self-publishing wasn’t the great option it is now.   Digital publishing and digital reading hadn’t yet exploded on the scene.

Here’s some of what I’ve learned:

Process: 

Outlining helps me write faster.

However, writing from an outline doesn’t give me as much job satisfaction as when I make it up as I go along.

Readers sometimes enjoy my subplots better than the main plot. Lesson: don’t neglect the subplot.

Self-edit to make my manuscript as error free as I can. Printing it out, converting it to a format I can read on my Kindle, or reading aloud is a good way to get distance from it. This saves me money on my self-published editing.

Editors still read my carefully self-edited manuscripts and find errors big and small.

When writing a mystery, it’s important to keep track of all the loose ends and make sure they’re carefully tied up at the end. Lists help.

Pomodoro is a great technique to help me write. Particularly if paired with an energetic activity during the break time. Housework, for example. I’m always happy to stop with the housework and pick up with the story again.

Experienced editors can have excellent developmental suggestions. One of mine saved the life of a minor character who ended up being one of the biggest draws of the series.

When writing, it’s helpful to have a document with character traits nearby.

The more books that I have in a series, the more meticulous I must be in noting detail in a series bible.

If I get in a rut, I need to immediately analyze what’s going on.  What’s the problem with the story? Why am I reluctant to write it?

Don’t write on a laptop while sitting on a sofa with my feet on the coffee table. Don’t do it. I must commit to memory the $500 I paid for physical therapy. Kitchen counter writing is much better for me.

Sometimes the best thing I can do to make faster progress on a story is to change things up: write in longhand, dictate my story, write at the library or at the coffeehouse, or try writing at a different time of day.

I have to be flexible. I have to be able to grab 5 minutes here and there. I have to be able to write anywhere (EXCEPT on the sofa. See above).

My reader reviews on Amazon provide me with feedback that helps me tweak my stories for better commercial success.

Promo and Business:

Free promos work faster and better than anything else I’ve tried. The cost is merely the cost of lost revenue. I use Smashwords or Draft2Digital to get Amazon to price match.

Newsletters are excellent sales tools. I wish I’d started earlier with them.

Finding a social media platforms that I can tolerate and keep up with is important.

Publishing, marketing, and writing advice isn’t one size fits all.  It’s good to know the advice, but it doesn’t mean I don’t have to test it. The standard advice for social media is to interact and to avoid scheduling posts.  I decided not to take that advice for my Twitter account and it’s worked out well for me.

Brand under my real name. Don’t invest too much time in a pen name.

Go wide. Make my work available on as many platforms as possible, as soon as possible.

Keep a separate bank account for writing-related earnings and expenses.

Keep a database of cover designers, formatters, etc, just in case someone on my team needs to take a break from work for any reason.

Get on the calendar of my designers, formatters, and editors months in advance.

Keep up with industry news to learn of new opportunities and ways to experiment.

It’s good to learn how to do everything I outsource. Just in case.

It’s good to learn how to outsource.  Being a control freak isn’t healthy.

What advice do you have to share?  What kinds of things have you learned?

What 1 writer has learned while writing 20 books:
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Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

A writer changes her mind on free books and using IngramSpark:  http://ow.ly/X60U6 @Roz_Morris

How to Find a Literary Agent for Your Book:  http://ow.ly/Wxnoj @JaneFriedman

4 Tips for Succeeding at a Conference:  http://ow.ly/WxnqK @ChristianBerkey        

#FutureChat: Authors on the march in 2016: http://ow.ly/X6lvc  @Porter_Anderson

4 Resources to Check Out for Building a Better Novel:  http://ow.ly/Wxnvp @reallucyflint

How to murder a character? Methods from Inspector Morse: http://ow.ly/XaoNY @Jag248RPA

Here’s Why You Need a Writing Graveyard:  http://ow.ly/Wxnz4 @reallucyflint

AmazonCrossing, BookTrack, SELF-e Updates:  http://ow.ly/X6m1q

You’ve Finished a Rough Draft. What Now? http://ow.ly/WyMm1 @EmilyWenstrom

Defining women’s fiction:  http://ow.ly/WyMow @AmySueNathan

How Horror Saved 1 Writer’s Life (And Why Writing it is Good for the Soul):  http://ow.ly/WyMuW by Alexander Gordon Smith @tordotcom

5 Writing Tips For Teens Seeking To Become Authors:  http://ow.ly/WyMjY @writeonepub

What to do About Twitter Non-Followers:  http://ow.ly/WyMmM @EmilyWenstrom @DIYMFA

Scrivener: Creating a New Doc and Working with Scenes:  http://ow.ly/WyMqE  @KelsieEngen

Accidental Outdated Slang in YA:  http://ow.ly/WyMtz @HeatherJacksonW

How To Import Word Comments into Scrivener in 5 Easy Steps (PC Version):  http://ow.ly/WxkGC @Lexirad

Co-authoring and Writing for Anthologies? Read this first: http://ow.ly/WzpTL @ELWicker

The Redemptive Arc:  http://ow.ly/WzpI7 @DavidCorbett_CA

Checklist: How to Write a Query Letter That Doesn’t Suck:  http://ow.ly/Wzpmx @mridukhullar

How mindfulness helped writer @Rubywax through depression:  http://ow.ly/WzoRH

13 Ways to Stay Creative:  http://ow.ly/WzpVF @kylieday0

Writing Tips for Getting and Staying Organized:  http://ow.ly/WzpJx @writingforward

The importance of paying attention as a writer:  http://ow.ly/WzpMF by Annette Lyon

What Should I Study In College If I Want To Be A Writer?”  http://ow.ly/WzpbB @stephmorrill”

The 4 Rs Of Speech Writing:  http://ow.ly/WzpOl @AnthonyEhlers

5 Uses of Real Science in The Expanse:  http://ow.ly/Wzpoz by Oren Ashkenazi

Rewriting Your Script: Set It Aside:  http://ow.ly/WzpRr @gointothestory

5 Productivity Hacks Anyone Can Use to Write Books Faster:  http://ow.ly/WxkIS @Lexirad

How the Internet changed the way we read:  http://ow.ly/Wzp25 @dailydot @jacksonbliss

How To Resuscitate A Lifeless Scene:  http://ow.ly/WAGEI @writers_write

A Story Game to Train Our Imagination:  http://ow.ly/WAH4d @hodgeswriter

Beginners’ 4 faults:  http://ow.ly/WAGTR @caroclarke

How to Write What You Know And Then Change the Story:  http://ow.ly/WAGQ1 @Sejal_Badani

The Minimalist Guide to Writing Brilliant Settings:  http://ow.ly/WxkEr @Lexirad

10 Writer’ Resolutions We Can Keep:  http://ow.ly/WxmhF @CatMousePress

Do writers need ‘public solitude?’ Writing, offline and on: http://ow.ly/X3ciD @Porter_Anderson

The Making of an Indie Audiobook: A How-To Guide: http://ow.ly/WxjIb @Lexirad

Be Realistic About Your Writing Resolutions: 5 Tips:  http://ow.ly/WxmGN @writers_write

6 Self-Editing Tips: http://ow.ly/Wxm2n @ProWritingAid

How to launch your book with at least 25+ Amazon reviews: http://ow.ly/WxmSU @timgrahl

50 Plot Twist Ideas for Your Work-In-Progress: http://ow.ly/Wxn2y @reallucyflint

Making the Most Out of Your Marketing Buck: http://ow.ly/Wxm96  @jaimiengle

The Self-Publishing Checklist: Editorial, Production, Distribution:  http://ow.ly/WxmYA @JaneFriedman

What’s your wheelhouse? A quiz for creatives: http://ow.ly/Wxmnh @ramonadef

How To Filter Description Through Your Characters:  http://ow.ly/WxmKf @margmcalister

Trust Your Nouns and Verbs:  http://ow.ly/WxmdQ @kcraftwriter

Developing Sleuth, Villain, and Victim Characters: 40 Character Questions:  http://ow.ly/WxmBI by John Morgan Wilson

Write Your Character’s Eulogy: http://ow.ly/WxkiO @KerryGans

Why 1 author will stop writing her bestselling series:  http://ow.ly/X0Y9n @JulieHyzy

What’s the Best Way to Label Your Chapters? http://ow.ly/Wxkkj @Janice_Hardy

Before You Launch a Patreon for Your Writing, Read This:  http://ow.ly/Wxk7y @hellothefuture

How to Know Your Book’s Cover Needs a Redesign:  http://ow.ly/Wxk8L @dianaurban

Launch Etiquette: MUST You Buy the Book? http://ow.ly/WxkgA @KerryGans

Writing Conflict: How to Ruin (Fictional) Lives: http://ow.ly/Wxkat  @jodimeadows

How to Increase Sales at Apple iBooks:  http://ow.ly/Wxk50 @goblinwriter

How To Write A Non-Fiction Book: http://ow.ly/WxjRN @thecreativepenn

Working with Public Libraries: A Guide for Authors:  http://ow.ly/WxjGR @kathys_quill

How to Build a Book-Based Email List:  http://ow.ly/WxkcH from Authority Self-Publishing Podcast

The Ebook Retail Universe:  http://ow.ly/Wxkm8 @dkudler

Writing and Publishing with a Book Packager:  http://ow.ly/Wxjux  @TalkativeTara @Paperlanternlit

The Night-Sea Journey and How to Use it in Your Story:  http://ow.ly/Ww26F @evadeverell

. @Wattpad: why it’s important and how writers can best implement it:  http://ow.ly/WWuLr @Star2dotcom @liztai

How to Use Scrivener to Start and Finish a Rough Draft:  http://ow.ly/Ww280 @mgherron

“Birdman” Triumphant: A Genre Assessment of an Unconventional Narrative:  http://ow.ly/Ww25Z @SeanPCarlin

Sifting Through Story Ideas:  http://ow.ly/Ww2dG @jodimeadows

Inciting Incidents: A Breakdown:  http://ow.ly/Ww23y @sjaejones

How to Write a Book Series:  http://ow.ly/Ww2gt @shesnovel

The Hobbit: An Unexpected Journey: 7 Point Story Structure:  http://ow.ly/Ww2hP @kylieday0

How Many Obstacles are on the Hero’s Journey? http://ow.ly/Ww2f3 @BetterNovelProj

Character Lists: Coax Your Characters out of Hiding:  http://ow.ly/Ww2c8 @writeabook

Paid Ads for Books (How to Test Them in 2016):  http://ow.ly/Ww29H from Authority Self Publishing

A Dissection of Han and Leia:  http://ow.ly/Ww28W  @writingeekery

5 Hard-Hitting Plot Tools To Unstick Your Story:  http://ow.ly/Ww24L @MandyCorine

Creating Compelling Characters:  http://ow.ly/Wp4sZ  @hywood

Egocentric characters in crime fiction:  http://ow.ly/WTmF1 @mkinberg

3 Twists to Move Past Stereotypes and Freshen Your Characters:  http://ow.ly/Wsaqu @Julie_Glover

Submitting to Anthologies: What You Should Know and Why You Should Give It a Try: http://ow.ly/WTlDA @LGKeltner

Using IngramSpark to print and distribute our books:  http://ow.ly/WT0l6

Writing the Small Town Romance:  http://ow.ly/Wp4m5 @ktlane3

Book Sales Tips from a Book Fair Director:  http://ow.ly/Ws9mf @FrugalBookPromo

Turning a Cover Change Into a Positive Marketing Experience:  http://ow.ly/Ws9uy @FrugalBookPromo

How The Literary Class System Is Impoverishing Literature:  http://ow.ly/WsakJ @thelithub  @BerryFLW

How They Write A Script: Terry Southern: http://ow.ly/Ws9Sv @gointothestory

11 Things Learned by not Working in Pajamas:  http://ow.ly/Ws9P5 @ErinMFeldman

6 ways for writers to stay safe online:  http://ow.ly/Ws9zi by Alex J Coyne

50 Things a Writer Shouldn’t Do:  http://ow.ly/Wsa5w @@ThreeGuys1Book

5 Ways to Improve Our Twitter Profile:  http://ow.ly/Ws9Zj  @denisewakeman

Subtext: A Key Element of Dialogue:  http://ow.ly/Ws9M1 @writeabook

6 Quick Tips for Author Marketing:  http://ow.ly/Wp4jY @kayelleallen

25 things to keep in mind when writing a book:  http://ow.ly/Wq55J @AuthorAthenaM

Don’t want to kill a character? At least throw rocks:  http://ow.ly/WS9VF @DRRanshaw

The 3 Essential Elements to Creating a Believable Romance:  http://ow.ly/Wp4hO @CSLakin

Writer Worksheet Wednesday: Stories I Need to Tell”:  http://ow.ly/Wq5WD @evadeverell”

Writer Worksheet Wednesday: Writer’s Statement:  http://ow.ly/Wq63H @evadeverell

Why Liking or Commenting on a Blog is so Important:  http://ow.ly/Wq5MI @KelsieEngen

3 Myths of Fiction Research:  http://ow.ly/Wq69L from Plotline Hotline

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AmazonCrossing, BookTrack, SELF-e Updates

By Elizabeth S. Craig, @elizabethscraig

I’ve been experimenting with or pursuing different avenues for distribution and visibility.  Here are updates on what I’ve been working on with links in case you want to check these things out, yourself.

AmazonCrossing—Amazon is now publishing translated fiction for international readers.  You send them a pitch and they consider your work for translation by their publishing arm.  As I suspected, it’s tough to get in—I got a rejection email last week. But the email also invited authors to keep sending them other work to pitch, so I may give another book a go. Who knows? Maybe they’d be happier with my zombie book.  If you’re interested in checking it out, the link is here: https://translation.amazon.com/submissions

BookTrack—Speaking of the zombie book, I received an email from BookTrack…this is the company that matches soundtracks with books (the soundtracks adjust to the reader’s pace).  I’d been interested in the opportunity when I first read about it on Hugh Howey’s blog.  But I knew I had absolutely no time to take on a project like that (although I’m interested in reaching out to a variety of different readers on a variety of different formats).  Also, I wasn’t sure that my genre would be a match for the format.

Apparently the zombie book is, though.  They offered to produce the booktrack and put my book up on the platform. That sounded like a good plan to me since I still have no time at all.

It sounds like they’re actively seeking out content.  Does this mean this format is really catching on with younger readers?

Wattpad—I’m still fascinated at the international reach on this platform.  My demographics on Wattpad for my A Body in the Backyard (a very gentle mystery taking place in a small town in the Southern US) show readers in Pakistan, the Philippines (20%!), India (13%),   Kenya, Tanzania, Nigeria,  Brazil, Russia, Norway, and Australia. It’s nice to feel I’m doing something to develop an international audience. And it’s free for me to do so.

Virtual Assistant: I ran into a frustrating issue while trying to upload a spreadsheet of new subscribers to MailChimp.  As I delved deeper and deeper into researching the issue I finally stopped and thought: “I’m already spending way too much time on this.” So, yep. I asked my author assistant to help me out with it. And, while he was at it, to try and make my template for my newsletter look better than it currently does. I’ve never been happy with the newsletter template I created, which looks uneven to me. I’m great with design when I can use Canva. When I can’t use Canva, my design skills are non-existent. Even with text design.  If you’re interested in doing this kind of outsourcing of frustrating tasks yourself, there are free listings of author assistants here and here.

Library SELF-e.  Last year I started submitting digital mysteries to the SELF-e platform:  a partnership between Library Journal and the US public library system.  More about Self-e in this article that journalist and SELF-e consultant Porter Anderson wrote for my blog: “SELF-e Gets Indie Books Into Library Catalogs.”  For me, almost everything that I do is for exposure/discoverability. That includes free ebooks, Wattpad (full-length novel uploads, leaving the books up for free), and Library SELF-e. Although authors don’t receive payment, I do feel it’s a good way to gain visibility for my series. And, if we have a perma-free book anyway, why not use that book to reach new readers.  One of my books was one of the top-three most-read mysteries in the SELF-e program for 2015, so I know I’m getting reads.  To submit your own book for consideration, go here.  For an overview of different kinds of ebook library services (pros and cons of each one), read this article from the ALLi blog by Andrew Lowe: “Ebook Library Services For Authors: An Alliance of Independent Authors Report.”

That’s all I’ve got in the way of updates right now. What kinds of things are you working on? How are they going?

Updates on experiments with AmazonCrossing, BookTrack, SELF-e, and more:
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IngramSpark

By Elizabeth S. Craig, @elizabethscraig

I’d been hearing a lot about IngramSpark, but I hadn’t ever figured out why I might need them as a print book manufacturer/distributor. My books were on CreateSpace and selling well through Amazon. It seemed as if my relationship with Amazon was filling the print book need.

At the NINC conference in October, it finally fell into place: bookstore distribution.

I tend to pooh-pooh bookstore distribution.  My pooh-poohing is premature.  I do, according to my Penguin-Random House royalty statements, still sell a lot of print books. The statements are, however, less than transparent, but I’m still going to assume that those print sales are at non-Amazon retailers. I tend to have a dim outlook on the future of large, Barnes&Noble-esque booksellers, but the truth is that print isn’t going anywhere anytime soon and B&N isn’t the only game in (many) towns.

The point is that some retailers might rather not stock books that they have and order through a competitor.  Amazon.  Additionally, Ingram makes international order fulfilment possible.  They not only ship internationally, they print internationally.  This ensures that shipping costs are kept to a minimum and that readers receive our titles quickly.

Also interesting is that IngramSpark purchased Aer.io.  This acquisition may mean some cool opportunities to sell on our won sites and allow Ingram to do order fulfillment. You can embed a store on your site. Journalist Porter Anderson wrote an article, “Ron Martinez on Aer.io’s acquisition by Ingram: ‘We’re very lucky’” for The Bookseller that gives an overview of what this acquisition might mean for authors.

My first question was—can I be on both IngramSpark and CreateSpace? Yes, we can. This means that we’ll likely want to discontinue expanded distribution with CreateSpace (which we have to pay for) and that we’ll want to make sure that we use the same ISBN for both the CreateSpace print version and the IngramSpark print version (or else Amazon will “see” the title as a separate book).

This also means that we need to have an ISBN, obviously, of our own for the print format. Not the free CreateSpace one. IngramSpark does require authors to have ISBNs. I know this may be a sticking point for many writers. I’ve always just bought my own ISBNs, in bulk, directly from Bowker. I want my name as the publisher on record, not CreateSpace or Smashwords, etc.  Bowker does run sales…I like to buy the ISBNs on sale. I wish they’d make the things much, much cheaper, but there it is. I write the expense off on my taxes.

Besides ISBN costs (if you don’t already have them), there are separate costs to working with IngramSpark.  For instance, there’s a set-up fee. It’s $49.  Here’s a link to the costs of working with them.

The process of uploading my files and creating an account was simple.  It was very similar to the CreateSpace process, if you’re familiar with it.

I did find that one of my covers for CreateSpace did not pass through the IngramSpark review process.  The bleed was off. I will need to get with my cover designer to make an adjustment.  This cost is expected to be minimal.

If you’re going into the process with a brand-new interior/exterior file, you should be in good shape because you’ll use their specs. If you’re wanting to publish to both CreateSpace and IngramSpark, the general advice seems to be to choose a trim size that’s compatible on both platforms, right from the start. There are other considerations for production, too. Jen Lang has a very helpful post, “Book Production: More Tips on Using CreateSpace and IngramSpark Together” on ALLi’s blog.

You can also find more information on using CreateSpace and IngramSpark together in “How to Use CreateSpace and IngramSpark Together” by Karen Myers, also on the ALLi blog.

Hope this helps to make the two services and what they offer a bit less confusing. I know that I put off making a decision on IngramSpark because I didn’t understand what they could offer me.  Have you taken a look at IngramSpark? If you’re using it, are you pleased?

Using IngramSpark to print and distribute our books:
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Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

Why Writers (Sometimes) Make the Worst Critics:  http://ow.ly/Wm8zF by Josh Rutherford

The Lazy Author’s Way to Identify and Overcome Writing Weaknesses:  http://ow.ly/Wm8Qk @KMWeiland

How Scooby Doo Defined The Modern Slasher Flix Part 1:  http://ow.ly/Wm9ik and 2: http://ow.ly/Wm9nn

Critique Groups Dos and Don’ts:  http://ow.ly/Wm8Hb by Linda Wilson

5 Terrible Defenses of the Star Wars Prequels:  http://ow.ly/Wm8KM by Oren Ashkenazi         

Copyright Myths Authors Should Know About:  http://ow.ly/Wm8OS @nlitherl

Elements of Screenwriting and Human Behavior: http://ow.ly/Wo5EI  @WriterAtTheSea

Why is Lovecraft still relevant?  http://ow.ly/Wo6kQ by Dejan Ognjanovic

Should You Start a Blog to Promote Your Writing?  http://ow.ly/Wo5U2  @egabbert

How many queries should we send? http://ow.ly/Wo6aK by S. L. Saboviec

Genre Studies: The Literary Short Story:  http://ow.ly/Wo5Ne @artofstoriesAB

The Ultimate Story Checklist: The Babadook:  http://ow.ly/Wo5uE @cockeyedcaravan

The Psychology of Horror: Dissecting Fear: http://ow.ly/Wo6tz @edefuentes

Resolutions: Read to Fuel Your Writing:  http://ow.ly/Wo6GL by Sue Bradford Edwards

Deconstruction for Writers:  http://ow.ly/Wo6D7 @evadeverell

Micro Conflicts: Moving Scenes Forward:  http://ow.ly/Wo6zz @artofstoriesAB

To Become a Writer, Just Do These 2 Things:  http://ow.ly/Wo5zy @joebunting

Surviving Deadline:  http://ow.ly/Wp2TO @_JennyMoyer

Introverts: 5 Things to Suggest at Your Next Conference:  http://ow.ly/Wp31v by John Spencer

5 Rules For Creating Disabled Characters:  http://ow.ly/Wp2OR @twuc

How to Find Your Best Standing Desk:  http://ow.ly/Wp33b @colleen_m_story

Getting Clear on your Deepest Creative Truths:  http://ow.ly/Wp2Qy @CreativeKatrina

Nonfic: 10 Ways to Move Through Fear of Starting to Write Your Book:  http://ow.ly/Wp2L0 @NinaAmir

Self-Pubbing Print Books: Setting a Publishing Timeline:  http://ow.ly/Wp2SV @ceciliaedits

#RealYA How Does It Affect Fiction?  http://ow.ly/Wp2Jz @AuthorSAT

Some Practical Writing Advice From @DougCoupland:  http://ow.ly/Wp34T

Pros And Cons Of Writing In 3rd Person:  http://ow.ly/Wp2GX @MiaJouBotha

5 Tips for Writing a Sequel: http://ow.ly/Wp2NO @ShonnaSlayton

The Pragmatist: What Works:  http://ow.ly/Wp2Vv @HannahRBarnaby

The 3 Essential Elements to Creating a Believable Romance:  http://ow.ly/Wp4hO @CSLakin

5 Surprisingly Simple Ways To Subvert Stereotypes In Stories:  http://ow.ly/Wq66C @AnthonyEhlers

Resources for writing and finishing a novel:  http://ow.ly/Wq59N @TimHallinan

When an Agent Asks for a Revision, Take Your Time:  http://ow.ly/Wq504 @agentsaba

How to Conduct Credible Research:  http://ow.ly/Wq4RI @writingforward

Organize your writing with spreadsheets + free template: http://ow.ly/Wq4V1 @VeronicaSicoe

5 Things ’77 Star Wars Teaches About Storytelling: http://ow.ly/WlR42 @RogerDColby

How to Make Character Boards on Pinterest:  http://ow.ly/Wm8D3 @YAtopia_blog

Story Climax: Forcing Characters to Move Forward: http://ow.ly/Wm8SC @jamigold

How Details Intrude in Writing:  http://ow.ly/Wm8FG  @KelsieEngen

What Type of Creative Thinker Are You? http://ow.ly/Wm9f3 @FinishedPages

2016: Crunch time for publishing, its writers and their readers:  http://ow.ly/WI6lU @Porter_Anderson @mariraz

Strengthening Our Observation Skills:  http://ow.ly/WlQIz @LaurelGarver

4 Lessons Learned From Writing a Serial: http://ow.ly/WlQQ9 @mariellahunt

Screenwriting: Flashbacks and Monologues:  http://ow.ly/WlQXK @JamesNapoli

World Building Tip: Holidays and Rituals:  http://ow.ly/WlQML @ava_jae

5 Ways to Start Working on a Sequel:  http://ow.ly/WlR0w @RogerDColby

A Novel Performance: 30 Days In Seattle’s Central Library:  http://ow.ly/WlR5j by Gabriela Denise Frank

How to Narrate a Riveting Fight Scene:  http://ow.ly/WlR92 by Chris Winkle for @Mythcreants

Fantasy Worldbuilding: How-To:  http://ow.ly/WlQHR @EmilyFRussell

Characters and Their Sensory Limitations: POV and Description:  http://ow.ly/WlQLL @CSLakin

Facts and Narrative in History:  http://ow.ly/WlQSY @artofstoriesAB

Writing for Love or Money:  http://ow.ly/WlQP5 @BrunoniaBarry

Wrangling a Complicated Timeline:  http://ow.ly/WlQU0 @KelsieEngen

7 Ways To Create Memorable Minor Characters: http://ow.ly/WGjnp @NatePhilbrick

The Complete Guide to Query Letters: Nonfiction Books: http://ow.ly/WGiB0 @JaneFriedman

Writer Beware: Author Solutions Sold to Private Equity Firm:  http://ow.ly/WGioW @victoriastrauss

What Today’s Writers Are Thankful They’ve Missed Out On:  http://ow.ly/Wir8s @MaryVeeWriter

7 Lessons from 1 Writer’s 1st Year as a Published Author:  http://ow.ly/WirkF @MelindaFriesen

21 Tips to Help You Turn Your Non-Fiction Book Into a Business:  http://ow.ly/Wirda @NinaAmir

Foreshadowing: Tips to Create Mood & Tone: http://ow.ly/Wirbn  @robinrwrites

5 Books with Fictitious Works of Art:  http://ow.ly/Wir1d @annecharnock

The Pros And Cons Of Writing In 2nd Person:  http://ow.ly/WiqUu @MiaJouBotha

Do you wake up smiling? Feeling no pain? http://ow.ly/WirfK @MarleneAHibbard

Beginnings Are Hard, Even For Bestselling Authors: http://ow.ly/Wir4Y @GillespieKarin

6 Ways Standup Can Make You a Better Writer: http://ow.ly/WiqQ3 @WTurmel

Say No to Say Yes:  http://ow.ly/Wir7x @barbaraoneal

18 Signs You Were Destined to be a Writer:  http://ow.ly/Wirj4 @MarianSchembari

How Long Should Your Novel Be?  http://ow.ly/WiqYj by Victor Salina

Liven Up Your Novel’s Opening:  http://ow.ly/Wg8hs @lindasclare

Reducing Stress as a Writer:  http://ow.ly/WAsED

How to Level Up Your Writing Habit:  http://ow.ly/Wg8e7 @EmilyWenstrom

A Word about Quitting:  http://ow.ly/Wg8ry @wendypmiller

Top 7 reasons why SPECTRE is average while SKYFALL soared:  http://ow.ly/Wg8jH @speechwriterguy

How to Believe You Can Fly:  http://ow.ly/Wg8p8 @colleen_m_story

6 Ways to Stay Creative as a Writer (When You’re a Parent):  http://ow.ly/Wg8Rc by Lisa Lepki @writersdigest

5 Ways to Deal With Self-Doubt as a Writer:  http://ow.ly/Wg8MW @BenSchmitt5

Creative Confusion and Finding your New Center:  http://ow.ly/Wg8nl @CreativeKatrina

Line Editing: What to Look For:  http://ow.ly/Wg8Un @ava_jae

Finding the Right Medium for Your Story:  http://ow.ly/Wg8yF @AndrewDChapman @DIYMFA

Picture Books: Not So Easy:  http://ow.ly/Wg8tX  @AmyBearce @DIYMFA

How to Know Your Characters More Intimately:  http://ow.ly/Wg8HG  @BenSchmitt5

10 practices publishers can use to tamp down Amazon’s impact: http://ow.ly/We2gK by Stephen Blake Mettee

On the Frustration of the Friend of a Friend:  http://ow.ly/We1eI  @HeatherAlexand

How To Spot, Fix and Eliminate Passive Voice:  http://ow.ly/We0R0 @menwithpens

6 months as FT Author: Burn Out:  http://ow.ly/We1v6 @adamdreece

7 ways to get True Grit for Writers:  http://ow.ly/We28P @kristenlambtx

9 Productivity Hacks to Help You Meet Your Deadline: http://ow.ly/We21S @emily_tjaden

Gamblers and Artists:  http://ow.ly/We0Z1 @kristinerusch

The top writing links from last week on Twitterific:
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Timing a Release

by Elizabeth S. Craig, @elizabethscraig

When I was strictly traditionally published, timing a release had nothing to do with me. It was, actually, in my contract.  Usually I had a two or three book contract and my deadlines and the books’ release dates were spelled out.

The release dates even trickled into my writing…I frequently set the story during the season the book would be launching in.

I remember that other trad-published mystery writers weren’t happy about December releases, for example.  I did have a trad-pub December release in 2013. It was a slow start for that book, but it has ended up being one of my long-term strongest-selling titles. Although slow starts do tend to make publishers nervous since they’re not so into publishing’s “long tail” as self-publishers are. They encounter returns from bookstores.

Toward the end of November, I had a completed Myrtle Clover (self-pub) book. I remembered the bias against holiday-timed releases. But there was no way I was going to sit on the launch, either. I’d listed the book as releasing in 2015. So I put it out on Thanksgiving weekend. I sent out a reader newsletter to announce the release, carefully set up the book’s pages on Amazon, etc., to reflect reader reviews for the rest of the series, and then just carried on with hosting house guests and doing family activities and stuff like that.

It was definitely a stronger start than the previous holiday timed release, but I credit my newsletter for that. I noticed that readers were buying the book, but they weren’t reading it or reviewing it like they had for the other books.  That’s because it was smack dab in the middle of a holiday and no one had time to read. But they did want it.

I’ve also had a couple of August releases.  Actually, I’ve probably had four or five August releases, both trad-pub and self-pub. August tends to be a slow month for me but the newsletter helped move books for the most recent August launches.

Of course, it doesn’t matter now nearly as much as it use to whether our book gets off to a fast start. It used to mean that bookstores would send our books back as returns to the publisher, where the books would be shredded or incinerated. It also meant that we might not get a contract extension. Digital bookshelves at retailers take up no space.

To catch up with where we’d like to  be, sales-wise, we can consider running sales and doing giveaways on Goodreads. Or we could get traction before the release by pulling together a street team or getting editorial reviews prior to the release. Or we could simply count up all the 4 and 5 star reviews for the other books in the series and put a “readers love _____ (our character)! 400 4 and 5 star reviews for the series” on our book’s product page on the retail sites.

Are there months or seasons you avoid releasing a book in? How do you combat a slow sales month?

Thoughts on timing a book's release:
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Reducing Stress as a Writer

By Elizabeth S. Craig, @elizabethscraig

Journalist Porter Anderson had an interesting article in Thought Catalog: “Author-Editor Relationships: An Endangered Species?” In it, he says:

“One of the things that makes the 2015-2016 transition interesting in the creative corps is a subdued, reflective, sometimes exhausted, and often pensive mood.

A lot of it revolves around marketplace fatigue.”

Smashwords founder Mark Coker states in his post “2016 Book Publishing Predictions”:

“Many full time indies will quit or scale back production in 2016.”

He explains this is due to authors who may have prematurely quit their day jobs and are now facing a much more challenging publishing landscape.

Whether it’s the need to write quickly or the sometimes overwhelming job of keeping our books and ourselves visible, writers are facing a lot of stress these days.

I’ve felt it too. I’m much less stressed out about the writing than I am about the “everything else.”  I was reflecting on the past year with a friend and I admitted that a lot of my problem is that I can do (nearly) everything myself.  I can do rudimentary (not cover) design. I can format books. I can update my website. I can create newsletters and schedule updates on social media. I know how to upload to retail platforms, share my calendar, create a slideshow for a lecture.

And, because I know how to do it, because I have the skills, and I’ve a tendency toward frugality, I do it all myself.

There were a few exceptions.  I hit the wall with my own accounting ability and stopped doing my own taxes a couple of years ago.  I’ve always had freelancers to help me out with covers, narrating audio books, formatting print and digital books, and editing. Sometimes I need help with my website issues (or just don’t have the time to figure out how to fix the issue myself).

I’ve mentioned in other posts that I’m something of a control freak. I don’t think I was always this way, but over the past 5-10 years, it’s definitely become more obvious.  I like things done a particular way. To ensure it’s done this way, I do it myself.

I’m frequently advised by both writer friends and non-writer friends to outsource some of what I do.  I have been very hesitant to do this.

But, in 2016, I’m going to give it a go.

I made a list of as many different things that I could think of that I do on a regular basis (daily, weekly, monthly, annually).  I kept saying I felt overwhelmed, but I also couldn’t completely account for my time or what I was spending it on. Some of the tasks on my list I almost enjoy. Some I dread doing—and the dread frequently isn’t equivalent to the size of the task….I dread updating Facebook, for instance. Where are my readers? They’re on Facebook.

Some of these tasks overlap. Some take only a minute or two (after I remember to do them). Some can take many hours to complete.  See if this list sounds familiar to you.

Update Amazon Author Central (US and worldwide)

Update my website with new books, new copy, new author photos, new bios.

Update Goodreads books and author info.

Run Goodreads giveaways

Update Facebook

Update Google Plus

Curate and schedule content for Twitter. Collect it and share on the blog.

Blog (3x weekly). Respond to comments. Visit other blogs

Promote my author newsletter

Send newsletters out to readers

Advertise on Facebook.

Respond to reader emails

Create author notes for Amazon and for the backs of my books

Update end matter in my digital books. Keep a copy

Mentor

Respond to guest post requests

Learn new software

Watch webinars for business-related information (promo, learning software like Scrivener, etc.)

Respond to emailed requests for me to beta test software

Connect with and coordinate with editors, formatters, cover designers

Track sales and run promotions

Distribute new books to each platform: ACX, Amazon, Draft2Digital, Smashwords, IngramSpark, CreateSpace, etc.

Update stories weekly on Wattpad

Secure narrator for audiobooks. Listen to finished audiobook for errors. Upload to ACX.

Send promo copies and signed copies to readers.

Participate in Skype/podcast/written interviews. YouTube interviews

Update social media banners

Coordinate speaking engagements

Write guest posts and respond to comments when the post runs

Set up annual headshot and update social media with the new picture

Create PowerPoints for speaking engagements

Count 4 and 5 star reviews on both active series to use in the Editorial Reviews section of my book pages

Write blurbs for other authors

Write cover copy and ad copy

Update series bibles with each book

Pull tax-related items together. Pull year-end things together for accountant.

Organize items on the computer:  Covers in one folder.  Manuscripts in format-specific folders.

Back up. Back up my backups.

Maintain and use Amazon Affiliate links for all my books

Research for books and for promo

Glancing over the list, I realized there are some tasks I would be happy to relinquish doing.  And there are some things that I wouldn’t always want to relinquish, but I might if I were overwhelmed with work.

There are author assistants who will work for us on an hourly basis or a per-the-job basis.  Author Assistant Mel Jolly (I met her at the NINC conference where we were both speakers) has a directory of assistants on her Author’s Atlas site. I’ve heard excellent things about Kate Tilton and Authors Write.

I’m planning on starting out slowly with this outsourcing.  An hour here and there. We’ll see where it goes from there.  Some weeks I’m so snowed with promo-maintenance-writing-family-life that I’m in dire need of assistance. Some weeks I can handle it all and look for more. But the number of times I’m feeling snowed is definitely increasing with the number of books I write and (perhaps) with any increase in my visibility online.

There are other ways to reduce our workload and stress, if you haven’t reached this point. Schedule your social media updates using https://hootsuite.com/ or a similar program. Set up your blog posts to automatically feed to Facebook or Google Plus.  Create an editorial calendar for your blog posts so that you don’t waste any time trying to brainstorm. Outline your book, if you’re open to it. Create templates for your reader newsletters.

How do you reduce your stress level as a writer? Have you thought about using a virtual assistant?

Tips on reducing stress as a writer:
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