J.R. Lindermuth's Blog, page 14

Some Recommendations

Tis the season for lists. As someone who reads (a lot), I'm inclined to recommend books I enjoy to my friends and even strangers.

So, like many others, I'm offering here some of the books I read, enjoyed and reviewed in 2010. Not all were written in this year and they are a mixed assortment of fiction and non-fiction. Here they are, in no particular order:

Wolf Hall by Hilary Mantel
The story of Henry VIII and his many marriages has been told before. But this is a version seen from another angle. Henry, Anne Boleyn and the stars in other depictions here become pawns of another player's game. Though it is Henry's and Anne's desire for a marriage blessed, if not sanctified, by the church around which much of the book centers, it is the character and vision of Thomas Cromwell provides the driving force and interest.

The Killer of Little Shepherds by Douglas Starr
Starr tracks the pursuit of a brutal serial killer in 19th century France and parallels it with the development of the forensic sciences which aided his capture and assured his conviction. In fact, it may have set the pattern for how law enforcement would gather evidence and pursue criminals in the future.

Kings of the Earth by Jon Clinch
Clinch tells the tale through the viewpoints of a variety of characters from the present and past, painting the rural landscape and people in vivid, poetic colors. His inspiration was the real-life story of the Ward brothers told in the 1992 documentary film, 'Brother's Keeper,' but this is his own retelling of that narrative. It is a tale as moving as it is bleak.

Best American Noir, edited by James Ellroy and Otto Penzler
If you're already a fan of the genre, you'll be pleased with this magnificent edition. If you don't know what noir is, then this is a splendid introduction.

The Glass Rainbow by James Lee Burke
Few today write such poetic prose about such dark and horrific events. An absorbing plot, fascinating characters, plenty of suspense—what's not to like?

The Queen of Patpong by Timothy Hallinan
You don't have to be an old Asia hand to enjoy this book. But, if you are, it's certain to bring back memories and an itch to revisit some former haunts.

Cornelius The Orphan by Douglas Quinn
Cornelius is based on a real person, though Quinn has used the broad brush of fiction to depict his history. If this novel whets your taste for more (as it has mine), there is a sequel in the offing involving the orphan's son, Samuel.

The Tiger by John Vaillant
People are fascinated by monsters, be they human or other animal. If this book were simply about a man-eating tiger and the hunt to stop the beast it would have an attraction for many readers. But Vaillant's story goes much deeper.

Heresy by S J. Parris
Building on the historical fact of Giordano Bruno's visit to Oxford in 1583, S. J. Parris has crafted an intriguing mystery set against the religious turbulence of Tudor England.

Monster in the Box by Ruth Rendell
No one explores criminal motivation quite so well as Ruth Rendell, and this novel is additional proof of her skill.

The Day After Yesterday by Wayne D. Dundee
Get set for nail-biting action when PI Joe Hannibal confronts a murderous conspiracy which puts him on a collision course with rightwing militia, a dangerous terrorist, the FBI and Homeland Security.

Talking About Detective Fiction by P. D. James
The focus is mostly on English writers. But that's okay. Who is better qualified to comment on the subject?

The Weed That Strings the Hangman's Bag by Alan Bradley
Bradley has created one of the most engaging sleuths in recent years and I'm glad to see her adventures are just begun. He reveals in an afterword he is already at work on the third novel in the series.

The Adventures of Elizabeth Fortune by Kae Cheatham
If you enjoy fast-paced adventure, accurately depicted historical fiction, mysteries and/or romance, this is a recommended read. Personally I'm looking forward to a promised sequel.

The Man From Beijing by Henning Mankell
Mankell has penned a riveting thriller which has its dark origins 150 years in the past and takes the reader on a wild ride from Sweden to the United States, from China to Zimbabwe and Mozambique.

A King of Infinite Space by Tyler Dilts
Haunted and guilt-ridden by the tragic death of his wife and their unborn child, Detective Danny Beckett is in limbo, taking refuge in the routine of his job and alcohol. The brutal murder of a teacher—who he eventually learns had ties to his past—gives his life a new incentive.

Passing Strange by Martha Sandweiss
Sandweiss has written an important and moving book which inspires the hope one day we might move above the minor differences which separate us, amalgamating even beyond Clarence King's ideal to a truly "human race."



The Girl Who Kicked the Hornet's Nest by Stieg Larsson
Though Larsson did a commendable job of wrapping up the trilogy, this third novel in the series is not a standalone. The first hundred pages or so are an attempt to fill in what happened before, but I think reading the first two is necessary to fully understand what is going on.


Caught by Harlan Coben
Coben has crafted another fast-paced thriller displaying his superb insight into life in suburbia and a gift for realistic depiction of teen angst.

The Lost Cyclist by David Herlihy
This book had a personal interest for me since my maternal grandfather was one of those cycling pioneers and might have felt at home in company with men like Lenz and Sachtleben.

Holiday Book Event

Indies (writers who self-publish) and those of us with small publishers share some common problems.

We're not known to the larger reading public. We don't have big-budget publicists (in fact, many of us lack both publicists and budgets). We're constantly told we need to get our "brands" known if we're ever to compete in the marketplace. Whatever is to be done to tempt people to try our books is squarely upon our individual shoulders.

Darcia Helle, author of The Cutting Edge and five other mystery/suspense novels, was pondering this situation one day and came up with an idea to showcase authors, thank readers who have supported them and introduce more people to a variety of books. She contacted others and had an amazing response. I was among those contacted and I'm offering a print copy of Being Someone Else, fourth in the Sticks Hetrick mystery series.

The big holiday giveaway event officially launched on Dec. 1 and continues through the month. It features hundreds of print and e-books by 47 writers. There's an entry form at the site: http://www.quietfurybooks.com/holiday... The event is international, so you can win a book no matter where you live, and there are titles sure to suit every taste.

So come on over, join in the fun and browse the selection. You're certain to find some exciting new additions for your To-Be-Read list and you might win a free book.

A Writing Option

Writers today have more options for publication than ever before. Which of them we choose to utilize is a matter of personal preference.

Rights to The Accidental Spy, a novel I published with Lachesis, a Canadian firm, recently reverted to me as the contract period elapsed. The novel was published during the period of my mother's final illness and never had the promotion it deserved.

As I was debating whether to submit it to another publisher I read several articles about the success other writers were having with Kindle versions of their books. Whiskey Creek Press is already offering others of my books in various electronic forms, including Kindle. The dominance of the e-novel in the current economic state has been trumpeted by the press this year and Amazon claims its Kindle sales in recent months have exceeded print.

This convinced me there was nothing to lose by converting my novel to Kindle and giving it a try. I made an arrangement with Laura Givens to retain the cover she had designed for the previous edition, and which I liked. The conversion process wasn't exceedingly difficult, even for someone as technologically challenged as me. I admit to a few minor glitches, though none make the book a difficult read. If I decide to do another, I now know how to avoid my past errors.

The book is available at the low price of $2.99 here http://www.amazon.com/The-Accidental-...
I'm looking for people to tag, review and (naturally) buy it. Any of the three would be appreciated.

What's the book about? Here's a synopsis:

Dandy Dan McCracken is a rogue wandering around eastern Pennsylvania and living by his wits in the middle years of the American Revolution. Through circumstance, he becomes a spy, first for the British and then for the Americans.

Wounded and on the run from a sheriff, he's rescued and nursed back to health by the lovely ward of Benedict Arnold's procurement officer in Philadelphia. McCracken is enamored of the girl, but when her husband returns from the front, he flees and falls in with a band of British spies.

He switches sides again when he discovers his conscience as a result of falling in love, and not because he favors one side over the other. His actions now—not through choice but again through circumstance—make him a hero.

What Writers Read

I recently wrote about the importance of reading for writers. That, naturally, leads to the question of what to read.

Reading preference is a subjective matter. Still I thought it might be interesting to consider the choices of some of my favorite authors and see what they have to say on the matter.

One might think a writer of mysteries would have an affinity for that genre. Yet in an article (archive article, originally published in 1987) in the December issue of The Writer Ruth Rendell remarks that she no longer reads crime fiction. Instead she said she "reads and rereads" the great Victorian classics. Her recommendation for all who aspire to write is Ford Madox Ford's "The Good Soldier". And Rendell says she reads this one book annually.

Though he admits to having grown up with the Hardy Boys, James Lee Burke lists among his favorite writers Faulkner, Joyce and Hemingway (see favorites of many writers in "The Top Ten, Writers Pick Their Favorite Books", edited by J. Peder Zane).

Elizabeth George in "Write Away" identifies Harper Lee's "To Kill a Mockingbird," as her favorite novel but says her greatest influence as a writer was John Fowles. Fowles himself was a great admirer of Thomas Love Peacock, Daniel Defoe, Albert Camus and Thomas Hardy.

Robert Louis Stevenson also spoke highly of Defoe, in addition to Alexandre Dumas and Nathaniel Hawthorne.

Jim Harrison puts Dostoevsky, Proust, Emily Bronte and Herman Melville high on his list. John Irving also has praise for Dickens, Hardy and Melville. Another personal favorite, Peter Matthiessen, admits an admiration for Conrad, Dostoevsky and the other great Russians.

Referring again to "The Top Ten," I was pleased to see some of my favorite books on so many of the lists. These included (in no particular order), "Adventures of Huckleberry Finn" by Mark Twain, "Lolita" by Vladimir Nabokov, "Moby Dick" by Herman Melville, "Wuthering Heights" by Emily Bronte, "Tristram Shandy" by Laurence Sterne, "Candide" by Voltaire, "Don Quixote" by Miguel de Cervantes, "The Tempest" by William Shakespeare, "Dubliners" by James Joyce, "The Brothers Karamazov" by Fyodor Dostoevsky and "Silence of the Lambs" by Thomas Harris. I was shocked none of the writers mentioned Fowles, Matthiessen or John Gardner (author of "The Sunlight Dialogues," not the other one).

So what books should you be reading? I'd say anything and everything. But most importantly those which inspire you to re-reading and better writing.

Reading for Profit

One of the key ingredients of advice to aspirant writers is to read.

The neophyte might then ask, what am I to read? Does it mean how-to books? Books written by the advisor? What?

My personal feeling is a writer should read the types of books he or she wishes to write. Most would-be writers are already readers. Inspired by the books they read for pleasure or edification, they strive to emulate, feeding both an innate need and a desire to share their thoughts and imaginings with others.

What moves a person to become a writer or engage in other creative activities is a matter for the psychologist and not our interest here. What is obvious is not every person who loves to read becomes or wants to become a writer. What is also obvious is the person who wants to write will eventually do so, regardless of advice or lack thereof.

I've never met a writer who wasn't a reader. I think most of us would agree it was a love of reading that first stimulated our desire to write. But I'm constantly surprised by the number of writers who fail to profit by their reading. Some read only for entertainment. Others read for instruction. The good writer/reader can and should do both. And there are more than a few ways to profit. Reading properly can improve your writing ability, stimulate your creativity and put more dollars in your pocket.

How, then, should a writer read? The answer, of course, is alertly. No writer worth his/her salt should ever read without a notebook at hand.

As Dumas put it a long time ago: Writing can not be taught; it can only be learned. One learns, initially, by reading. Anything you read will influence your writing style, either consciously or subconsciously. That's why many novelists refrain from reading while working on a book. However, it has been found that reading good writing can provide the impetus for recharging the creative juices when you're stalled or suffering a block. Even junk can be beneficial, but if you want to do creative writing, then you should read the best writing available. You can improve your style, your language and rhythm by the subconscious influence of good literature.

Robert Louis Stevenson advised, "When you read a book or a passage you admire, immediately set yourself to aping it so that you may capture the flavor of it."

Some might frown on this as plagiarism. But that wasn't what RLS meant. What he suggested was a concept no different than the training methods of the great masters of art and music. Art imitates nature and, it follows, art imitates art as well. Stevenson felt by copying an admired passage one gained insight into what made it work.

Charles Nodier, a lesser known writer, suggested, "A writer should read until he is filled to the brim and like a pitcher which is over-filled overflows, and then he should write."

Positive Envy

We writers are an envious lot.

It shows when a peer gets a good review. We grumble when another has a successful signing. A good contract—well, you get the idea.

It may be human nature to covet the good fortune of others. But such expressions of spite are negative envy, which is not a good thing. In its stead we should employ positive envy. Positive envy, you might ask. Is there such a thing?

Most definitely. People, however, have a tendency to envy others and pass off their good fortune as luck. Webster defines luck as a casual event or accident. A secondary definition is having good fortune or being successful.

In one form or another, luck crosses our path every day. How we respond determines the outcome of these exposures. The same applies to our reaction to the luck of others.

One positive aspect is to employ envy as a stimulus. Instead of being jealous examine what the other writer did to achieve good results. Consider how you might profit by their example.

You might also consider what I have dubbed OPW. This is a most valuable procedure many overlook. In business there's a principle called OPM (Other People's Money) which means you get someone to assist when you have insufficient resources. With OPW, you utilize another person's labor to supplement or conserve your own energy.

You can start by seeking mentors, people with wider knowledge and experience who are willing to share what they have learned.

Another aspect is that of cause and effect. It may be a cliché, but we really do get what we give out. The Internet has vastly expanded opportunities for networking. But don't forget, networking is a two-way street. Be prepared to share. If you want your work critiqued, be willing to do something in return. If you want a contact, be willing to offer something in exchange.

For example, Ray Bradbury never went to college. Instead he educated himself in the public library, spending all day, three times a week for a period of 10 years. In gratitude, he now makes a habit of organizing fundraisers for libraries.

A chance encounter with British writer Christopher Isherwood in a bookstore provided Bradbury the opportunity to put The Martian Chronicles in the hands of a respected critic who gave it a glowing review.

And—though they might not seem to have much in common—it was Truman Capote who recognized Bradbury's talent and pulled his story Homecoming out of a slush pile and convinced an editor to publish it in Mademoiselle. In turn, Bradbury helped Hugh Hefner get Playboy off the ground by giving him copy at a price he could afford.

No Free Kindle For Me

Over at Shelfari (www.shelfari.com) there was a contest going on for a free 3G Kindle. Since I want a Kindle and getting one for free would definitely be a plus, I jumped to the site to see what the contest involved.

To qualify members of the Shelfari librarians and editors group (I'm eligible) had to post contributions on the current New York Times Bestsellers lists prior to October 5. So, I took a look at the lists.

In the area of hardcover fiction I found only one book I had been interested in reading: Stieg Larrson's The Girl Who Kicked The Hornet's Nest. Now that was a book I liked and I supposed it would be possible to post some positive facts. But that probably wouldn't be enough to win me a Kindle. The situation in hardcover non-fiction wasn't much better. The only two books on the list I want to read are Isabel Wilkerson's The Warmth of Other Suns and S. C. Gwynne's Empire of the Summer Moon.

I fared a bit better in paperback trade fiction. I've read and adored Hilary Mantel's Wolf Hall, Barbara Kingsolver's The Lacuna, Larrson's The Girl With the Dragon Tattoo and The Girl Who Played With Fire and Garth Stein's The Art of Racing in the Rain. I've also read and liked Jamie Ford's Hotel on the Corner of Bitter and Sweet and Robert Goolrick's A Reliable Wife. Cutting For Stone by Abraham Verghese is on my TBR list and at some point I'll probably also read Half Broke Horses by Jeannette Walls and probably could be tempted by Grisham's Ford County or King's Under the Dome.

In paperback mass market there were the two Larrson novels, Ford County, Dave Baldacci's True Blue and Robert Parker's The Professional. Mass market non-fiction offered Anthony Bourdain's Kitchen Confidential and Malcolm Gladwell's Blink as possibilities.

The final choices were hardcover and paperback advice where I found absolutely nothing I cared to read.

I guess I'm going to have to buy my own Kindle.

Review Redux

Writers like reviews. Especially good ones.

Not only do they stoke our egos (which, alas, are often in need of massaging), they attract attention and can help make the difference between success and failure for a book. Those of us who are still struggling to attract an audience rely on a corps of reviewers, some sought out by ourselves and others solicited by our publishers.

Most writers published by small press can only dream of attracting the attention of The New York Times Book Review, Kirkus or other such prominent venues. So we are always grateful when someone—anyone—takes the time to say they like what we've written.

What might be even better than a good review is having the reviewer call attention to the book at a later time when your public's interest in it may have waned.

Kevin R. Tipple did that recently for Cruel Cuts, second in my Sticks Hetrick mystery series, when he highlighted it in his Friday's Forgotten Books segment in his Kevin's Corner blog. He called this second novel in the series "a complex and very enjoyable read full of murder, deceit and greed." You can read the full segment here: http://kevintipplescorner.blogspot.co...

The replay came as a pleasant surprise and I was gratified because not only is Kevin a perceptive reviewer he's also a fellow writer and an editor. His stories have appeared in a variety of print magazines as well as on line in such sites as Mouth Full of Bullets, Crime and Suspense and Mysterical-E.

I was also pleased because Cruel Cuts introduced rookie officer Flora Vastine, who has become a key player in the series. I have a particular affection for this novel and don't think it has received the attention it deserves.

So thanks again, Kevin.

A Lesson in Practical Magick

Today, Monday, Sept. 13, has been designated Positive Thinking Day. Now I'm not about to reveal some secret here, some magick formula which is the key to success. But I do believe attitude has much to do with the achievement of goals.

The United States has been a fertile playing field for optimists and has spawned a variety of theories and even several uniquely American religions linking spiritual and material success with attitude. Science has confirmed that a positive attitude does help in m...

Better Than An MFA

John Grisham wrote in the New York Times recently (http://www.nytimes.com/2010/09/06/opi...) of the various jobs he held before becoming a popular and successful author.

Though always an avid reader, Grisham comes from a working class background. As he points out in this article, writing was not his childhood dream. He came to writing after a series of low-paying, dead-end jobs, a general law practice and a period as a legislator in Mississippi.

A Time to Kill, hi...