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“There exists a creature which is perfectly harmless; when it passes before your eyes you scarcely notice it and forget it again immediately. But as soon as it invisibly gets somehow into your ears, it develops there, it hatches, as it were, and cases have been known where it was penetrated even into the brain and has thriven devastatingly in that organ, like those pneumococci in dogs that gain entrance through the nose.
This creature is one's neighbor.”
― The Notebooks of Malte Laurids Brigge
This creature is one's neighbor.”
― The Notebooks of Malte Laurids Brigge
“You are not surprised at the force of the storm—
you have seen it growing.
The trees flee. Their flight
sets the boulevards streaming. And you know:
he whom they flee is the one
you move toward. All your senses
sing him, as you stand at the window.
The weeks stood still in summer.
The trees’ blood rose. Now you feel
it wants to sink back
into the source of everything. You thought
you could trust that power
when you plucked the fruit:
now it becomes a riddle again
and you again a stranger.
Summer was like your house: you know
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.
The days go numb, the wind
sucks the world from your senses like withered leaves.
Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.
Be modest now, like a thing
ripened until it is real,
so that he who began it all
can feel you when he reaches for you.
- Onto a Vast Plain”
― Rilke's Book of Hours: Love Poems to God
you have seen it growing.
The trees flee. Their flight
sets the boulevards streaming. And you know:
he whom they flee is the one
you move toward. All your senses
sing him, as you stand at the window.
The weeks stood still in summer.
The trees’ blood rose. Now you feel
it wants to sink back
into the source of everything. You thought
you could trust that power
when you plucked the fruit:
now it becomes a riddle again
and you again a stranger.
Summer was like your house: you know
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.
The days go numb, the wind
sucks the world from your senses like withered leaves.
Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.
Be modest now, like a thing
ripened until it is real,
so that he who began it all
can feel you when he reaches for you.
- Onto a Vast Plain”
― Rilke's Book of Hours: Love Poems to God
“Perhaps many things inside you have been transformed; perhaps somewhere, someplace deep inside your being, you have undergone important changes while you were sad. The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of.”
― Letters to a Young Poet
― Letters to a Young Poet
“If your everyday life seems poor, don't blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches”
―
―
“Why should you want to exclude from your life all unsettling, all pain, all depression of spirit, when you don’t know what work it is these states are performing within you? Why do you want to persecute yourself with the question of where it all comes from and where it is leading? You well know you are in a period of transition and want nothing more than to be transformed. If there is something ailing in the way you go about things, then remember that sickness is the means by which an organism rids itself of something foreign to it. All one has to do is help it to be ill, to have its whole illness and let it break out, for that is how it mends itself. There is so much, my dear Mr Kappus, going on in you now. You must be patient as an invalid and trusting as a convalescent, for you are perhaps both. And more than that: you are also the doctor responsible for looking after himself. But with all illnesses there are many days when the doctor can do nothing but wait. And inasfar as you are your own doctor, “this above all is what you must do now.”
― Letters to a Young Poet
― Letters to a Young Poet
“There I sat, probably looking so dreadful that nothing had the courage to stand by me; not even the candle, which I had just done the service of lighting it, would have anything to do with me. It burned away there by itself, as in an empty room. My last hope was always the window. I imagined that outside there, there still might be something that belonged to me, even now, even in this sudden poverty of dying. But scarcely had I looked thither when I wished the window had been barricaded, blocked up, like the wall. For now I knew that things were going on out there in the same indifferent way, that out there, too, there was nothing but my loneliness. The loneliness I had brought upon myself and to the greatness of which my heart no longer stood in any sort of proportion. People came to my mind whom I had once left, and I did not understand how one could forsake people.”
― The Notebooks of Malte Laurids Brigge
― The Notebooks of Malte Laurids Brigge
“You must not let yourself be misled, in your solitude, by the fact that there is something in you which wants to escape from it. This very wish will, if you use it quietly and preeminently and like a tool, help to spread your solitude over wide country. People have (with the help of convention) found the solution of everything in ease and the easiest side of easy; but it is clear that we must hold to the difficult; everything living holds to it, everything in Nature grows and defends itself according to its own character and is an individual in its own right, strives to be so at any cost and against all opposition. We know little, but that we must hold to the difficult is a certainty that will not leave us; it is good to be solitary, for solitude is difficult; the fact that a thing is difficult must be one more reason for our doing it.”
― Letters to a Young Poet
― Letters to a Young Poet
“we want it visible
to show
when even the most
visible joy
will reveal itself
only when we have
transformed it within.
there’s nowhere, my love, the
world can exist
expect within.”
―
to show
when even the most
visible joy
will reveal itself
only when we have
transformed it within.
there’s nowhere, my love, the
world can exist
expect within.”
―
“Don't ask for any advice from them and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.”
― Letters to a Young Poet
― Letters to a Young Poet
“If there is nothing you can share with other people, try to be close to Things. Things will not abandon you. The nights are still there, and the winds that move through the trees and across many lands. Everything in the world of Things and animals is filled with being, of which you are part.”
―
―
“Perhaps all the dragons of your life are princesses, who are only waiting for us to show a little beauty and courage. Perhaps at the very bottom every horror is something helpless, that wants help from us”
― Letters to a Young Poet
― Letters to a Young Poet
“How much there is to suffer. When was time enough
to pay attention to our lighter emotions?
And still I recognize, better than most others
who will be resurrected, what blessedness is.”
―
to pay attention to our lighter emotions?
And still I recognize, better than most others
who will be resurrected, what blessedness is.”
―
“She was in herself, like a woman near term,
and did not think of the man, going on ahead,
or the path, climbing upwards towards life.
She was in herself. And her being-dead
filled her with abundance.
As a fruit with sweetness and darkness,
so she was full with her vast death.”
― ORPHEUS. EURYDICE. HERMES. NOTATIONS ON A LANDSCAPE.
and did not think of the man, going on ahead,
or the path, climbing upwards towards life.
She was in herself. And her being-dead
filled her with abundance.
As a fruit with sweetness and darkness,
so she was full with her vast death.”
― ORPHEUS. EURYDICE. HERMES. NOTATIONS ON A LANDSCAPE.
“Books inviting us to read, on the bookshelves stand.
Piers for bridges that will lead, into Fairyland.”
―
Piers for bridges that will lead, into Fairyland.”
―
“You are the deep innerness of all things,
the last word that can never be spoken.”
―
the last word that can never be spoken.”
―
“Is it possible that despite our inventions and progress, despite our culture, religion and knowledge of the world, we have remained on the surface of life?”
― The Notebooks of Malte Laurids Brigge
― The Notebooks of Malte Laurids Brigge
“The inner, what is it: if not intensified sky hurled through with birds and deep with the winds of homecoming.”
―
―
“That is why young people, who are beginners in everything, are not yet capable of love: it is something they must learn. With their whole being, with all their forces, gathered around their solitary, anxious, upward-beating heart, they must learn to love.”
― Letters to a Young Poet
― Letters to a Young Poet
“And that is why it is so important to be solitary and attentive when one is sad: because the apparently uneventful and static moment when our future comes upon us is so much closer to life than that other noisy and accidental point when it happens to us as if from the outside. The quieter, the more patient and open we are in our sadness, the deeper and more unerringly the new will penetrate into us, the better we shall acquire it, the more it will be our fate, and when one day in the future it ‘takes place’ (that is, steps out of us towards others) we shall feel related and close to it in our inmost hearts. And that is necessary. It is necessary – and little by little our development will tend in this direction – that nothing alien should happen to us, but only what has long been part of us.”
― Letters to a Young Poet
― Letters to a Young Poet
“The claims which the difficult work of love lays upon our development are more than life-sized, and as beginners we are not equal to them. But if we continue to hold out and take this love upon ourselves as a burden and apprenticeship, instead of losing ourselves in all the light and frivolous play behind which mankind have concealed themselves from the most serious gravity of their existence,-then perhaps some small progress and some alleviation will become perceptible to those who come long after us; that would be much.”
― Letters to a Young Poet
― Letters to a Young Poet
“Wishes are memories coming from our future!”
― Letters on Life
― Letters on Life
“Everything in the world of things and animals is still filled with happening, which you can take part in.”
― Letters to a Young Poet
― Letters to a Young Poet
“Works of art are of an infinite solitude, and no means of approach is so useless as criticism. Only love can touch and hold them and be fair to them. — Always trust yourself and your own feeling, as opposed to argumentations, discussions, or introductions of that sort; if it turns out that you are wrong, then the natural growth of your inner life will eventually guide you to other insights. Allow your judgments their own silent, undisturbed development, which, like all progress, must come from deep within and cannot be forced or hastened”
― Letters to a Young Poet
― Letters to a Young Poet
“Being an artist means, not reckoning and counting, but ripening like the tree which does not force its sap and stands confident in the storms of spring without the fear that after them may come no summer. It does come. But it comes only to the patient, who are there as though eternity lay before them, so unconcernedly still and wide. I learn it daily, learn it with pain to which I am grateful: patience is everything!”
― Letters to a Young Poet
― Letters to a Young Poet
“Fame is nothing but the sum of all the misunderstandings that cluster around a new name…Wherever a human achievement becomes truly great, it seeks to hide its face in the lap of general, nameless greatness.”
― Letters on Life
― Letters on Life
“Things are not all so comprehensible and utterable as people would mostly have us believe; most events are unutterable, consummating themselves in a sphere where word has never trod, and more unutterable than them all are works of art, whose life endures by the side of our own that passes away.”
― Letters to a Young Poet
― Letters to a Young Poet
“Oh quickly disappearing photograph
in my more slowly disappearing hand.”
― The Collected Poetry of Rainer Maria Rilke
in my more slowly disappearing hand.”
― The Collected Poetry of Rainer Maria Rilke
“that Rome (if one does not yet know it) has an oppressingly sad effect for the first few days: through the lifeless and doleful museum atmosphere it exhales, through the abundance of its pasts, fetched-forth and laboriously upheld pasts (on which a small present subsists), through the immense overestimation, sustained by savants and philologists and copied by the average traveler in Italy, of all these disfigured and dilapidated things, which at bottom are after all no more than chance remains of another time and of a life that is not and must not be ours. Finally, after weeks of being daily on the defensive, one finds oneself again, if still somewhat confused, and one says to oneself: no, there is not more beauty here than elsewhere, and all these objects, continuously admired by generations and patched and mended by workmen's hands, signify nothing, are nothing, and have no heart and no value; -- but there is much beauty here, because there is much beauty everywhere.”
― Letters to a Young Poet
― Letters to a Young Poet
“Praise the world to the angel, not what can’t be talked about.
You can’t impress him with your grand emotions. In the grand cosmos
where he so intensely feels, you’re just a novice. So show
him some simple thing shaped for generation after generation
until it lives in our hands and in our eyes, and it’s ours.
Tell him about things. He’ll stand amazed, just as you did
beside the ropemaker in Rome or the potter on the Nile.
Show him how happy a thing can be, how innocent and ours;
how even grief’s lament purely determines its own shape,
serves as a thing, or dies in a thing — and escapes
In ecstasy beyond the violin.”
― Duino Elegies and The Sonnets to Orpheus
You can’t impress him with your grand emotions. In the grand cosmos
where he so intensely feels, you’re just a novice. So show
him some simple thing shaped for generation after generation
until it lives in our hands and in our eyes, and it’s ours.
Tell him about things. He’ll stand amazed, just as you did
beside the ropemaker in Rome or the potter on the Nile.
Show him how happy a thing can be, how innocent and ours;
how even grief’s lament purely determines its own shape,
serves as a thing, or dies in a thing — and escapes
In ecstasy beyond the violin.”
― Duino Elegies and The Sonnets to Orpheus
“If you think your world isn’t poetic enough, or exciting enough to tell a story about, that’s not because it’s a dull world, that’s because you’re not poet enough to wake its soul up.”
―
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