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“I have little interest in illustration, which lacks a kind of transcendental quality. It is too literal. I find typography more straightforward, conceptual, and appealing, with its strict geometric vocabulary. There is a bridge between typographic design and fine art, especially since typography possesses a complex subtlety. The idea, the method, and the honesty in expression are central to a designer who works with type.”
Timothy Samara, Typography Workbook: A Real-World Guide to Using Type in Graphic Design
“Simplicity, clarity, complexity, and ambiguity are not mutually exclusive states in language; the sensitive typographer is one who can manifest these states in the right mix by controlling the elements at his or her disposal.”
Timothy Samara
“Some time around 1932, Adolf Loos, the noted Viennese architect, said, “There is a great difference between an urn and a chamber pot, and in this difference there is leeway for culture.”
Timothy Samara, Design Elements: A Graphic Style Manual
“A grid is successfully implemented only if a designer rises above the uniformity implied by its structure and uses it to create a dynamic visual experience that sustains interest page after page, screen after screen. The greatst danger in using a grid is to succumb to its regularity.”
Timothy Samara, Making and Breaking the Grid: A Graphic Design Layout Workshop

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Making and Breaking the Grid: A Graphic Design Layout Workshop Making and Breaking the Grid
4,085 ratings
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Design Elements: A Graphic Style Manual Design Elements
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Typography Workbook: A Real-World Guide to Using Type in Graphic Design Typography Workbook
282 ratings
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Publication Design Workbook: A Real-World Design Guide Publication Design Workbook
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