Malcolm Chapman > Quotes

“Perhaps the most significant intellectual trend of the eighteenth century was that towards what we now label 'Romanticism'. Within this often rather monstrous historical figment of retrospective definition, one of the commonest of theoretical concerns was to speculate on the nature of society, and on the nature of social development. Theories of Man's primitive nature blossomed, and the Romantics looked both to nature and to this primal human essence for their poetic and intellectual inspiration. At the same time as British intellectuals were becoming more and more interested in the nature of primitive man and primitive society, they had within their own national boundaries a fitting subject for their attention. The Scottish Gael fulfilled this role of the 'primitive', albeit one quickly and savagely tamed, at a time when every thinking man was turning towards such subjects. The Highlands of Scotland provided a location for this role that was distant enough to be exotic (in customs and language) but close enough to be noticed; that was near enough to visit, but had not been drawn so far into the calm waters of civilisation as to lose all its interest.”
― Malcolm Chapman, The Gaelic Vision in Scottish Culture

“Since the eighteenth century, the Celtic fringes have posed for the urban intellectual as a location of the wild, the natural, the creative and the insecure. We can often find it said, with warm approval, that the Celts are impetuous, natural, spiritual and naive. I try in what follows to make a clear that such an approval is drawing on the same system of structural oppositions as is the accusation that the Celt is violent (impetuous), animal (natural), devoid of any sense of property (spiritual), or without manners (naive). I include the bracketed terms as effective synonyms of the words that precede them, that we would use to praise rather than deride... We are dealing here with a rich verbal and metaphorical complex, and I have not thought it very important to distinguish between those who find a favourable opinion of the Gael within this complex, and those who dip into it to find the materials for derision. In both cases the coherence of the statements can only be found at their point of origin, the urban intellectual discourse of the English language, and not at their point of application, the Celt, the Gael, the primative who is ever departing, whether his exit be made to jeers or to tears.”
― Malcolm Chapman, The Gaelic Vision in Scottish Culture

“Macpherson's [work] was largely inauthentic with respect to any genuine Gaelic verse tradition, but it was the very voice of authenticity for the developing sentiments of Romanticism in Europe.”
― Malcolm Chapman, The Gaelic Vision in Scottish Culture