Ask the Author: Sylvia Ashby
“I'm answering writerly questions until 20th of May 2016. Please, ask away anything that's on your mind.”
Sylvia Ashby
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Sylvia Ashby
I’m plotting my next novel, so I’m reading Into the Woods: How Stories Work and Why We Tell Them by John Yorke. It’s written about the structure of drama on television, but I’m amazed how helpful it is for plotting books as well. It’s given me heaps of insight into what works in a story and how to master cliff-hangers and punchlines.
Sylvia Ashby
From Eurostar departure lounge, literally. I can’t say more because I’d spoil the plot.
The Treachery of Trains is about a girl that’s lost. To begin with, she’s only lost metaphorically – Sky’s mum has died three years ago and her best friend has left London without as much as a backward glance. Sky feels abandoned by everyone dear to her heart. Then she gets lost literally. That’s when the fun really starts.
I could tell you that on her first day in a new city Sky rings the doorbell of a stranger who gets the door dripping wet and in a skimpy towel. Then both of them get locked out of their respective flats.
The Treachery of Trains is about a girl that’s lost. To begin with, she’s only lost metaphorically – Sky’s mum has died three years ago and her best friend has left London without as much as a backward glance. Sky feels abandoned by everyone dear to her heart. Then she gets lost literally. That’s when the fun really starts.
I could tell you that on her first day in a new city Sky rings the doorbell of a stranger who gets the door dripping wet and in a skimpy towel. Then both of them get locked out of their respective flats.
Sylvia Ashby
When I was fifteen, I wanted to become a journalist, but my father opposed to the idea. He would sit me down in front of the television every evening to watch the news. When a bunch of reporters surrounded a politician or a government official for questioning, he’d point at them and demand to know: “Is that what you want to do for the rest of your life?”
At the time, I had no idea there was a difference between a reporter and a journalist, so I gave up on my dream. I became a graphic designer instead for a number of years; then I owned four shops selling and designing women’s clothing. That went on for a decade and I loved it, but when the economy crashed in 2008 I needed to get out.
I looked at what I wanted to do next and writing was, literary, the first thought that went through my mind. So I became a journalist (not a reporter!) and a writer at the ripe age of thirty-five. It’s the best decision I’ve ever made.
At the time, I had no idea there was a difference between a reporter and a journalist, so I gave up on my dream. I became a graphic designer instead for a number of years; then I owned four shops selling and designing women’s clothing. That went on for a decade and I loved it, but when the economy crashed in 2008 I needed to get out.
I looked at what I wanted to do next and writing was, literary, the first thought that went through my mind. So I became a journalist (not a reporter!) and a writer at the ripe age of thirty-five. It’s the best decision I’ve ever made.
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