Ask the Author: C.A. Higgins
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C.A. Higgins
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C.A. Higgins
You should've turned it into an interrobang!
Thank you for your message! I'm so pleased you enjoyed Lightless. I'm guessing "lifeless" was an accident of Fiona Hardingham's lovely accent, but on the other hand, there are a lot of dead people at the end of the book...
Cheers!
Thank you for your message! I'm so pleased you enjoyed Lightless. I'm guessing "lifeless" was an accident of Fiona Hardingham's lovely accent, but on the other hand, there are a lot of dead people at the end of the book...
Cheers!
C.A. Higgins
Hello! Thank you so much; I'm so glad you're enjoying the series! The pink Supernova cover never made it to print--Supernova ended up getting the starry silhouette cover to match the Lightless paperback, since they came out on the same day. Happy reading and writing to you as well!
C.A. Higgins
I think there are interesting ideas to be found in just about any trope, but my favorites have to be AI, space travel, and dystopias. (Which, given Lightless, is probably not surprising.)
C.A. Higgins
Thank you! I fully intend to keep writing for a long time.
I'm one of those authors who believes that speaking about her work before it's fully written (and therefore closer to being set in stone) is bad luck. Someone else looking at the fetal story will change its state. That said, I have been very interested in generational ships lately...
I'm one of those authors who believes that speaking about her work before it's fully written (and therefore closer to being set in stone) is bad luck. Someone else looking at the fetal story will change its state. That said, I have been very interested in generational ships lately...
C.A. Higgins
Thank you so much! I love science fiction and for the moment that is what I intend to continue writing.
C.A. Higgins
Lightless came about from a physics class where we were talking about equations of state and particles in a box. For an ideal gas, at least, if you have a group of gas particles in a box and you make the box smaller, the particles flip out and start running into the walls. If you make the box colder, the particles slow down and huddle together. In a way, the particles act like little people. That image combined with some other ideas I had in mind (about sentient ships and interrogations) and gave those ideas structure. A lot of my ideas come from seeing patterns like that: either randomly, or because I'm working to build one.
C.A. Higgins
This answer contains spoilers…
(view spoiler)[Hi Michael, Thank you so much! Lightless came about as the merger of two different ideas: one, of a ship that gains self-knowledge in its own chaos; two, of a man telling lies like Scheherazade until he can be rescued. Both these ideas existed, as you said, end-first: the sentience of the ship and the rescue of the man. I outline very extensively and follow the outline very strictly so the story was carefully constrained before I started writing it, so in some ways plotting the story was about finding the initial conditions that would lead naturally towards the end that I had already determined. Even so there are details that I'm not certain can be planned out that affect HOW the story reaches the end point, even if they don't change what the end point is. For instance, Ivan's repeated line about "Do you know what that thing does to the human body?" is something that wasn't planned--small, but it affected the way that the scene where Althea has him at gunpoint progressed, and what decisions she made during it. (hide spoiler)]
C.A. Higgins
No, but various characters are certainly influenced by people who surround me. In Lightless, Constance's physical appearance and Althea's particular brand of introversion were influenced by some of my friends.
C.A. Higgins
Hi Jonathan! I write very detailed outlines before I write the actual drafts. In these outlines I usually have a dramatis personnae at the beginning that lists the characters (in groups if necessary), and provides details that are important that I think I might forget: last names, relationships, defining personality traits, ages, physical appearance, involvement in plot or subplot--anything that I think I might forget. Of course, the more drafts I do, the better I get to know the characters, and the shorter the dramatis personnae becomes.
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