Ask the Author: Ash Davidson
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Ash Davidson
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Ash Davidson
Good question. I’m not sure I’ve ever been dealt a proper bout of writer’s block, so I’ll have to get back to you on that. I have had times when I’ve struggled, especially in revision, to find a missing piece, or, in the case of DAMNATION SPRING, to find the right ending. I wrote five of them before I finally landed on the right one—sixth time a charm! I try not to panic. Even when I’m panicking, I keep showing up. I like to believe that some part of my brain is gnawing at the problem all the time, even when I’m washing the dishes, or walking the dog, or sleeping, and, eventually, it’ll find a solution. Sometimes it takes a long time.
Ash Davidson
How quickly and radically you can change something, and watch that change ripple out through the rest of your book. For the first eight years I worked on DAMNATION SPRING, Colleen was strictly a stay-at-home mom; but something wasn’t working. In the next draft, she became a midwife and all these jumbled pieces of the book I’d been puzzling over for years suddenly fit together.
Ash Davidson
Focus on your own work. Forget about everyone else.
Ash Davidson
A second novel set in the world of wildland firefighting.
Ash Davidson
By hearing a story, or reading, usually. News reports especially.
Ash Davidson
This answer contains spoilers…
(view spoiler)[My family lived in an old cabin on the California coast, above Wilson Creek, a few miles north of the mouth of the Klamath River, when I was a child. We left when I was very young, but my parents told a lot of stories from that time—funny stories, tragic stories, stories about the beauty of the redwoods—and those stories became a kind of mythology. Through them, I grew up loving a place I barely remembered.
I’d always been curious about their stories of herbicide spraying in the forest behind our house. I grew up hauling drinking water—we lived all over the country, but never drank from the tap, a habit my parents had developed in Klamath, where we’d relied on a gravity-fed hose-lay from surface water, similar to Rich and Colleen’s setup in DAMNATION SPRING. My parents had been concerned about the possible health effects of drinking water contaminated with chemical sprays. They weren’t activists and didn’t know much about the spraying. It was that mystery—what was being sprayed and why?—that I set out in pursuit of when I began researching the book in 2010.
There’s a line in Anthony Doerr’s MEMORY WALL: “You bury your childhood here and there. It waits for you, all your life, to come back and dig it up.” This was a piece of my childhood that was always there, waiting. (hide spoiler)]
I’d always been curious about their stories of herbicide spraying in the forest behind our house. I grew up hauling drinking water—we lived all over the country, but never drank from the tap, a habit my parents had developed in Klamath, where we’d relied on a gravity-fed hose-lay from surface water, similar to Rich and Colleen’s setup in DAMNATION SPRING. My parents had been concerned about the possible health effects of drinking water contaminated with chemical sprays. They weren’t activists and didn’t know much about the spraying. It was that mystery—what was being sprayed and why?—that I set out in pursuit of when I began researching the book in 2010.
There’s a line in Anthony Doerr’s MEMORY WALL: “You bury your childhood here and there. It waits for you, all your life, to come back and dig it up.” This was a piece of my childhood that was always there, waiting. (hide spoiler)]
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