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A darker book than any in the series thus far with a level of sophistication belying its genre, Harry Potter and the Half-Blood Prince moves the series into murkier waters and marks the arrival of Rowling onto the adult literary scene. While she has long been praised for her cleverness and wit, the strength of Book 6 lies in her subtle development of key characters, as well as her carefully nuanced depiction of a community at war. In Harry Potter and the Half-Blood Prince, no one and nothing is safe, including preconceived notions of good and evil and of right and wrong. With each book in her increasingly remarkable series, fans have nervously watched J.K. Rowling raise the stakes; gone are the simple delights of butterbeer and enchanted candy, and days when the worst ailment could be cured by a bite of chocolate. A series that began as a colorful lark full of magic and discovery has become a dark and deadly war zone. But this should not come as a shock to loyal readers. Rowling readied fans with Harry Potter and the Goblet of Fire and Harry Potter and the Order of the Phoenix by killing off popular characters and engaging the young students in battle. Still, there is an unexpected bleakness from the start of Book 6 that casts a mean shadow over Quidditch games, silly flirtations, and mountains of homework. Ready or not, the tremendous ending of Harry Potter and the Half-Blood Prince will leave stunned fans wondering what great and terrible events await in Book 7 if this sinister darkness is meant to light the way. --Daphne Durham
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Begin at the Beginning
Harry Potter and the Sorcerer's Stone
Audio Cassette
First published July 16, 2005























«It was nearing midnight and the Prime Minister was sitting alone in his office, reading a long memo that was slipping through his brain without leaving the slightest trace of meaning behind»Due to numerous attacks of Death Eaters, the new Minister for Magic Rufus Scrimgeour, duly appointed, decides to meet the muggle British Prime Minister... It's the first time that the Muggle world and the magic one come bluntly face to face. J.K. Rowling chooses that the first chapter of this novel is the right time for this interaction, highlighting the dramatic situation and the necessary cooperation to stem the enemy of all: Lord Voldemort.
The bedtime reading for my daughter became less lighthearted and more serious by now. Luckily, for some difficult questions Dumbledore bails me out every time:
«It is the unknown we fear when we look upon death and darkness, nothing more»We're almost there, the end of the journey is close. Unfortunately, it will never be the same.
Vote: 9

«Era quasi mezzanotte e il Primo Ministro stava seduto da solo nel suo ufficio, a leggere una lunga relazione che gli scivolava via dalla mente senza lasciare la minima traccia»A seguito dei numerosi attacchi dei mangiamorte, Il nuovo Ministro della Magia Rufus Scrimgeour, fresco di nomina, decide di incontrare il Primo Ministro britannico babbano... E' la prima volta che il mondo babbano e quello magico si trovano ad interloquire senza mezzi termini. J.K. Rowling decide che il primo capitolo è il momento giusto per questa interazione, a sottolineare la drammaticità della situazione e la necessaria collaborazione allo scopo di arginare il nemico di tutti: Voldemort.
Oramai la lettura serale per mia figlia si è fatta decisamente meno spensierata e più impegnata. Per fortuna, per alcune questioni spinose c'è sempre Silente a togliermi le castagne dal fuoco:
«È l'ignoto che temiamo, quando guardiamo la morte e il buio, nient'altro»Ci siamo quasi, la fine del viaggio è vicina. Purtroppo per noi, però, non sarà più come prima.
Voto: 9





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