4.75 Stars (Rnd ⬆️) — Rabbits. Let’s just forget about this being a debut novel for a second and allow me to say, this is just an excellently-apt Novel for someone like me. There are no two ways about it. It appeals to just about all of my main draws, it has a lore that almost feels as if it was written by me for me and to me. So, biases now foretold and cast aside, all of that withstanding — Miles has written a truly fantastic novel that dips its toes in so many genres and tropes without ever being stuck in any of them. Perhaps the origins of the material help, sure — the podcast etc goes somewhat to aiding the plot, however I forgot entirely about any prior knowledge of this world & was all the more consumed by its adaptation in this novel.
Think of a mystery wrapped in a puzzle that’s layered with a — subtle yet also strangely pungent — odour of “the-man-behind-the-curtain” alas Mel Gibson’s Conspiracy Theory more so than Wizard of Oz. The authors most reticent asset and sharpest tool —outside of maybe only tying, weaving, cascading a large, taught narrative — which is the simple nature of the prose itself, which helps resonate page by page, paragraph by paragraph, the heavy themes of the folding of reality, quantum theory, and so forth. Yes, professedly this is something that’s now seen more often outside of strictly prose-rich literary fiction, however rarely is a book of this much imaginative lore & ball-juggling components full of such elegant & honed prose. The morass nature of the narrative in Rabbits is often an abattoir for sharp, seductive sequences such is seen here, which to me, makes this feel far more like Le Guin than it does say Herbert or Asimov. This is a big comparison and one not yet earned as far as big-picture goes, but I think it is something that will indeed be attributed to Terry, in the not so distant future, where the author is less recondite than was the case when Rabbits hit the shelves. Having re-read most of this effort in readiness for the 2023 follow-up, The Quiet Room — What amazed me the most was how intense it still felt, despite there not being potentially the intrigue and losing the element of surprise. Despite this, the tense, taut narrative works so well with Miles simplistic, honest prose — is spectacular! The prose dances effortlessly, akin to the nimble movements of the titular creatures that serve as both symbols and protagonists.
Miles’ novel, is a literary tapestry woven with finesse and an intricate understanding of storytelling. From the first page, readers are plunged into a world where the boundaries between reality and imagination blur, creating a narrative that is as enigmatic as it is captivating.
The characters themselves are a symphony of complexity. Miles has breathed life into each of them, making them more than mere players in a story. They are conduits for the exploration of some truly profound, modern themes—identity, love, loss—all wrapped in a cloak of mystery that keeps the reader guessing until the very end.
What sets "Rabbits" apart is its ability to transcend genre conventions. It's not merely a tale of suspense; it's a philosophical journey that invites readers to contemplate the intricacies of existence. The narrative unfolds like the layers of an onion, slowly revealing and revelling in the layers as they’re peeled back. It’s a rather mesmerising dance, that I again absolutely loved.
I now cannot wait to tuck-into A Quiet Room, the Hardcover which I’ve been staring at longingly on my coffee table for a week now… (best bit about a new book, right? The anticipation)