For many reasons, Cornwall was highly popular in the nineteenth century: it (supposedly) had health benefits of sea and sun, a stronge sense of history and legends, and was considered to be both technologically advanced (because of the mining industry) and deeply primitive. It was, overall, 'a strange, frightening land', 'a wild corner in the west of England'. No wonder authors were rushing to capture something of this old Cornwall, which led to an outpouring of Gothic fiction set in the county.
Cornish horrors collects fifteen of these stories, which are alas unequal in quality. I very much enjoyed the following stories:
* Colonel Benyon's Entanglement by Mary Elizabeth Braddon, in which an ill officer is nursed by the wicked ex-wife of his best friend,
* The phantom hare by M.H., which portrays the legend of the white hare: a woman betrayed by her former lover follows him everywhere in the shape of a white hare and warns him of impending disaster,
* The baronet's craze by Mrs H.L.Cox, in which a father keeps the dead body of his beloved daughter in a turret room,
* The adventure of the devil's foot by A.C. Doyle, a classic Sherlock Holmes story about a tropical poison,
* The mask by F. Tennyson Jesse, in which a maimed and masked husband tricks his wife and her lover.
Despite the uneven quality of the stories, they are all worth the read, if only for their sociological content. They depict typical elements of time and place, such as the cultural influence of French Brittany (the Bisclavaret or werewolf story), the ancient fear of the Danes on the Cornish Channel, the popularity of ghost hunting, the developement of the railway lines (and the rise of popular fiction that was the result of it), the importance of Cornwalls mining history and the rooting antisemitism of the age.