The premise here is simple, at least in its broad outlines: a boy goes missing, a girl has to go find him. It's refreshing that in this case it's the girl who rescues the boy, and that there are few overtones of obligatory-feeling romance between the two. And there are also some truly creepy descriptions that I wish had been developed into fuller scenes. But on the whole this book felt rushed to me, its characters thin and its plot confusing. (Full disclosure: I read an ARC, so some of these issues may have been resolved in the final version.)
Victoria and Lawrence live in Belleville, a pretty, perfect, wealthy small town. Victoria is always top of the class, has no time for friends, hates anything out of place or ugly, and freely dispenses criticism where it isn't asked for. She adopts Lawrence as a pet project, aiming to change him from a shy music prodigy into a more user-friendly and popular kid. They're still developing a grudging friendship when Lawrence disappears. His parents, sporting newly fixed grins and wolfish eyes, say that he's gone to visit his grandmother. Victoria isn't so sure.
Her investigations lead her (surprise surprise) to the Cavendish Home for Boys and Girls, the orphanage down the street. (Are there any good stories about orphanages? At all?) Mrs. Cavendish and Mr. Alice run the place, and it's pretty clear from the get-go that something weird is up with them. The descriptions of Mr. Alice, who serves as gardener and general dogsbody, are wonderfully horrible. He's white and puffy, and seems always about to burst out of his own skin, like a semi-rotten zombie. Mrs. Cavendish is a little harder to pin down. Legrand trades heavily on stock descriptions of evil masterminds as cloyingly, deceptively sweet--until their sadism outs. At times Cavendish seems to whipsaw so quickly between charming and monstrous that she loses cohesion.
Overall, Cavendish felt formulaic and perfunctory to me, and I never really grasped why she was so evil, or why her evilness took the particular form that it does. I wanted at least one or two scenes that would dig beneath her facade and explain her to me a bit. Why does she run the orphanage? Why is she so fixated on the children? Where did she even come from? It's all left frustratingly vague.
The book is a quick read but it could have been shorter. There are a few too many scenes spent recapping information that we already know (Lawrence is missing, adults don't seem to be acting right, Victoria is ambivalent about breaking rules to find out what's really happening.) The tension could be more artfully handled as well. Time after time, Cavendish has the opportunity to finish Victoria off but doesn't do it, for reasons unknown. I never felt that Victoria was truly in danger, because she seemed unreasonably fearless and able to avoid harm despite what should have been insurmountable odds against her.
My biggest frustration, though, was with sentence-level descriptions. Apart from a few real zingers--adults smiling artificially, as if pins had been inserted into the corners of their mouths and were pulling them back and up, ugh, wow--many of the descriptions here are vague and unclear. When things really heat up in the Home, Victoria encounters the terrors of the parlor and the hanger...but the descriptions of them are so unclear that I never really felt like I understood what was going on. Even in the book's climactic scenes, I found myself skimming because I couldn't see the scenes being described. I finished without really knowing what had happened, or caring enough to go back and parse it out.
This is a debut novel, and it's by a librarian, so it has two strokes in its favor in my book. I appreciated its strong female protagonist and the way it (mostly) edged around a heteronormative romance. I know that Legrand has another book out already, and a third in the works. I wish her all kinds of success, but I also hope she slows down a bit. I want to enjoy her scenes and sentences as much as her ideas.
ETA with spoilers: There are some pretty disturbing scenes of child abuse in this book, including corporal punishment, kidnapping, abandonment, force-feeding, and implied (but not shown) murder & cannibalism. So basically, your standard Grimm's fairy tale. Probably not for the faint of heart. Or anyone with a bug phobia.