I heard much good about "Lightning"; so when I spotted an used hardcover I bought it immediately and began to read.
It didn't meet my expectation though. I propably would have loved it ten years ago, but now? Not much.
Lightning made me think about the Koontz phenomenon. He has been a bestselling writer since the mid 80's, around the publication of this book he gained real popularity. Which is interesting, because the reader can easily see the glaring problems in his fiction - mostly it's his bad, sometimes even ridiculously bad dialogue, the political agenda which threatens to take over the whole plot (something that happens often in his recent books), and his helpless ineptitude at writing realistic and compelling characters, a thing which he hasn't learned to this day.
BUT in Lightning he does put together an exciting plot - which was his greatest strenght, as now he doesn't even do that - and in Lightning he creates an interesting concept that makes you turn the pages.
Lightning starts out with a bang, but fades out like a diminishing thunder: A snowstorm rages, in a lone house a drunken doctor is stopped by a mysterios stranger from going to deliver a baby - Laura Shane, who is instead delivered by another physician and ends up perfectly healthy. Her mother dies though, and Laura's father is shattered.
Laura stays with her father, and helps him in his grocery shop, where the mysterious stranger saves them both from a dangerous robber. The stranger reveals his name - Stefan.
Long story short, Laura's father dies and she goes into an orphanage - obviously. Here she meets the two sisters, Thelma and Ruth, who are strong candidates for the most unrealistic twelve year olds ever created in fiction. They are the worst flaw of the book: the reader starts seeing them as scripted, not real. No wonder; Koontz doesn't have kids, and propably doesn't spend much time around them (especially after his hair transplant, which made him look downright creepy).
"Holidays are fine because the do-gooders start feeling guilty about having so much when we poor, drab, homeless waifs have to wear newspaper coats, cardboard shoes, and eat last year's gruel. So they send us baskets of goodies, take us on shopping sprees and to the movies, though never the good movies"
"The lack of parental guidance has taken a toll on her, I'm afraid. She hasn't adapted well to being an orphan"
"Listen, Shane, the Dazzling Ackerson
Duo—Ruth and moi—cannot abide false modesty any more than we can tolerate bragging. We're straight-from-the-shoulder types. We know what our strengths are, and we're proud of them. God knows, neither of us will win the Miss America contest, but we're intelligent, very intelligent, and we're not reluctant to admit to brains. And you are gorgeous, so stop being coy"
Not bad for 12 years olds who were orphaned at 9, eh ?
Apparently both sisters went to acting school at 3. Oh wait, they would propably put their professors to shame with their sophisticated vocabulary and similes. Apparently all orphanages are stuffed with dictionaires for the young - so they can satisfy their hunger for knowledge. ;)
After Laura gets out of the orphanage, the book takes a 180 degree turn - as Laura was abused to no end it's time to make it up for the poor lad. She meets and ideal husband, Danny, becomes a writer, sells her book for over a million dollars without one rejection, has a beautiful kid, discovers a new planet...or wait...
Obviously inspired by Cinderella, Laura rises from awful childhood to an impossibly succesful end. The road towards this unbelieveable success is well...unbelieveable, and that's all about it. Of course Thelma also becomes incredibly succesful, marries a rich man etc etc etc. Since it's not intended to be a comedy, and I believe was written in utmoust seriousness, it's not a good thing.
What's the point of showing the striving towards success when there's no striving ?
At one point one of the characters gets hurt, so Laura has to drive him to a doctor. Of course she finds the doctor immediately, and he's obviously a good and helpful doctor.
Here's a quotation to illustrate how good and helpful he is.
"He went to the tall, white, metal cabinets along the far wall and poured capsules from a large jar into a pill bottle, then from another large jar into a second small bottle. “I keep some basic drugs here, sell them to poorer patients at cost so they don't have to go broke at the pharmacy."
...honestly, it's so bad it's not even funny.
Not to spoil anything further, the good thing is that Koontz's theory of things that happen here makes at least basic sense (something he doesn't even try now). He wouldn't be himself if he didn't put some of his rather right-wing agenda in this book; long, loving descriprions of guns and bashing of pacifism.
"Pacifism," she said. "That's just the opposite of the firstkind " of bad thinking. Pacifists believe you
should never lift a hand against another human being, no matter what he has done or what you know he's
going to do. If a pacifist was standing beside his brother, and if he saw a man coming to kill his brother, he'd urge his brother to run, but he wouldn't pick up a gun and stop the killer."
"He'd let the guy go after his brother?" Chris asked, astonished. "Yes. If worse came to worst, he'd let his brother be murdered rather than violate his own principles and become a killer himself.
"That's whacko."
It'sreally too bad that "Lightning" doesn't have any characters that would exceed the limits of an average cardboard. Laura is of course astonishingly beautiful, smart, good, talented, righteous (at least according to Koontz, who loves guns a tad too much), steadfast, brave, unbending - and to top all that she's a sexually molested pupil of an orphanage, who reaches a truly astonishing level to success because of her pertinacity and family - basically, she's an ideal heroine for a Harlequin novel. The bad guys are the EPITOME of stereotypical evil.
Koontz's sappy sentimentality and precocious, cardboard children are at their absolute worst here; it requires a lot of effort to suspend disbelief.
To sum up: Lightning can be a nice beach book, if you're able to get past Koontz's bad characters and overhelmingly sappy sentimentality, praise of all things American and bashing of pacifists. The plot is imaginative and intriguing; Too bad the rest of the book is not.