WHISPERS is a nice collection of then-contemporary horror stories from the 1970s, collated from the pages of the magazine of the same name. It was successful enough to spawn numerous sequel volumes, perhaps because it contains many of the big names in horror, all of whom contribute work which is at the very least interesting.
Karl Edward Wagner's exemplary STICKS opens the collection on a very strong note. It's very Lovecraftian in tone and could well have inspired THE BLAIR WITCH PROJECT. Brilliant stuff and certainly one of my favourite horror stories ever, which is purely down to the quality of the writing. David Drake's THE BARROW TROLL is an outrageously grim sword-and-sorcery shocker in which a bloodthirsty barbarian battles a hulking troll. You won't find fantasy more horrifying or nihilistic as it is here. THE GLOVE, by Fritz Leiber, is a deliciously-plotted psychological horror yarn set in a run-down block of flats, and subtly chilling.
THE CLOSER OF THE WAY is a neat story by Robert Bloch which serves to pastiche some popular Lovecraftian tropes. The author's presence in his own story is delightful, while this is particularly interesting to fans of the author as much of his own writing is referenced throughout. William F. Nolan's DARK WINNER is the first dud, written in transcript and confused as a result. LADIES IN WAITING, by Hugh B. Cave, is little better, telling of demons inhabiting an old mansion, more realistic than his old pulps but nowhere near as much fun. Dennis Etchison's WHITE MOON RISING is a murder mystery on a campus with oodles of suspense and a great climax; much more fun than the last two.
Richard Christian Matheson proves himself his father's successor with GRADUATION, in which a kid sends letters home to his parents while at university. It doesn't sound very horrific and it is subtle, but this is a slow burner that really pays off come the climax. Ray Russell's MIRROR, MIRROR is much like his MR. SARDONICUS and another deal-with-the-devil story, not bad but not great either. THE HOUSE OF CTHULHU sees Brian Lumley taking the fantasy genre and mixing it with Lovecraftian horror. The resulting mix is brilliantly entertaining with the writing almost jumping off the page. John Crowley's ANTIQUITIES tells of plague in Cheshire, of all places, and is both original and old-fashioned, a really different kind of story to those featured previously.
A WEATHER REPORT FROM THE TOP OF THE STAIRS is by James Sallis and David Lunde and tells of sentient toys planning revenge. I feel like this was heavily ripped off for the TOY STORY films so if any of that appeals then you'll enjoy it. Basil A. Smith's THE SCALLION STONE is about a sea-blood curse in Scotland, and so delightfully old-fashioned and in the spirit of M.R. James that it's an absolute pleasure to read and certainly one of my favourites collected here. Robin Smyth's THE INGLORIOUS RISE OF THE CATSMEAT MAN is a deliciously dark spin on the Sweeney Todd legend, full of black humour and well-observed characterisation.
THE PAWNSHOP has Charles E. Fritch having a go at another devil-deal story but incorporating it with enough twists and turns to make it worthwhile. It's very cleverly written too. Robert Aickman's LE MIRIOR is all about the weird, ghostly atmosphere, but too insubstantial for my taste and it doesn't help that I didn't really understand it either. Joseph Payne Brennan's THE WILLOW PLATFORM is about the legend of the Wendigo, and rather predictable, although it has decent characterisation. Manly Wade Wellman's THE DAKWA sees his regular hero Lee Cobbett fighting a water monster and is fun, albeit not one of his best efforts. GOAT, by David Campton, is something else entirely, a perverse story about a creepy old man with psychic abilities. It's totally unpredictable and has a superior climax. The final story is Ramsey Campbell's THE CHIMNEY and begins in a rather languid fashion, although it ends in a very harrowing fashion and is thus well worth a look.