Primarily an outer space genre, science fiction rarely dips its toe into water. I love oceanic scifi, and looked forward to enjoying this anthology.
As with all anthologies, story quality varied across this book. In the worst tales, the authors lectured the reader, most often about climate change. Readers read fiction to be entertained. If they want an essay, they’ll turn to nonfiction. If fiction writers feel a compulsion toward activism, toward making a difference, they should do so with a light touch, not a hammer blow to the cranium.
The editor missed a few things. Ungrammatical sentences, odd phrasing, plot inconsistencies, ambiguous sentences, missing words and commas, and name misspellings. These minor and infrequent deficiencies won’t stop readers from enjoying the stories, however.
A few stories stood out for me in a positive way. “The Titan’s Daughter” by Daniel Arthur Smith provided a fascinating retelling of the Calypso scenes in Homer’s Odyssey. “Dancing in the Moonlight” by Carline M. Yoachin told of gilled humans, love, and beauty. “Siren Song of the Mississippi Queen” by Hank Garner presented a lost civilization communicating with a troubled person, and a brother’s devotion to his sister. “The Hunt for the Vigilant” by Alex Svartsman delighted me with secret magic, a submarine, aliens, and an underwater battle. “Aquagenic” by Will Swardstrom confronted the problem of a woman suffering from both amnesia and a severe allergy to water. “Full Circle: A CHRONOS Story” by Rysa Walker took me on an interesting time travel romp. “Dispatches from the Cradle: The Hermit—Forty-Eight Hours in the Sea of Massachusetts” by Ken Liu may have lacked action, but was beautifully written.
Though this collection could have been better, it will satisfy those readers—like me—who feel the call of the sea, but don’t hear many answers from the scifi shelves. I recommend it.