This is silly, irreverent, smart writing and goofy, illogical, cartoony drawing. This shit should be a slam dunk for me to just blow through it. There’s tons of rabid fans out there for USG, and I like to align myself with such fans.
It couldn’t take me more than a couple of hours to read a book like this, and yet it’s taken me at least two weeks of carrying this hardback around the house like it’s my personal albatross.
What gives? Am I a broken, cynical ass? Or is there an essential ingredient missing from this book for people like me?
If I had to guess, it feels like there’s no *danger* for squirrel girl here. I mean, there’s some similarities to the Supergirl TV show here (smart, sassy writing, feminist leanings, lots of Bechdel test passings, silly in-jokes, funny character moments) - but once in a while you actually feel the pull of *danger* to Supergirl, and wonder/worry how she’s going to solve the conflict.
Unbeatable Squirrel Girl? It’s a great hook - an on-paper-lame fourth-stringer is secretly one of the most unbeatable super heroes? Sure I bought in hard - and yet as it plays out, I feel so lacklustre in reading, like there’s nothing significant to look forward to. Like every story is entirely forgettable (which is nuts when she talks Galactus out of eating Earth), of no consequence, like revolving door plots that are interchangeable (when they’re clearly not).
I can’t really put my finger on it, but as hard as I try to read a North/Henderson Squirrel Girl Comic the right way, I just feel like I’m missing something obvious in how others are enjoying the hell out of it.
Is it possible this is one of those things where everyone loves the concept so much that they’re willing to overlook the obvious vapidity of the stories, and are just repeating “I love it!” to each other until we all are caught up in loving something we’re not connecting with?
I’m sure it’s not, but it makes me wonder if the glorious attempts to love this (that which deserves to be loved in this day and age) are overshadowing the lack of decent storytelling chops (while overemphasising the tactical triumph of a post-modern skill with dialogue and asides).
I’m going through continue to struggle with this series - I *have* to try to get it - because otherwise I’m losing out on a singular touchstone of modern comics.