If I had picked up these books in order and The Perplexing Puzzle of the Perfidious Pigeon Poisoner by Charlotte MacLeod had been my first introduction to the Malice Domestic series, I probably wouldn't have read any further. It tells the story of a female detective trying to solve the mysteries of both the theft of an heirloom pearl necklace, and the poisoning of the local pigeon population. It's a very hammy story with a great deal of cheerfully devoured scenery. Steel yourself for "Great Scott"s, "Good gad"s, and a plethora of superfluously ostentatious vocabulary.
D. R. Meredith's Windkill reads like it pulled right out of a cozy mystery, which is nice, but it's not a cozy that's particularly memorable. A woman accidently cuts her husband's head off performing a tricky maneuver with her stunt kite, but an onlooker is convinced it was murder. We already know who the murderer is, the story is more about the proving of it. Comes complete with 'cops ignoring main character's accusation so character puts herself at the killer's mercy to prove her accusations and narrowly avoids being killed themselves'.
In The Cottonwood Creek Caper by Diane Mott Davidson a schoolboy finds the body of his principal and narrowly avoids becoming the killer's next victim. I realize the summary turned into the same trope I mentioned above, but there's really nothing else to it. He's a kid; he doesn't investigate anything he just hears what the grownups are saying and gets badgered by his friend to go back and show him the crime scene. The plot is simple, the solution caught me off guard but didn't surprise me, and the characters are no more substantial than air.
Angel on the Loose by Valerie Frankel is about missing cats. That's pretty much it. The story is cute, but the back and forth banter is written to be confusing and the thief was unexpected but the motive weak. Comfortable but forgettable.
The Ties That Bind is a L. B. Greenwood tale about estranged relatives who come together to take care of the cat of their disagreeable relation while he's in the hospital, unaware that the cat was already being taken care of, or that any of the others had had the same idea. The girlfriend of one family member misplaces her necklace and the family tries to find it. This one was actually very good, and it might have been much better without that lazy romantic subplot tacked on. The family members were enjoyable to learn about and they reacted to each other in such unique ways that you feel as though they're based on an actual family. The solution was clever, and, barring the subplot between the two teenagers, was an enjoyable read. No real substance, but the writing and characterizations are top quality.
A dead woman's beaten body is found in a gorilla enclosure in Nice Gorilla by Charlotte and Aaron Elkins, where a gorilla who had been locked out all night is found to be behaving distressingly out of character. The keepers and vet are forced o admit that the damage on the body seem to correspond with injuries they'd expect to see on someone attacked by a gorilla, but one keeper notices something about the ape's odd behavior that might have another explanation. One of the better stories here, and interestingly one of two gorilla-centric murder stories in the first two books. Great characters, great plot, great solution. I'd love to see these characters again in a cozy mystery series.
In Take Care of Yourself by Janet LaPierre, Sabrina Shaw is a writer who knows where she's going with her life. She's making the big bucks, living a free and loose lifestyle, and the only thorn in her side is that her previous life is still pinning her down. But when her latest fling, a sexist con man who's misread her as a woman desperate to settle down and start a family and is getting increasingly frustrated follows her to her past's door, Sabrina can't get home fast enough. This one was pretty damn good. It was a little confusing until the end all but spelled it out, since Sabrina is referred to as Marty by her sister and I thought they were separate people, but Sabrina stringing along the sexist Matt was great to read, and the conclusion to his intrusion into her private life threw me for a loop. Great story.
The Last to Know is a story by Joan Hess about the death of husband, and a fellow mother's inuition that the story of infidelity with the wife's best friend doesn't seem to make a whole lot of sense. In fact, it'd work a lot better with the other side of that triangle. The solution is obvious from the start and the plot isn't memorable. Pass.
I've read a Henrie O book before, so I went into Carolyn G. Hart's Henrie O's Holiday thinking I would have a leg up. But the book I'd read before must have been further in the chronology because while the Henrie O I knew was a determined but lonely and elderly woman, this protagonist was elderly but spry and fiercely independent, and had a gentleman friend to ring up and keep updated on the situation. I think I might actually pick up the series in earnest after reading this one. Henrie O sees a couple with signs pointing to murder. I love her attitude in this one and her willingness to learn from her mistakes.
Night Visitor by Audrey Peterson is about a wife's murder committed shortly after a PI delivers proof of infidelity. The story was alright but the set up was absurd. Another pass.
Homebodies by Barbara Paul is the story of a death in the world's most accident prone family, and the outsider who' convinced it's murder. Holy shit these people should all be living in bubbles. It was a goofy murder mystery, but the family is so nonchalant about its misfortunes and the fiancé so flabbergasted by everybody that it reads easily and is pretty funny. The solution is clever, the characters enjoyable if not memorable (there are way too many to remember anyone, and it seems almost like new family members were invented anytime the writer needed someone injured), and while I wouldn't sit through a full book of this bunch it was still a good read.
In Happiness is a Dead Poet by Sharyn McCrumb a poet is killed at a writer's convention (much as Malice Domestic started as) and the frazzled planning committee begs mystery writer Rose Hanelon to solve it since the police are delayed by a storm. I loved this one. Rose was a great character to read. She turned the standard cozy mystery trope on its ear and knew damn well she wouldn't solve anything and kept pointing this out; it was everyone else who was pushing her to become one of the heroines she created. And the solution, while okay, was made great for the inverted trope of explaining how each suspect could have done it. The characters were fantastic to read and the story very fun.
Now we get to our last story: P. M. Carlson's The Jersey Lily, the title page of my copy of which, after a bit of research and a comparison to a sample on her website, I believe to be autographed by the author herself. It's the standard rich woman hires an impersonator scheme, but the rich woman in question is using her free time to satisfy a blackmailer. But when the double has to go to the meet-up in her place, it becomes the performance of a lifetime. This story was fantastic. The characters were fun, the motivations were understandable and the solution was clever. And I just adore Bridget Mooney and am hoping to find more with this capable heroine.
The verdict? I can't understand why the opening story was so damned weak. Where the authors promised a place before the stories were submitted? Besides that it was a good showing and I'm on the lookout for more from the Malice Domestic collection.