Poe’s Tales of Mystery and Terror must exist in hundreds of editions. I have owned this Magnum “Easy Eye” edition since I was a tween, having picked it up at Woolworth’s in Oil City many decades ago. My town had no bookstores and it was catch-as-catch-can for a book lover. In any case, I read the stories I liked and occasionally returned to it to reread them. Since I’ve read most of my fiction collection, and since bookstores are dicey places in the pandemic, I decided to read it all the way through. There may be a standard edition of Poe’s tales, but I have a feeling this isn’t it.
Beginning with “The Fall of the House of Usher,” we find “The Masque of the Red Death” next. It was probably this tale that caught my attention in the pandemic. “The Cask of Amontillado,” “The Pit and the Pendulum,” and “The Gold Bug,” round out the tales of terror. Then come the ratiocination, or mystery tales. “The Murders in the Rue Morgue,” “The Mystery of Marie Rogêt,” and “The Purloined Letter” finish out the volume. I would never downgrade Poe from five stars, but the edition could’ve used more thought. Perhaps it reflects an era when everything had to have an explanation, and thus ended with the somewhat lengthy descriptions of Dupin of what was really happening.
I keep telling myself I should have a proper edition of Poe tales. I have the obligatory volume of complete tales and poems, of course. I’m not sure how to get through the hundreds of pages in order to count it on Goodreads, however. Poe has been from my youngest days, my muse. I should purchase a handsome volume of his best stories to take to bed with me of a chill autumnal night. But during our own version of the Red Death may not be the time to linger over shelves in a store with the door closed, trapping us in our own pit with its pendulum.