I considered it an act of Divine Providence that propped up on a shelf for the entire world and I to see “Commando: The Autobiography of Johnny Ramone”.
The Ramones: Rock n’ Roll’s fast and furious for twenty years. Sure they were in a movie, sure they had an album produced by Phil Spector, sure they were the front men for “punk”, but they never had a #1 hit. Personally, I thought they were great, and as Johnny says in this memoir, they only got bigger after retirement.
Every Ramones song was played fast. Even covers were pumped out at 78 RPM (now, that’s a dated reference). Personally, I adore their version of “Needles and Pins” (co-written by, none other than Sonny Bono!) In my mind, “I Wanna Be Sedated” probably edges out other great songs like “The KKK Took My Baby Away”, but there are so many good ones to choose from.
But back to the book. Whether you are/were or never would be a fan of the band, this is an interesting gem. Like their songs, it is fast-paced and seems short. Let’s be honest - at 170+ pages (and many of them occupied with photos) it is short. The last ten or twenty are appendices, too.
Johnny Ramone had an interesting life.
(For those of you who don’t know, Joey Ramone died first in 2001, then DeeDee in 2003, then Johnny in 2004. Once Joey died, in Johnny’s own words, there was no chance at any kind of a reunion tour.)
He had trouble growing up, a couple of wives, and had to swap around band mates a few times. As this is a retrospective written (dictated) shortly before he died, Johnny talks from a perspective of time, reflection, and illness (he had been battling cancer on and off for about 4 years). As such, he is honest about what he was like during his past. Did he “edit” his memories? Probably, but I got the sense that it was the redundant minutiae of life that may have been omitted. He talks about important events in his personal and professional live as much as he talks about the people that were part of “The Ramones” on- and off-stage teams.
Was the band rock-solid consistent over the 22 years they performed? No, but as Johnny points out, no band is – and anyone who thinks otherwise is delusional. From this book one would get they sense that Johnny was the mastermind of the band and its career. Is that true?
I have not read anything else about The Ramones, but it seems pretty clear that he had a sense of what was good and bad for them. He doesn’t try to claim that he was omniscient or alone (he credits Tommy Ramone with a lot of the band’s early rise and success), but he gives a consistent view of how he kept the band focused on its core values and ability to earn a living.
In one of the more interesting aspects of the book, he writes about how the band was a job, a profession, and required commitment and responsibility just like when he worked in construction for the five years before forming up. That plus his emphasis on making sure the band was paid and controlling the payment of the crew and band were not what I expected to see from Johnny Ramone. Here’s a man who would take new employees down to Fidelity Investments to open up a retirement account. It’s the kind of thing that I can see other musicians doing, but somehow seems out of place for the “Hey Ho, Let’s Go” crowd.
Even though I am sure that the editors and contributors (co-authors) helped with the material, this is a refreshing first-person tale that sounds like it cam out of Johnny’s mouth. The foreword by Tommy Ramone says that it is really his “voice” and even though we all know he would say it anyway, I believe that this captures the spirit and style of the man who was ranked #16 in Rolling Stones best guitarists of all time.
As noted above, the last 20-odd pages are taken up by extra material. Pages from Johnny’s notebooks (he was somewhat compulsive about such things), his own assessment of each an every one of their albums (their only US-certified gold was a compilation record, “Ramones Mania”), his own top-ten lists in a several fields, and some final photos and an afterword.
Even today, bands will cite “The Ramones’ as one of their inspirations or influences. Their music is still with us even though the three founders are gone. (Tommy was not a “founder” as he replaced the bands first attempt at a drummer.) I did not listen to any of it while reading this book. In a way I did not want to be distracted, but now I think it’s time for a tune or two.
I know that a lot of celebrity biographies (auto- or manual-) have hundreds of pages. This book is short, but it captures the man, his life, and your heart. I’m sure there are plenty of other books about the band, music, and members. Perhaps I will read one someday. But if you read nothing else, try this one.