Despite a really terrible job on the part of her publisher (missing words and typos abound, parsed out in a font so large and overwhelming in its boldness that I was distracted to no end, and enclosed in a bizarre cover that looks more like an erotic novel than a YA horror/paranormal fantasy), I was really, really pleasantly surprised by this story.
MILD SPOILERS:
Grace Divine is the daughter of a pastor in a conservative church-going community, but her straitlaced family has spent the last several years hiding and avoiding the fate of their unofficial foster son and brother Daniel, and his strange disappearance. Grace is caught in a sort of accepting malaise of this status quo until Daniel shows up at her high school. While Grace's older brother Jude demands she avoid Daniel, and her parents appear to be avoiding the entire situation, Grace falls back on her old affections for her childhood friend and determines to use her dad's pastoral "care for those in need" motto with Daniel, too. Which, of course, results in all kinds of drama, secrets, blood, death, chaos and kissing, etc.
At first glance this looked like another typical mysterious-bad-boy novel that usually makes me cringe -- why do we insist on parading these horrible jerks before young women as model friends and lovers? -- but ho'd on, all is not as it seems. Yes, Daniel has a secret that turns out to be another commonly used plot twist in fantasy these days, and yes, Grace is a little slow on the uptake (the word lycanthrope didn't tip her off). But I'm gonna be honest -- until I saw the word lycanthrope, I wasn't tipped off, either. Despain does a really decent job of holding together the suspense throughout this novel; even after the sort-of big reveal of Daniel's identity, nothing's as clean-cut as you'd expect. If Jude's fate was a little easy to predict, I'll allow it given that I didn't find it so until a good 150 pages in, and that was enough for me. And even if some of the plot, including Grace's name, reminded me of my much-loved copy of Maggie Stiefvater's novel Shiver, The Dark Divine is an entirely different mood. While Shiver moves the story through a solemn, almost hushed internalization, The Dark Divine packs in a fair amount of action and suspense. I think the comparisons I've heard to Stephanie Meyer's New Moon is a little unfair in this regard, as well; in New Moon, Bella doesn't do a whole heck of a lot. In Divine, Grace is so busy trying to do whatever she thinks is the morally right thing -- respect her parents, listen to her brother, help Daniel, put up with the local charity case -- that she's completely wrapped up in the darker deeds around her (because c'mon, no church-going gal should be THAT laid back about the kind of party she walked into at Daniel's) until her deductions hit her on the head like a proverbial ton'o'bricks.
But here are the biggest ways that The Dark Divine is unlike any of its similar sister novels -- Grace is a church kid, and darn it, she's cool with that. Some readers may be turned off by the strong and frequent references to Judeo-Christian values and kitsch (right down to printed church bulletins), and oppositely, those in the religous environmental know may find her one-dimensional harpy of a mother a little hard to stomach, but you gotta give it to Despain, she talks about Grace's Protestant bubble without batting an eye. Grace goes to Bible study; volunteers for her dad's church charities; asks Daniel not to swear in the halls of her Christian school; and ponders the real implications of the Prodigal Son. She's sheltered; she wouldn't know what Buffy the Vampire Slayer or Gaiman's Sandman would look like if they bit her, so every monstrous revelation is doubly new and shocking to her.
It may not be cool, or even likeable to some, but Grace's religious viewpoints do make her a real standout in this genre. Sometimes it's just the facts; with her Dad a pastor, it's inevitable she'll be describing a way of life (no web surfing in her room; spaghetti straps are verboten) that many cannot relate to. But she's still relatable, if for no other reason than those honest moments when she's thinking in the paradigm of her religious views, and most protagonists in YA fiction are trying to figure out some sort of paradigm, too. Grace asks herself, if Daniel's the prodigal and Jude's the "good son," then doesn't the parable infer the good son is the one in the most danger? What does "honor thy father and mother" really mean when said parents are keeping secrets that have hurt people? When another father and mother in the story subject their child to terrifying abuse and abandonment? How do children recover from that kind of abuse? And how do their comfy teenage friends figure out how to help them in a way that's truly meaningful? Just how far should grace and forgiveness go, when there's family at stake and blood on someone's hands?
And consequently, Daniel's a little raw. Despain's publishers may want to convince us he's a bad boy, but really, he's a good boy subjected to so much abuse and heartache that he's done some pretty bad stuff to try to cope. In a novel ripe with Grace's naivete, Daniel doesn't waste any words about the many hedonistic forms his self-hatred and escape have taken. He's a social misfit and a castout when Grace first sees him, and despite a clean-up in his general appearance, that never really changes. Everyone, and I mean EVERYONE, rejects him in the most heartbreaking ways. Heartbreaking, for me, because in the midst of a paranormal story, these accounts of rejection and neglect are palpably realistic. Somewhere along the way, Despain got a solid grasp on the pain and injustices teenagers suffer at the hands of the very family and adults who are supposed to protect them. Her insistence in defining acts of grace bump up against these gritty realities and keep the novel's voice unique, thoughtful, and relevant. Despain's telling us that you don't have to make your characters angry, bitter, cussing Goth kids to tell a story about pain, and redemption, that teenagers and adults can relate to. It's old fashioned but not cloying -- religious, yes, but not preachy, and because these elements were so surprising, I enjoyed the plot surprises, too.