“If you were a child shut out by your family, wouldn’t you try to get back to them at Christmas?”
This is a book that will always have special significance for me. It’s a collection of nine British short stories that are all ghost-centric and Christmas-themed. I read the book when I was 10-years-old and the stories all resonated with me for years afterward. Despite being ostensibly a “children’s book,” many of them were very dark and psychological.
In my early-twenties, I set out to hunt down a copy of the book, though it was difficult as I didn’t remember the title, or the titles of the individual stories, or the authors themselves. All I remembered was that the back of the book had the tagline "Ho ho ho! Boo!" I must have Googled "Ho ho ho boo" about a hundred times trying to track it down, and I began ordering other books online that were collections of Christmas-themed ghost stories, buying at least two. Eventually when I was 25, I finally found HAUNTING CHRISTMAS TALES via eBay, thanks to recognizing the front cover. Since then I rediscovered the stories, having read them several times since.
Here are my individual reviews of each one:
“Jingle Bells” by Tessa Krailing
My personal favorite, this is easily the story in the collection that has resonated with me the most since childhood.
Anna is a little girl who, every Christmas, is haunted by a ghostly figure who appears outside her window, leaves the sound of bells, taps on the glass, and makes her feel like she is suffocating. As she tries to figure out why this is happening, she overhears a conversation between her mother and aunt that suggests this might be tied to a memory from her past she has long suppressed, since the presence of this ghost also brings out a feeling of shame, as if her parents blame her for something.
This story deals heavily with psychology and trauma, but has a surprisingly emotional resonance that ties in with the gravitas of Christmas. And at just the right length, it’s a perfect short story.
“The Woodman’s Enigma” by Garry Kilworth
Probably the most juvenile story in the series, Colin and Jill are two kids who love solving riddles, and are spending Christmas with their elderly Uncle Giles. When he isn’t there to meet them at the train station, something happens that leads to them having to solve a certain ghost’s riddle.
The overall tone of this story is much more cutesy, and feels like it’s trying to be topical by making references to computers and video games.
“The Weeping Maid” by Robert Swindells
A young girl named Laura meets a weeping ghost in her grandmother’s old house and listens to her sad story, while reflecting on the nature of murder and forgiveness.
This is a meh entry, and it feels like some mild Christmas references were shoehorned into the story after it was written.
“The Investigators” by David Belbin
A college student named Mark is approached in his flat by two paranormal investigators who believe there might be a ghost in his stairwell. They keep making more and more visits, and you’ve probably already guessed the twist-ending.
This was always the weakest story in the anthology. It’s just a pointless story where the big twist doesn’t actually amount to anything or give the story any new emotional weight. Mark also doesn’t really have an arc nor grow as a character.
Furthermore, Christmas is never mentioned even once, making this story an outlier in the book. I’m not saying that tying the story to Christmas would have automatically made it better, but it’s something that the author could easily have done with just one single revision.
“The Cracked Smile” by Anthony Masters
A run-of-the-mill story about a boy named Ian who one day discovers a ghostly bus with his dead sister and mother, and so he rides with them, forced to relive their premature deaths every day.
Of all the stories, this is the only one that feels rushed and like it would have worked better as a novella or even novel. As it stands, it feels like a skeleton of a good idea. And once again, although Christmas is mentioned in passing once, it feels shoehorned in.
“The Other Room” by Jill Bennett
A very powerful and tragic story. Martin is an adolescent boy who has had a harsh upbringing. He has never had a father, only a single mother who means well but is a bit difficult and at times neglectful, paying more attention to her selfish boyfriend. When they move into a new flat, Martin starts to see a vision through his blank wall into “another room” of a family during WWII. At first he’s just left in a trance by these visions, but slowly he starts to get attached to these people and wishes to be part of their family, even starting to think of their father as "his dad."
His obsession and even addiction to peering into the “other room” and seeing his other family builds and builds as Christmas approaches, until we get a shocking and tragic ending on Christmas Eve.
I really like how the narration slowly hints at Martin’s abandonment issues without spelling them out. Overall, one of the most moving stories in the book, and my only criticism is the ending feels a bit abrupt. I honestly think making the story maybe 10 pages longer would have benefited it just a tad.
“The Chime Child” by Ian Strachan
The longest and most well-rounded story in the collection, building its own lore, complete with a scary action showdown.
Christy is a 13-year-old girl who’s family is staying in a country cottage for Christmas. She learns that the cottage is centuries old and has a horrible reputation; a young girl named Rachel was supposedly buried alive in one of the walls back in the 1600’s, and her evil uncle was apparently possessed by the Devil before dying in an insane asylum. On top of this, because Christy was born on Christmas, just as the clock was chiming midnight, she appears to have some clairvoyant abilities of her own. All of the supernatural occurrences build and build, until something happens on Christmas Eve that comes down to her finding a piece of mistletoe.
This is a pretty badass story that deals with very dark subject matter. I like how it combines mistletoe’s modern role as part of Christmas with its supernatural significance in Druidic mythology.
My only slight criticism (and maybe this is due to it being aimed at young readers) is that the exposition is often handled in clumsy ways. At one point, Christy reads a travel guide that just conveniently happens to tell her the entire history of the cottage including a very detailed backstory about Rachel’s murder that likely wouldn’t be in a travel guide. At another point, she meets a shopkeeper who delivers a large info-dump about the significance of being a chime child. At yet another point, she meets a stranger who just identifies himself as “one of an Ancient Order of Druids,” and gives her something she’ll need. Maybe if this had been a novel instead, some of this world-building could have been more fleshed out.
But overall, the climax of this story is so creepy and cathartic and it makes this a worthwhile read.
“Crespian and Clairan” by Joan Aiken
The darkest and most psychologically traumatic story in the collection, it’s also probably the most mature and adult-themed.
John is a bitter and resentful boy who must spend every Christmas with his cousin Becky and her parents, due to his own parents being neglectful and barely caring for him. The first-person narration coming from such an obnoxious and entitled character may remind readers a bit of Holden Caulfield, but we clearly understand from his cold upbringing why he is like this. When Becky is given two mechanical ice-skating dolls on Christmas morning, who seem almost supernatural in how gracefully they skate and dance once batteries are put in, John begins obsessing over how he can steal them from her. His plan works, but it ends up unintentionally causing Becky’s death.
What a dark story, that really “goes there!” Joan Aiken really makes us feel John’s bitter and selfish nature, makes us feel the hypnotic power of the skating dolls, makes us feel the cruelty of the trick John is planning to play on Becky, and ultimately leads us to a creepy payoff where everything comes full circle. It’s an ending that may or may not be supernatural, depending on how you interpret it, but we definitely feel why it will leave John with a lifelong trauma.
And just like “Jingle Bells,” this is just the right length, making it a perfect short story.
“Across the Fields” by Susan Price
Jon and Emily are a young brother and sister struggling to get home in the dark on Christmas Eve, and so choose to cut across the fields, encountering a group of ghosts who wish to gamble for their souls. After an unsuccessful wrestling match, Emily challenges them to a riddling contest. From this point on, the rest is pretty predictable.
I would say that, while the plot itself is not the strongest, the highlight of this story is the use of language and the written word. The story is set in the 1920's, and so the vernacular is full of old countryside English, with the characters saying "thee" and using a lot of slang and colloquialisms. Susan Price clearly loves old riddles and the way they play with language, and put a lot of care into crafting her own original riddles.
So while not a great story, the payoff is worth it.
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I will always have a soft-spot of nostalgia for HAUNTING CHRISTMAS TALES. With "Jingle Bells," "The Chime Child," and "Crespian and Clairan" having become three of my favorite short stories of all time and the rest all being of varying quality, I'll always love this collection and the resonance it has with me.
“At that moment, the church clock struck midnight and the bells began to peel.”