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“The joy of fiction is the joy of the imagination…”
The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: “And then what happened?” The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.
Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O’Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and “master anthologist” (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this “new literature of the imagination” is high. “We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all.”“
Joe Hill boldly aligns theme and form in his disturbing tale of a man’s descent into evil in “Devil on the Staircase.” In “Catch and Release,” Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in “Unwell.” Joanne Harris weaves a tale of ancient gods in modern New York in “Wildfire in Manhattan.” Vengeance is the heart of Richard Adams’s “The Knife.” Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in “The Therapist.” A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman’s novelette “The Truth Is a Cave in the Black Mountains.”
As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.
428 pages, Hardcover
First published June 15, 2010
A short, kind of gratuitous fun story of a man ravenous for blood. He changes rapidly, into a bizarre, suburban sort of vampire who devours raw meat fresh from the grocery store, and eventually goes as far as to attack a living thing to meet his need.
An initially conventional, finally detailed, relentless and powerful tale of two brothers, one of whom is a 'demon.' An epic in short story format with a nice ending.
Favourite Quote: "In retreat now returning to his childhood home he had shunned for years. The left-behind, broke-backed younger brother who'd been living alone since their mother's death, now many years ago. As a young man he'd never considered times as anything other than a current to bear him aloft, propel him into his future, now he understood that time is a rising tide, implacable inexorable unstoppable rising tide, now at the ankles, now the knees, rising to the thighs, to the groin and the torso and to the chin, ever rising, a dark water of utter mystery propelling us forward not into the future but into infinity, which is oblivion." - Pages 26-27
A decent tale, albeit one copying or paying homage (probably the latter considering the editor) to Neil Gaiman's work, particularly American Gods. Old Gods living in New York for some reason face all-consuming agents of chaos in a sort of desperate last stand. It really feels like the introduction to a larger work.
Gaiman's Scottish tale has an awkward start that's hard to take seriously. I'm undecided if it's a hokey story or not, but it does seem to evolve into the stoic Scottish Highlands quest of a 'small man,' and it incorporates some of Gaiman's trademark fantasy, myth and legend.
A very important man is murdered by a hitman with a personal grudge. Short-short.
A Texas man returns home after WWI to find that much as changed, and those who loved him have moved on. A dark, disturbing tale of the horrors of humanity and war, of the coldness of directed mass-murder and revenge.
A positive, peaceful and sexy vampire tale featuring a 1970s Black Power Activist and a mysterious Romanian woman. It features vampires who feast on blood, soul, thoughts and emotions, and the main character helps people and is kind of a hero. Refreshing. I wish it was longer.
A very short story. A college boy finds a way to exact revenge on a school bully. Meh.
A rough and heavy story about parents losing their young daughter. The father shrinks and shrinks to become childlike, while the mother grows and grows to become a giant, with various levels of metaphor involved. It's a strange mix of boring middle class writing with brand names aplenty and some sweet lines, eg "Staring at the sun as it shamefully scuttled off the horizon." I find it most valuable for its vision of a couple losing a child and the hell that transpires therein.
This story breaks the fourth wall and tries to do too much, though it is a nice adventure and reflection on reality vs fantasy. Pretty The Matrix.
I don't get it? I don't like the writing style, and it's extremely weird, though neatish...
The unique, twisted, creepy story of a 'reformed' serial killer with a taste for hitchhikers.
An alternate 1920s or 1940s-style Casablanca or something, happening in another world, dimension or dream, or something. I don't quite get it, but it's interesting.
A fraternity brother does acid with his frat and goes on 'The Price is Right', as described in lucid and horrifying detail by Palahniuk. Fantastic.
A woman in a materialistic future is plagued by the Twelve Days of Christmas. She keeps getting partridges in pear trees and everything that happens in Twelve Days happens to ignorant little her. Initially funny, quickly becomes gimicky and boring.
The simple, straight-forward story of a divorced, empty-nest mother searching for the body of a murdered girl. Kind of dull.
A science team on a 30 year round-trip space mission encounter madness, base desires, and space birds. Pretty traditional sci-fi thriller, pretty good stuff.
An evil elderly woman tells the story of her life-long relations with her quiet, gentle sister. She rambles about how she's basically been a horrible, controlling, selfish *blank* for years. This is something I may never have read if it hadn't been bundled in a dark sci-fi/fantasy package. If you read this kind of thing all the time, you might not like it as much.
A woman keeps getting written into her (now ex) boyfriend's stories, and may very well be becoming a part of them for realz.
The story of Eamon Reilly, ex-boyfriend of the narrator's adrenaline-junkie, dynamic, war-reporter girlfriend. There's a fortune-teller and a possible curse. Very well-written, despite being a bit of a stretch.
A cynical character-study of a Behavioural-Therapist -- with a twist -- well, several twists. Several stories for the price of one, all in a brilliant and creative package.
An elderly sister receives messages from her recently deceased twin. Possibly evil messages. Or does she?
A man investigates a mysterious nose cult involving people throughout history wearing fake noses, with a twist. Didn't quite work for me.
An undercover agent reflects on his time on earth, before a shocking discovery by an inquisitive scientist with commonalities changes his life, and the world, forever.
Rex Fisch, an accomplished writer, shoots himself in a local library, thereby denying the world his friends' collective memory and story, which the narrator then relates to the reader via a bio/auto-bio rambling format. It's a fast and convoluted esoteric literary historical fiction piece, focusing on writers and 'the industry'. A bit la-di-da, but great overall and well-wrapped.
Notable quotable: "I knew of course that our little revolution would collapse rapidly once we achieved what we hoped for and our individual careers were made...People join revolutions until they get what they want as individuals, then start quarrelling over the spoils, however imaginary. I was surprised by how many of our friendships remained intact." -Page 336
I find the characters here much more sympathetic and interesting than the main plot. The most interesting to me is Robbie, a lonely, alcoholic single dad who never got over his young wife's death from breast cancer. He fell out of his nice career into a warehouse job and raised a slacker teenage pothead son. One day, he sets out with Emery, a local celebrity/friend and Leonard, a museum display designer, to do something amazing for a mutual acquaintance also dying of breast cancer. Unfortunately, the link between Robbie and this friend is never really explored, and the plot becomes slow and dull, with a disappointing climax and ending.
The story of a man who lives on a mountain of staircases and cliffs in Italy. The story follows the man on his late 1800s ascents and descents, up until the early 1900s, and features a forbidden hellish path into Gaiman-style fantasy, murder, and a poetic, artsy-style where the text is written in staircase fashion. The story ends with a take on powerful, evil men, through the magic of a singing bird and lies. Not amazing, but not too shabby there, Stephen King Jr.