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Los herederos de Grace
«Mi nueva vida comenzó de una manera accidentada, incluso antes de que el espejo se comiera a Trey».
Así empieza está original historia llena de magia, de otra magia. Al fin, diferente.
A sus veinticuatro años, Bekah recibe una inesperada herencia de un desconocido, la cual incluye una enorme casa de montaña en Carolina del Norte y dinero suficiente como para vivir sin preocupaciones un año o dos. Lo que iba a ser un periodo sabático se convierte en una aventura que dará la vuelta por completo a la vida y a la visión del mundo de la protagonista. Con un tono divertido hurga en las relaciones familiares, en la búsqueda de tu lugar en el mundo y en los roles que asumimos.
Así empieza está original historia llena de magia, de otra magia. Al fin, diferente.
A sus veinticuatro años, Bekah recibe una inesperada herencia de un desconocido, la cual incluye una enorme casa de montaña en Carolina del Norte y dinero suficiente como para vivir sin preocupaciones un año o dos. Lo que iba a ser un periodo sabático se convierte en una aventura que dará la vuelta por completo a la vida y a la visión del mundo de la protagonista. Con un tono divertido hurga en las relaciones familiares, en la búsqueda de tu lugar en el mundo y en los roles que asumimos.
300 pages, Paperback
First published February 18, 2014
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2422 people want to read
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Displaying 1 - 30 of 317 reviews
December 15, 2025
I just have to enjoy a book that starts with a sentence like, "My new life was off to a bumpy start even before Trey got eaten by the mirror.
July 5, 2014
I picked this up at an Audible sale thinking it would be a cute, light, paranormal mystery. And it was those things, but it was also amazingly, unassumingly diverse, which is not something I've encountered that much in the cozy mystery genre where most of the protagonists are white, heterosexual, ciswomen.
Bekah, our protagonist, is Polynesian. She's adopted. She's bisexual. She is matter-of-fact about her gender fluid half-siblings.
The book isn't perfect and it's by no means the height of literary fiction, but it isn't supposed to be. It's entertaining and fun. And it's not just another cookie cutter protagonist, which was a very nice surprise.
Bekah, our protagonist, is Polynesian. She's adopted. She's bisexual. She is matter-of-fact about her gender fluid half-siblings.
The book isn't perfect and it's by no means the height of literary fiction, but it isn't supposed to be. It's entertaining and fun. And it's not just another cookie cutter protagonist, which was a very nice surprise.
April 3, 2014
I LOVED THIS BOOK. 4.5 stars, all the way. It's not just the set up, though the premise is one that I adore: someone inherits a big, mysterious house from a relative they never knew they had. But that part itself was great fun and well handled.
But the best part for me was Bekah herself. She's the kind of heroine that I've been desperately longing for and so few authors bother to write, if they even know how. That she's the product of a male author is an even more delightful thing. Bekah is both biracial and bisexual in quiet, casual ways that are, even so, very much present in her narrative. She's smart, common sensical, and pop-culture savvy. She's real-feeling and ordinary while still being the stuff heroines are made of. She understands boundaries and consent and power-dynamics, she has ethics and holds to them. These traits shouldn't be astonishing or unusual...but THEY SO ARE. And I am just beyond impressed with Tim Pratt for getting that and giving us Bekah.
If the book has one flaw, it's the same flaw that inflicts a lot of Amazon serials, one of pacing. I actually think Heirs of Grace is better than most of it's peers; the pacing felt steady through most of the book, only falling down a little at the end. Though the ending felt organic to the story and appropriate, it also felt like it lacked some of the dramatic oomph you want from a book's climax and, ultimately, I feel like more time is spent (a little unnecessarily) on the aftermath and wrap up than on the denouement.
That being said, it was still an EXCELLENT read that I plan to rec to all my friends and I plan to be seeking out more of Pratt's work.
But the best part for me was Bekah herself. She's the kind of heroine that I've been desperately longing for and so few authors bother to write, if they even know how. That she's the product of a male author is an even more delightful thing. Bekah is both biracial and bisexual in quiet, casual ways that are, even so, very much present in her narrative. She's smart, common sensical, and pop-culture savvy. She's real-feeling and ordinary while still being the stuff heroines are made of. She understands boundaries and consent and power-dynamics, she has ethics and holds to them. These traits shouldn't be astonishing or unusual...but THEY SO ARE. And I am just beyond impressed with Tim Pratt for getting that and giving us Bekah.
If the book has one flaw, it's the same flaw that inflicts a lot of Amazon serials, one of pacing. I actually think Heirs of Grace is better than most of it's peers; the pacing felt steady through most of the book, only falling down a little at the end. Though the ending felt organic to the story and appropriate, it also felt like it lacked some of the dramatic oomph you want from a book's climax and, ultimately, I feel like more time is spent (a little unnecessarily) on the aftermath and wrap up than on the denouement.
That being said, it was still an EXCELLENT read that I plan to rec to all my friends and I plan to be seeking out more of Pratt's work.
April 3, 2021
I really do adore Pratt’s writing. The plot goes a bit wonky and meandering in places, but it’s always fascinating. His magic systems are crazy, his artifacts fanciful and his characters well and truly human. Even the ones who really aren’t. There’s a special quality in his prose that isn’t always pretty, but is absolutely always honest.
And the man writes fabulous banter. Which I am a complete and total sucker for.
And the man writes fabulous banter. Which I am a complete and total sucker for.
August 10, 2021
Muy divertido, entretenido y, sobre todo, con mucha empatía, que no nos viene mal aprender. Se lo paso a mi adolescente, creo que le gustará.
December 13, 2016
Heirs of Grace by Tim Pratt Samsung Kindle freebie of the month (more about that below).
This is not high literature, but on a snowy morning at home with a cold, and wrapped up in a blanket and the cats, it was just the right kind of Christmas candy and I enjoyed it. It might be a case of "Right book at the right moment", but I think if you're a contemporary UF fan, this is well worth a shot, particularly as it's a) a standalone and b) there's a pretty good chance you can get it free until the end of the December 2016 (I wrote "the month" there, but that's no use if you're reading this a year from now.)
The opening line is a pretty good insta-taste of the writing:
The bones of the plot is nothing we haven't seen before: Young woman discovers she is the inheritor of a massive amount of power, and has to figure out by herself how to deal with it.
What's great:
- Bekah is 24?25? non-white (she's not actually sure what she is, as she's adopted, and it is partly cleared up in the book.), not entirely heterosexual, non-virginal, non-neurotic and definitely no damsel in distress. She is brave and kind, and in charge of her own life, and enjoying it. She's also not perfect, her innate kindness and self-reliance puts her in danger a few times, but she generally gets herself out of it again, or at least gives it a shot. And yet, despite being a thoroughly modern miss with agency and self-esteem, she actually asks for help from people who can help her, when possible, and accepts help when it's offered if it makes sense to do so.
- Sure she's been given a big dose of magical inheritance, but not on a plate. For most of the book, the main problem is she knows about it but she can't find it (it's literally been put in a physical form and then lost). And when she does find it, she can't figure out how to access it. And when she does finally get there, she gets to decide if it's what she really wants or not, taking it on isn't the only option.
- It's a standalone. As much as I liked this little world and the fact that it's obviously not the end of the world for the characters, it feels like this story is told and wrapped up, and it's nice to just have a standalone book now and then.
- The ending is quite unexpected. Mostly in a good way (The epilogues could have been tightened up a bit though.). There's a great deal of kindness and gentleness in this book, which is funny considering it's also got monsters getting their innards made outards by double-barrelled shotguns, etc. It just doesn't lead at all where you think it's going to.
- There's a lot of really witty banter, and occasionally fabulously funny dialogue, but actually very little snark. I love snark, heck, I am more or less made of snark IRL, but non-stop all the snark you can read is a little much. It was kind of fun to see this style of writing done without it.
What's not:
- The love interest is a bit of a sap. A terribly charming, cute and sweet sap, but he's basically Bekah's puppy. In part that's a plot point and there is a reason, but only in part,
- There are a couple of places where she's just a little too persuasive. And they're both huge plot points. As in, she talks her way out of situations, or talks other characters into things, that just don't quite seem plausible.
- There are the usual problems of male authors writing inside a female POV character's heads. That said, they are remarkably, refreshingly few, which is great but makes them a little more jarring than usual when they do happen.
- That ending really is a bit too pat. Despite being in character for Bekah, and the fact I actually liked it a great deal, in the end everyone gets off a little light.
- There's a lot of really witty banter. Even snarkless, and as much as I enjoyed it, there's maybe a little TOO much. There's a few places where it's a bit much and one where I thought to myself "Really? You're making jokes already? Five minutes ago you had your neck broken and then you got stabbed. It's ok to be serious and contemplative now and then." Right before the characters made a joke at each other about how they were already making jokes at each other. Maybe reading this all in one sitting isn't ideal. It was originally released as a 6 part Kindle serial, and while it works well as a novel, the parts are self-contained, not cliffhangery, and just about the right size for a helping.
About that Samsung freebie thing:
This is not high literature, but on a snowy morning at home with a cold, and wrapped up in a blanket and the cats, it was just the right kind of Christmas candy and I enjoyed it. It might be a case of "Right book at the right moment", but I think if you're a contemporary UF fan, this is well worth a shot, particularly as it's a) a standalone and b) there's a pretty good chance you can get it free until the end of the December 2016 (I wrote "the month" there, but that's no use if you're reading this a year from now.)
The opening line is a pretty good insta-taste of the writing:
My new life was off to a bumpy start even before Trey got eaten by the mirror.
The bones of the plot is nothing we haven't seen before: Young woman discovers she is the inheritor of a massive amount of power, and has to figure out by herself how to deal with it.
What's great:
- Bekah is 24?25? non-white (she's not actually sure what she is, as she's adopted, and it is partly cleared up in the book.), not entirely heterosexual, non-virginal, non-neurotic and definitely no damsel in distress. She is brave and kind, and in charge of her own life, and enjoying it. She's also not perfect, her innate kindness and self-reliance puts her in danger a few times, but she generally gets herself out of it again, or at least gives it a shot. And yet, despite being a thoroughly modern miss with agency and self-esteem, she actually asks for help from people who can help her, when possible, and accepts help when it's offered if it makes sense to do so.
- Sure she's been given a big dose of magical inheritance, but not on a plate. For most of the book, the main problem is she knows about it but she can't find it (it's literally been put in a physical form and then lost). And when she does find it, she can't figure out how to access it. And when she does finally get there, she gets to decide if it's what she really wants or not, taking it on isn't the only option.
- It's a standalone. As much as I liked this little world and the fact that it's obviously not the end of the world for the characters, it feels like this story is told and wrapped up, and it's nice to just have a standalone book now and then.
- The ending is quite unexpected. Mostly in a good way (The epilogues could have been tightened up a bit though.). There's a great deal of kindness and gentleness in this book, which is funny considering it's also got monsters getting their innards made outards by double-barrelled shotguns, etc. It just doesn't lead at all where you think it's going to.
- There's a lot of really witty banter, and occasionally fabulously funny dialogue, but actually very little snark. I love snark, heck, I am more or less made of snark IRL, but non-stop all the snark you can read is a little much. It was kind of fun to see this style of writing done without it.
What's not:
- The love interest is a bit of a sap. A terribly charming, cute and sweet sap, but he's basically Bekah's puppy. In part that's a plot point and there is a reason, but only in part,
- There are a couple of places where she's just a little too persuasive. And they're both huge plot points. As in, she talks her way out of situations, or talks other characters into things, that just don't quite seem plausible.
- There are the usual problems of male authors writing inside a female POV character's heads. That said, they are remarkably, refreshingly few, which is great but makes them a little more jarring than usual when they do happen.
- That ending really is a bit too pat. Despite being in character for Bekah, and the fact I actually liked it a great deal, in the end everyone gets off a little light.
- There's a lot of really witty banter. Even snarkless, and as much as I enjoyed it, there's maybe a little TOO much. There's a few places where it's a bit much and one where I thought to myself "Really? You're making jokes already? Five minutes ago you had your neck broken and then you got stabbed. It's ok to be serious and contemplative now and then." Right before the characters made a joke at each other about how they were already making jokes at each other. Maybe reading this all in one sitting isn't ideal. It was originally released as a 6 part Kindle serial, and while it works well as a novel, the parts are self-contained, not cliffhangery, and just about the right size for a helping.
About that Samsung freebie thing:
February 22, 2015
I listened to this one on audiobook. It had a lot of promise, but just fell flat for me. I wasn't super impressed with this one. The premise of inheriting a magical house was pretty cool, but the characters felt pretty contrived. Becca was unbearably smug. The author had her use obscure words constantly so that the other characters could revel in her brilliance. I found that obnoxious. Honestly her character seemed like she was trying too hard to be edgy. I wasn't a huge fan of the narrator either. Her southern accents were awful. Think of how Bill Compton says Sookie's name on Trueblood. And then imagine one of the main characters sounding like that every time he spoke. The last thing that really bothered me was that the narrator gave Becca's gay friend a stereotypically effeminate voice. Not all gay men talk that way. That was just offensive. The listeners could have picked up that he was gay from what the author wrote. No need to reinforce homophobic stereotypes. Maybe I would have felt more positive if I hadn't listened to it, but I still don't think I would have liked Becca.
July 25, 2016
Short version: fun in spite of its flaws, well-written and a good choice for someone looking for some feel-good fantasy.
Long version: I didn't learn until after I finished this book that it started published life as serialized kindle singles. Once I did, some of the book's flaws made perfect sense. See, there aren't chapters in this book, there are parts, five of them. While each part isn't exactly an unbroken wall of text, the lack of chapter breaks gave it a kind of meandering, loose, occasionally long-winded quality. In fact, especially in the earlier parts, there would be a whole lot of meandering, and then a brief flurry of action just before the end of the section. Makes a lot more sense knowing the author had to be sure his audience was hooked for the next part. In novel form, it makes things rather jerky. There were also several instances of "if I had only known then," which probably serves the same purpose. When this was turned into a novel, it would have benefitted greatly from some editing and reformatting. I don't know how these things work, though; possibly that wasn't an option.
Obviously I found a lot to like about this book if I'm giving it four stars. The writing and narrative voice were strong and our heroine, Bekah, is instantly likable. Listening to her tell the story made the meandering parts less of a slog than they would be in the hands of a less-capable author. She and her romantic interest actually talk, hang out, bond, go through things together, have common ground, and communicate like actual adult human beings, about things like consent and the rather unique challenges their relationship faces. Bekah actually makes a pretty meta comment about this at one point; like the "if I had only known then"s, there are a few of those sprinkled throughout the story. They could be a bit blunt, but at least our leads were the kind of savvy, snarky people who might reasonably make observations like these.
Though there are a few fairly brief moments of shock and violence, this book overall is pretty fluffy. If you're looking for something weighty and grim, you've come to the wrong magic house. The plot is certainly extant but nothing mind-bending, though I still think the overall quality of the book is pretty special.
While Bekah finds out a lot about herself that she didn't know before, I can't say she or any of the characters grow or develop that much. She never has to make any hard choices, and she sidesteps any potential moral pitfalls by being strong-willed, sensible, and good. There's nothing wrong with this, of course, and I certainly don't think a character has to suffer for them or their story to be worthwhile. Static characters are less interesting, though. A great deal is made about the price of magic but while other characters are shown to have suffered greatly for it, Bekah seems to sacrifice very little. It was a bit convenient and pat.
But there's a place for uncomplicated stories like that, and as far as options go, Heirs of Grace is a pretty good one. Our heroes are likable, the dialogue pops, and the world is vivid and unique. While not quite realizing its full potential, it's still a gem and worth the ride.
Long version: I didn't learn until after I finished this book that it started published life as serialized kindle singles. Once I did, some of the book's flaws made perfect sense. See, there aren't chapters in this book, there are parts, five of them. While each part isn't exactly an unbroken wall of text, the lack of chapter breaks gave it a kind of meandering, loose, occasionally long-winded quality. In fact, especially in the earlier parts, there would be a whole lot of meandering, and then a brief flurry of action just before the end of the section. Makes a lot more sense knowing the author had to be sure his audience was hooked for the next part. In novel form, it makes things rather jerky. There were also several instances of "if I had only known then," which probably serves the same purpose. When this was turned into a novel, it would have benefitted greatly from some editing and reformatting. I don't know how these things work, though; possibly that wasn't an option.
Obviously I found a lot to like about this book if I'm giving it four stars. The writing and narrative voice were strong and our heroine, Bekah, is instantly likable. Listening to her tell the story made the meandering parts less of a slog than they would be in the hands of a less-capable author. She and her romantic interest actually talk, hang out, bond, go through things together, have common ground, and communicate like actual adult human beings, about things like consent and the rather unique challenges their relationship faces. Bekah actually makes a pretty meta comment about this at one point; like the "if I had only known then"s, there are a few of those sprinkled throughout the story. They could be a bit blunt, but at least our leads were the kind of savvy, snarky people who might reasonably make observations like these.
Though there are a few fairly brief moments of shock and violence, this book overall is pretty fluffy. If you're looking for something weighty and grim, you've come to the wrong magic house. The plot is certainly extant but nothing mind-bending, though I still think the overall quality of the book is pretty special.
While Bekah finds out a lot about herself that she didn't know before, I can't say she or any of the characters grow or develop that much. She never has to make any hard choices, and she sidesteps any potential moral pitfalls by being strong-willed, sensible, and good. There's nothing wrong with this, of course, and I certainly don't think a character has to suffer for them or their story to be worthwhile. Static characters are less interesting, though. A great deal is made about the price of magic but while other characters are shown to have suffered greatly for it, Bekah seems to sacrifice very little. It was a bit convenient and pat.
But there's a place for uncomplicated stories like that, and as far as options go, Heirs of Grace is a pretty good one. Our heroes are likable, the dialogue pops, and the world is vivid and unique. While not quite realizing its full potential, it's still a gem and worth the ride.
April 24, 2017
Independent, modern young woman narrates, in First Person Smartass, how she was just an ordinary person with an ordinary life who didn't believe in the supernatural, but then it turned out that the supernatural believed in her, and around about the same time she met this guy...
There are hundreds of authors writing that exact book at the moment, many of them very badly; and when I see an instance of it, I usually move on, sometimes with an eyeroll, to the next book in the hope of something I haven't seen dozens of times before. But I was vaguely aware of the name "Tim Pratt" - I think I've read one or two of his short stories - and paused long enough on this one to get the sample and see if he wrote it well.
He wrote it very well indeed.
I was surprised, when I read the back matter, to discover that (as T.A. Pratt) he's the author of the Marla Mason series. I stopped reading that series because it is so completely unlike this. Marla is lacking in empathy, violent, and amoral; the protagonist of this book is intensely empathetic, and her rejection of the easy, violent solution gives us an ending that I found fresh, unexpected, and extremely satisfying.
Also, there's a mysterious magical house, and for some reason I love mysterious magical houses. There are some cool magical items, too, and the author wisely dodges the Q trap (where every single one of them turns out to be the only thing that will save James Bond at some key moment of the plot); some of them are simply cool rather than being at all useful.
I appreciated that the protagonist didn't rush into her relationship with the man she met, and that she took the time to communicate with him about something that could have split them apart (this is lampshaded as something that would resolve practically every romantic comedy plot much more quickly, and is a thing that real adult human beings do). She makes good decisions throughout, in fact - not only good-sensible but good-morally - so the plot is not driven by her stupidity and risk-taking, meaning that when the love interest saves her it's not infuriating.
Overall, annoying tropes are avoided or averted, the characters work well together, the protagonist's voice is genuinely witty and amusing, and we end up in an unexpected and satisfactory place after an enjoyable ride. This book demonstrates that even an overused premise can still be the starting point for a fresh and well-executed story.
There are hundreds of authors writing that exact book at the moment, many of them very badly; and when I see an instance of it, I usually move on, sometimes with an eyeroll, to the next book in the hope of something I haven't seen dozens of times before. But I was vaguely aware of the name "Tim Pratt" - I think I've read one or two of his short stories - and paused long enough on this one to get the sample and see if he wrote it well.
He wrote it very well indeed.
I was surprised, when I read the back matter, to discover that (as T.A. Pratt) he's the author of the Marla Mason series. I stopped reading that series because it is so completely unlike this. Marla is lacking in empathy, violent, and amoral; the protagonist of this book is intensely empathetic, and her rejection of the easy, violent solution gives us an ending that I found fresh, unexpected, and extremely satisfying.
Also, there's a mysterious magical house, and for some reason I love mysterious magical houses. There are some cool magical items, too, and the author wisely dodges the Q trap (where every single one of them turns out to be the only thing that will save James Bond at some key moment of the plot); some of them are simply cool rather than being at all useful.
I appreciated that the protagonist didn't rush into her relationship with the man she met, and that she took the time to communicate with him about something that could have split them apart (this is lampshaded as something that would resolve practically every romantic comedy plot much more quickly, and is a thing that real adult human beings do). She makes good decisions throughout, in fact - not only good-sensible but good-morally - so the plot is not driven by her stupidity and risk-taking, meaning that when the love interest saves her it's not infuriating.
Overall, annoying tropes are avoided or averted, the characters work well together, the protagonist's voice is genuinely witty and amusing, and we end up in an unexpected and satisfactory place after an enjoyable ride. This book demonstrates that even an overused premise can still be the starting point for a fresh and well-executed story.
April 18, 2017
Good story
This was a really great story on magic and families. It was a very unique take in how magic works and how sometimes your family is what you make of it.
This was a really great story on magic and families. It was a very unique take in how magic works and how sometimes your family is what you make of it.
May 25, 2022
I was invested in this book from the very first sentence. Pratt writes beautiful character dynamics, with complex heroes and villains, and there's always room for compassion and trying to do the right thing even when all of your choices are bad. It's wholesome and imaginative, with wonderful world-building and fun, unexpected magic. For reference, a little bit Becky Chambers but goofier and more towards the fantasy end of SFF. This is only my third book by him, plus a short story, and he's already made it into my list of favourite authors. Wonderful to know I can sprinkle one of his books into my reading when I get too deep into depressing non-fiction and need a break.
July 9, 2021
Esta es la historia de una joven que descubre quién es en realidad mientras se enfrenta con la inesperada e indeseada irrupción de la magia en su vida. Una mujer fuerte que recibe una herencia, se podría decir que envenenada, y que va a lidiar con todo lo que se le echa encima con inteligencia, decisión y empatía. Originalmente publicada de forma serializada en cinco partes, Pratt ofrece en esta obra una nueva muestra de su buen hacer literario, con una historia de fantasía urbana —o más bien rural en este caso, pero el género es el género— con reminiscencias mitológicas, un humor inocente desatado y grandes dosis de aventura y peligros mundanos y sobrenaturales. El autor echa mano de un tema recurrente en la fantasía, la herencia inesperada, la mansión misteriosa y la irrupción de la magia en una vida anodina, y lo imbuye de personalidad y estilo propios para ofrecer una narración fresca y atractiva. Una casa llena de magia, objetos sobrenaturales cargados de poder, portales a otros mundos, criaturas fantásticas, seres casi divinos, una familia desestructurada —por decirlo de alguna manera suave—, una antagonista de armas tomar, continuas referencias al acervo popular, humor amable y una protagonista que no se va dejar doblegar hacen de su lectura, autoconclusiva además, todo un disfrute.
Reseña completa en Sagacomic:
https://sagacomic.blogspot.com/2021/0...
Reseña completa en Sagacomic:
https://sagacomic.blogspot.com/2021/0...
February 21, 2017
I was intrigued all the way through the story. It has twists and turns and keeps you guessing what will happen next. It is full of surprises, mystery, suspense, romance and magic. Bekah inherited money, a home and so much more she was not ready for. She comes from a large family of half brothers and sisters who start coming around after she gets her inheritance. Trey is her lawyer who helps her get adjusted to her inheritance and maybe there might be some room for some romance. I highly recommend this story to readers who like magic.
December 13, 2015
For the first 3/5s of this, I would have given it a 4, but the final 2/5s fell off by a lot. I'm not sure if the length was the problem, or if Mr. Pratt just hadn't decided where it was going before he started, and then didn't know what to do with it. Overall it was pretty good and I'm glad I read it, but it didn't live up to its own potential, which is unfortunate.
June 2, 2021
Bekah, una joven artista recién graduada, emprende un viaje hacia Carolina del Norte cuando el abogado Trey Howard le llama informando de que le corresponde en herencia una pequeña fortuna y una enorme casa en las montañas. Casi sin meditarlo, la decisión está tomada: establecerse en la casa durante una temporada para trabajar en su arte y relajarse de las obligaciones de la vida adulta. Sin embargo, más pronto que tarde, Bekah descubre que la casa esta repleta de trastos mágicos y que su vida esta más en peligro de lo que pueda creer.
Publicada originalmente como una serie de cinco partes en Amazon Kindle, el autor del premio Hugo Tim Pratt propone una historia entretenida y divertida, que juguetea con tono ameno y embauca con una primera persona como narrador desde el primer minuto. Es Bekah, nuestra adoptada protagonista polinesia, la que hace fluir la historia sin darnos cuenta. Sus rasgos de heroína fuerte, atrevida, inteligente y repleta de sarcasmo nos seducen. Y si, la idea de que la protagonista sea nueva en esto de la magia y requiera de aprender sus reglas no es algo nuevo, pero aquí funciona a las mil maravillas. Pratt sumerge al lector en el mundo fantástico y mitológico que ha creado, fascinando por aquí y por allá con la terrible sencillez e imaginación con que afronta su magia.
Bekah es, sin lugar a dudas, el motor y la gracia de Los herederos de Grace. Ya no es solo por su tono a la hora de narrar, si no por su forma de ser: el rechazo a las soluciones fáciles, la empatía inusitada y el carisma natural. Sus decisiones son bastante sensatas y moralmente comprometidas, con una bondad innata que a veces la hace correr más peligro del que debería. Sin embargo, pide ayuda a personas que puedan ayudarla, cuando sea posible, y acepta su ayuda cuando se la ofrece si tiene sentido hacerlo. Sin embargo, tengo un pequeño contra: el instalove de los primeros compases puede hacer torcer el morro, aunque admito que a la larga cobra un sentido inesperado.
La fantasía urbana habitual de Pratt, como puede leerse en la serie de Marla Manson, se ve aquí trasladada a un entorno rural, suponiendo todo un punto a favor. El escenario no es paradigmático y supone algo novedoso para el lector habitual del subgénero. Dejamos atrás grandes edificios y callejones oscuros y mojados para sentir el frondoso bosque de Carolina y la tranquila vida de pueblo. Una salida de contexto que le sienta muy bien, aunque mejor aun rodeado como está de elementos mágicos geniales, imaginativos e inesperados. Pratt saca magia -y nunca mejor dicho- de la propia manga y propone simpáticos y aterradores usos de la misma. Inventos de lo más locos, poderes extraordinarios y seres de fantasía nunca antes vistos. El elemento sorpresa está asegurado.
Reseña en el blog: https://boywithletters.blogspot.com/2...
Publicada originalmente como una serie de cinco partes en Amazon Kindle, el autor del premio Hugo Tim Pratt propone una historia entretenida y divertida, que juguetea con tono ameno y embauca con una primera persona como narrador desde el primer minuto. Es Bekah, nuestra adoptada protagonista polinesia, la que hace fluir la historia sin darnos cuenta. Sus rasgos de heroína fuerte, atrevida, inteligente y repleta de sarcasmo nos seducen. Y si, la idea de que la protagonista sea nueva en esto de la magia y requiera de aprender sus reglas no es algo nuevo, pero aquí funciona a las mil maravillas. Pratt sumerge al lector en el mundo fantástico y mitológico que ha creado, fascinando por aquí y por allá con la terrible sencillez e imaginación con que afronta su magia.
Bekah es, sin lugar a dudas, el motor y la gracia de Los herederos de Grace. Ya no es solo por su tono a la hora de narrar, si no por su forma de ser: el rechazo a las soluciones fáciles, la empatía inusitada y el carisma natural. Sus decisiones son bastante sensatas y moralmente comprometidas, con una bondad innata que a veces la hace correr más peligro del que debería. Sin embargo, pide ayuda a personas que puedan ayudarla, cuando sea posible, y acepta su ayuda cuando se la ofrece si tiene sentido hacerlo. Sin embargo, tengo un pequeño contra: el instalove de los primeros compases puede hacer torcer el morro, aunque admito que a la larga cobra un sentido inesperado.
La fantasía urbana habitual de Pratt, como puede leerse en la serie de Marla Manson, se ve aquí trasladada a un entorno rural, suponiendo todo un punto a favor. El escenario no es paradigmático y supone algo novedoso para el lector habitual del subgénero. Dejamos atrás grandes edificios y callejones oscuros y mojados para sentir el frondoso bosque de Carolina y la tranquila vida de pueblo. Una salida de contexto que le sienta muy bien, aunque mejor aun rodeado como está de elementos mágicos geniales, imaginativos e inesperados. Pratt saca magia -y nunca mejor dicho- de la propia manga y propone simpáticos y aterradores usos de la misma. Inventos de lo más locos, poderes extraordinarios y seres de fantasía nunca antes vistos. El elemento sorpresa está asegurado.
Reseña en el blog: https://boywithletters.blogspot.com/2...
August 11, 2017
Excellent story with a good main and some very interesting secondary characters. I would have given this five stars but for a few things that I felt could have been done a bit better - the exploration of the house felt like blurry background and the solution to the main problem seemed a bit easier than it should have though the final solution was completely unexpected.
November 1, 2022
I wanted something light but a little creepy for Halloween this year, and Heirs of Grace was a great choice. It's soft and snug for sweater season. The catch is that although I wanted light, I also wish there had been a little more suspense. There's no actual sense of jeopardy.
Still, I do wish there were more books with these characters, and I will absolutely add Tim Pratt to my reading list.
Still, I do wish there were more books with these characters, and I will absolutely add Tim Pratt to my reading list.
August 30, 2018
I want a sequel
It was that good. Great characters, writing and plot. Self contained but oh do many more options available to explore
It was that good. Great characters, writing and plot. Self contained but oh do many more options available to explore
June 13, 2015
Fun urban fantasy (I'm talking Emma Bull/Neil Gaiman/Charles de Lint contemporary urban fantasy, not paranormal romance, which often gets confused with urban fantasy).
Intelligent, artistic, snarky Rebekah Lull has just been told that she -- liberal, bi-sexual, urban, brown-skinned Bekah -- has just inherited a house and fortune from an old white guy in the middle of nowhere in North Carolina. Pretty much everyone she knows, including herself, assumes that if this isn't a joke, then she'll sell the house, invest the money and be back in Chicago by the end of the summer. And then she'll apply to museum curator jobs, because everyone knows she's not original enough to be an artist in in her own right.
But then she meets Trey, and an older sister she didn't know she had, and another older sister she didn't know about. And then she finds out her father was a sorcerer or a wizard, and before she knows it, she's enmeshed in a world she was never prepared for.
I really enjoyed reading this story; it was a satisfying magical adventure story. Tim Pratt thought long and hard about the elements he put into each character as well as the disparate elements he mixed into the story. For example, Rebekah is a 21st century womanist. I feel like I know Bekah. I have friends like her. I never felt like she stepped out of character. She didn't morph into some "fantasy baebe" once the fantastical part of the story got going. She was always Bekah. And he was equally good with the other characters (there was one character who seemed too good to be true sometimes, but it that's me, I think. I don't trust white frat guys to be anything but white frat guys.)
Then there's the magical house. Always a fan of the magical house (see de Lint's magical house in Moonheart for another example). And the dysfunctional family members. And lots of homages and dropped hints to other scifi/fantasy stories/writers out there in the world. As both a reader and a writer I always enjoy those. It makes me think I'm in on story, in on the joke, with the writer and the characters.
As a writer and a proofreader/copy editor-type person I also was a fan for various reasons, including, but not limited to: the clean copy (I only saw three places where probably a sentence was rewritten and not quite cleaned up during a revision), the clean storyline (as in he stuck to the plot and the elements and it wasn't muddy and he tied up loose ends, and the ends that weren't tied up were firmed up), the tone of the piece, the research, the logic of the story, the -- I don't know what to call it -- but detailed elements he took the care to put into the story (like three generations of lawyer, three siblings, triplets, three items found in a spot, etc. - three as a magical number).
So, while I really enjoyed the story as a reader, I also had a deep appreciation for the craft, talent, and work that went into the story.
I recommend it as a good read.
Intelligent, artistic, snarky Rebekah Lull has just been told that she -- liberal, bi-sexual, urban, brown-skinned Bekah -- has just inherited a house and fortune from an old white guy in the middle of nowhere in North Carolina. Pretty much everyone she knows, including herself, assumes that if this isn't a joke, then she'll sell the house, invest the money and be back in Chicago by the end of the summer. And then she'll apply to museum curator jobs, because everyone knows she's not original enough to be an artist in in her own right.
But then she meets Trey, and an older sister she didn't know she had, and another older sister she didn't know about. And then she finds out her father was a sorcerer or a wizard, and before she knows it, she's enmeshed in a world she was never prepared for.
I really enjoyed reading this story; it was a satisfying magical adventure story. Tim Pratt thought long and hard about the elements he put into each character as well as the disparate elements he mixed into the story. For example, Rebekah is a 21st century womanist. I feel like I know Bekah. I have friends like her. I never felt like she stepped out of character. She didn't morph into some "fantasy baebe" once the fantastical part of the story got going. She was always Bekah. And he was equally good with the other characters (there was one character who seemed too good to be true sometimes, but it that's me, I think. I don't trust white frat guys to be anything but white frat guys.)
Then there's the magical house. Always a fan of the magical house (see de Lint's magical house in Moonheart for another example). And the dysfunctional family members. And lots of homages and dropped hints to other scifi/fantasy stories/writers out there in the world. As both a reader and a writer I always enjoy those. It makes me think I'm in on story, in on the joke, with the writer and the characters.
As a writer and a proofreader/copy editor-type person I also was a fan for various reasons, including, but not limited to: the clean copy (I only saw three places where probably a sentence was rewritten and not quite cleaned up during a revision), the clean storyline (as in he stuck to the plot and the elements and it wasn't muddy and he tied up loose ends, and the ends that weren't tied up were firmed up), the tone of the piece, the research, the logic of the story, the -- I don't know what to call it -- but detailed elements he took the care to put into the story (like three generations of lawyer, three siblings, triplets, three items found in a spot, etc. - three as a magical number).
So, while I really enjoyed the story as a reader, I also had a deep appreciation for the craft, talent, and work that went into the story.
I recommend it as a good read.
May 8, 2016
2.5 stars
It is always a challenge to find books for my husband and I to listen to on long car trips. Lighter fantasy fare appeals to both of us so we picked this one. Bekah, a recent art school grad, inherits and house (filled with magical stuff) from a long lost relative. Unfortunately, she also inherits some siblings which are a bit upset about the "will". On the plus side, Trey, the lawyer handling the estate, is kind of hunky and also quite nice.
The book started off well enough. Bekah is quite humorous and her discovery of some of the family secrets with the help of Trey was interesting. The house become a character all its own. Her oldest sibling is really miffed that Bekah inherited the house because there is something valuable in it, but apparently Bekah's benefactor was a hoarder, so finding it is no small task.
Unfortuately, the book really headed south about 2/3 of the way through. Part of it was the narration where suddenly every new character's voice sounded like a robot. It was off-putting to say the least. The mystery of the hidden object turned out to be really silly and the resolution of the book just wasn't satisfying. So, started off a 4, but ended up a 1-2, hence the rating of 2.5.
It is always a challenge to find books for my husband and I to listen to on long car trips. Lighter fantasy fare appeals to both of us so we picked this one. Bekah, a recent art school grad, inherits and house (filled with magical stuff) from a long lost relative. Unfortunately, she also inherits some siblings which are a bit upset about the "will". On the plus side, Trey, the lawyer handling the estate, is kind of hunky and also quite nice.
The book started off well enough. Bekah is quite humorous and her discovery of some of the family secrets with the help of Trey was interesting. The house become a character all its own. Her oldest sibling is really miffed that Bekah inherited the house because there is something valuable in it, but apparently Bekah's benefactor was a hoarder, so finding it is no small task.
Unfortuately, the book really headed south about 2/3 of the way through. Part of it was the narration where suddenly every new character's voice sounded like a robot. It was off-putting to say the least. The mystery of the hidden object turned out to be really silly and the resolution of the book just wasn't satisfying. So, started off a 4, but ended up a 1-2, hence the rating of 2.5.
February 13, 2017
I liked everything about this book, it is such an unusual combination, as suggested in the book by Bekah is it a rom-com, thriller or fantasy? It's a combination of all of them. Great characters, no cardboard cutouts here and a storyline that worked well. Excellent.
October 21, 2014
This was competently written but not terribly imaginative.
It was humorous enough to keep me entertained while listening to the audiobook with half my attention on something else, but once I finished my task and switched over to print my interest really lessened.
I'm not sure if it was just a difference in the last 1/3 of the book - there was a bit of a plot shift right about then - or loosing the narrator and going straight to text, or if the plot just wasn't developed enough to keep my full attention. Whatever caused it, the last 1/3 of the book took me longer to wade through than the first 2/3 and that's not a great sign.
I wasn't a big fan of the constant and blatant foreshadowing either. It probably helped keep the original Kindle Single audience engaged between installments, but once the full book is put together end ends up getting rather old by the end of the book!
It was humorous enough to keep me entertained while listening to the audiobook with half my attention on something else, but once I finished my task and switched over to print my interest really lessened.
I'm not sure if it was just a difference in the last 1/3 of the book - there was a bit of a plot shift right about then - or loosing the narrator and going straight to text, or if the plot just wasn't developed enough to keep my full attention. Whatever caused it, the last 1/3 of the book took me longer to wade through than the first 2/3 and that's not a great sign.
I wasn't a big fan of the constant and blatant foreshadowing either. It probably helped keep the original Kindle Single audience engaged between installments, but once the full book is put together end ends up getting rather old by the end of the book!
March 7, 2016
This book started out super funny and entertaining. It reminded me of a Sookie Stackhouse type book and there's a time and place for those, and a long car ride is the perfect time and place.
You pretty much immediately had to suspend disbelief. It wasn't that there was magic, (which there was) it was the immediate acceptance of that magic which grated.
The first 2/3rds of the book it was 3 stars - solid entertainment. And then everything got ridiculous and all of the flaws I was able to ignore in the beginning were glaring and annoying, like the author showing off of all his weird knowledge and obscure references. I didn't even care to finish, but I was sitting in traffic so I did.
The audio was OK. The narrator was good on the main character, Bekah, but she was annoying as heck on the love interest Trey and inexplicable in her robotic interpretation of "The Trips".
Had potential to be fun, but the author got in his own way.
March 21, 2016
Actually more like 3.5 stars, but an extra bit for being surprisingly good.
Nice (simple and pleasant, it really is quite simple) plot, extremely well-written characters, "people issues" like racism, consent, feminism and others clearly, yet subtly addressed (made me nearly clap my hands with joy), MC with wits and ethics - all there.
It is not a masterpiece, and it is not perfect, but definitely kept me amused while reading. And damn, it had characters actually THINKING. SOLVING. So happy with that part.
Nice (simple and pleasant, it really is quite simple) plot, extremely well-written characters, "people issues" like racism, consent, feminism and others clearly, yet subtly addressed (made me nearly clap my hands with joy), MC with wits and ethics - all there.
It is not a masterpiece, and it is not perfect, but definitely kept me amused while reading. And damn, it had characters actually THINKING. SOLVING. So happy with that part.
August 24, 2016
Another great read! I enjoyed the author's writing style. I really felt like I was in the main character's head, listening to her hilarious commentary while she got herself into and out of dire straights. I was also blown away by how many words I had to look up the meaning for. This just tickled me because I love learning new vocabulary. It's been a very long time since I had to look up a definition and this book gave me multiple opportunities. I was enthralled by the story as well as the by the way it was written.
October 18, 2018
now i am hooked. This was such a great, easy and creative book. i was hooked after the first page.
The characters were easy to fall in love with and follow, along with the story. the author made the mental visions so easy and vivid of the surroundings and the characters actions felt so real.
i would highly recommend this author and this book.
The characters were easy to fall in love with and follow, along with the story. the author made the mental visions so easy and vivid of the surroundings and the characters actions felt so real.
i would highly recommend this author and this book.
May 19, 2019
Just Roll With It
The parts that are good are very good, and the parts that are bad are just sort-of bad, and the whole story was such fun and so cleverly imagined that I just decided to go with it.
Bekah, an orphan whose background is a complete blank, inherits an isolated house and a fortune from an unknown relative. Turns out the relative was a powerful wizard, the house is sentient and magical and loaded with magical objects, and Bekah's older siblings, most of whom are psychotic and diabolical, are all deeply put out that she's the sole heir to the Grace family power and money. The angle is that the dead relative forgot to tell Bekah any of this or to leave any instructions, so she's basically a child in the equivalent of a magical nuclear reactor who's pushing buttons to see what happens.
Lots of good stuff here. The house is a hoot, and it's described very well as we join Bekah in her explorations. The video game search-and-find and puzzle-solve stuff was fun right there. Bekah is an engaging character. She's smart and edgy and good with a quip or a vinegary insight. She's not a shrinking violet and she's got backbone. She does a fair amount of dumb stuff, but without that, ("Larry, don't go outside in the dark to investigate that noise"), you don't have much of a story. At least we didn't have a lot of denial and explaining-away and the like. Everybody buys into the magical house deal after about a minute of thought.
The house is loaded with magical artifacts, and the author obviously had fun thinking them up and strewing them around. Some don't add anything to the story but magikal coolness, and that was fine by me. There's a romance, but it's sort of light and amusing. When it does get heavy, ("can I trust him?"; "is he really into me for me?"), that passes pretty quickly. The romantic byplay actually added a light tone that broke up the action at the proper times.
There are some violent action scenes, but they aren't unsettling. Pratt doesn't seem to have a taste for unnerving sadistic psycho violence, but just standard movie violence, ("hey, that blowed up real good"), so this wasn't skin crawlingly or head messingly violent. I'm O.K. with that because it allowed the clever fun parts to be fun.
And as a special surprise, the book is thoughtful. It's not exactly plot thoughtful; there are huge plot holes every twenty pages or so. It's thoughtful in the sense that there are interesting dialogues between Bekah and her deceased relative, and between Bekah and her eldest sister, who is a psychopath with a backstory, and between Bekah and her other half siblings. And Bekah actually thinks about being a mega-powerful sorcerer, and what that means. That she approaches a lot of this with snappy banter and ironic throwaway lines is an added plus.
So, maybe this falls into the guilty pleasure category, but since the emphasis was on pleasure and, like Bekah, I'm not into guilty, I thought it was a hoot and a swell find.
(Please note that I found this book while browsing kindleunlimited freebies. I have no connection at all to either the author or the publisher of this book.)
The parts that are good are very good, and the parts that are bad are just sort-of bad, and the whole story was such fun and so cleverly imagined that I just decided to go with it.
Bekah, an orphan whose background is a complete blank, inherits an isolated house and a fortune from an unknown relative. Turns out the relative was a powerful wizard, the house is sentient and magical and loaded with magical objects, and Bekah's older siblings, most of whom are psychotic and diabolical, are all deeply put out that she's the sole heir to the Grace family power and money. The angle is that the dead relative forgot to tell Bekah any of this or to leave any instructions, so she's basically a child in the equivalent of a magical nuclear reactor who's pushing buttons to see what happens.
Lots of good stuff here. The house is a hoot, and it's described very well as we join Bekah in her explorations. The video game search-and-find and puzzle-solve stuff was fun right there. Bekah is an engaging character. She's smart and edgy and good with a quip or a vinegary insight. She's not a shrinking violet and she's got backbone. She does a fair amount of dumb stuff, but without that, ("Larry, don't go outside in the dark to investigate that noise"), you don't have much of a story. At least we didn't have a lot of denial and explaining-away and the like. Everybody buys into the magical house deal after about a minute of thought.
The house is loaded with magical artifacts, and the author obviously had fun thinking them up and strewing them around. Some don't add anything to the story but magikal coolness, and that was fine by me. There's a romance, but it's sort of light and amusing. When it does get heavy, ("can I trust him?"; "is he really into me for me?"), that passes pretty quickly. The romantic byplay actually added a light tone that broke up the action at the proper times.
There are some violent action scenes, but they aren't unsettling. Pratt doesn't seem to have a taste for unnerving sadistic psycho violence, but just standard movie violence, ("hey, that blowed up real good"), so this wasn't skin crawlingly or head messingly violent. I'm O.K. with that because it allowed the clever fun parts to be fun.
And as a special surprise, the book is thoughtful. It's not exactly plot thoughtful; there are huge plot holes every twenty pages or so. It's thoughtful in the sense that there are interesting dialogues between Bekah and her deceased relative, and between Bekah and her eldest sister, who is a psychopath with a backstory, and between Bekah and her other half siblings. And Bekah actually thinks about being a mega-powerful sorcerer, and what that means. That she approaches a lot of this with snappy banter and ironic throwaway lines is an added plus.
So, maybe this falls into the guilty pleasure category, but since the emphasis was on pleasure and, like Bekah, I'm not into guilty, I thought it was a hoot and a swell find.
(Please note that I found this book while browsing kindleunlimited freebies. I have no connection at all to either the author or the publisher of this book.)
September 6, 2022
But I guess what it comes down to is, there are different kinds of people in the world. Some people, if they stepped outside and saw a glowing portal hovering in their yard - a shimmering doorway that led to another world where the sky is the color of emeralds and crystal palaces shimmer in the distance - they would go right back inside the house and lock the door and pray for the freaky thing to go away. Other people would grab a couple of power bars and a bottle of water and a baseball bat for self-defense and step on through, because the regret of wondering what might have been would tear them to pieces eventually if they did anything else.
Turns out, I'm the kind of girl who has a hard time turning her back on what might be.
Another reread of an old favourite for me, and another one that's turned out fantastically. I don't just like this as much as I did the first time, I think I like it more - I definitely appreciate it more.
Heirs of Grace hits a lot of my particular buttons (found family, safe, homey base, kind of witchy), and is also just a great read in its own right. Bekah is a really likeable character, as are her surrounding cast - even if they're not likeable though, they feel well-rounded and defy easy tropes. Tim Pratt plays with the possibilities of magic in a way that makes it wish-fulfilment but fun; it's not allowed to fix everything, but like Bekah says, it's almost like being born rich. You can smooth a lot of bumps.
It feels great to read this book, and I'm glad I revisited it.
Turns out, I'm the kind of girl who has a hard time turning her back on what might be.
Another reread of an old favourite for me, and another one that's turned out fantastically. I don't just like this as much as I did the first time, I think I like it more - I definitely appreciate it more.
Heirs of Grace hits a lot of my particular buttons (found family, safe, homey base, kind of witchy), and is also just a great read in its own right. Bekah is a really likeable character, as are her surrounding cast - even if they're not likeable though, they feel well-rounded and defy easy tropes. Tim Pratt plays with the possibilities of magic in a way that makes it wish-fulfilment but fun; it's not allowed to fix everything, but like Bekah says, it's almost like being born rich. You can smooth a lot of bumps.
It feels great to read this book, and I'm glad I revisited it.
June 20, 2019
Noir Banter, Technicolor Adventure
After the first few pages, I was dubious about whether I'd like this book. I often pick out a book by its title and cover, without reading the blurb. I've discovered many good reads that way, though I suspect that, by judging books by their covers, I pass on books that may be great. But, the trouble with books is, I just can't read them all.
Anyway, I was in the mood for a ghost story, so I picked this book. The cover wasn't very spooky, as haunted house novels go, but I quickly learned that it wasn't about a haunted house at all. At least not in the usual way. Even though it wasn't a horror novel, I'm glad I chose it. Tim Pratt is an excellent story teller!
When I was a girl, I was enchanted by Half Magic, by Edward Eager. In that kids' book, children find a magical talisman and after some unintentional screwups, have to figure out how it works with sometimes comical trial and error.
This book isn't like that, exactly, and includes some chaste, adult romance, but the two share whimsical tones that keep the morality issues from being preachy. A spoonful of humor helps the scary parts go down without taking away suspense.
There's serious stuff here, but it will stretch your imagination without making you afraid of the dark. It's just right.
After the first few pages, I was dubious about whether I'd like this book. I often pick out a book by its title and cover, without reading the blurb. I've discovered many good reads that way, though I suspect that, by judging books by their covers, I pass on books that may be great. But, the trouble with books is, I just can't read them all.
Anyway, I was in the mood for a ghost story, so I picked this book. The cover wasn't very spooky, as haunted house novels go, but I quickly learned that it wasn't about a haunted house at all. At least not in the usual way. Even though it wasn't a horror novel, I'm glad I chose it. Tim Pratt is an excellent story teller!
When I was a girl, I was enchanted by Half Magic, by Edward Eager. In that kids' book, children find a magical talisman and after some unintentional screwups, have to figure out how it works with sometimes comical trial and error.
This book isn't like that, exactly, and includes some chaste, adult romance, but the two share whimsical tones that keep the morality issues from being preachy. A spoonful of humor helps the scary parts go down without taking away suspense.
There's serious stuff here, but it will stretch your imagination without making you afraid of the dark. It's just right.
December 21, 2020
Nobody’s “Evil Bastard” Detector is Foolproof 🕹
Bizarre scream-trumpet-flute sounds, padlocked doors, carnivorous mirrors, a poisoned chalice, book portals to other destinations, kitschy and sublime tchotchkes, unique souvenirs, found objects, and a magical smoking jacket?! This novel was like an amusement park wonderland of awesome.
Readers will encounter cane swords with regenerative, self-healing capabilities, invisibility cloaks, truth bells, knife swarms, supernatural sorcerers, heirloom hurleys, AND enchanted brooms! 🧹”Jars full of things that squirmed or buzzed or shivered” are mentioned amidst witchy incantations and supernatural security systems.
There are some instances of profanity, but I loved all of the comical quips and booze-and-betrayal-fueled sources of frustration. The mystically eccentric beings reminded me Ransom Riggs’ fantastically odd characters in “Miss Peregrine’s Peculiar Children” series. I also enjoyed encountering a subtle reference to “Slaughterhouse-Five” with a pair of so-it-goes silver boots.
A spoonful of revelations helps the reality go down, but NEVER trust a blue jay; some feathery squawkers might really be evil sisters in disguise. Highly recommend!
Bizarre scream-trumpet-flute sounds, padlocked doors, carnivorous mirrors, a poisoned chalice, book portals to other destinations, kitschy and sublime tchotchkes, unique souvenirs, found objects, and a magical smoking jacket?! This novel was like an amusement park wonderland of awesome.
Readers will encounter cane swords with regenerative, self-healing capabilities, invisibility cloaks, truth bells, knife swarms, supernatural sorcerers, heirloom hurleys, AND enchanted brooms! 🧹”Jars full of things that squirmed or buzzed or shivered” are mentioned amidst witchy incantations and supernatural security systems.
There are some instances of profanity, but I loved all of the comical quips and booze-and-betrayal-fueled sources of frustration. The mystically eccentric beings reminded me Ransom Riggs’ fantastically odd characters in “Miss Peregrine’s Peculiar Children” series. I also enjoyed encountering a subtle reference to “Slaughterhouse-Five” with a pair of so-it-goes silver boots.
A spoonful of revelations helps the reality go down, but NEVER trust a blue jay; some feathery squawkers might really be evil sisters in disguise. Highly recommend!
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