The Wandering Inn Retrospective Volume 1-9
The Rating is based on my first read of Book 1, that is not the rating I've given the series entirely... I don't think there's a point, but I would rate it 5 stars if I was taken the series as a whole.
It has been a whole month (been significantly longer, now I feel like I should post it) since I finished this volume (Volume 9), and I still don’t know how to feel about it exactly. It’s genuinely difficult to rate something so long, because the quality varies depending on the perspective. As the series progresses, it becomes more epic fantasy in terms of its sheer scope yet never forgets its more introspective slice-of-life nature. There are certain sections I've reread several times; one section at least 5-10 dozen times, and it never gets old. How do you review something that up to this point was 12-13 million words long? I have no clue. Because firstly you have to address the elephant in the room, its sheer size. It's massive, you can argue ridiculously so, and you can always make the argument that you can read so many unique stories in that time, and you would be right. How can you address that? I don't know. From my point of view, I partly started this journey because I wanted to listen to something while working out (or doing other activities) without being too lost and achieved that quite spectacularly. The audiobook narration by Andrea Parsneau is just brilliant, from her cadence to capturing characters' voices from a wide spectrum of species and making them sound unique, and she is even able to do a male voice so convincingly. I didn't immediately fall in love with the series, but I was interested, as I love well-written conflict and slice-of-life stories in a massive world that feels real.
I did get engrossed in the series faster than most people, I believe, as I had certain expectations, and I felt it met them. I could write in-depth reviews for each volume, and I did for Volumes 1-4 (Books 1-6), but then I just stopped and got too engrossed to write an in-depth analysis. The ending of Volume 4 and then the entirety of Volume 5 just floored me. Tears of Liscor, the 9th book, was just pure storytelling at its finest. It has such a cathartic climax and sort of made me speechless. So, I kept bingeing the series up to Book 15 of Garden of Sanctuary. It was the last audiobook in the main series; now came the problem. I did do immersive reading for a lot of the series (audio and reading at the same time), but did I love it enough to read the web novel? The answer was yes. I discovered an extension on Chrome, WebToEpub, and was able to download the remaining chapters in epub format. 1/3 of the series up to this point had audiobooks, so 4 million words, but there was so much uncharted territory of the remaining 8 million+ words.
As I’ve been looking back at the series from its very beginning to the latest instalment, a theme that appears so starkly to me is honouring one’s life after death. Many beloved characters die, even ones who don’t have a name. Erin gets a lot of unique powers that tie into this theme. How it’s explored and navigated is so brilliant. She undergoes so much trauma and heartbreak, and she never comes out clean, especially after Volume 9. She has changed so much in the course of this journey and almost unrecognisably so. There are these quotes that articulate it perfectly:
“I think she’s gone. I did my best, (blank). I think even after I came back… there was still a bit of her. But I don’t think she’s me anymore. The kid that my parents remember’s gone. I think she was a good kid. I dunno. But I don’t think they’ll recognize me, even if I go back.”
…
Today, I figured out how to articulate it. I don’t think I have good intentions anymore”.
…
Part of me wondered if I should leave instead of keep wrecking parts of the world selfishly.”
…
“I used to think I could make the world better. Now, I’ve tried again and again. All I learned was how to make it emptier. That’s not…better.”
Erin changes a lot in the series, and it’s the driving reason why I keep reading, as she becomes one of my favourite characters in fiction. One of my favourite moments as the series progresses is seeing other characters' perspectives of Erin because of how much she has changed and grown in this journey. It’s not just Erin, but many characters go through extraordinary arcs. If there’s one thing I love about this series, it’s that the side characters feel like protagonists of their own story and have this agency to them. The world is massive and so diverse, so we have plotlines across the globe with characters having their own supporting cast, etc. It’s one of the most satisfying feelings, certain characters converging after having been apart of their own plotlines for so long. There’s so much that can be said because The Wandering Inn allows so many different genres of fiction to thrive. One could be a cooking plotline, one could be a hardboiled detective, one could be an innkeeper, one could be a witch, a blacksmith, an adventurer, an inventor, a clown, an emperor, a chemist, a heist, etc.
Besides containing one of my favourite characters in fiction, it’s also just the world why I love this series so much. It sort of has a One Piece sort of charm where it feels limitless. Or you could say The Dresden Files, where any species or type of story could converge with each other. Like, just to state some of the varied species we have:
• Human - duh
• Antinium – my favourite species or second favourite in the series
• Beastkin
• Centaurs
• Crelers
• Cyclopes
• Djinni
• Dragons
• Drakes
• Drowned People
• Lucifen (Devils)
• Dryads
• Dullahans
• Dwarves
• Elementals
• Half-Elves
• Fraerlings
• Fae / Faeries
• Garuda
• Gazers
• Giants
• Gnomes – coolest Gnomes ever!
• Gnolls
• Goblins – tied with Antinium being my favourite species
• Harpies
• Selphids
• String People
• Trolls
• Unicorns
• Vampires
• Wyrms
These are just some of the species, not all… which I think just speaks to how full of life this world is in The Wandering Inn.
I can write so much more or include so many examples, but that wouldn’t be a retrospective anymore. Ultimately, the reason I will continue this journey despite its potential obstacles is because of the characters and the world. However, there’s one big detail that if you told me a year ago, you would think I’m joking: it’s the levelling-up feature. I despise most Isekai* because the world often feels so half-baked, wish-fulfillment redoing life a second time, and characters come into the world overpowered because they are chosen blah blah blah. You get the picture, and levels just feel fake and, the majority of the time, lazily implemented because it’s a cheap way to show potential conflict: 'Oh, this person is level 50, and I’m level 20. 'Oh fuck, I’m screwed!' I think this is a decent example of how it can potentially feel lazy, and that is also attributed to the skills class that can seem very generic. In the case of Wandering Inn, it’s anything but generic.
*Isekai is a sub-genre of fiction. It includes novels, light novels, films, manga, webtoons, anime, and video games that revolve around a person or people who are transported to and have to survive in another world such as a fantasy world, game world, or parallel universe with or without the possibility of returning to their original world.
It’s difficult to articulate why the system of levelling itself feels so organic here. I guess one way of describing it is feeling alien at first; you see and hear that prompt, and it's sudden. Without giving away spoilers, it feels deliberate, a part of something, and not just the whim of the author. An in-world explanation of why that function exists. Then there’s the diversity of classes, which causes its own unique problems when it comes to knowledge. The skills go from generic to super unique, and it’s tailored perfectly to the person. The more I describe it, the more it will potentially go to spoilers, which isn’t the point of this retrospective. Ultimately, the system (even the non-level entities) complements character growth well; it’s personalised and doesn’t feel cheap.
The point of the retrospective wasn’t to convince. Many people understandably have massive reservations about the series, and nothing I could write will convince somebody to give it a shot, it all comes down to you and your circumstances if you want to give it a go. This wasn’t even meant to be a retrospective, but as I was typing my wrap-up, which was only going to be a paragraph at most, I realised I had a lot to say about this series. Assigning a rating feels sort of meaningless. I wanted to write why I read/listened to this series for 7 months. It wasn’t the only priority, far from it; I read many amazing books in between, but at one point it became the sole priority. It became a journey like none other, and while I could have read a much more diverse set of books in that time, I can’t say I regret it. It has become one of my favourite journeys. I’ve definitely taken a massive step back since I finished Volume 9. Now it’s a great time to take a break and lose myself in other worlds. I still get back to The Dark Tower, a journey, and so many other stories I want to start and some I need to finish. I had a glorious journey, and I’m ready to partake in more journeys across different stories from across many mediums.
My Original Review for Book 1
There is nothing like the Wandering Inn without exaggeration. It’s a milestone and a considerable achievement. The idea of an Isekai featuring a ton of slice-of-life isn’t particularly unique, nor is it a series that gradually becomes more epic fantasy as it progresses. It’s the mishmash of so many ideas yet woven together in such a compelling manner. The world feels so alive; it’s alien to our protagonist and many mysteries (like the real world) from locations to characters, etc. It doesn’t really feel gamey; there are light LitRPG moments, but it’s often so true and grounded in the world. The series does a really good job of blending the epic plot (which I assume will unfold more and more) with quiet slice-of-life day-to-day; as a result, the characters feel so much more real as a result. We see characters have general interactions, having fun and getting to know them through their personalities and not really needing to relay an exposition of their backstory.
In terms of my backstory with the series? Well, I first heard about it in 2022 and was contemplating reading it, but I never took the plunge. While I thought the premise sounded amazing, the mix of slice of life and epic fantasy, the sheer size of it was rather daunting and can still be a factor for people not giving it a shot. Furthermore, there was this sentiment that started crawling up: how “the beginning is the series at its weakest, but Pirateaba improves a lot by book 2 onwards.”. It seemed the author agreed with this remark to a degree because she (for the purposes of the review, I’m referring to the author as she, but their gender is unknown to us) undertook a rewrite much later, where her skills were much more refined. Recently the audiobook of the rewrite got released, which seemed like the perfect opportunity. The author fixed errors, refined the prose, and added additional content on top of that as it rose from 343k to 454k. I heard nothing but wonderful things about audiobooks, and it seemed like the perfect series to use for a commute, exercise, or even at times work (when doing less brain activity tasks). I tried to do this with non-fiction, but I was just a lot less successful as I often felt like I missed something or other fictional books, but due to the sheer size and the nature of a web serial, it’s so easy to track. Anyhow, this is the background why I decided to start TWI, and I’m so glad I did!
Firstly, I usually never focus on an audiobook narrator, especially the first thing in a review; however, Andrea Parsneau is simply incredible. I’ve listened to a ton of audiobooks, and she is one of the best in the business. You know how female narrators (same as guys) have a tough time sounding like the opposite sex, it’s just a simple change of tone. Whereas Andrea does so much more than that and does such a convincing job at both sexes and even other species unique dialectics without sounding so fake. There is so much emotion in the whole performance to me; it evaluates the material, and I’m sure the author and narrator both feel blessed with this collaboration. I will say the elephant in the room, despite it being 454k (or 48 hrs), never felt dull. It consistently felt engaging throughout the entire experience. I’m admittedly a fan of slow burns, but even then each chapter had a natural progression to it. I was more taken aback by its plot progression, as it’s pretty wide in scope, and even Erin, who you would think would be mostly slice of life, has a lot of plot progression in her storyline. I should note that slice of life is genuinely fantastic and wholesome.
I really loved the scope of the series, where the last time you read a 454k book, it only feels like a prologue to the larger events at hand. The worldbuilding is the highlight; Pirateaba has such a vivid imagination, the cultures, the intercontinental wars, dealings with the ancient past, hints of interesting politics, many races, and a wide array of elements executed so well. The Lit-RPG aspects are very minimal and integrated so well with the world it doesn’t feel jarring. There’s so much that can be said, but it’s just diving headfirst, but I can guarantee it will feel immersive.
In terms of characters, the series has a wide plethora and thankfully doesn’t feel superfluous. The main cast would be Erin and Ryoka. I think for the most part, they are compelling and have interesting qualities to them. Erin I actively have a fun time reading that perspective compared to Ryoka, sure, she is naive, but considering her upbringing, I think a degree of it is rather realistic. In terms of Ryoka, while I can say her perspective is compelling, she frustrated me beyond belief. I don’t usually get peeved easily, but Ryoka really tested my patience throughout the book. I’m having hope that this sheer frustration is intentional and will pay off in the future; just at the time, it’s annoying. I do like how distinctive and complimentary their plotlines are, like despite my displeasure with Ryoka, both characters plotlines were just awesome, and that isn't even mentioning the interludes. There are a lot of side characters, and I would say they were also quite compelling, sometimes due to the air of mystery even more so, like I want to learn much more about Gazi, the King, and so much more. Pirateaba isn't afraid to make her characters be endangered and even kill certain characters much easier than I expected. Who will be safe in the following future remains to be seen.
The writing is probably the most contentious part of the series. How can the author write such quantity without sacrificing quality? Well, the answer is that quality is evidently being sacrificed. The writing from a prose level I would never say is great, but I think overall it’s very digestible and does what she wants to come across quite well without the awkwardness (which I assume the original version had). This is a series I would never eyeball read for two reasons: weirdly, the rewrite is oddly not updated in the ebook version (which seems dumb), and secondly, Andrea Parsneau, to me, enhances the writing quality in making it feel immersive compared to if I didn’t use audio. If I were to compare it to another web serial, Worm, I would say Wildbow, at least later on during Worm, is a better writer; however, that series doesn’t have an audiobook narration that potentially can iron out the issues with its performance. I was listening to the book, and I sort of understand how this book ended up so large; it’s partly due to her stream of consciousness. Sometimes the author just likes to diverge and sort of get distracted in unrelated subject matter. In a traditionally published book, it would probably be omitted. This does create a sense of realism, but it can contribute towards the word count. The climax I should note is pretty great, I think the series as a whole does a great job at depicting the potential scale of the future books, and the climax of the book is sort of a microcosm of that.
In conclusion, I was cautious about the book and its reputation, but it ended up quite pleasant. A favourite of all time? Definitely no, but I’m excited to dive further into this world and see what pirateaba has in store for me!
7.5/10