The maiden voyage and subsequent sinking of the Titanic is perhaps the most fascinating setting for historical fiction in the twentieth century. You have the mixing of social classes, from the wealthy elite (John Jacob Astor, for example) who punch their tickets for first-class accommodations all the way, to the affluent members of second-class, financially secure but not quite up to the level of the Astors on the social scale, down to the third-class passengers, many of whom were in the process of immigrating to the United States when they climbed on board the Titanic. Third-class lodging, though, was no slum on this incredible boat. The accommodations in even the least expensive quarters of the gigantic sailing vessel were magnificent, beyond what most of those traveling third-class had ever seen.
Riding a boat across the vast expanse of an ocean meant that all of the passengers had to stay in one relatively fixed location, without the option of going anywhere very far once the ship's voyage across the Atlantic began; therefore, there was bound to be some contact between the classes despite the mammoth size of their shared maritime hotel. It's not as if the wealthy and less-wealthy passengers onboard necessarily disliked each other; in 1912 Europe and America, though, there was quite a difference in how the rich and the merely "comfortable" were treated. As one might imagine, that could cause some tension. With thousands of individual agendas and personal plans intersecting at this one unique time and place in history, and with plenty of room on the ship for secret trysts and the concealment of dramatic secrets, it's no surprise that the Titanic is such a rich breeding ground for stories of romance and adventure that continue to fascinate us today.
Enter teenaged Elizabeth Farr, daughter of the elite of American society, engaged to marry a wealthy businessman who will have no trouble affording to keep her in the luxurious mode of living that she is accustomed to as a birthright. Elizabeth's parents have, indeed, planned out the direction of her entire life, but she is not content to go along with their plans for her, which seem so dull and tired. Though heavily dependent upon the expensive luxuries of the lifestyle that she has always enjoyed, what Elizabeth really wants is to attend college and decide for herself the man she would want to marry. To wed solely for reasons of decorum and her father's business connections seems to Elizabeth a terrible, confining fate. Her parents, though, don't see anything wrong with going ahead with the arrangement as planned, and they see Elizabeth's desire to supersede their wishes as little more than the petulance of a young girl who obviously still doesn't have the maturity or foresight to make decisions for herself.
Down in steerage (third-class), Katie Mahoney is making her own way from Ireland to New York, where she has hopes to perform professionally as a singer and musician on the big stage. Accompanying her on the journey are two brothers, Paddy and Brian Kelleher, who have their own planned occupations to consider when they arrive in the new country. Uncertainties abound between the three as to the status of their relationships to each other, and it is on this voyage that Katie first begins to realize that she may have deeper feelings for Paddy than she had ever known. A relationship between the two Irish immigrants might be complicated, though; Paddy has plans to go to the midwest, while Katie is certain that her own potential future as an entertainer lies in new York. Of course, in a matter of days all of these issues will seem trivial compared to the tragedy that is bearing down on them all as swiftly as the Titanic gliding through the icy January waters of the Atlantic.
For Elizabeth, her own set of choices as to how much she is willing to defy her parents if that defiance should mean being cut off from the family's wealth grow more complex when she meets a boy her age on the boat, himself also heading back to America. Max Whittaker may have been dressed like a peasant when he first boarded the Titanic, but his pedigree is the same as Elizabeth's; born and raised by wealthy parents, the only reason why he now cannot depend on their money is that he and his parents had differing views of his future, and Max was left to fend for himself. Max's story hits close to home for Elizabeth, who dreads that the same thing may have to happen to her if she is to ever have a chance at happiness attending college or choosing her own husband one day, and the two teenagers slowly begin a friendship that could, under the right circumstances, eventually become something more.
Approximately the last half of this book, which amounts to somewhere in the range of one hundred seventy pages, deals with the fallout from the Titanic's devastating brush with the fatal iceberg, and the panic that gradually sets in over the course of that one nightmarish evening as it dawns on the passengers first that the "unsinkable" ship is truly going down, and then that there aren't enough lifeboats to carry all of the vessel's many inhabitants. The leviathan on which they have entrusted themselves is about to hit the bottom of the ocean, and when that happens, the high society members of bigwig business families who haven't escaped from the hulk will be just as dead as the anonymous immigrants of modest means.
Elizabeth Farr and Katie Mahoney will stare into the open maw of death as it takes its form in the pitiless, freezing black waters stretching in front of them to the distant wintry horizon, knowing that anyone stranded onboard without access to a lifeboat will have no chance of making it out of this emergency alive. Elizabeth and Katie will make impossible choices and see people they know go to their deaths, as fifteen hundred people lose their lives in a single night. The question is, how many of those closest to Elizabeth and Katie will survive the sinking ship and make it to America alive? And will Elizabeth and Katie be able to go on after what they've lost?
I had read a couple of Diane Hoh's suspense books in the past, but I never realized before what a good novelist she can be. Her description of the historical elements surrounding the voyage of the Titanic are interesting (after all, what would a story about the ship's disaster be without at least a passing reference to the "unsinkable" Molly Brown"?), and her ability to create characters with nuanced personalities and emotions that ring true is highly developed. When considering the merits of a contemporary historical tome about the Titanic, I think that one of the biggest factors to be weighed in the success of the book is how well the author has created an intriguing atmosphere out of the available story elements. The historical scenario is rich with plot possibilities, and a good writer should be able to come up with a high-quality story from those possibilities. Diane Hoh does not fail to deliver a thoughtful and adventurous narrative that has action and asks penetrating philosophical questions, carried by its characters and their authentic emotional responses to the tragedy that they must endure.
You won't find any spies or layers of deep secrets in Titanic: The Long Night, but it definitely is a book worth reading, about a terrible incident in history that I'm sure we will continue telling new stories about long past when the final actual survivor of the tragedy has passed away. This is a book of historical fiction that should hold appeal for more than just history fans; interest in the voyage of the Titanic remains significant today, and I know that many readers would enjoy Titanic: The Long Night. I would give it at least two and a half stars.