Anna Carey brings meta-reality to life through the experiences of Jess Flynn, a seventeen-year-old living in 1998 who is trying to figure out why nothing around her feels quite right as of late. Small-town Swickley, New York isn't geographically far from New York City, but Jess has never gone there. Her mother is overprotective, and Jess hears stories of awful things that can befall a person in the Big Apple. As a talented singer, she dreams of one day living and performing in Los Angeles, but that's at least a few years away; for now, Jess has all she can handle at home. She and her childhood friend, Tyler Scruggs, are becoming more than friends. Jess feels the heat when they're together, but her best friends Amber and Kristen say she would be better off with Patrick Kramer, one of the athletic, popular guys at school. Beyond her love life, Jess's stress levels rise as her younger sister Sara takes a turn for the worse. Diagnosed with Guignard's Disease, Sara's condition is deteriorating, and Jess may have to face losing her sister. It's a lot to cope with as she enters the home stretch of her high school years.
Little mysteries have always lingered at the edges of Jess's life, but recent events magnify them. It's as though Sara is trying to tell her something without saying it out loud, and the same goes for Tyler. What was that strange device Jess saw fall out of Amber's backpack, which Amber quickly hid? Why has Jess never been able to set foot outside Swickley's town limits, even for vacations or trips to the city? And why does her dog, Fuller, suddenly look slightly different and treat her like a stranger? She dismisses these concerns as long as possible, staying focused on Sara, but the façade falls away one day after Jess takes an unscheduled detour with Tyler to his house. Pressed for answers by Jess, he reveals a truth that rocks her to the core.
What Tyler says feels impossible, but too much makes sense for him to be lying. Jess could be in mortal danger, and so could he for revealing the secret. What about Sara? Slipping in and out of a coma, she can't defend herself if bad people leverage her to get at Jess. Or isn't Sara as sick as they'd led Jess to believe? The nature of reality has flipped upside down, and Jess doesn't have long to sort out her friends and enemies. Trusting the wrong person will bring terrible consequences, but she has to trust someone if she has any chance of saving herself. What will tomorrow look like now that Jess's old life is no more? If all goes well, she'll have time to explore that for herself in the days and years ahead.
I wonder if part of the reason This Is Not the Jess Show is set in 1998 rather than some other year of the '90s is in homage to the 1998 Jim Carrey movie, The Truman Show. The idea behind this novel is similar, but isn't just a redo of that movie for teens; unfortunately, it also isn't as good. There are countless opportunities for plot twists in This Is Not the Jess Show that aren't taken advantage of. There are also a few narrative implausibilities I won't elaborate on in the interest of avoiding spoilers, and the public's reaction to Jess's secret is difficult to entirely believe. Were there really so few people who would take her side rather than shrug at how she was being exploited? Had Neal Shusterman written this book, I suspect it would have turned out brilliantly. That's somewhat unfair to say—Anna Carey is not Neal Shusterman, and has her own style and themes she wants to explore—but I can't help feeling this could have been a smarter, more thrilling story with a better philosophical basis. I'd consider rating it two and a half stars, and I'm interested in reading the rest of the series. It has plenty of potential.