Premise: Elias de Morville – a knight with a troubadour's heart – is determined to prove himself worthy of his esteemed Wulfrith dagger as he searches England for his potentially long-lost son…when he meets a mysterious maiden. Honore of no surname has dedicated her life to rescuing and raising foundlings. Ever since one of her beloved charges disappeared months ago, she's been desperate to find him. Upon realizing they're seeking the same boy, Elias and Honore join forces, unaware that a grand tale of adventure, deception, and love awaits them both.
Story/Writing: Phew! Finally, at long last I've finished the "Age of Faith" series! While it was bittersweet to close the book on this epic medieval journey with the Wulfrith family and their friends, it was also satisfying to know I finally know their story in full! Yet at the same time, I'm a little disappointed in myself for not having finished it as soon as I wanted. I'm usually a fast reader, but then again I have kind of been on a reading binge for the last six months with the "Warriors" books and now these. This is definitely the longest book in the "Age of Faith" series, being nearly fifty chapters long (counting the epilogue). But, in its defense, the chapters aren't unreasonably long. And once I realized that you get a poem when you put together the words at the beginning of every chapter that are separated from the story itself, I thought that was such a clever idea! The words highlight either what's going to happen in that particular chapter or what just happened in the previous one, and once they all come together in the end, not only is the "Song of Honore" itself a beautiful piece of verse, there's also this immense satisfaction of not giving into the temptation of skipping ahead to collect all the words at once. It really adds to the feel that you're experiencing this journey with the characters and seeing the points of inspiration for the poem itself. Not to mention, whereas the previous books are mostly set in England, more than half of this book takes place in Elias's native France. It's a nice change of scenery and a nice return to something I really liked about "The Vexing." Plus, there's some poignant commentary about certain things that haven't changed since the medieval era, specifically the exploitation/marginalization of children and the disabled/deformed. While everyone wants a healthy baby, it's heartbreaking when you wonder how common a practice it was for parents to set out "imperfect" infants. Fortunately, what also hasn't changed is the fact that there've always been people who stand up for both. To paraphrase Roger Ebert, fiction is a machine that generates empathy, and Tamara Leigh definitely proves she's mastered that machine in this book!
Characters: Even if the story of the Wulfrith family themselves is technically over, that hasn't stopped Leigh from churning out incredible characters that anyone can get behind. And that's especially true in this book. Particularly when it comes to characters who are "deformed," the book does a good job at making us feel for their plight. But at the same time, neither is that plight used as an excuse for ditching good character development. Whatever their condition, everyone in this book has some growing to do, even those who've appeared in previous works.
Honore of No Surname – While this book is quite a bit long, a good reason for that is to let us get to know this brand new character as she makes her debut here. Yet at the same time, she didn't come out of nowhere. If you've read previous books in the series, you know that Lothaire's original full-sister was swapped with their half-sister, Sebille. I pretty much knew Honore was that swapped sister from the start. She has the same name as Sebille's real mother, the same malady that caused Raisa to reject her in the first place, and is the same age as Sebille, who was born three weeks earlier than Honore. Speaking of which, I like that she's older than most heroines in these kinds of novels. Whereas previous heroines were younger than their love-interests and in their mid-twenties at most, Honore is not only in her early thirties but older than her love-interest. It's a nice change and lends to intriguing commentary about both medieval and modern times. But back to Honore's actual character, I really felt for her and her dilemma. She's been stigmatized literally since birth for something she couldn't help, and even now as a grown woman has a hard time believing anyone could not only not be creeped out by her mended cleft-palate (I'm assuming that's it) but love her in spite of it. My heart went out to her multiple times, particularly when she gets distressed for the wellbeing of Hart and other kids being exploited by the Troupe. That said, even if you disagree with her not speaking up about certain things to Elias, you have to admire her dedication and the lengths she's willing to go to rescue and protect just one of her foundlings. And while she may have lived most of her life in Bairnwood Abbey, even if she does have a bit more to learn about the outside world, she's not completely naïve. All in all, by the end, I was so happy for her and couldn't think of a better conclusion to her story!
Elias de Morville – After three books of being a side-character, it's great to finally see Elias as the leading man in a love story worthy of a soul such as his! Even if we didn't get to read about his early years – or rather his first flight to England as a teenager – as they happened, you really feel like he's come a long way from the rebellious youth he was, especially with the decision to take responsibility for his past sins by claiming a child who may or may not be his. That said, he still has some growing to do and to learn that love is still possible even when your heart has been broken. What's also great is that, even though he was obviously a born troubadour – making the parts where he's telling his stories the most entertaining in the book – he still feels like a regular guy. He does get frustrated by Honore's insistence to accompany him, and even unreasonably angry at her at times. Yet he soon recognizes where he went wrong and does his best to make amends. He obviously takes his new responsibilities very seriously, yet at the same time, he aspires to escape the influence of his father and even his duke and do what he knows is right. Of course, by the time he discovers Becket's true identity, it's too late to turn back. But even then, despite the danger to his family, Elias knows this guy means no harm and getting involved in this feud between Henry and Becket was simply due to being in the wrong place at the wrong time. Even the way he and Honore fall in love feels realistic and believable despite the things going against it, such as the length of time and happening not long after Elias's first love was found dead. A romance that forms over the course of a few days can work if the quality of the time counterbalances the quantity. And Leigh does exactly that here. By the time they pour out their hearts to each other at the end, it feels like you just read an epic love story for the ages!
Hart – Once again, I need to give Leigh some serious credit for writing believable kids, especially kids facing prejudice. With Judas, it was facing abuse from his father; with Clarice, it was dealing with being the product of rape (unbeknownst to her); now, with Hart, it's facing exploitation by complete strangers for something he had no control over. It's kinda miraculous he hasn't been completely traumatized by the time he was rescued. Even before he formally appears, you can tell how much he means to Honore and – to some extent – Elias. We're made to care about him and his plight early on so that, when we finally do meet him, we feel for how much he's certainly endured at such a young age. Yet despite being not even ten years old, he proves to be a remarkably mature and smart kid. Even if he argued with Honore about doing chores, you can tell how much of an impact she already made on him when you learn how he's cared for the exploited children in the Troupe's sideshow as if they were his own foundlings. He even takes the prayer beads Finwyn stole from Honore the first chance he gets, and leaves a trail of them for her to follow. Even before we see him as a teenager in the epilogue, you know he's gonna be a fine young man!
Thomas Becket – I couldn't have been happier when I first read the synopsis and realized Becket's real-life feud with Henry II and subsequent flight from England was gonna play a major part in this story. Even if you don't know of the battle of wills between king and archbishop, the way it's written here, you feel the tragedy of two guys who were once friends have now grown so far apart reconciliation doesn't feel possible. Even if you disagree with Becket's reasoning, you gotta remember that Henry – while not entirely unreasonable – wasn't very kind to those he deemed traitors. Personally, given what I know of the conflict, I think they were both wrong in their own ways. But I was also kinda rooting for Becket and was touched by the remorse he showed for deceiving Elias and the kindness he showed to the people he knew were risking much for him. I also thought it was cool when he said their names would remain unknown to history. That said, if you do know history, it is kinda sad reading it 'cause you know it ends with Becket getting murdered in his own cathedral mere months after returning from exile. Regardless, I really like the way actual history was incorporated in this story and it makes me hope the real Becket was as likeable as he was here!
Squire Theo, Cynuit, and Finwyn – Even if Squire Theo and Cynuit (understandably) don't have as much character development as our main leads, I did like what they brought and contributed to the story. I was kinda surprised when I realized Elias's faithful squire wasn't Wulfen-trained, because he certainly feels like it. Squires of course were supposed to be loyal to the knights they served, to the death if need be. But here, I think Squire Theo went above and beyond in his service. Same with Cynuit. Even if he is older than Hart by three years, it's still not much, and I honestly mourned the loss of his innocence and childhood more than Hart's own loss of the same. Regardless of whether or not Finwyn was his father, no kid should have to suffer such a low-life excuse of a master. Speaking of which, I can't believe I thought of Finwyn as being at all decent at the start, because he pretty much ends up being a medieval child trafficker, making money off the suffering of parents and the exploitation of children. Not to mention his near-murder of Honore and killing of Lettice, regardless of whether or not it was intentional. To be honest, I was actually kinda satisfied when Elias stuck him with his dagger. The world is in no need of such despicable hacks!
Various Other Characters – Speaking of Lettice, my heart broke for her when we learned the root of her infidelity to Elias. While I was initially angry at her decision to set out the infant Hart, when I realized how far she'd fallen and how broken she became, it ended up being harder for me to judge. I still don't condone all her choices, but I also know superstition was rife in medieval Europe and she herself started out as a pretty naïve girl. And if Finwyn's deathbed confession to Honore is true, then I just hate him all the more. He cheated on her and broke her heart, convinced her to set out her own child, then aided her in prostituting herself and then killed her! It's gut-wrenching just how harsh a life she lived. But, moving on…it was great to see Elias among his old friends Susanna and Everard. And in the epilogue, when Elias mentioned the upcoming wedding of Garr's oldest daughter with Annyn, it made me so happy for how far this family has come. It was also awesome to see Honore finally learn her origins and meet her half-sister and their brother! Not to mention it was also satisfying to learn the nature of Lothaire's favor to Elias mentioned at the end of "The Awakening." I liked Abbess Abigail and how, for all her life experience and wisdom, she was still flawed and had to realize she needed to let Honore go. It was also great that she had the drop-off door (as I call it) made and finally broke with the insufferable Lady Yolande. While I didn't like Otto de Morville at first, he did grow on me and I'm glad he realized and admitted in the end that he did love his son and that Elias's happiness was important to him. I was also glad that Elias's stepmother, while not featured much in the story, convinced her husband to let Elias wed Honore. It was great seeing Durand and Beata again, especially when they went with Elias to his audience with Henry. Speaking of whom, it was interesting to see how far he's come in the ten years since he was crowned king. He certainly still has the ego he always had in real life, but he feels more willing to negotiate and I like how Leigh believably wrote him so that he did pardon both Elias and Honore for aiding Becket. If only he and Eleanor could've been on such good terms.
Overall: While it is bittersweet to finally be done with the "Age of Faith" series, I honestly don't think it could've ended on a better note! I'm so glad I discovered this series and I look forward to more books from Tamara Leigh, especially the "Age of Conquest" series which tells the origins of the Wulfrith family!