Anthologies are tricky beasts, as every editor would readily admit.
If you succeed in taming all of them into their designated or lucky positions, you get a wonderful read, maybe occasionally marred by a few drab or boring works, which one may simply choose to overlook.
On the other hand, if the editor was being driven by a pompous choice or his/her (God forbid!) ideology while making the selections, the hapless reader is bound to get a very-very raw deal.
I have had both. A lot.
Fortunately, Paula Guran belongs to that very select group of editors who read a lot, and try to provide the readers with actually readable stories, rather than ideologically tilted or otherwise nonsense. This book also didn’t frustrate.
What have we got here?
(*) “Introduction: My Mouth Has Been Given to Me That I May Speak” by Paula Guran: A lovely piece that gives a succinct overview of Mummy Literature in English literature, with special emphasis on various thematically oriented anthologies on the subject.
1. “Private Grave 9” by Karen Joy Fowler: A strangely poetic story told against the backdrop of emotions, hysteria, and history. Good, but wouldn’t read it again.
2. “The Good Shabti” by Robert Sharp: A tight story that presented two timelines in a thrilling format, making it simultaneously a science fictional work and a murder mystery full of intrigue. Very Good.
3. “Egyptian Revival” by Angela Slatter: A..W..E..S..O..M..E! I mean, if I try to say anything more, I would probably ruin it.
4. “The Queen in Yellow” by Kage Baker: You know, I truly hadn’t read any ‘Company’ story before I had read this one! But WHAT a way to begin that journey! Please savour this wonderful story, and DON’T rush.
5. “On Skua Island” by John Langan: I have had the privilege of reading this story in Langan’s seminal collection, and it succeeded in utterly terrifying me, again, with its erudite & precise prose, and strangely vivid portrayal of … No, you HAVE TO read this absolutely gem of a story to appreciate it, without wasting time over my piece.
6. “Ramesses on the Frontier” by Paul Cornell: I kept trying to fit this story into one of those convenient pigeonholes like comedy, farce, political peace, surrealism, etc., and utterly failed. An unconventional piece, and as good (and as un-re-readable) as the first story.
7. “The Shaddowwes Box” by Terry Dowling: Ah! This was a satisfyingly chilling piece, written in beautiful & ornate prose befitting a modern master in nuanced horror. Very Good.
8. “Egyptian Avenue” by Kim Newman: This story was also an old friend, whom I had come across in Newman’s brilliant Diogenes Club collections. Very Very Good.
9. “The Curious Case of the Werewolf That Wasn’t, the Mummy That Was, and the Cat in the Jar” by Gail Carriger: A brilliant prequel, as well as totally mouth-watering appetizer for the Parasol Protectorate series, this story is one of the high points of this already immensely enjoyable collection.
10. “The Night Comes On” by Steve Duffy: Once upon a time, Steve Duffy used to give us such classic ‘Jamesian’ horrors, but then he abandoned those ways! What a loss that has been can be understood only after reading this book.
11. “American Mummy” by Stephen Graham Jones: A dud.
12. “Bubba-Ho-Tep” by Joe R. Lansdale: Elicited a few chuckles, but nothing like it was supposed to happen, according to all the blown up hyperventilated praise showered upon this piece by faithful Lansdalophiles.
13. “Fruit of the Tomb: A Midnight Louie Past Life Adventure” by Carole Nelson Douglas: An absolute stunner! And it’s all the more enjoyable if you are a cat-lover.
14. “The Chapter of Coming Forth by Night” by Lois Tilton & Noreen Doyle: Very Good. Not as good as some of the dazzling & meta pieces mentioned above, but very good nevertheless.
15. “The Mummy’s Heart” by Norman Partridge: Crap. Somehow, this overhyped author has succeeded in scattering only drivel across every anthology bearing his name, and yet he keeps getting awards like one gets mosquitoes in our parts! Perhaps he employs a Lot No. 249 type Mummy to do his bidding just before awards are announced. Who knows!
16. “The Emerald Scarab” by Keith Taylor: Very Good. It succeeded in making me interested in the entire ‘Servant of the Jackal God’ collection.
17. “The Embalmer” by Helen Marshall: Rot.
18. “Tollund” by Adam Roberts: Brilliant. This is a story that truly deserves repeat readings just to get hold of all its alternate-world glory.
19. “Three Memories of Death” by Will Hill: A beautiful, heart-wrenching, and totally non-genre yet utterly riveting story of mortality & feelings.
In short, when you have only three duds, and one or two sub-par stories, while majority of them beckon you to read them again & again, is there any reason to be miserly in starring the review?
Highly Recommended.