I am on a bit of a Molly Tanzer roll this year, after devouring her earlier work that pastiches 18th century literature so wonderfully. Her “Diabolist’s Library” (*see note at the end of the review) series had started a bit rough with me, though: “Creatures of Will and Temper” had felt a bit rushed to me, but after enjoying “Creatures of Want and Ruin” as much as I did, I now wonder if I judged it too harshly and I’m considering revisiting it!
Set in Long Island during the Prohibition Era, this book has all the things I love about Molly Tanzer’s fiction: well-defined and unique female leads, some sexy times, some realistic and often frustrating human interactions and of course, some cosmic horror elements that creep and crawl all over!
Ellie West helps support her family by selling bootleg liquor to the Amityville citizens who enjoy such libations. It’s a risky job, but her family needs the money to send her brother Lester to medical school – and so she can save up for her wedding to Gabriel, a local carpenter and amateur of pulp fiction magazines. Fin Coulthead is a young woman from Philadelphia, vacationing on the island with her husband Jimmy and his posse of freeloading friends – she prefers the company of books and her archery equipment to their partying, and they also seem to prefer it when she is out of the way. Ellie and Fin’s paths cross after Ellie acquires some unusual liquor and sells it to the Coulthead for a big party they are throwing; sure, there is always a risk in drinking moonshine, but the party-goers who imbibed from Ellie’s weird bottles experience vivid hallucinations that Fin believes to have been visions of the future. A future where some… thing destroys Long Island. The scandal of this party gone awry is fuel for the sermons of a certain Reverend Hunter, who preaches temperance and a return to the good old days when Long Island belonged to those who were from there (i.e. not immigrants or anyone with a darker shade of skin). Ellie soon realizes that the strange liquor and stranger preacher may be linked, and that she may have to take drastic steps to save her home and her family.
Where I had had a hard time connecting to Dorina and Evadne in “Creatures of Will and Temper”, I took to Ellie and Fin almost instantly. Both of them are strong-willed, know their own minds and feel trapped in their respective settings. They also feel like no one understand who they are, that people make assumptions on them based on their clothes or status, but there is more to both of them than meets the eye. I loved Ellie and Gabriel’s relationship, which is honest, tender and sexy, and there too, I felt something very familiar in Ellie’s sense of independence that comes across as remoteness. Fin’s character is also cleverly drawn, especially in how she feels out of step with the crowd her husband prefers to spend time with; her husband took to being newly wealthy like a fish to water, but Fin did not let the money change her, and neither he nor his idiotic friends can understand that.
One of the things that really struck me with this story is that an easy parallel between the people who follow Hunter’s very obviously deluded and bigoted cult do it because they suddenly feel free to voice thoughts they had kept from their friends and loved ones for a long time. Ellie herself thinks, at some point, of some of the things her father had said which had made her raise an eyebrow but that she had ignored to preserve the peace. My heart honestly tightened reading that, because this book was published in 2018, and therefore, written before the MAGA and QAnon insanity really took off, but what Tanzer describes is essentially the same phenomenon, and her prescience freaks me out a little bit (or she just really gets the conservative demagogues’ social manipulation pattern). Another annoyingly prescient element is Fin’s past as a birth-control activist… But big kudos to Tanzer for mentioning period-accurate contraceptive devices and reminding her readers that sex is fun, but one needs to think about its consequences!
The only thing that really fault this book with is a certain abruptness in pace in the second half of the book. We spent a lot of time discovering the setting and the characters, and suddenly, it’s all action all the time. I feel like Tanzer could have taken her time a bit more ramping the reader up towards the more climactic elements.
Tanzer really has a gift for storytelling, and even if I preferred “The Pleasure Merchant”, this was a great addition to my library; definitely worth checking out if you like fantasy historical fiction with something intelligent to say, and weird tales that involve demons and sentient mushrooms. I will be trying to get my hands on “Creatures of Charm and Hunger” very soon!
*Just to clarify, while the “Diabolist’ Library” is a series, the novels are not sequels! You do not need to read them in publishing order to enjoy them, and as far as I can tell, the stories do not seem to be interconnected, they just take place in the same fictional universe.