I had great hopes for this book. As I said in my review of book 1, I read it in French, and they rearranged the novels to have 1 book with only male writers, and 1 book with female writers (this one). So being a girl, a couldn't help but hope this second volume would be better. Well, some were really good, but there was also really bad work in there. I put the blame (partly) on selection, as for example I read three novels which were basically the same, so of course comparison was harder on the worst one.
Anyway, here's a quick word on each novel. Sorry for disorder.
My Heart is Either Broken - Megan Abbott - 4 ⭐
Uneasy story of a woman, who I couldn't make up my mind about. Is she heartless, mean, or just normal ?
My feelings for her evolved along the short pages. It's definitely not the kind of novel I was looking for, not really the kind that I like, this unease clinging to me, but I have to recognize the mastery of the writer.
Nora's song - Cécilia Holland - 1 ⭐
This is the kind of "slice of life" story that I hate, because I just don't get it. Nothing really happens, there is no moral lesson (that I could detect). I was all the more so disappointed that the first few paragraphs had seduced me. But I reached the end with a sense of emptiness. This piece of work was closer to a chapter in a full book than a stand-alone story.
Also, who was the dangerous woman there ? All I could see was a sad queen, turned violent by desperation and fear, and a petulant child.
The Hands That Are Not There - Melinda Snodgrass - 5 ⭐
This one is the exact opposite of Nora's Song. The introduction didn't appeal much to me, and I took the story for a bad Star Trek or Star Wars rip off. It was not. As soon as the story started, I was drawn into it and couldn't close the book until I finished this novel. I might have knocked a few people on the street and in the subway on my way to work that morning...
Beside the appeal of the story, which is always subjective, I liked the writing and storytelling very much : light and precise, balanced, with enough strength in the words to convey the characters' emotions, but not so much that the sentence would become heavy and redundant (unlike that one...). I will look up this writer, I want more of her books !
Raisa Stepanova - Carrie Vaughn - 5 ⭐
That one took me by surprise. Considering the theme of the novel, I expected to be very detached, but ended up feeling very close to the heroine, her fight and her strength - purely through the skill of the writer, if that needed to be said.
I was once again impressed by the quality of writing and storytelling.
Neighbors - Megan Lindholm - 5 ⭐
Is magic real because you believe in it, or must you believe in it because it's real ? Make up your own mind in this well written fantastic story.
A Queen in Exile - Sharon Kay Penman - 3 ⭐
* mild SPOILERS considering this is based on Historical facts*
This novel is totally out of subject. This is the story, correctly written if a bit heavy, of a courageous woman, not a dangerous one.
The author herself says so in an after-note. She then goes on to say that years later, Constance conspired against her husband, evicting him at the profit of her son. In the anthology, I would rather have read about that later part of the story.
Second Arabesque, Very Slowly - Nancy Kress - 3 ⭐
First I didn't like the title much. It's loo long, and even after finishing reading the story, I still didn't get it.
then I found the writing mediocre, and I didn't like the way people talked.
But the last few paragraphs somehow lift it all up. It's a good, sober story about hope and determination.
City Lazarus - Diana Rowland - 1 ⭐
*spoilers*
Absolutely terrible. First, the writing was appalling. Why do some authors think that the only way to convey a low-life mob character is to infuse the whole novel with vulgarity ?
But it was not only unnecessarily boorish, it was also plain badly written, which made it a drag to read, and totally impossible to immerse into the story.
I barely prevailed, and finally reached the last page, where the dangerous woman is unveiled. This end twist could have earned the novel a additional star, except for bad luck : I already read two similar stories in this anthology, and both were much better written (“I Know How to Pick ’Em” by Lawrence Block , and “The Hands That Are Not There” by Melinda Snodgrass).
Virgins - Diana Gabaldon - 3 ⭐
The writing is not highly qualitative, but comfortably easy to read, though sometimes the dialogues are a bit confusing. In any case, it's not a hindrance to getting into the story, which was quite catching.
Though I wouldn't say it was a great novel (mostly because of the writing - I realize I've become quite demanding on the matter), I did plunge into the story and went to sleep late because I wanted to finish it.
Hell Hath No Fury - Sherrilyn Kenyon - 3 ⭐
The writing is ok, though unfortunately hampered by a poor translation job.
The story being very short it's hard for me to judge... but I'll still do it ! : I found it way to moralizing. I don't know if that was the author's intent, or if she just wanted to stuff as many old sayings as she could in 20 pages (to show off all the research she did ?), but it annoyed me.
Also the end was way to vanilla for this type of story. But that goes with the moralization I guess.
Caretakers - Pat Cadigan - 3 ⭐
I don't see where the dangerous woman is, but appart from that the story is ok. the plot holds, it's not too obvious. The writing is not bad.
I prefer Sci-Fi/fantasy so I had little interest for this novel, but I can imagine the appeal others would find to it, which accounts for 1 of the 3 stars I give it.
Lies My Mother Told Me - Caroline Spector - 3 ⭐
That one also gets a star for the universe behind that I don't know, and which probably makes it more interesting for the fans.
As for me, I was once again put off by a writing that I came to define as slouched. It's not terrible, but it's not elegant either. Much like everyday talk rather than writing endeavour. This effect is reinforced by the intensive cursing of the protagonists. I understand that it is intentional, but as it leaks into the surrounding text it become less mastered, and more amateur writing.