This came out in 2012, and I had no real interest in reading it. I was happy with my knowledge of Danny Baker and didn’t feel the need to know more about him. I’m old enough to have been a teenage reader of his work in the NME; I didn’t see any of his telly work, but I’ve listened to him on the radio a lot, and I’ve heard him on podcasts like The Word.
But then a friend left this on the free table at work, hardback edition, and I picked it up. First of all: my eyes. Even sitting in the fairly bright (so-called) conservatory at home, I found it a struggle to read because I’m so spoiled by my backlit Kindle and its elastic font sizes.
But I managed. In two halves, actually. I read half of it before going away for Easter, and I finished it this weekend, as a way of distracting myself from hunger pangs.
It’s straightforwardly told, in Baker’s distinctive and easy style. He has the gift of the gab, and a great gift it is. He was always the funniest writer in the NME’s heyday, and his 1979 entry on the letters page under the name Samuel K Amphong is the stuff of legend.
Where is Beatles band? This band who have not been as of late clear of circumstance. Beatles Band! Can we no longer hear there medolious throng? John! Paul! All in Beatles Band come forth! What question have we to put? Now? Arguments neccessary can begin with whole results expected for any return. Ringo! Here in Thailand Beatles band experience is long loved and can be hurt away from John, Paul etc. Please give any news to Samuel K. Amphong of address similar to above. yours as in rock!
Samuel K Amphong, Thailand
I’m still not sure if I’ll get to volumes two and three of this autobiography, but I did enjoy this, mainly because it covers the period of my own formative years, including the NME’s glory days and the lightning fast coming and going of punk rock. While Baker started his writing career at punk ‘zine Sniffin’ Glue, he shares my disdain for the scene, which for him lost its shine on the night the news of Elvis’ death was greeted by punk rock cheers in some club.
Baker acknowledges that he has had a charmed life — though at the time of publication he was still employed by the BBC and yet to be fired (for once and for all?) for making the wrong joke to the wrong crowd about a royal birth. That happened in 2019, and I wonder in the five years since his encounter with the po-faced career cancellers has moderated his view. One hopes not, but it must have been harder to make a living, since.
But all that is a long way ahead in this volume, which takes you through his 60s Sarf London childhood, his charmed time as a teenager in a trendy record shop, the punk rock years, his various encounters with pop luminaries, and his early breakthrough on television. And there’s plenty here that had passed me by at the time. I hadn’t realised, for example, that he was one of the last people to ever interview Michael Jackson. His subsequent write-up for the NME gave the world the first hint of Jackson’s unhinged nature.
For younger readers, by the way, the book’s title comes from the poem “The Jumblies” by Edward Lear. It’s an apt metaphor for Danny Baker’s without-a-safety-net life.