And now we come to the “main event” of this year’s re-readathon ~ the original Fear Street Saga Trilogy, purporting to tell the story of the family that lent its name to the eponymous Fear Street. These are not books I read back in the day, but I am a sucker for historical settings and the idea of saga-like families and curses, so I am 1000% in, even a little curious to see how Stine could pull this off.
If this first book is any indication, it’s laughably not well. I have to keep in mind that Stine was really writing for a middle grade rather than YA audience, so I knew going in that nuance would not be factored in at all here, but this is still pretty laughable.
The story opens in 1900, with Nora Goode waiting outside a burning building, clutching an amulet given to her by her love, Daniel Fear. Apparently they were both meant to escape from the roaring fire, but Nora finds herself alone, among the villagers, watching the mansion go up in flames. As she creeps closer, trying to find Daniel, she suddenly has a vision of a girl burning at the stake, with terrifying white eyes, screaming in agony.
The narrative then flashes back to 1692 in Wickam, a Massachusetts Bay colony. Susannah Goode is minding the fire in her dark little home with her overbearing mother and screaming baby brother. She is lost in thought, and eventually goes out for more firewood, hoping against hope to meet the most handsome boy in the settlement, one Edward Fier, son of the local magistrate Benjamin Fier. Benjamin and his brother Matthew rule the settlement with an iron fist and have started their own version of the Salem witch trials, with the twist that their preferred method of death is burning the accused at the stake. Everyone fears the Fier brothers (aheh), even though they were apparently not original Puritan settlers but came from somewhere else.
Anyway, Susannah and Edward meet up in the woods just beyond the settlement and share some kisses, declaring their undying love for each other as well as the fear that their friends are being plucked one by one and accused of witchcraft. Susannah urges Edward to tell his father that they want to marry, but Edward defers. When Susannah gets home that evening, her father tells her that Edward is betrothed to someone else, and Susannah is stunned and heartbroken, thinking that Edward has just being lying to her all this time.
Edward, meanwhile, wants nothing of this arrange betrothal with some unknown woman, and finds the nerve to tell his father that he’d rather marry Susannah, someone far below his station. Benjamin refuses to even countenance this idea, but he’s a bit spooked by Edward’s sudden show of spirit. He broods long and hard about what to do, and eventually decides that he’ll plant some evidence in the Goode home and have Susannah and her mother arrested and tried as witches.
This goes exactly as expected – the town turns on the accused and only their husband/father tries to stand up for them during their “trial.” They are condemned to death, and Edward turns his back on them as well, believing his father would never accuse innocents. (insert major eyeroll here) Mr Goode is desperate to save his family, and he bargains with Matthew Fier to arrange their release. He gives Matthew all of his savings and then some when Matthew promises he can get Benjamin to change his mind and let them go.
This goes exactly as expected as well. Of course the bribe is for naught; indeed, Benjamin, Matthew, and their families cut and run the next morning after stealing the settlements’ goods and money, and Susannah and her mother are burned alive at the stake. Mr Goode is devastated and vows revenge, and then we learn that he has his own kind of revenge. For all that he lives in a Puritan colony, apparently he is a secret devil-worshipper and practitioner of black magic, so he lays a heavy curse on the Fier family in order to avenge his lost loved ones.
After a short interlude with Nora, whom we learn is writing down this history, we move to the wilds of Pennsylvania in 1710, where the Fier brothers and their families have settled, again with much apparent success and power. Edward, inexplicably, lives next door to his horrible father Benjamin, and though he did not go through with the original betrothal, has married a woman and has a very anxious 6-year-old son, Ezra. Matthew has also married and had a kid, the now seventeen-year-old Mary. Mary knows nothing of her family’s sordid past back in Wickham, so she’s happily moving along in her own life and is very close to her cousin Edward.
Then, suddenly, bad things begin to happen to the Fier family. First Edward falls off the roof of his father’s house, breaking an arm, and then Benjamin begins to lose the use of his limbs, one by one. Everyone is concerned (and Matthew is acting strangely) when a beautiful young man happens along to their property and offers his services as a farmhand. Mary is instantly smitten with Jeremy Thorne and soon they begin meeting each other secretly, much as Edward and Susannah did in the first section. One evening, Edward and Mary see a spectacular vision of a girl being burned at the stake and crying in agony,; Edward recognizes Susannah in her death throes; and then the bad things happening to their family start to escalate in a big way.
Mary confides in Jeremy about all the weird things happening to her family: Edward’s wife is found hanging from the rafters, and then Benjamin’s lifeless body is discovered on the stake of a scarecrow. Jeremy ultimately tells her that his father is responsible for the deaths, and relates the history from Wickam. He pleads for Mary to marry him, which would unite their families and thus end the dreadful curse. (I have a feeling this will be the first in a long line of Goodes and Fiers/Fears trying to fix things in this fashion, and all of them failing miserably.)
Mary agrees to this, and tells Edward (who has confronted Matthew and learned that Jeremy’s stories from Wickham are true) and her father that she wants to marry Jeremy even though his is far below her station. Matthew very reluctantly agrees, given she go through one week of mourning for their family losses (ha!). When the big day comes that Jeremy is supposed to bring his father over to hear Matthew’s apology for killing Goode’s family, only Jeremy shows up. Then Matthew whips out his weird little amulet and starts shouting, which causes Jeremy’s head to burst open and reveal that it’s really been Mr Goode all along; he used his dark magic to disguise himself with the intention of stealing Mary Fier away from her family, but he has failed in the face of Matthew’s even stronger dark magic. Matthew starts laughing maniacally at his success in once again defeating Mr Goode; Edward has witnessed all this and decided that this is too much – he grabs his son and Mary and they get the hell out of there.
We skip forward another 15 years and find the now-grown Ezra returning to the Fier homestead in Pennsylvania. He is bitter and angry because his father grabbed him and fled into the night, and they basically had to live hand-to-mouth until Edward fell over from exhaustion, and then Mary passed away without marrying or having kids of their own. Ezra goes back to Matthew’s house and finds two skeletons that have wasted away after being encased in a stone wall in old Matthew’s study. Ezra picks up the amulet from Matthew’s body and puts it on and considers the revenge he must seek on the Goode family for putting his father and grandfather through hell.
This is a very plot-driven story; characterization is the bare minimum needed to keep the action moving. The first place Stine lost me was when Edward somehow reconciled with the father who left his first(?) true love to burn at the stake. Edward then spent the next 20 years under his father’s thumb, when he had the spirit to defy him as a teenager. I’m not sure I was totally sold on him staying so close to his horrible father and never doubting his actions until he overhears Jeremy telling the story to Mary.
Then, after Edward and Mary actually witness Matthew acting like a crazy lunatic as he literally blows his foe away in a rush of black magic, somehow Ezra grows up thinking it’s the *Fiers* who have been wronged and who need to be avenged. Really?
Apparently the next two books in the series continue the saga of the various generations of the Fier/Fear family and their run-ins with the Goodes, at least until Nora’s present-day in 1900. The themes and motifs are crystal clear, and thus far there are no variations on the theme. Iit will be interesting to see how Stine keeps this plot fresh for however many more times this story of “forbidden love” keeps repeating itself and being thwarted.