THE FORMER HARVARD PROFESSOR AND LSD "GURU" LOOKS OVER HIS LIFE
Timothy Francis Leary (1920-1996) was an American psychologist and writer, who has written other books such as 'Your Brain Is God,' 'The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead,' 'The Politics of Ecstasy, etc.
He states that in 1959, "I had quit my post as Director of Psychological Research at the Kaiser Foundation Hospital... because I felt confused about my profession. For ten years my research team had been keeping score on the success-rate of psychotherapy. We found that no matter what kind of psychiatric treatment was used, the same discouraging results occurred. One third of the patients got better, one third stayed the same, one third got worse... for all its efforts, psychology still hadn't developed a way of significantly and predictably changing human behavior. I had found myself practicing a profession that didn't seem to work." (Pg. 16)
He argues, "Since psychedelic drugs expose us to different levels of perception and experience, use of them is ultimately a philosophic enterprise, compelling us to confront the nature of reality and the nature of our fragile, subjective belief systems... We discover abruptly that we have been programmed all these years, that everything we accept as reality is just social fabrication." (Pg. 33) Of his LSD and mescaline research at Harvard, he says, "We were on our own. Western psychological literature had almost no guides, no maps, no texts that even recognized the existence of altered states... We conducted the experiments in faculty homes, in front of comforting fireplaces, with candles instead of electric lights, and evocative music." (Pg. 42)
Of his program with prisoners, he claims that their "return" rate to prison was cut from 70% to 10%. (Pg. 88-89) Later, he adds, "We sensed that the time for a new humanist religion based on intelligent good-natured pluralism and scientific paganism had arrived." (Pg. 109)
Of his (and colleague Richard Alpert, later becoming "Ram Dass") firing from Harvard, he observes, "The official reason for my sacking was that I failed to show up for classes. A phony rap: I had completed all my course work. [Alpert] was ousted for something more romantic. He got caught in the middle of a love triangle involving an editor on the Harvard Crimson staff. It seems that Dick had been turning on a brilliant and handsome student... whose friend... denounced Dick in a fiery editorial. Dick's violation of our promise not to give drugs to undergraduates was thus brought to the attention of the authorities... I didn't want to be a professor anyway." (Pg. 166)
He recalls, "One morning, while I was ruminating in the shower about what kind of slogan would succinctly summarize the tactics for increasing intelligence, six words came to mind. Dripping wet... I walked to the study and wrote down this phrase: 'Turn On, Tune In, Drop Out.' Later it became very useful in my function as cheerleader for change." (Pg. 253)
While on the run from authorities, he spent some time with the Black Panthers in Algeria (Pg. 304-305); he later coined the acronym S.M.I.I.L.E. that he promoted across the country with former nemesis G. Gordon Liddy [of Watergate infamy] (Pg. 372).
He concludes, "The discovery of drugs at the age of forty was an unexpected boon. Here was a direct method to regress the nervous system to the suggestible state where new reality programs could be imprinted. Exploration of one's neurological/genetic equipment can result in metamorphosis of a particularly beneficial kind---rejuvenilization, DNA's built-in warranty that the future will not be like the past... If I were in charge of evolutionary matters on this planet, I would... flood the place with advanced humans wired to take over peaceably and initiate the necessary changes. And behold! This is exactly what DNA seems to have done. Just when the situation looked hopeless, here came 76 million Americans... fresh, confident, programmed for innovation." (Pg. 375-376)
Leary's reputation as "brain-fried" is exaggerated; the portrait that emerges from this book is much more complex and interesting than one would guess from the mass media portraits.