Spoilers galore.
2 stars. This book is a little bit absurd, a little bit comical in terms of, “how exactly can this book be so long yet filled with such little content? How is this allowed?”
#0. I’m gonna be a bit hard on this series now, because the slowness and utter nothingness that occurs in these books is getting kind of ridiculous at this point. Like genuinely baffling and a bit naive that Jordan would think these books are, err, how do I put this, good, despite the fact that they quite literally resemble a chicken soup that isn’t cooked well, so it becomes really just a bowl of flat watery poultry foam. Don’t even know if anybody else understood that analogy, but I understood it, so there, I’m sticking to it. Books 6-9 have literally all been 3/4 boring stuff, 3/4 of absolutely nothing happening, then a semi-redeemable climax. It’s all very monotonous now. While as a whole series you can praise some books for the development and advancement they have for certain plots, certain books absolutely cannot stand on their own, and fail astonishingly and unceremoniously at being an enjoyable fantasy novel. When you look at it as a piece in a bigger story, a part of a bigger picture, it might be enjoyable. But when you read it alone, really sink your teeth into the amorphous blob of this story, you really understand that some entries are weak, stale, boring, and atrociously overlong. And I understand that the payoff at the end of the series is majestic, magnificent, fantastic, literature equivalent to the Second Coming of Christ, but that doesn’t negate the utter flimsiness of the story right now. It’s quite terrible in my opinion.
So yes, I might be more scathing and critical in this review than I usually am. This also might be my longest review, because I have many thoughts. To put it shortly, a lot of pent up aggravation has stirred within me at how stale these books have gotten. But to be honest, at this point in the series WoT has earned it. It has earned my perhaps scathing criticism. While The Slog isn’t the worst thing I’ve ever read, it feels very, very pointless, and very, very boring at times. There’s some good, but the bad and weaknesses of the story greatly overshadow the good, and start to become unavoidably prominent. And though a lot did happen at the end that I wasn’t expecting, that doesn’t excuse how much of a waste this book sometimes feels like. Ok, now let’s get into it.
#1. First things first, in my opinion, an author should not waste your time. That’s not really nice, in my opinion. An author taking deliberate time to build the world in characters ≠ an author wasting your time. For example, Way of Kings. That book is very long, and has parts of it where it’s slow, but it doesn’t waste your time, because Sanderson is always building the world, story, and characters in a deliberate process that takes a bit long. George R. R Martin does this as well. And so does Jordan. You see, Jordan participates in that exact same thing sometimes, of taking his time to flesh everything out. An example of this is Eye of the World. But you see, I said “sometimes”. Books 7 & 9 aren’t one of those times. Jordan is literally just wasting time in my opinion, and for no reason. Dozens of scenes go on where there’s no progression in plot, character, story or world-building. Where we get pointless menial POVs from characters we cannot possibly care about (I swear upon the damn Light if I have to read one more Verin POV…). Where we literally just. Stand. Still. Wasting time. Absolutely no important or effective story beats are being written half the time. Most scenes in a book should have a turning point, a something that validates its presence in the book, and if not, then cut it out. Maybe slot in a breather chapter in there or two, but that’s it! If it’s not important to the narrative then it’s probably not important to the reader, especially when you bog the story down with it. If the character’s life or thought process or motive or anything hasn’t changed, if nothing has changed, if nothing interesting has even happened in that scene, then remove it. Why? Because there’s no progression. There’s no moving. There’s no narrative thrust that makes a reader want to continue flipping the pages. I feel as though I’m beating a dead horse, but I think it should be beaten to death and beyond. If you aren’t going to give me something interesting with Verin, then don’t write about her. If you aren’t going to give me something interesting with Perrin, then don’t write about him. If you aren’t going to give me something interesting with Mat (and Lord knows you haven’t Jordan, especially with those long paragraphs that were literally just talking about lace and how Mat doesn’t like wearing it) then what? Then don’t write about him! Simple! ITTTT’SSS TIIRRRRRRRINNGGGG having to read about characters not doing anything remotely engaging.
You are wasting time, that’s what you’re doing, and that’s not right in my opinion. Don’t rush into things, but also don’t write an entire chapter that’s mostly nothing. Anyways, I’m gonna stop, because I don’t feel like giving writing advice to a majorly successful and influential fantasy writer that has been dead for over a decade now, but I hope you catch my drift.
Ok, phew. *swipes sweat from forehead* First criticism down. Only like a hundred thousand more to go.
#2. The villains. I don’t like how the Forsaken are sometimes written. They are a bit boring now. They often plot and scheme, but they do so without actually doing anything. They just scheme and laugh and lounge around and talk about doing things, but they don’t actually do those things anymore. Mesaana is… literally just light and shadow, and has as much impact on the series as a sock. She’s really not important. She’s just in the White Tower for… reasons… doing… things (I’m assuming, or maybe she’s decided to take a vacation from all her evil duties, to which I would counter—why in the White Tower?) Our heroes barely even interact with them. I miss the days when Nynaeve and Elayne had fought with Moghedien and chained her with an a’dam. I miss the days when Lanfear toyed with Rand and tried to get him to turn to the Shadow. I miss the days when Lanfear literally flayed one of her agents alive. I miss the horrible and bad channelers of the Shadow, oh how mighty they were, and intimidating too. Those were fun and exciting moments, truly great storytelling, and it feels as though it’s been lost. Now none of them are intimidating or a force to be reckon with.
There’s 13 of them, and despite numerous battles and duels throughout these 9 books I think only 3 have died. Asmodean, Belal and Rahvin. What?? That’s so strange and doesn’t really make sense to me why exactly Jordan has kept so many of them alive when it would be beneficial to kill some off. Like I feel as though each book there should be a central Forsaken that’s our villain that we should have to kill, that should’ve been the plan, because now we have too many villains to squash and there’s only four books left (I counted Crossroads of Twilight out since nothing happens apparently). Four books to 1: Deal with the ten remaining Forsaken, many of whom should’ve stayed dead, 2: the Black Ajah, 3: the Seanchan, 4: the Dark One. Can Jordan and Sanderson do it? I don’t know. If these villains had been spread out and handled through the slog, that would’ve been a far better writing choice.
Also, I’m not entirely against resurrections. Not at all. But this is a bit frustrating. These Forsaken shouldn’t have come back. Lanfear shouldn’t have come back. Ishamael shouldn’t have come back (rather, he shouldn’t have died at all really). Aginor shouldn’t have come back. All these cheap, cop-out resurrections and reincarnations are frankly annoying in my opinion. While it makes sense for the world, it diminishes my enjoyment of the series. All tension, every single drop of tension is lost and gone when you literally resurrected multiple of your villains. All intrigue is gone, because they’re just gonna come back if they die, and we know that, because you’ve shown that. The victorious feeling I had when Moiraine pushed and killed Lanfear is all completely sucked dry because Lanfear just comes back. Not only does it ruin the glory of that awesome death (it was a fantastic way to go out) it also diminishes the greatness and glory of Moiraine’s sacrifice. The whole reason she did what she did was so that Lanfear couldn’t get to Rand, but now she can because she’s been revived, and it’s so frustrating. So it turns into this thing where the Forsaken are almost stock villains, with boring, little to no progression, who don’t really do anything sometimes, die but then immediately get resurrected, and rub their hands back and forth because ooo—they’re so evilllll. They are really just pale shadows of their old selves.
If they just died, then it would allow room for other villains to rise up and shine. Lanfear has already had her moment, she was a great, fleshed-out and intimidating villain, but we can be done with her, we don’t need her. Let Semirhage fill her place and allow her (a literal cardboard character) have time to develop. Same thing with Mesaana. Let her actually do something, prove to us readers that she’s actually important to the narrative.
Even Fain (who we haven’t seen in several books but I honestly don’t really care because he’s not compelling in any way shape or form to me) comes back, slices at Rand a little bit for like four paragraphs in a chapter, then scornfully exits the scene by flying down the steps. Extremely laughable. Not intimidating at all. That whole scene reminded me of a bad play. It’s all very… meh.
#3. Rand and his love interests. It is a bit weird in my opinion now, the quadrangle of love interests. I’m fine with polyamorous relationships, they don’t bother me as much as they seem to bother other critics of WoT (and in fact, I have a polyamorous relationship in one of my fantasy stories) but the fact that the others can sense when Rand is having sex and the… passion that they sense on his behalf is a bit invasive to me to the other characters. Makes me cringe a bit. Like yeah, sure, y’all are best friends and sisters and all, and yeah, sure, you loooove Rand, but close enough to be alright with feeling the emotions of the others while having sex? I don’t know, that’s a bit too close in my opinion. Guess they all adore Rand that much. Not to mention how strange it is, the eagerness that all these women have to bear the children of Rand. All of them want his babies. All of them. A whole harem of ladies. Hell, I think Aviendha is said at one point to carry four of Rand’s kids at the same time. That is crazy. It’s just the slightest bit strange. Would almost call it a bit of wish fulfillment on part of Jordan, because what? Aviendha is carrying this guy’s four big ole kids in her womb at the same time? I think Elayne already is pregnant as well! Very weird. Love makes ya do crazy things I guess. Not to mention that Rand is bonded to literally four other women, it gets a bit convoluted. Was there any reason he had to be bonded to so many women? I’m sure we’ll find out soon enough.
#4. At least the characters are fun and well-realized. Which is both a “hurray” moment and a “duh” moment, because hurray that the characters are fun and well-realized, but also duh, because if they aren’t fleshed out at this point then I don’t know what Jordan is doing. Don’t really remember what Perrin was doing so I don’t care. This is the first time I’ve actually enjoyed Mat. I even kinda laughed at one of his jokes. It was me exhaling through my nostrils, the slightest bit humoured, with a smile on my lips, but I’m feeling merciful after my rant, so I’ll count it as laughter. Also, isn’t the whole Mat and Tuon love story technically Stockholm syndrome? He kidnapped her.
This interaction between Birgitte and Aviendha as well was pretty humorous:
“You’d think she was the bloody queen here,” Birgitte muttered. [talking about Elayne, who actually is the bloody queen there lol]
“She is the one who is overproud, Birgitte Trahelion,” Aviendha grumbled. “As proud as a Shaido with one goat.” They nodded at one another in perfect agreement.
Reading that, after some pages of slight bickering between Birgitte and Aviendha, was quite funny. You just need to read it in the book to get it.
This book, in my humble opinion, only has one really powerful, memorable, stand-out moment, that being when Rand and Nynaeve Healed the male half of the Source, and that happens literally 97 percent into the book. Was actually one of the things I hadn’t been spoiled on. And it does have a lot of implications and impact to the later parts of the series, so I’m excited and joyful for that.
Listen. I’m not saying that I hate this book (even though my tone might seem like I do, I don’t). I’m rather disappointed and very, exceedingly irritated. I was, in the beginning, enjoying it. Thought it was pretty solid. I know, I know, not much happens, but the plot developments with the subplots and then the world developments, the implications that certain revelations have over this universe were interesting enough to keep me engaged. I loved having the Seanchan become more important in this series and more of a powerful, abrasive force. But then this book just kept going, while, ironically, events didn’t. The book kept going, but the narrative was still stagnating.
You see what happens is the books are boring in the beginning, and I forgive them of that, because I understand things might be slow. But then Jordan decides punish the reader, to continue to have things be incredibly slow and boring until 90% into the book (97% THIS TIME, I WILL NEVER LET THAT GO), which is when he decides that “oh, wait, I have to write a climax, and an actual ending” (the climaxes of the last couple books have always felt as if Jordan forgot he was supposed to do those and his editor reminded him a day before the due date, so he hastily scrapped something together).
I hope you understand my frustration. I hope it bleeds through the screen. Because I have become angry with these books. I miss the more well-written duels and battles of the other books. The Battle at Falme, the Battle at Rhuidean, Dumai’s Wells, the ending of Fires of Heaven… I miss them. They were so, so, so good. And I haven’t even gotten to the universally heralded “worst” book yet, which I don’t think I will review, just blaze through extremely quickly, skim through and finish, then act like it didn’t happen. I must rip off the bandaid. If I’m going to be forced to run over scorching hot coals of torture in order to get to the goodness at the end, then I’ll do it—but I’m gonna run over it. Again, don’t know if that allegory even made the slightest sense, but I hope you can forgive me, braincells have shut down after reading and writing this.
Overall, disappointed. And tired. My God this review too long. Think this might be the lengthiest, and probably my last one for eternity, since it sucked out my will to write any more.
Time for miscellaneous questions now:
Maybe I missed something, but if thirteen sisters can link together and shield a male channeler is that the same thing for a male Forsaken? Like is there any way a huge group of Aes Sedai can link and take on a Forsaken, or is that just impossible? Could have been answered, but I don’t remember if it was.
How and why do you write a book and make it so the climax of the story literally takes place at the 97% mark??? (I did enjoy though seeing the climax and seeing all these different people/characters reacting to what’s going on, especially since this was an occasion that I never thought would happen—cleansing saidin! Big event!)
Does anybody feel a bit tricked by the Goodreads synopsis of the book? It says, “and the man called Slayer stalks Tel’aran’rhiod and the wolfdream.” But we literally never get that entirely. We get maybe one instance where somebody suspicious looking is in the Unseen World, but it’s never a bit deal, never an actual threat. We barely even go into the Unseen World! We literally go like twice! I enjoyed getting back into Tel’aran’rhiod, we haven’t been here in a while, but it was so short. Not to mention that Perrin also barely has any time in the wolfdream, and doesn’t encounter anybody threatening or villainous there! I don’t know, very ticked off at the apparent baiting in the synopsis, because this “Slayer” dude is never mentioned, barely in the book, and isn’t even a threat. Side-eyeing you, whoever wrote that summary.