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Nebula Awards Showcases #31
Nebula Awards 31: SFWA's Choices For The Best Science Fiction And Fantasy Of The Year
The prestigious Nebula Awards are the Oscars of science fiction and fantasy, the only SF awards bestowed annually by the writers' own demanding peers, the Science-fiction and Fantasy Writers of America. Just as the Nebula Awards honor only the finest science ficiton and fantasy, the Nebula Awards series showcases only the best of the ballot, offering as well fiction and nonfiction not collected elsewhere and a dazzling selection of essays written expressley for each volume. No other best-of-year anthology represents the achievement of the Nebula Awards so well. Nebula Awards 31 is, as Publishers Weekly said of a previous volume, "essential reading for anyone who enjoys science fiction."
352 pages, Paperback
First published April 1, 1997
1 person is currently reading
84 people want to read
About the author
Pamela Sargent
160 books207 followersPamela Sargent has won the Nebula Award, the Locus Award, and has been a finalist for the Hugo Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. In 2012, she was honored with the Pilgrim Award by the Science Fiction Research Association for lifetime achievement in science fiction scholarship. She is the author of the novels Cloned Lives, The Sudden Star, Watchstar, The Golden Space, The Alien Upstairs, Eye of the Comet, Homesmind, Alien Child, The Shore of Women, Venus of Dreams, Venus of Shadows, Child of Venus, Climb the Wind, and Ruler of the Sky. Her most recent short story collection is Thumbprints, published by Golden Gryphon Press, with an introduction by James Morrow. The Washington Post Book World has called her “one of the genre's best writers.”
In the 1970s, she edited the Women of Wonder series, the first collections of science fiction by women; her other anthologies include Bio-Futures and, with British writer Ian Watson as co-editor, Afterlives. Two anthologies, Women of Wonder, The Classic Years: Science Fiction by Women from the 1940s to the 1970s and Women of Wonder, The Contemporary Years: Science Fiction by Women from the 1970s to the 1990s, were published by Harcourt Brace in 1995; Publishers Weekly called these two books “essential reading for any serious sf fan.” Her most recent anthology is Conqueror Fantastic, out from DAW Books in 2004. Tor Books reissued her 1983 young adult novel Earthseed, selected as a Best Book for Young Adults by the American Library Association, and a sequel, Farseed, in early 2007. A third volume, Seed Seeker, was published in November of 2010 by Tor. Earthseed has been optioned by Paramount Pictures, with Melissa Rosenberg, scriptwriter for all of the Twilight films, writing the script and producing through her Tall Girls Productions.
A collection, Puss in D.C. and Other Stories, is out; her novel Season of the Cats is out in hardcover and will be available in paperback from Wildside Press. The Shore of Women has been optioned for development as a TV series by Super Deluxe Films, part of Turner Broadcasting.
Pamela Sargent lives in Albany, New York.
In the 1970s, she edited the Women of Wonder series, the first collections of science fiction by women; her other anthologies include Bio-Futures and, with British writer Ian Watson as co-editor, Afterlives. Two anthologies, Women of Wonder, The Classic Years: Science Fiction by Women from the 1940s to the 1970s and Women of Wonder, The Contemporary Years: Science Fiction by Women from the 1970s to the 1990s, were published by Harcourt Brace in 1995; Publishers Weekly called these two books “essential reading for any serious sf fan.” Her most recent anthology is Conqueror Fantastic, out from DAW Books in 2004. Tor Books reissued her 1983 young adult novel Earthseed, selected as a Best Book for Young Adults by the American Library Association, and a sequel, Farseed, in early 2007. A third volume, Seed Seeker, was published in November of 2010 by Tor. Earthseed has been optioned by Paramount Pictures, with Melissa Rosenberg, scriptwriter for all of the Twilight films, writing the script and producing through her Tall Girls Productions.
A collection, Puss in D.C. and Other Stories, is out; her novel Season of the Cats is out in hardcover and will be available in paperback from Wildside Press. The Shore of Women has been optioned for development as a TV series by Super Deluxe Films, part of Turner Broadcasting.
Pamela Sargent lives in Albany, New York.
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Displaying 1 - 3 of 3 reviews
April 2, 2019
I was quite the reader of sf as a kid and young adult, only cutting back upon obtaining an office, and the responsibilities incumbent upon it, in the SPUSA while pursuing a doctorate in philosophy. Occasionally, however, I do pick up the odd volume such as this one, acquired at the Sullivan H.S. library sale. Collections of award winners are usually safe.
This one is a bit odd. Eight portions of the eighteen selections contained within aren't fiction at all. Several are memoria for writers deceased during the previous year. A couple are reviews of the sf, literary and filmic, of the last year. One, by Gregory Benford, is autobiographical. The rest is fiction, mostly prose fiction. The kind of stuff you'd expect, some very good, some not so.
Going through the appendices, I was surprised to find that I'd read pretty much every Nebula Award winning piece from the beginning until the late seventies--such was my devotion back then! Of course, a lot of them were simply familiar titles/authors. I'd have trouble remembering much plot detail for most of them.
Herein my favorites were the pieces by LeGuin (almost always very good), Friesner, Eskridge and Kelly (all three of whom are otherwise unknown to me). All of the non-fiction stuff was interesting, filling in some of the great gap between 1979 and the present.
This one is a bit odd. Eight portions of the eighteen selections contained within aren't fiction at all. Several are memoria for writers deceased during the previous year. A couple are reviews of the sf, literary and filmic, of the last year. One, by Gregory Benford, is autobiographical. The rest is fiction, mostly prose fiction. The kind of stuff you'd expect, some very good, some not so.
Going through the appendices, I was surprised to find that I'd read pretty much every Nebula Award winning piece from the beginning until the late seventies--such was my devotion back then! Of course, a lot of them were simply familiar titles/authors. I'd have trouble remembering much plot detail for most of them.
Herein my favorites were the pieces by LeGuin (almost always very good), Friesner, Eskridge and Kelly (all three of whom are otherwise unknown to me). All of the non-fiction stuff was interesting, filling in some of the great gap between 1979 and the present.
December 8, 2014
This is the last volume of Pamela Sargent's stint as the Nebula anthology editor, which is unfortunate because she excels at editing these types of varied story collections (such as her Women of Wonder series). There's more work involved in editing a volume like this than you might think--given a limited amount of space, trying to cover an award that is for novels as well as short stories, one must carefully pick and choose. It will be interesting to see who SFWA finds to replace her.
Now as for the material itself:
"Solitude," Ursula K. Le Guin -- I am not a big Le Guin fan--in fact, you could say that I dislike most of her work excluding the Earthsea books. So, when I say that I enjoyed a Le Guin story then it must be special indeed. "Solitude" is a story of culture, one alien to our own. Le Guin posits a world in which past overpopulation has led present society to become the ultimate introverts. Not only do the women live apart from the men (as seen in many feminist SF stories in the past), but they live apart from each other. But it is the method of the story, putting a young child in the place of the observer, in which Le Guin achieves something new here.
"Death and the Librarian," Esther Friesner -- Except for the early part, in which the chameleon-like nature of Death is revealed, this story plods along. When it comes down to the talking heads at the end, I was ready to toss it across the room. Sure, Friesner can write welt enough, but this doesn't have anything Nebula-worthy to it. A disappointment.
"Alien Jane," Kelley Eskridge -- A nice SF tale, taken from the pages of Oliver Sacks, or at least, that is the way it reads to me. Well done, with a satisfying ending.
"Think Like A Dinosaur," James Patrick Kelly -- I haven't road a story this good in a long time! This is the kind of tale that can only be done in SF. Basically a study of what "true" matter transportation would be like, including what the hard choices would be. The result is the best short story I have read in two years.
"The Lincoln Train," Maureen F. McHugh -- An alternate history story with its jumping off point being the survival of Lincoln, except as a handicapped president. The concept is interesting, and the story has a nice moral center, but there was nothing that truly thrilled me here.
"The Resurrection Man's Legacy," Dale Bailey -- A baseball SF tale, reminiscent of Bradbury in its nostalgia and feeling. I was never a Bradbury fan, especially of his warmed over reminisce s of the 5O's, plus I dislike the reverence people give to sport (as opposed to games), so this one really didn't stand much of a chance with me.
"You See But You Do Not Observe," Robert J. Sawyer -- Physics and Sherlock Holmes? Okay, so it was a cute idea, but this is a best of the year. I trust that Sawyer's novel, which did win the Nebula, was much better.
"Enchanted Village," A.E. Van Vogt -- A story from the Grand Master, possibly a little long for the result, but at least it is a result worth reading for. A spaceship crashes on Mars, leaving one lone survivor, who finds a deserted Martian village. The Village may be able to provide for him, but only if he can somehow teach it his needs. Good ending.
"Old Legends," Gregory Benford -- A memoir and essay about SF's role in society, especially American government policy, this was entertaining and enlightening. Benford's goal in this essay is to justify the long held claim by SF fans that stories lead to science just as much as science leads to stories. While I have my doubts about SF's influence today (especially in these times of endless Star Trek novels), Benford shows that it was a very powerful force in the not-so-distant past.
"The Narcissus Plague," Lisa Goldstein -- Cute idea--what if there was a virus that, when you caught it, all you could do was talk about yourself? I liked the conceit, and the story showed promise, but the ending was disappointing.
"Last Summer at Mars Hill," Elizabeth Hand -- A nicely told tale of death and unknown beings. Its power comes not from the fantasy element, but from the portrayal of the characters, each well-drawn and believable. The writing and characterization was so well done that I really wanted to like this story more, but it lacked that sense of the fantastic that I expect from a fantasy story. Great mainstream work, I just want more in my fantasies.
Overall, this was a very rewarding volume. Of the stories, Kelly's "Think Like A Dinosaur" was such a gem, that I will likely be recommending it for years to come. The other highlight was Benford's essay.
Now as for the material itself:
"Solitude," Ursula K. Le Guin -- I am not a big Le Guin fan--in fact, you could say that I dislike most of her work excluding the Earthsea books. So, when I say that I enjoyed a Le Guin story then it must be special indeed. "Solitude" is a story of culture, one alien to our own. Le Guin posits a world in which past overpopulation has led present society to become the ultimate introverts. Not only do the women live apart from the men (as seen in many feminist SF stories in the past), but they live apart from each other. But it is the method of the story, putting a young child in the place of the observer, in which Le Guin achieves something new here.
"Death and the Librarian," Esther Friesner -- Except for the early part, in which the chameleon-like nature of Death is revealed, this story plods along. When it comes down to the talking heads at the end, I was ready to toss it across the room. Sure, Friesner can write welt enough, but this doesn't have anything Nebula-worthy to it. A disappointment.
"Alien Jane," Kelley Eskridge -- A nice SF tale, taken from the pages of Oliver Sacks, or at least, that is the way it reads to me. Well done, with a satisfying ending.
"Think Like A Dinosaur," James Patrick Kelly -- I haven't road a story this good in a long time! This is the kind of tale that can only be done in SF. Basically a study of what "true" matter transportation would be like, including what the hard choices would be. The result is the best short story I have read in two years.
"The Lincoln Train," Maureen F. McHugh -- An alternate history story with its jumping off point being the survival of Lincoln, except as a handicapped president. The concept is interesting, and the story has a nice moral center, but there was nothing that truly thrilled me here.
"The Resurrection Man's Legacy," Dale Bailey -- A baseball SF tale, reminiscent of Bradbury in its nostalgia and feeling. I was never a Bradbury fan, especially of his warmed over reminisce s of the 5O's, plus I dislike the reverence people give to sport (as opposed to games), so this one really didn't stand much of a chance with me.
"You See But You Do Not Observe," Robert J. Sawyer -- Physics and Sherlock Holmes? Okay, so it was a cute idea, but this is a best of the year. I trust that Sawyer's novel, which did win the Nebula, was much better.
"Enchanted Village," A.E. Van Vogt -- A story from the Grand Master, possibly a little long for the result, but at least it is a result worth reading for. A spaceship crashes on Mars, leaving one lone survivor, who finds a deserted Martian village. The Village may be able to provide for him, but only if he can somehow teach it his needs. Good ending.
"Old Legends," Gregory Benford -- A memoir and essay about SF's role in society, especially American government policy, this was entertaining and enlightening. Benford's goal in this essay is to justify the long held claim by SF fans that stories lead to science just as much as science leads to stories. While I have my doubts about SF's influence today (especially in these times of endless Star Trek novels), Benford shows that it was a very powerful force in the not-so-distant past.
"The Narcissus Plague," Lisa Goldstein -- Cute idea--what if there was a virus that, when you caught it, all you could do was talk about yourself? I liked the conceit, and the story showed promise, but the ending was disappointing.
"Last Summer at Mars Hill," Elizabeth Hand -- A nicely told tale of death and unknown beings. Its power comes not from the fantasy element, but from the portrayal of the characters, each well-drawn and believable. The writing and characterization was so well done that I really wanted to like this story more, but it lacked that sense of the fantastic that I expect from a fantasy story. Great mainstream work, I just want more in my fantasies.
Overall, this was a very rewarding volume. Of the stories, Kelly's "Think Like A Dinosaur" was such a gem, that I will likely be recommending it for years to come. The other highlight was Benford's essay.
September 20, 2011
It's hard to know how to rate this collection. Most of the stories are completely unmemorable. But if you read it correctly -- i.e. only the stories that you have marked two years before...then it is really great. In fact, there are two most excellent stories in here...heck, maybe the thing to do is just to check it out from the library and read Think Like a Dinosaur and the deservedly classic Enchanted Village by A. E. van Vogt, present in this collection due to his being named a Grand Master of SF rather tardily in 1996.
Displaying 1 - 3 of 3 reviews