By 1999 when Midnight Magic debuted, Avi's interest in writing about the late Middle Ages was in full swing. Three years later he released Crispin: The Cross of Lead, earning the Newbery Medal that had eluded him for years. Twelve-year-old Fabrizio is the only servant to the once great Mangus the Magician of the Kingdom of Pergamontio in 1491. Less than a year ago, Count Scarazoni criminally charged Mangus as a wielder of dark magic, despite the old man's protestations that he is only a sleight-of-hand artist. King Claudio spared Mangus a death sentence, but he was banished from polite society. On a stormy night as this book opens, that's about to change.
"He who has power has merely taught others they have none."
—Mangus, Midnight Magic, P. 126
"(B)eware the man who first condemns you for your wits, then begs you to use those wits to save him!"
—Mangus, P. 43
Fabrizio is terrified when Count Scarazoni shows up and demands Mangus come with him to King Claudio's castle. The king has a dreadful problem: ten-year-old Princess Teresina has seen a ghost on multiple occasions, always alone when she does. The king has summoned Mangus to discern whether Teresina has indeed witnessed a specter. Mangus and Fabrizio are restricted to their castle bedroom when not investigating, but Fabrizio finds ways to slip out and explore. He can hardly believe when he meets Teresina face to face and she treats him as a friend.
"If you dance with the Devil, your feet will feel the heat."
—Count Scarazoni, P. 29
Mangus commissions Fabrizio as his chief fact finder, and nothing helps more than conversing with Teresina about her ghost sightings. Mangus doesn't believe in ghosts, and as Fabrizio pieces together a clear picture of the paranormal happenings, his own belief wanes. King Claudio's court is awash in political drama, mostly from Count Scarazoni; Teresina is convinced the count murdered her brother, Prince Lorenzo, so he can seize the crown when King Claudio passes. Are the ghost sightings a scam to somehow further this plot? Mangus has little time to solve the mystery before the count loses patience and sentences him to death, but the future of Pergamontio rides on the feeble old magician's deductive skills.
"(M)y life's work is to search for truth with reason. Quite often, reason leads us to places neither expected nor wanted...Can I turn from reason just because it does not please me?"
—Mangus, P. 84
Avi's employment of old-fashioned vocabulary fits the story well, but I felt frustrated by the lack of atmosphere. Midnight Magic is a rather humdrum whodunit; it rarely feels exciting and the characters are nothing special. If this story idea had been placed in another author's hands the book could be a barnburner, and that can't reflect positively on Avi. Midnight Magic has a potentially powerful theme: society allowed an intelligent, imaginative thinker like Mangus to be criminally railroaded despite doing nothing wrong. People believed the accusations because that's what they do, and it nearly destroyed a man with great things to contribute to the kingdom. If that theme were drilled into deeply, Midnight Magic could be a classic, but such was not meant to be.