Instant classic. Easily my favorite nonfiction book of all-time. Inspired and inspiring.
Quality writing about the keystone projects, from the inception of Disneyland in 1955, to the modern park updates across the world: the inception of the EPCOT World Showcase, the stocking of animals in Animal Kingdom, the journey to wine in Disneyland Paris, Tokyo DisneySea in Japan, the failed Disney's America project, the penny-pinching that strapped California Adventure, and lastly Hong Kong and Shanghai.
Leslie Iwerks draws from a variety of sources, including many lesser-known and modern Imagineers. I like how she begins each chapter with the backstory of an Imagineer, detailing the dreams and winding paths that led each contributor to join Disney Imagineering. These warm introductions allowed each individual Imagineer to stand out in my mind.
I plan to update this review in the coming year (2025) with more detailed insights and snippets, but for now, there are too many positives to do justice: the nitty-gritty detail in building materials; the never-before-heard quotations from creative leaders across Imagineering; the unbiased treatment from era to era, from Walt through Eisner and Iger to post-COVID Chapek; the customer reception of various park updates; the international expansion and cultural divides that Disney needed to bridge, with Japan (Oriental Land Company), France, Hong Kong, Shanghai, and even Africa (for Animal Kingdom).
This book might be the best non-fiction story I've read. The level of visual detail -- minus even images and photographs -- comprehensiveness of storytelling, richness in primary sources, and quality of writing are unmatched. It doesn't reek of partial Pollyanna positivity that you find in most other Disney Editions.
If I had anything negative to nitpick, it'd be the inconsistency in chapter length, with some chapters like the China/Shanghai chapter and the projection mapping chapter drawing on endlessly with few sub-chapter headings to break up.
Worse of all, the book lacks a detailed table of contents, index, and glossary, making it near impossible to backtrack and find specific anecdotes, names, or mentions without your own set of notes and bookmarks. I plan to upload my own glossary and footnotes once I've transferred them to digital form, but for now, it's not a good reference book in its current form.
I've contacted Leslie Iwerks to offer sharing my index for a future edition of the book, but she hasn't replied. More to come!