A relatively run-of-the-mill entry in the series, which still means that it's a lot of fun. It starts out as something of a rewrite of "The Hot Rock": once again, a new country, this time post-Soviet rather than post-colonial, is desperate to obtain possession of a relic -- a literal holy relic, the preserved bone of a saint -- because it comes with a UN seat attached. This part didn't make much sense: not just the idea that possession of the relic would entitle either Tsergovia or Votskojek -- two Ruritanias emerging from a breakup more acrimonious than Czechoslovakia's but far more peaceful than Yugoslavia's -- to the original country's UN seat, but that the process of obtaining a UN seat is sufficiently arduous that it matters who gets to inherit the seat. The same goes for J.C.'s sub-subplot, a plan, inspired by Tsergovia, to become her own country: it's too bad, because J.C. is a great character and it would be nice to see more of her, but this idea is too implausible to support more than the few pages it gets. But the necessity for Tsergovia to steal the relic is the kind of motivation for pursuing a McGuffin that you can suspend your disbelief for, and Dortmunder gets involved in a perfectly reasonable way: it turns out that Tiny's family is from Tsergovia, and his cousin -- who looks just like him -- works for the Tsergovian Embassy. Nobody ever wants to say no to Tiny, so Dortmunder agrees to plan the theft, which of course becomes an escalating series of ever-more-complex thefts. Somewhat surprisingly, though, about halfway through the main antagonist changes from Hradec, the Votskojekian ambassador, to Harry Hochman, an American hotel magnate who is hoping to use Votskojek as a beachhead into Eastern Europe for his hotel chain. Hochman doesn't just help Hradec foil Dortmunder, but makes a fool of him, which is the one thing that Dortmunder can't abide: thus, in the second half of the book Dortmunder's plan to get revenge starts to take priority over the bone theft. And while it's always fun to see Dortmunder getting some of his own back, and the new plotline has somewhat more energy in it than the old, it does mean that neither of them are quite as strong as they might be if they were allowed their own book. The same goes for the villains: since they have to share the role, neither Hradec nor Hochman are quite as interesting as they could be. And none of the other characters stick in the mind, either: there are some funny running gags associated with Tiny's cousin Grijk, but Hradec's henchman Dr. Zorn isn't really believable and Zara Kotor the Tsergovian ambassador get treated worse than she deserves. Luckily, there are still the old characters -- Kelp and Stan Murch play prominent roles -- and the quality of the writing is unimpaired, as the heists are very well done and the book is, if not totally hilarious, still quite funny. The result is a perfectly credible entry in the series, not at the level of "Jimmy the Kid" or "Good Behavior" but still well worth reading.