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400 pages, Hardcover
First published September 24, 2024
Let us begin with an establishing shot. A three-story Victorian house stands alone on a hill in the White Mountains. The house boasts a wraparound porch, mansard roof, and bay windows. Despite the building’s age, her shingles gleam, shutters sparkle. In other words, she is beloved.--------------------------------------
We swoop in through an open window on the third floor to reveal a handsome hotel room. A woman with a face of cracked earth leans against the four-poster bed, watching a man in his thirties survey himself in a pedestal floor mirror.
I twist away from the mirror to face my housekeeper.
“How do I look?”
Danny takes her time considering me. “Like Norman Bates,” she jokes.
What if I had never met this group at all? On one hand, they were the cause of my eventual ruin. On the other, these people were fundamental to the man I’ve become. For four years we were family. They shaped my beliefs and sense of humor. They cheered me on. They accepted me. Right up until they didn’t.A locked room mystery in which the sins of the past are brought into the present, threatening the future. There will be blood. There will be suspense. There will be twists. There will be irony. There will be readerly fun.
“I was introduced to Hitchcock via North by Northwest during a film studies course in college. (If you’ve read my book, this will sound familiar.) I’ve been a big fan ever since. What surprised me most as I rewatched some films and watched others for the first time was how much they hold up in 2024—especially the humor. Hitchcock is known as the Master of Suspense, and he is, but I would argue he was just as much a master of comedy. I still can’t believe how funny his movies are. I don’t think humor is something my generation associates with Hitchcock unless you’re a big fan.” - from The Big Thrill interviewLike my mom, Alfred Smettle’s mother was a big fan as well, a gift she passed on to her only child. He carried that interest into college where he became a central figure in a class on film taught by a gifted teacher. (Wrobel had a Dr. Scott as an inspirational teacher in college, and honors him with the naming here.) He even started a film club to take his interest further, sharing his knowledge and enthusiasm with others. These included a band of five fellow students. Alfred was never one of the popular kids, but he found acceptance in the Blue House that they shared. Well, until something went very wrong. There are hints about a debacle in senior year, but we are not let in on what happened until the back end of the book.
What conclusion can a young man draw when he’s the only one who has a hard time making friendships that last? Maybe they stay away for a reason. Maybe his core is rotten. Maybe they all know something he keeps hidden from himself.Review posted - 12/27/24
Stephanie Wrobel is the author of This Might Hurt and Darling Rose Gold, an international bestseller that has sold in twenty-one countries and was a finalist for the Edgar Award for Best First Novel. Her third book, The Hitchcock Hotel, is a USA Today bestseller that published in Fall 2024. She lives in New York City.Interviews