This was a buddy read with my wife, who also wrote much of the content of this review. She tends to write and think a lot like me, so this probably won't be the last of our collaborative efforts:
Too lazy and distracted for a full-blown midlife crisis, Reed Crowe, a depressed and perpetually stoned, single 40-something, ekes out a spartan living, running a cheesy museum tourist trap and no-tell motel on the borderland of the swamp and beaches of the Emerald Coast. He's just learned his best friend and business partner, Wayne, is a serious pervert. His beautiful and talented, but estranged, wife drops by just often enough for him to fall in love with her again. And an insane, amoral, Terminator-meets-Scarface Cuban drug-dealer and assassin, whom Crowe inadvertently wronged over a decade ago, has finally found him and is hellbent on exacting his revenge. Through an unlikely series of events, he and a reluctant Seminole neighbor begin discovering some genuine historical ephemera, help a sweet family of Cuban refugees, try to make Wayne somebody else's problem, and dodge the crazy deformed smuggler. Somewhere in the midst of all the mayhem, Crowe eventually starts to grow up and grow a soul.
This novel tries to be a lot of things at once. It is almost a modern noir. We've got the classic crime fiction Macguffin of the lost stash (in this case, a shipment of marijuana that a young Crowe takes from the wreckage of a smuggler's plane). We have a cynical and broken, yet somehow still innocent, protagonist that gets caught up in the web of the underworld. It is also a dark comedy, with plenty of quirky and lost characters finding their way through what is supposed to be paradise. The human drama goes into some pretty bleak territory, but remains balanced by humor and is fairly grounded. His relationship with his neighbor, for example, was a pleasure to watch grow from distrust to tolerance to friendship. There are elements reminiscent of Chuck Palahniuk, Augustin Burroughs, and David Sedaris. And while it feels like a light, slightly outrageous, page-turning beach read, there are some deep and thoughtful patches in the narrative that may make you pause and reexamine your own life and what it means to have a life worth living.
Cooper now lives in my hometown of New Orleans, but is a native of Fort Lauderdale. The book gets a share of criticism that Cooper wasn't careful about his Florida geography, nor what Florida was like in the 60s through the 80s. He does seem to confabulate space and conflate time a bit, but for the most part, I felt he did a fine job capturing the special magic of this part of America. I vacationed with my family in the Redneck Riviera at least three times a year for a good three decades, and I consider it my second home. The salt and seaweed from the Gulf has not been diluted from these veins after years of landlocked Midwest living, and Cooper's prose brought back the taste of the brine in the air, the feel of the sand between my toes, the hiss of the surf, and even the faint smell of decay among the sea shells, starfish, shark teeth, dried alligator heads, and various examples of taxidermy in the myriad of roadside tourist traps I visited just like the one our hero operates. And besides, those readers not familiar with Florida won't care anyway. It is best not to go into this book with a digital mind and just literally sail with the tide.
So pull of your flip flops, pour yourself a frozen concoction that helps you hang on, and enjoy this meme brought to vibrant life by a fun little summer read.