Sharon Bolton writes this follow up to The Craftsman, both a sequel and a prequel, throwing new light on the past that readers will be familiar with, acknowledged here by the Lancashire Morning Post article by Abby Thorn. There are references to the past in Sabden's hunt for a child killer which led to the arrest of Larry Glassbrook in 1969, and to events in 1999, including the abduction of Florence's son, Ben. Florence Loveday, now a high ranking police officer in the London Met, had felt compelled to visit Larry regularly in prison through the years. Prior to his death, he tells her to look into the remains of 4 children found at the children's home, Black Moss Manor, closed down in 1989, run by Frederick and Judith Aster who had served 2 years in prison for their part in the cruelty and neglect of the vulnerable children in their care.
Initial inquiries by Florence suggest that these are old remains, something Larry disputes, saying he knows they are much more recent. The scene is set for Florence to return to the darkness and horrors of Sabden in Lancashire with its history of the Pendle witches, there is unfinished business that must be tended to, not to mention the fact that she has always been haunted by the disappearance of Marigold McGowan and her new born baby, after she had escaped the children's home. Also returning after 30 years is Cassie, Larry's daughter, wanting to ensure Florence's return to the town, and with her dark obsession of getting back together with her old lover, John Donnelly, now a married man with children. Florence is determined to deal with the evil that runs rampant in Sabden, trying to identify the remains of the dead children. This means that she has no option but to tangle with the dangers of taking on The Craftsmen.
Bolton once again immerses us into the darkness of Sabden, the ongoing practice of the dark arts by The Craftsmen, powerful men willing to do whatever is necessary to protect the Asters and the nightmare of what happened to the children at Black Moss Manor. The only help Florence gets is from Abby Thorn, the journalist, and Sabden's coven of witches, but is this enough? This is a chillingly disturbing read, that revisits a past where little was as it appeared to be, both for Florrie and Cassie. This is a terrific read, and it was a pleasure to return to the terrors of Bolton's Sabden, past and present, with its shocking twist after twist, I have no doubt it will appeal to the author's fans, old and new. However, on a personal level, I did not feel as comfortable with the book being both a prequel and a sequel, but this might just be me, it may have helped if I had reread The Craftsmen. Recommended. Many thanks to the publisher for an ARC.