I stayed up too late to finish reading this and promised to write a review, so here we are.
First of all, I think the authors to themselves a disservice by comparing Throne of Sand to Throne of Glass. Problematic elements I'll discuss in the latter part of this review aside, this was definitely more enjoyable for me to read than any SJM book (those who know me know the many reasons why SJM's books are definitely NOT my cup of tea). The reading experience is easy and quick, descriptive prose is less annoying, the protagonist is more interesting and less codependent on her love interests, and while the love interest (Kassim) is a dick, he is of the dick variety who deserve the "Less of a Jerk Than He Could Have Been" Award.
That being said, I'm really not sure I really want to read the next book in this series? As of the end of this book, barely more than a week or so has passed of Zadie's two-month "probation" period and I'm not really liking all of the elements thus far, even if I did enjoy the book more than I thought I would just based on the blurb.
Stuff I liked:
- It was a relatively quick and painless read; the prose is easy and doesn't try to be more convoluted than it has to be for a new adult-type fantasy romance read. (At times it dips into the anachronistic, but I can forgive that somewhat, I suppose, since that meant it wasn't bogged down by purple prose.)
- Zadie actually wants political power and believably has the skills and ambition to develop her role as a sultanah, which I appreciated (even though at times I did have to question her familial role as the scholarly child, like, why didn't you learn your lesson about your clever djinn after the FIRST time, Zadie?) Even if I don't get to the other books in this series, I do hope she kicks ass as a sultanah.
- Speaking of, I think Tarak is my favorite character of the story so far. He's quite fun and I enjoyed his snark and sass.
- I was worried from the blurb that Kassim would be even worse in the story than he was, but the story kinda surprised me with making him more of a neurotic control-freak for rather believable reasons for a young sultan. I still don't like that he's in love with Tradition (Tradition! Tradition! Tra-dih-shun!) BUT compared to the love interests SJM writes (only mentioned here cuz the authors deliberately comped her books), he's a steal tbh.
- I can appreciate a story narrative that values language narratives. I'm weak for cool languages and linguistics, okay?
- I liked the mythological aspects and the spirits etc. I appreciated that they're actually dangerous and tricky in this story, as opposed to just extra flavoring for the romantic fantasy setting.
- I almost forgot but I did really like the way the Forty Thieves were adapted into the story and am tempted to read on just so I find out what happens to them and Tarak. (And yes, admittedly part of that is the side of me who jumps at any potential suggestion of a queer found family existing in a narrative.)
- Who's a good horse, Bandit? Yes, you are!
Stuff I didn't like:
- OKAY SO: I DO fully realize that the authors of this series are not the first to be inspired by Disney's Aladdin and want to adapt it into a story for an older audience. I'm sure the folks who adore Disney's Aladdin and who are ignorant of how screwed up that particular adaptation is would adore this series. (If I sound bitter, it's because I grew up reading both translations and alternative adaptations of the original 1001 Nights and adored them.)
- THAT BEING SAID: Several times while reading this, I felt like I was beating my head against the wall over how very Disney Aladdin this book is. With very BLATANT references to the Disney movie(s). As in, basically still European Fantasy in quite a few cultural elements/character archetypes/etc etc but with a vaguely Middle Eastern-slash-Indian-for-whatever-probably-racist-reasons-backdrop. To the credit of the story, it does take a turn later and become more immersive in elements that are more believable to a desert culture and whatnot, but overall, I was just internally going, "Oh no, this is the grown up Disneyfied version of Scheherazade."
- Also, I do tend to always side-eye stories set in this sort of region and based somewhat on traditional folklore/mythology/cultures that don't actually really seem to do much research on these particular elements that are written by people from places known for exerting colonial military power on said region for the past several decades, minimum. It leaves, shall we say, a bitter and gritty taste in my mouth as someone interested in both modern and classical history.
- I felt bad for the handmaids in this story tbh. It's not their fault that they're stuck with Zadie for the forseeable future, even though she does her best to get rid of them and ignores what they can teach her about other cultures and also ignores how they're actually trying to help her, politically, in such a patriarchal society.
- Elian, look, I get that he's a crude soldier and whatnot but like later on the book, I was heavily giving him side-eye for the comments he made towards his future sultanah. Not okay, dude. (What happened to the supposedly very traditional society this nation has and its weird way of treating noblewomen like glass dolls?)
- Hepzibah. OH MY GODS. I DO NOT GET YOU, LADY. This sorta relates back to the earlier point about this being Disneyfied to the point of frustrating me. First of all, how did she get the role she has in such a supposedly TRADITIONAL society? EXPLAIN, PLS. Second of all, if you're gonna change up your Disney Aladdin retelling by making the vizier a tradition-defying, supposedly progressive choice on Kassim's part in choosing a woman for the role, then perhaps consider the messaging inherent in making your Jafar expy an antagonist, hmm? Zadie is compared with and pitted against pretty much all of the women in the story (including her mother, her sister and Safiyyah constantly) and YOU WOULD THINK that maybe, just maybe, Hepzibah would try to be an ally towards a fellow educated woman, but NO. UGH. I am so disappointed bc I really value good relationships (platonic or otherwise) between women in the books I read and the progression of Hepzibah from her first mention to the end of the story made me wanna throw things. WE COULD HAVE HAD IT ALLLLLLLLLLL.
- Also, it's plainly obvious to any reader with sense that Zadie is actually attractive and it annoyed me how she'd put herself down all the time (after initially saying at the beginning of the novel that she likes her unique looks, mind you). I can attribute at least some of her self-consciousness to being a heterosexual teenager who is trying to impress her handsome and touchy betrothed, but eventually I did get pretty tired of her being put down so much of the time. There's flashes of the confident girl I know Zadie is, but it often falters in the face of all the other stuff happening to her.
- Sending 4/5 of your political leaders into the desert on a dangerous mission in order to secure more political power. Hmm. Makes sense. /s
- Romantic chemistry, or rather, the lack thereof. While there's a couple shippy moments later on in the novel, for the most part, I do NOT see any romantic tension or whatever between Zadie and Kassim. Probably because Kassim is too much of a traditionalist to cheat on his first spouse, TRADITION.
Overall, I still stand by saying that I liked this story and had fun reading it, but I feel rather ambivalent about picking up the next one since there are some crucial elements to the story that make me hesitate before moving forward. (After all, my ridiculous TBR ain't exactly getting any shorter.) If you like Disney's Aladdin, you will probably enjoy this book a lot.