Front Desk was a propitious start to Kelly Yang's career as a novelist. It followed the experiences of preteen immigrant Mia Tang, who moved to the United States from China as a little girl. Her mother and father had good careers prior to coming here, but in America their credentials don't mean as much; it's been a long road to becoming the proud owners—and primary maintenance workers—of the Calavista Motel in California. Eleven-year-old Mia is starting sixth grade, but is less nervous than last year. She has a best friend, Lupe Garcia, and gets along better with Jason Yao than she used to. The problem is her new teacher, Mrs. Welch, who doesn't seem impressed by Mia's writing skills, and appears to resent kids in class who are immigrants. Lately the television news is dominated by the reelection campaign for California governor Pete Wilson, whose Proposition 187 would ban children of illegal immigrants from public school. Though Mia's family came to America legally, she is horrified: what will become of all those kids if Prop 187 passes? Mrs. Welch's implied approval of the measure does her no favors in Mia's eyes, who suspects this school year may be a long, stressful one.
Mia doesn't realize she has a personal stake in whether Prop 187 is approved until Lupe quietly admits that her family is here illegally, having crossed the border from Mexico without permission. If the state finds out, she and her parents will be deported, and Mia would lose her best friend. That possibility grows when Lupe's grandmother in Mexico dies, and Lupe's mother risks to returning to her home country for the funeral. Tension mounts as weeks pass with no word from Mrs. Garcia, but Lupe and her father can't alert the authorities without drawing attention to their own illegal residency. When a desperate Mr. Garcia has a run-in with police, Lupe's future is in flux, but at least she has Mia's family to turn to. Lupe always has a warm bed waiting at the Calavista Motel, and the Tangs refuse to let her lose hope regarding her parents. The Garcias are decent, hardworking people, assets to the United States; surely there's a way to prove they should be allowed stay in the country they have called home for eight years.
"I have fear every day...But let me tell you something about fear: If you don't control it, it controls you."
—Hank, Three Keys, P. 215
The Calavista Motel is a more consistent moneymaker than when Mr. Yao owned it, running the place with an iron fist and treating Mia and her parents shamefully. The investors are happy with how the Tangs have improved the product, but their support wavers when Mia takes a public stand against Prop 187, posting an "IMMIGRANTS WELCOME" sign outside. Patronage drops off considerably as politics divide their potential clientele, but Mia refuses to take down the sign, and her parents reluctantly side with her. The Tangs are back in financial limbo, their future in America far from secure, but as the weeks roll by toward election day, changes come to Mia's life. Taking a proactive role in the Garcias' legal case, she speaks boldly about it even when met with opposition. Eventually she sees a kinder side of Mrs. Welch, and Mia agrees to her teacher's offer to tutor Mia on technical and stylistic aspects of writing. Mia uses her enhanced communication skills to contact lawyers, journalists, and politicians to rally support for the Garcias ahead of their day in immigration court. Will her confident young voice be heard over the din of democracy in action? The world is changing and so is Mia, but she's lucky to have supportive friends and family as she ventures toward adolescence. These years will be among the most vivid of her entire life.
Smooth and forceful, Kelly Yang's writing has unique emotional urgency. Front Desk was a provocative, thoughtful rebuke to racism in all its forms, highlighting the importance of individuality and perseverance. Three Keys had the same potential, but gets bogged down in the weeds of overt politicization and never pulls free. Ms. Yang's notions about immigration are far to the left, which would be no problem if the story acknowledged there are two principled sides to the issue, both of which believe in the morality of their cause. Instead, Three Keys conflates illegal immigration with immigration, and opposition to illegal immigration with racism, stoking anger against anyone who believes otherwise. A story that weaves in partisan social values isn't necessarily a bad thing, but Kelly Yang crosses the line in this book, especially in the Author's Note when she denounces a specific politician. For these reasons I can only bring myself to rate Three Keys one and a half stars, which is a shame because Kelly Yang is a wonderful storyteller. I have high hopes for episode three of the Front Desk series, Room to Dream. It looks like a winner.