In this book whose brilliant premise is only partly achieved, Balukjian decides to buy an unopened pack of Topps baseball cards from 1986, track down the players he found in the pack, and .... well, it isn't entirely clear at that point - would Balukjian hang out with them? interview them? some of each? An epic road trip ensues, with the author driving 11,000 miles in the summer of 2015 to track down the Wax Packers (his term). Among them is one hall of famer, Carlton Fisk, some other prominent names (Doc Gooden, Rick Sutcliffe, etc.), and several average players (Don Carman, Randy Ready, etc.). Balukjian prefers the average players, and claims to have always done so - his antipathy for Fisk, in particular, who refuses to participate, becomes a leitmotif for the author's 'ordinary people' schtick (Spoiler: Fisk was one of my heroes). If there's a unifying theme, it is Balukjian's desire to understand the impact of baseball on people - both the players and himself - and, in particular, to grapple with how people - again, the players but also Balukjian himself - deal with life after the glory days of ballplaying (or, in the case of a fan, of the magical golden age of young fandom that typically arrives between ages 8 and 12) are over.
It's difficult for me to decide how to slot this book into a genre. I expected it to be a BASEBALL book, but while baseball is its organizing principle, there is little here about baseball that is new or interesting, aside from a few anecdotes about players from the 1970s and 1980s. I guess I expected something deeper or more profound from the baseball side. But, since Balukjian is a biology professor first and an amateur writer second, and not a trained journalist or sportswriter at all, it is probably too much to ask for a profound book of baseball analysis or appreciation. What do I mean by that? well, although Balukjian admits to having done a lot of research in preparation for his trip, and the narrative occasionally reveals that he has prepared himself to push (gently) on a particular episode from a player's past when he meets that player, Balukjian doesn't seem to have developed a uniform set of questions or talking points for his subjects. I'd have thought that he'd have developed a standard set of questions, and asked them in a more journalistic way - but since he's not a trained journalist, and because of his own personality issues, he ends up seeming intimidated and, at times cringingly passive. So in several cases there seems to be no rhyme or reason to the meeting with the player, with Balukjian merely hanging out and shooting the breeze with his target. I mean, in one sense that's pretty cool - who wouldn't like to hang out with Garry Templeton or Rick Sutcliffe? But it doesn't really equate to quality, or consistent, conversations, and especially quality conversations about baseball.
So if it's not a baseball book, or, perhaps, if it's not primarily a baseball book, what is it? I suppose in one sense it's a set of stories with a common theme - how do men readjust to the 'normal' world after living in a particular bubble (the baseball bubble) for between 5 and 25 years? That's pretty interesting, I suppose, but again the inconsistency of the interviewing makes the results pretty generic. We learn that some guys are doing well, and others not so well. The most well-adjusted have accepted what Balukjian sees as a guiding principle, namely that you can't worry about the past, only your current actions. Those that accept this are happy in second or third careers, and typically have happy families; others, who cannot or won't, are more troubled. Fair enough. I guess I'd admit that focusing on the nachleben (or, afterlife) of baseball stars is an interesting decision, but I'm not convinced that it couldn't be done better by someone else.
There's one more element to the book's mixture of genres: the journey of authorial self-discovery. Again, this is a hoary tradition, in which a writer or viewer learns something about himself/herself through the prism of baseball (or some other sport), and Balukjian indulges in it shamelessly. Indeed, this is the part I had the most trouble with. I'd say that 50% of the book is really about Balukjian, and his myriad problems - OCD, his lost 'one true love' (whom he looks up in Houston while looking for Gary Pettis), his relationship with his parents, his impulsive and sometimes self-destructive behavior, etc. Another reviewer wondered if this was an attempt at gonzjo or new journalism, in which the writer is as much a part of the story as the putative subject. Perhaps. If so, it is jarring, at least for me - Balukjian spills too much about himself - do we really need to hear about all the times he's tried to pick up women (and sometimes succeeded)? do we need to hear about his Tinder date with Sophia in FL? how about the drunken debauchery on the first night of the trip that literally leaves him passed out on the side of the freeway? or even his problems with OCD? His anecdotal mention of having 'frist tried cocaine' in Vegas? I'm no prude, but these elements of 'grit' (or whatever - does he think of them as 'real'?) don't help the book much, and sort of turned me off.
In the end, I'm glad I read the book. I think the concept is great, and wonder what someone like Roger Angell, Roger Kahn, Thomas Boswell, etc. could have done with it. In the end, it reads like what it is - a slightly odd fan's semi-professional writing debut.